Fotodiox Pro Fusion Adapter, Smart AF Lens - Canon EOS (EF / EF-S) D/SLR Lens to Sony Alpha E-Mount Mirrorless Camera Body with Full Automated Functions
$ 109.95
Fotodiox Pro Fusion Adapter, Smart AF Lens - Canon EOS (EF / EF-S) D/SLR Lens to Sony Alpha E-Mount Mirrorless Camera Body with Full Automated Functions
MFR SKU: EOS-SnyE-Pro-Fusion | Helix SKU: FXEOSSnyEProFusion
Overview
Sometimes you need more than a simple adapter to mount a lens onto a camera - you need real power. Seize control over the electronic features of your lenses with FUSION lens adapters. Technology built into each adapter enables communication between mixed lens and camera platforms. FUSION adapters enable auto focus, aperture control, image stabilization, and more.
- This product is not firmware upgradable.
- Third party lenses like Sigma or Tamron or other third party lenses have more issues with auto focus and other compatibility issues then Canon branded lenses .
- Mounts Canon EOS (EF / EF-S) D/SLR Lenses to Sony E-mount mirrorless cameras; infinity focus or beyond guaranteed
- Built-in FUSION technology enables electronic communication and control between lens and camera
- Restores automated functions on most lenses such as auto-focus, aperture control, image stabilization and more with compatible lenses
- Precision all-metal construction with chrome plated brass mounts for secure and solid fit
- 24-Month Fotodiox warranty
*weight capacity of tripod foot: 5 pounds
| Lens Mount: | Canon EOS (EF / EF-S) D/SLR Lens |
| Body Mount: | Sony Alpha E-Mount Mirrorless Camera Body |
| Manufacturer: | Fotodiox Inc. |
| Warranty: | 24 Months |
Limitation Details:
- Only Canon-branded lenses introduced in or after 2006 are officially supported, but not all lens are compatible.
- Autofocus may be disabled for older Canon lenses and most third-party lenses (including most Sigma, Tamron and Tokina lenses).
- Lens compatibility is designed to work best on Sony Alpha α6300, α7 II, α7R II, α7 III, α7R III E-Mount cameras
- Third party lenses like Sigma or Tamron lenses have more issues with auto focus.
- Switching between image and video can cause camera to freeze.
- When switching f stops in video mode can cause white flashes in video.
- Certain video modes can cause the camera to freeze.
- Auto Focus can be slow or even not function with varied model lenses and even different lenses of same model
- Continuous AF and video AF are not supported as performance may be unsatisfactory.
All pictures are for illustration purposes only. Actual product may vary slightly due to ongoing improvements in design.
Fotodiox Pro Honeycomb Grid for Jupiter 12 Pro Factor LED Light
$ 134.95
Fotodiox Pro Honeycomb Grid for Jupiter 12 Pro Factor LED Light
MFR SKU: LED-FctrJ12-Grid | Helix SKU: FXLEDFctrJ12Grid
Overview
Product Highlights:
- Allows light to be easily directed towards your subject
- Narrows light angle on Factor LED Lights to 90°
- Easy snap-in design controls spill light
- ABS Plastic Frame w/ Powder-Coated Aluminum Honeycomb
- Limited 2-Year Manufacturer Warranty
The Fotodiox Pro Honeycomb Grid for Fotodiox Pro FACTOR Studio Lights focuses the existing light source into a more contained area to fit challenging light requirements. The grid also provides directional control of the light letting you keep light on your subject and off the background, controlling spillage. Simply clip a Honeycomb Grid into place for easily controlled light.
Specifications:
| Materials | ABS Plastic Frame w/ Powder-Coated Aluminum Honeycomb |
| Manufacturer | Fotodiox Inc. |
| Warranty | Limited 24-Months |
Fotodiox Pro Lens Mount Adapter - Hasselblad H-Mount Digital Backs to Large Format 4x5 View Cameras with a Graflok Rear Standard - Shift / Stitch Adapter with Focusing Screen
$ 439.95
Fotodiox Pro Lens Mount Adapter - Hasselblad H-Mount Digital Backs to Large Format 4x5 View Cameras with a Graflok Rear Standard - Shift / Stitch Adapter with Focusing Screen
MFR SKU: HBH-4x5-Pro | Helix SKU: FX HBH4x5Pro
Overview
Product Highlights:
- Mount a modern camera sensor onto 4x5 view cameras and utilize correction movements (tilts/shifts/swings)
- Preview the full image before taking the first shot with the built in composition screen
- Composition screen has dovetail tracks for various focusing accessories
- Multiple exposures are in a linear array, perfect for flat-stitching to reduce distortion errors inherent in spherical stitching
- 24 Month Manufacturer Warranty
Ever think about using a fantastic Large Format 4x5 camera with a Hasselblad H-Mount film or digital back? Here is your solution! With this adapter you can mount your film or digital back onto popular large format 4x5 view cameras (works on all 4x5 cameras with the standard with graflok back, such as: Cambo, Linhof, Calumet, Horseman, Omega, Toyo, Kodak). This adapter board mounts the backs in a vertical position and slides from side to side allowing more of the scene to be scanned and captured. The sliding board allows focusing and shooting to be done without mounting a separate focusing screen then swapping it out for a digital/film back and vice verse; just slide the full frame focusing screen into place to make the needed tilt/swing/shift adjustments on the camera, then slide the back over to the appropriate marks to fire the shots.
The entire digital image can be compiled using your computer. The sliding adapter allows you to 'scan' the 4x5 back so the multiple images can be stitched together using image editing software into a giant mega-file with amazing detail and clarity! The sliding board has incremental markings to help with positioning and a tension screw lock to keep the sliding board in place during shooting. This Fotodiox Pro-Series mount adapter is machined with pristine precision for the best possible fit. As with all Pro-series adapters, these have been specially crafted to endure professional lenses and repeated use. With unique styling, the lens mount adapter maintains/enhances the professional appearance.
Compatible Cameras:
Cambo, Linhof, Calumet, Horseman, Omega, Toyo, Kodak with graflok back
| Lens Mount | Large Format 4x5 View Cameras with a Graflok Rear Standard |
| Camera Mount | Hasselblad H-Mount Film/Digital Back |
| Manufacturer | Fotodiox Inc. |
| Warranty | 24 Months |
Note:
- The appropriate cable to connect the digital back to the lens is required for use, the cable is not included.
- This is a manual adapter, so lens functions that rely on electronic communication with the camera body (autofocus, AE metering, image stabilization, etc.) will be disrupted.
- 'Focus-By-Wire' lenses (such as Canon's STM or Nikons AF-P) requires power to engage the manual focus rings on the lens, since manual lens mount adapters do not power the lens, those lenses will not be able to focus.
- Set your exposure manually or meter using your camera's Aperture Priority (stop-down) mode.
- If your lens does not have a manual aperture control ring, the lens aperture will revert to its default position, which depending on the lens is either stopped down to its largest f-stop or opened up to its smallest f-stop.
All pictures are for illustration purposes only. Actual product may vary slightly due to ongoing improvements in design.
Fotodiox Pro Lens Mount Adapter - Mamiya RB67/RZ67 Mount Lens to Nikon F Mount SLR Camera Body with Built-In Focusing Helicoid
$ 199.95 - Vendido
Fotodiox Pro Lens Mount Adapter - Mamiya RB67/RZ67 Mount Lens to Nikon F Mount SLR Camera Body with Built-In Focusing Helicoid
Overview
Features:
Compatible Cameras
Nikon F Mount SLR Cameras - Popular models include:
D7100, D7000, D5300, D5200, D5100, D5000, D3300, D3200, D3100, D3000, D800, D800E, D700, D610, D600, D300, D300S, D200, D100, D50, D60, D70, D80, D90, D40, D40x, N70s, D4, D4S, D3, D3S, D3X, D2, D2H, D2Hs, D2X, D2Xs, D1, D1H, D1X, DF
Whether you're shooting digitally or on film, Fotodiox offers the world's largest selection of lens adapters. Mix camera/lens platforms or reinvigorate vintage glass; Fotodiox has hundreds of ways to mount lenses onto your DSLR or SLR camera. Our adapters deliver infinity focus, manual aperture control, and a sturdy build for lasting quality.
| Lens Mount: | Mamiya RB67/RZ67 Mount Lens |
| Body Mount: | Nikon F Mount SLR Camera |
| Manufacturer: | Fotodiox Inc. |
| Warranty: | 24 Months |
Note:
This is a manual adapter, so lens functions that rely on electronic communication with the camera body (autofocus, AE metering, image stabilization, etc.) will be disrupted.
'Focus-By-Wire' lenses (such as Canon's STM or Nikons AF-P) requires power to engage the manual focus rings on the lens, since manual lens mount adapters do not power the lens, those lenses will not be able to focus
Set your exposure manually or meter using your camera's Aperture Priority (stop-down) mode.
If your lens does not have a manual aperture control ring, the lens aperture will revert to its default position, which depending on the lens is either stopped down to its largest f-stop or opened up to its smallest f-stop.
All pictures are for illustration purposes only. Actual product may vary slightly due to ongoing improvements in design.
Fotodiox Pro Lens Mount Adapter - Olympus Zuiko (OM) 35mm SLR Lens to Micro Four Thirds (MFT, M4/3) Mount Mirrorless Camera Body
$ 64.95
Fotodiox Pro Lens Mount Adapter - Olympus Zuiko (OM) 35mm SLR Lens to Micro Four Thirds (MFT, M4/3) Mount Mirrorless Camera Body
Fotodiox SKU: OM-MFT-Pro | Helix SKU: FXOMMFTPro
Overview
Features:
Compatible Cameras
MFT Mirrorless Cameras - Popular models include:
Olympus PEN E-PL1, E-PL1s, E-PL2, E-PL3, E-P2, E-P3, E-M, OM-D, E-M5, E-M10
Panasonic Lumix DMC-G1, G2, G3, G10, GX1, GH1, GH2, GF1, GF2, GF3, GF5, GH4
Panasonic AG-AF100 Mirrorless Digital Cameras
Black Magic Pocket Cinema Camera (BMPCC)
Mirrorless cameras aren't only revolutionary because of their compact size; they're even more versatile for mounting lenses than their full-sized counterparts! Fotodiox offers strong support for mirrorless camera platforms with hundreds of options for mounting both modern and vintage lenses. Our adapters deliver infinity focus, manual aperture control, and a sturdy build for lasting quality.
| Lens Mount: | Olympus Zuiko (OM) 35mm SLR Lens |
| Body Mount: | Micro Four Thirds (MFT, M4/3) Mount Mirrorless Camera Body |
| Manufacturer: | Fotodiox Inc. |
| Warranty: | 24 Months |
Note:
All pictures are for illustration purposes only. Actual product may vary slightly due to ongoing improvements in design.
Fotodiox Pro Lens Mount Adapter Compatible with Canon FD & FL 35mm SLR lens to Canon EOS (EF, EF-S)
$ 59.95
Fotodiox Pro Lens Mount Adapter Compatible with Canon FD & FL 35mm SLR lens to Canon EOS (EF, EF-S)
Fotodiox SKU: FD-EOS-Pro-FC10 | Helix SKU: FXFDEOSProFC10
Overview
Whether you're shooting digitally or on film, Fotodiox offers the world's largest selection of lens adapters. Mix camera/lens platforms or reinvigorate vintage glass; Fotodiox has hundreds of ways to mount lenses onto your DSLR or SLR camera. Our adapters deliver infinity focus and a sturdy build for lasting quality. From standard to portrait, tilt/shift to wide angle - Fotodiox adapters are designed to offer an inexpensive system that enables you to choose from a vast range of lenses to better suit your needs.
One of the problems of using manual focus lenses on Canon EOS bodies is that focus confirmation is disabled. When AF lenses are used - even in manual focus mode - all Canon EOS bodies confirm focus with a green dot in the viewfinder and an (optional) audible beep. However when non-EF compatible lenses are used via an adapter, the focus confirmation is disabled. Unless the camera thinks that an EF compatible lens is attached to it, it switches off both visual and audible focus indication.
Focus confirmation chips 'trick' the Canon EOS body into thinking an EF lens was attached, so that the focus confirmation indicators work with any lens attached. Focus confirmation chips are great because:
- Without live focus, all that is available is a smooth dim viewfinder
- Even with live focus screen it's really hard to see when focus is properly achieved on the subject you want.
Those old split prism viewfinders made a huge difference when focusing, kind of like your own phase detect focusing system.
The leaf spring design in the adapter holds the lens tight to the adapter, mimicking the leaf springs in the camera body, ensuring there is no play between the camera and the lens. The all metal design and polished surface are designed to guarantee a smooth mounting experience for years to come. The depth of the adapters are designed to take into account the differences in focal flange distances between the lens and camera ensuring that all lenses, both brand name and third party, will focus at least to infinity (if not slightly past).
Fotodiox Pro adapters are designed with tight tolerances to create a solid, gap free, no play, no wiggle connection with no adjustments ever needed. The precision all-metal construction with chrome plated brass mounts for a secure and solid fit are backed by the Fotodiox 24-month warranty.
Compatibility
Canon EOS (EF, EF-S) Mount Camera Compatibility - Popular models include:
• 5D Mk IV / 1Ds / 1Ds Mk II / 1Ds Mk III / 1D X / 1D X Mk II
• 5D / 5D Mk II / 5D Mrk III / 6D - Firmware v1.3.3 (later versions not tested)
• 40D / 50D / 60D / 70D / 80D / 77D / 6D Mk II / 7D / 7D Mk II - Firmware v1.0.3 (later versions not tested)
• 100D / 200D / 350D / 400D / 450D / 500D / 600D / 650D / 700D / 750D / 760D / 800D / 1200D / 1300D - Firmware v1.0.3 (later versions not tested)
Fotodiox Pro Lens Mount Adapter Compatible with Nikon Nikkor F Mount G-Type D/SLR Lenses to Nikon Z-Mount
$ 69.95
Fotodiox Pro Lens Mount Adapter Compatible with Nikon Nikkor F Mount G-Type D/SLR Lenses to Nikon Z-Mount
MFR SKU: NikGNikZPRO | Helix SKU: FXNikGNikZPRO
Overview
Features:
Fotodiox Pro Lens Mount Adapter, Canon RF Mount Mirrorless Camera Body to Large Format 4x5 View Cameras with a Graflok Rear Standard - Shift / Stitch Adapter
$ 219.95 - Vendido
Fotodiox Pro Lens Mount Adapter, Canon RF Mount Mirrorless Camera Body to Large Format 4x5 View Cameras with a Graflok Rear Standard - Shift / Stitch Adapter
MFR SKU: 4x5-CRF-P | Helix SKU: FX4x5CRFP
Overview
Product Highlights:
Ever think about using a fantastic Large Format 4x5 camera with a Sony E-Mount D/SLR camera? Here is your solution! With this adapter you can mount your film or digital back onto popular large format 4x5 view cameras (works on all 4x5 cameras with the standard with graflok back, such as: Cambo, Linhof, Calumet, Horseman, Omega, Toyo, Kodak). This adapter board mounts the backs in a vertical position and slides from side to side allowing more of the scene to be scanned and captured.
The entire digital image can be compiled using your computer. The sliding adapter allows you to 'scan' the 4x5 back so the multiple images can be stitched together using image editing software into a giant mega-file with amazing detail and clarity! The sliding board has incremental markings to help with positioning and a tension screw lock to keep the sliding board in place during shooting. This Fotodiox Pro-Series mount adapter is machined with pristine precision for the best possible fit. As with all Pro-series adapters, these have been specially crafted to endure professional lenses and repeated use. With unique styling, the lens mount adapter maintains/enhances the professional appearance.
Specifications:
| Lens Mount | Large Format 4x5 View Cameras with a Graflok Rear Standard |
| Camera Mount | Canon RF Mount Mirrorless Camera Body |
| Product Dimensions | 1.7 x 4.8 x 7.5 in (4.3 x 12.1 x 19 cm) 1 lb (15.8 oz) |
| Shipping Dimensions | 3 x 6 x 9 in (7.6 x 15.2 x 22.9 cm) 2 lb (32 oz) |
| Manufacturer | Fotodiox Inc. |
| Warranty | Limited 24-Months |
Fotodiox Pro Lens Mount Auto Adapter - Canon EOS (EF / EF-S) D/SLR Lens to Canon EOS M (EF-M Mount) Mirrorless Camera Body - with Full Automated Functions
$ 49.95
Fotodiox Pro Lens Mount Auto Adapter - Canon EOS (EF / EF-S) D/SLR Lens to Canon EOS M (EF-M Mount) Mirrorless Camera Body - with Full Automated Functions
Fotodiox SKU: EOS-EOSM-Pro-Auto | Helix SKU: FXEOSEOSMProAuto
Overview
Features:
Compatible Cameras
Canon EF-M Cameras - Popular models include:
Canon EOS M, M2, M3, M5, M10
Mirrorless cameras aren't only revolutionary because of their compact size; they're even more versatile for mounting lenses than their full-sized counterparts! Fotodiox offers strong support for mirrorless camera platforms with hundreds of options for mounting both modern and vintage lenses. Our adapters deliver infinity focus, manual aperture control, and a sturdy build for lasting quality.
| Lens Mount: | Canon EOS (EF / EF-S) D/SLR Lens |
| Body Mount: | Canon EOS M (EF-M) Mount Mirrorless Camera Body |
| Manufacturer: | Fotodiox Inc. |
| Warranty: | 24 Months |
Note:
All pictures are for illustration purposes only. Actual product may vary slightly due to ongoing improvements in design.
Fotodiox Pro TLT ROKR - Tilt / Shift Lens Mount Adapter for Nikon Nikkor F Mount G-Type D/SLR Lenses to Sony Alpha E-Mount Mirrorless Camera Body
$ 219.95
Fotodiox Pro TLT ROKR - Tilt / Shift Lens Mount Adapter for Nikon Nikkor F Mount G-Type D/SLR Lenses to Sony Alpha E-Mount Mirrorless Camera Body
MFR SKU: TLTROKR-NikG-SnyE | Helix SKU: FXTLTROKRNikGSnyE
Overview
Product Highlights:
• Adapter allows lens to 20mm total shift and 10 degrees of tilt
• 360 degrees of rotation built in
• Bring new life to vintage work horse lenses
• Enhanced craftsmanship and high-tolerance construction for demanding professionals
• Limited 2-Year Manufacturer Warranty
Adapter allows lens to 20mm total shift and 10 degrees of tilt
The Fotodiox Pro TLT ROKR adapters allow for a 10mm shift left and right as well as the ability to tilt 10 degrees one way for perspective correction. The shift functionality of the TLT ROKR allows for distortion control and the ability to experiment with creative effects. As well as providing correction for parallax issues, the tilt correction will allow for greater composition control by allowing the separation of objects within the same plane. This will help to highlight the key items in the composition without the need to rearrange or rethink your setup. Utilizing both tilt and shift provides new levels of technical control.
360 degrees of rotation built in
The addition of 360 degree rotating mechanism allows for tilt or shift in any direction desired. The simple mechanism will allow you to adjust tilt and shift in landscape orientation and rotate 90 degrees to achieve the same correction in portrait with no further adjustments.
Bring new life to vintage work horse lenses
Use our TLT ROKR adapter to mount Nikon Nikkor F Mount G-Type D/SLR Lenses to Sony Alpha E-Mount mirrorless camera bodies with the added benefit of distortion control. The TLT ROKR adapters add the ability to tilt and shift these legendary lenses on your Fuji system giving you even more control of your images.
Whether you're shooting digitally or on film, Fotodiox offers the world's largest selection of lens adapters. Mix camera/lens platforms or reinvigorate vintage glass; Fotodiox has hundreds of ways to mount lenses onto your DSLR or SLR camera. Our adapters deliver infinity focus, manual aperture control, and a sturdy build for lasting quality.
Enhanced craftsmanship for demanding professionals
Our TLT ROKR adapters are designed with precision tolerance that creates a solid, gap free, no play, no wiggle connection with no adjustments needed. Precision all-metal construction with chrome plated brass mounts for a secure and solid fit backed by our 24 month Fotodiox warranty.
Compatibility:
Sony Alpha E-Mount Cameras - Popular models include:
• Sony Alpha α7/7R/7S, α7/7R/7S II, α7/7R/7S III, α9
• Sony Alpha a5000, a5100, a6000,a6300, a6500
• Sony Alpha NEX-3, NEX-5/5N/5R/5T, NEX-6, NEX-7, NEX-C3, NEX-F3
• Sony Alpha QX1
Specifications:
| Lens Mount: | Nikon Nikkor F Mount G-Type D/SLR Lens |
| Body Mount: | Sony Alpha E-Mount Mirrorless Camera Body |
| Product Dimensions | 4.1" (10.5cm) x 3.7" (9.3cm) x 1.7" (4.3cm) @ 0.59 lb (9.5 oz) |
| Shipping Dimensions | 5.1" (13cm) x 4" (10.3cm) x 2.2" (5.6cm) @ 0.875 lb (14 oz) |
| Manufacturer | Fotodiox Inc. |
| Warranty | Limited 24-Months |
Fotodiox Universal Barn Door Barndoor Kit with Honeycomb grid (45 Degree), Diffusion and Color Gels for Strobe Light with 5.5" - 7" Reflector
$ 29.95
Fotodiox Universal Barn Door Barndoor Kit with Honeycomb grid (45 Degree), Diffusion and Color Gels for Strobe Light with 5.5" - 7" Reflector
Fotodiox SKU: BarndoorKit-Universal | Helix SKU: FXBarndoorKitUniversal
Overview
The Universal Barndoor Kit comes with a grid and three color gels within metal frames. Barndoor devices alter the shape, amount, or color of the light output from the flash heads. The universal barndoor fits a reflector diameter of 5.5-7in and also has a built-in holder for metal and color gels.
Using a barndoor set attached to the front of the reflector of your light source will allow you to control the light cast on a subject. The more leaves on a barndoor set and the longer the leaves are, the more the light 'beam' may be specifically controlled. Positioning of the leaves will determine the size of the light shaft. Rotating the leaves will determine the angle of the shaft of light. A 4-leaf barndoor provides more light control than a 2-leaf barndoor set.
Product Highlights:
In the Box
Fotodiox WonderPana 145 Core Filter Holder Compatible with Rokinon / Samyang AF 14mm f/2.8 RF & FE Lenses - Ultra Wide Angle Lens Filter Adapter
$ 124.95
Fotodiox WonderPana 145 Core Filter Holder Compatible with Rokinon / Samyang AF 14mm f/2.8 RF & FE Lenses - Ultra Wide Angle Lens Filter Adapter
MFR SKU: WPFA-Core-SY14F28 | Helix SKU: FXWPFACoreSY14F28
Overview
FreeArc Core + Cap
de $ 49.95
Fotodiox WonderPana 145 Step-Up Ring from Fotodiox Pro - Anodized Black Metal Step Up Ring for 77mm, 82mm or 95mm Lens Threads to WonderPana 145mm Round Filters
$ 49.95 $ 49.95
Product Highlights:
The WonderPana 145 Step-Up Ring provides the freedom to use and share 145mm round filters on all of your regular lenses. Fotodiox step-up rings are made with precision out of premium grade aluminum. Every ring is inspected to ensure smooth mounting and is polished and finished with anodized matte surface for professional appearance. Step up rings allow larger sized filters to fit on lenses with smaller sized filter threads.
This step ring will allow the WonderPana145 filters (with a 145mm thread) to fit on lenses with a 77mm, 82mm or 95mm threaded front. Smaller step up rings can be used to adapt to smaller sized lenses (ie; if your lens has a 58mm filter thread, the 58-77mm and 77-145mm step up rings would be used together) and can be purchased separately.
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WonderPana 145 Step-Up Ring Options
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WonderPana 145
Step-Up Ring Only |
WonderPana FreeArc
Step-Up Kit |
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| Materials | Premium Grade Anodized Aluminum |
| Product Dimensions | 5.9 x 5.9 x 0.4 in (14.9 x 14.9 x 1 cm) @ 0.3 lb (4.2 oz) |
| Shipping Dimensions | Ring: 7 x 8 x 2 in (17.8 x 20.3 x 5.1 cm) @ 0.6 lb (10 oz) Kit: 7 x 8 x 4 in (17.8 x 20.3 x 10.2 cm) @ 1.4 lb (22 oz) |
| Manufacturer | Fotodiox Inc. |
| Warranty | Limited 24-Months |
All pictures are for illustration purposes only. Actual product may vary slightly due to ongoing improvements in design.
WonderPana 145 & FreeArc Filter Holder Systems (145mm/168x216mm)
WonderPana 145 Step-Up Rings (145mm/168x216mm)
WonderPana 145 & FreeArc Round Filters (145mm)
WonderPana 66 Rectangular Filters (168x216mm)
WonderPana 66 Upgrade Bracket - For Adding 6.6in Rectangular Filters to the WonderPana Holder
WonderPana 145mm Replacement Lens Cap for the WonderPana 145 or FreeArc Systems
WonderPana 145mm Replacement Metal Lens Cap for the WonderPana 145 or FreeArc Systems
Fotodiox WonderPana 186mm Slim Circular Polarizer (CPL) Filter
$ 149.95
Fotodiox WonderPana 186mm Slim Circular Polarizer (CPL) Filter
MFR SKU: WndPn186-CPL | Helix SKU: FXWndPn186CPL
Overview
Product Highlights:
Fotodiox Pro 186mm Slim CPL Filter is a double threaded circular polarizer (CPL) filter made of optical glass and featuring a rotating ring to allow for light ray selection. Remove unwanted reflections from non-metallic surfaces such as water or glass. CPL Filters are used to select which light rays enter your camera lens. CPL filters can also be used to saturate colors and to provide better contrast. The effect can be seen through the cameras viewfinder and changed by rotating the filter ring. The filter factor varies according to how the filter is rotated and its orientation to the sun or light source (approx. 0.3-3 stops). Typical applications include darkening skies and adding contrast to clouds, eliminating water reflection and window/glass/eyeglass reflection. CPL filters are specifically designed for use with auto-focus SLR cameras (They will also work on manual focus systems and video cameras without problems).
Specifications:
| Materials | Hardened Anodized Aluminum Optical Grade Glass |
| Thread Size | 186mm x 1mm Standard Thread |
| Product Dimensions | 7.5 x 7.5 x 0.4 in (19 x 19 x 1 cm) 0.4 lb (6.9 oz) |
| Shipping Dimensions | 11 x 14 x 1.5 in (28 x 35.6 x 3.8 cm) 0.6 lb (10 oz) |
| Manufacturer | Fotodiox Inc. |
| Warranty | Limited 24-Months |
Fotodiox WonderPana 186mm Slim Multi-Coated Ultra Violet (MC-UV) Filter
$ 99.95
Fotodiox WonderPana 186mm Slim Multi-Coated Ultra Violet (MC-UV) Filter for WonderPana 186 Systems
MFR SKU: WndPn186-UV | Helix SKU: FXWndPn186UV
Overview
Product Highlights:
- Premium grade optical glass filter; high quality, double threaded, slim UV filter
- Premium grade anodized aluminum ring; 186mm x 1mm standard filter thread
- Protects the lens from damage and dust while minimizing haze
- Other 186mm Filters Include: UV, CPL, MC-CPL, Slim ND4/8/16/32/1000
- Limited 2-Year Manufacturer Warranty
Fotodiox Pro 186mm Slim UV Filter is designed to prevent glare and provide the lens with additional protection. The filter is double threaded and thinner than a standard filter to minimize any possibility of vignetting when used with a WonderPana filter system. Helpful when photographing mountain and marine scenes, where increased haze threatens to make your photographs indistinct in color and clarity, UV filters are wise investments. They help protect your camera from dust, moisture and scratches. If desired, they may be left on the lens at all times for protection. UV filters provide additional benefits of correction for Ultraviolet (UV) light, which can register on film and videotape as a bluish cast and can obscure distant details. Ultraviolet filters allow you to correct for the UV effect to varying degrees.
Specifications:
| Materials | Hardened Anodized Aluminum Optical Grade Glass |
| Thread Size | 186mm x 1mm Standard Thread |
| Product Dimensions | 7.5 x 7.5 x 0.3 in (19 x 19 x 0.8 cm) 0.3 lb (5.2 oz) |
| Shipping Dimensions | 11 x 14 x 1.5 in (28 x 35.6 x 3.8 cm) 0.6 lb (10 oz) |
| Manufacturer | Fotodiox Inc. |
| Warranty | Limited 24-Months |
Fotodiox WonderPana 186mm Slim Neutral Density 1000 (10-Stop) Filter - Slim ND1000 Filter
$ 299.95
Fotodiox WonderPana 186mm Slim Neutral Density 1000 (10-Stop) Filter - Slim ND1000 Filter (Works with WonderPana 186 Systems)
MFR SKU: WndPn186-ND1000 | Helix SKU: FXWndPn186ND1000
Overview
Product Highlights:
Fotodiox Pro 186mm Slim ND1000 Filter is a true neutral density filter designed to darken the image by 10 stops. The filter is double threaded and thinner than a standard filter to minimize any possibility of vignetting when used with a WonderPana 186 filter system. It features an even, neutral gray color for creative photography applications. ND1000 filter offers a 10-stop EV value which allows you to slow down the shutter speed or use a larger aperture in bright light conditions. Neutral Density filters have their unique applications and offer the possibility of achieving otherwise impossible results. ND filters reduces the amount of light reaching the film/CCD. Fotodiox ND filters are neutral grey and do not color cast the images.
Specifications:
| Materials | Hardened Anodized Aluminum Optical Grade Glass |
| Thread Size | 186mm x 1mm Standard Thread |
| Density | +10 Stop EV Value |
| Product Dimensions | 7.5 x 7.5 x 0.3 in (19 x 19 x 0.8 cm) 0.3 lb (5.4 oz) |
| Shipping Dimensions | 11 x 14 x 1.5 in (28 x 35.6 x 3.8 cm) 0.6 lb (10 oz) |
| Manufacturer | Fotodiox Inc. |
| Warranty | Limited 24-Months |
Fotodiox WonderPana 186mm Slim Neutral Density 16 (4-Stop) Filter - Slim ND16 Filter
$ 139.95
Fotodiox WonderPana 186mm Slim Neutral Density 16 (4-Stop) Filter - Slim ND16 Filter (Works with WonderPana 186 Systems)
MFR SKU: WndPn186-ND16 | Helix SKU: FXWndPn186ND16
Overview
Product Highlights:
- Premium Grade Optical Glass Filter; High Quality, Single Threaded, Slim ND16 Filter
- Premium Grade Anodized Aluminum Ring, 186mm x 1mm Standard Filter Thread
- Enables slow shutter speeds to be used, allowing film to record movement in subjects such as waterfalls, clouds, or cars
- Decrease depth of field by allowing wider apertures to be used, in turn helping to separate subjects from their background
- Decrease the effective ISO of high-speed film and allow it to be used outdoors in bright situations
- Allows video cameras (which have fixed shutter speeds) to film subjects such as snow, sand or other bright scenes that can cause overexposure
- Other 186mm Filters Include: UV, CPL, MC-CPL, Slim ND4/8/16/32/1000
- Limited 2-Year Manufacturer Warranty
Fotodiox Pro 186mm Slim ND16 Filter is a true neutral density filter designed to darken the image by 4 stops. The filter is double threaded and thinner than a standard filter to minimize any possibility of vignetting when used with a WonderPana 186 filter system. It features an even, neutral gray color for creative photography applications. ND16 filter offers a 4-stop EV value which allows you to slow down the shutter speed or use a larger aperture in bright light conditions. Neutral Density filters have their unique applications and offer the possibility of achieving otherwise impossible results. ND filters reduces the amount of light reaching the film/CCD. Fotodiox ND filters are neutral grey and do not color cast the images.
Specifications:
| Materials | Hardened Anodized Aluminum Optical Grade Glass |
| Thread Size | 186mm x 1mm Standard Thread |
| Density | +4 Stop EV Value |
| Product Dimensions | 7.5 x 7.5 x 0.3 in (19 x 19 x 0.8 cm) 0.3 lb (5.4 oz) |
| Shipping Dimensions | 11 x 14 x 1.5 in (28 x 35.6 x 3.8 cm) 0.6 lb (10 oz) |
| Manufacturer | Fotodiox Inc. |
| Warranty | Limited 24-Months |
Fotodiox WonderPana 186mm Slim Neutral Density 32 (5-Stop) Filter - Slim ND32 Filter
$ 139.95
Fotodiox WonderPana 186mm Slim Neutral Density 32 (5-Stop) Filter - Slim ND32 Filter (Works with WonderPana 186 Systems)
MFR SKU: WndPn186-ND32 | Helix SKU: FXWndPn186ND32
Overview
Product Highlights:
- Premium Grade Optical Glass Filter; High Quality, Single Threaded, Slim ND32 Filter
- Premium Grade Anodized Aluminum Ring, 186mm x 1mm Standard Filter Thread
- Enables slow shutter speeds to be used, allowing film to record movement in subjects such as waterfalls, clouds, or cars
- Decrease depth of field by allowing wider apertures to be used, in turn helping to separate subjects from their background
- Decrease the effective ISO of high-speed film and allow it to be used outdoors in bright situations
- Allows video cameras (which have fixed shutter speeds) to film subjects such as snow, sand or other bright scenes that can cause overexposure
- Other 186mm Filters Include: UV, CPL, MC-CPL, Slim ND4/8/16/32/1000
- Limited 2-Year Manufacturer Warranty
Fotodiox Pro 186mm Slim ND32 Filter is a true neutral density filter designed to darken the image by 5 stops. The filter is double threaded and thinner than a standard filter to minimize any possibility of vignetting when used with a WonderPana 186 filter system. It features an even, neutral gray color for creative photography applications. ND32 filter offers a 5-stop EV value which allows you to slow down the shutter speed or use a larger aperture in bright light conditions. Neutral Density filters have their unique applications and offer the possibility of achieving otherwise impossible results. ND filters reduces the amount of light reaching the film/CCD. Fotodiox ND filters are neutral grey and do not color cast the images.
Specifications:
| Materials | Hardened Anodized Aluminum Optical Grade Glass |
| Thread Size | 186mm x 1mm Standard Thread |
| Density | +5 Stop EV Value |
| Product Dimensions | 7.5 x 7.5 x 0.3 in (19 x 19 x 0.8 cm) 0.3 lb (5.4 oz) |
| Shipping Dimensions | 11 x 14 x 1.5 in (28 x 35.6 x 3.8 cm) 0.6 lb (10 oz) |
| Manufacturer | Fotodiox Inc. |
| Warranty | Limited 24-Months |
Fotodiox WonderPana 186mm Slim Neutral Density 4 (2-Stop) Filter - Slim ND4 Filter
$ 99.95
Fotodiox WonderPana 186mm Slim Neutral Density 4 (2-Stop) Filter - Slim ND4 Filter (Works with WonderPana 186 Systems)
MFR SKU: WndPn186-ND4 | Helix SKU: FXWndPn186ND4
Overview
Product Highlights:
- Premium Grade Optical Glass Filter; High Quality, Single Threaded, Slim ND4 Filter
- Premium Grade Anodized Aluminum Ring, 186mm x 1mm Standard Filter Thread
- Enables slow shutter speeds to be used, allowing film to record movement in subjects such as waterfalls, clouds, or cars
- Decrease depth of field by allowing wider apertures to be used, in turn helping to separate subjects from their background
- Decrease the effective ISO of high-speed film and allow it to be used outdoors in bright situations
- Allows video cameras (which have fixed shutter speeds) to film subjects such as snow, sand or other bright scenes that can cause overexposure
- Other 186mm Filters Include: UV, CPL, MC-CPL, Slim ND4/8/16/32/1000
- Limited 2-Year Manufacturer Warranty
Fotodiox Pro 186mm Slim ND4 Filter is a true neutral density filter designed to darken the image by 2 stops. The filter is double threaded and thinner than a standard filter to minimize any possibility of vignetting when used with a WonderPana 186 filter system. It features an even, neutral gray color for creative photography applications. ND4 filter offers a 2-stop EV value which allows you to slow down the shutter speed or use a larger aperture in bright light conditions. Neutral Density filters have their unique applications and offer the possibility of achieving otherwise impossible results. ND filters reduces the amount of light reaching the film/CCD. Fotodiox ND filters are neutral grey and do not color cast the images.
Specifications:
| Materials | Hardened Anodized Aluminum Optical Grade Glass |
| Thread Size | 186mm x 1mm Standard Thread |
| Density | +2 Stop EV Value |
| Product Dimensions | 7.5 x 7.5 x 0.3 in (19 x 19 x 0.8 cm) 0.3 lb (5.4 oz) |
| Shipping Dimensions | 11 x 14 x 1.5 in (28 x 35.6 x 3.8 cm) 0.6 lb (10 oz) |
| Manufacturer | Fotodiox Inc. |
| Warranty | Limited 24-Months |
Fotodiox WonderPana 186mm Slim Neutral Density 8 (3-Stop) Filter - Slim ND8 Filter
$ 99.95
Fotodiox WonderPana 186mm Slim Neutral Density 8 (3-Stop) Filter - Slim ND8 Filter (Works with WonderPana 186 Systems)
MFR SKU: WndPn186-ND8 | Helix SKU: FXWndPn186ND8
Overview
Product Highlights:
- Premium Grade Optical Glass Filter; High Quality, Single Threaded, Slim ND8 Filter
- Premium Grade Anodized Aluminum Ring, 186mm x 1mm Standard Filter Thread
- Enables slow shutter speeds to be used, allowing film to record movement in subjects such as waterfalls, clouds, or cars
- Decrease depth of field by allowing wider apertures to be used, in turn helping to separate subjects from their background
- Decrease the effective ISO of high-speed film and allow it to be used outdoors in bright situations
- Allows video cameras (which have fixed shutter speeds) to film subjects such as snow, sand or other bright scenes that can cause overexposure
- Other 186mm Filters Include: UV, CPL, MC-CPL, Slim ND4/8/16/32/1000
- Limited 2-Year Manufacturer Warranty
Fotodiox Pro 186mm Slim ND8 Filter is a true neutral density filter designed to darken the image by 3 stops. The filter is double threaded and thinner than a standard filter to minimize any possibility of vignetting when used with a WonderPana 186 filter system. It features an even, neutral gray color for creative photography applications. ND8 filter offers a 3-stop EV value which allows you to slow down the shutter speed or use a larger aperture in bright light conditions. Neutral Density filters have their unique applications and offer the possibility of achieving otherwise impossible results. ND filters reduces the amount of light reaching the film/CCD. Fotodiox ND filters are neutral grey and do not color cast the images.
Specifications:
| Materials | Hardened Anodized Aluminum Optical Grade Glass |
| Thread Size | 186mm x 1mm Standard Thread |
| Density | +3 Stop EV Value |
| Product Dimensions | 7.5 x 7.5 x 0.3 in (19 x 19 x 0.8 cm) 0.3 lb (5.4 oz) |
| Shipping Dimensions | 11 x 14 x 1.5 in (28 x 35.6 x 3.8 cm) 0.6 lb (10 oz) |
| Manufacturer | Fotodiox Inc. |
| Warranty | Limited 24-Months |
Fotodiox WonderPana 200mm x 260mm Graduated Neutral Density 0.6 (Grad-ND4, 2-Stop) Soft Edge Filter for WonderPana 80 Filter Systems
$ 199.95
Fotodiox WonderPana 200mm x 260mm Graduated Neutral Density 0.6 (Grad-ND4, 2-Stop) Soft Edge Filter for WonderPana 80 Filter Systems
MFR SKU: 8x10ND-.6SE | Helix SKU: FX8x10ND6SE
Overview
Product Highlights:
- Provides up to a 2-stop reduction of light in selective areas
- Soft-edged line of transition between the dense and clear areas
- Filter does not affect the overall coloration of the image
- Constructed from optical polycarbonate (CR39) for clarity and durability
- Other WP80 Filters Include: 0.6 & 0.9 in Hard & Soft Edges
- Limited 2-Year Manufacturer Warranty
The Fotodiox WonderPana 80 Soft-Edge Graduated Neutral Density 0.6 Filter is designed for use with the WonderPana 80 filter holder system. It helps to darken specific areas of an image, such as bright skies, while allowing for a normal, unaffected exposure in the other regions of the image. The filter is densest at the top edge and tapers to clear by the middle, with a softer edged line of transition between the dense and clear areas. Neutral density filters do not affect the coloration of the image and this filter provides up to a 2-stop reduction in light from entering the lens.
Specifications:
| Construction | Premium Grade Optical Polycarbonate (CR39) |
| Density | +2 Stop EV Value (at Densest Edge) |
| Product Dimensions | 7.9 x 10.2 x 0.08 in (20 x 26 x 0.2 cm) @ 0.3 lb (5.2 oz) |
| Shipping Dimensions | 11 x 14 x 1.5 in (28 x 35.6 x 3.8 cm) @ 0.6 lb (9 oz) |
| Manufacturer | Fotodiox Inc. |
| Warranty | Limited 24-Months |
All pictures are for illustration purposes only. Actual product may vary slightly due to ongoing improvements in design.
Fotodiox WonderPana 200mm x 260mm Graduated Neutral Density 0.9 (Grad-ND8, 3-Stop) Hard Edge Filter for WonderPana 80 Filter Systems
$ 199.95
Fotodiox WonderPana 200mm x 260mm Graduated Neutral Density 0.9 (Grad-ND8, 3-Stop) Hard Edge Filter for WonderPana 80 Filter Systems
MFR SKU: 8x10ND-.9HE | Helix SKU: FX8x10ND9HE
Overview
Product Highlights:
- Provides up to a 3-stop reduction of light in selective areas
- Hard-edged line of transition between the dense and clear areas
- Filter does not affect the overall coloration of the image
- Constructed from optical polycarbonate (CR39) for clarity and durability
- Other WP80 Filters Include: 0.6 & 0.9 in Hard & Soft Edges
- Limited 2-Year Manufacturer Warranty
The Fotodiox WonderPana 80 Hard-Edge Graduated Neutral Density 0.9 Filter is designed for use with the WonderPana 80 filter holder system. It helps to darken specific areas of an image, such as bright skies, while allowing for a normal, unaffected exposure in the other regions of the image. The filter is densest at the top edge and tapers to clear by the middle, with a harder edged line of transition between the dense and clear areas. Neutral density filters do not affect the coloration of the image and this filter provides up to a 3-stop reduction in light from entering the lens.
Specifications:
| Construction | Premium Grade Optical Polycarbonate (CR39) |
| Density | +3 Stop EV Value (at Densest Edge) |
| Product Dimensions | 7.9 x 10.2 x 0.08 in (20 x 26 x 0.2 cm) @ 0.3 lb (5.2 oz) |
| Shipping Dimensions | 11 x 14 x 1.5 in (28 x 35.6 x 3.8 cm) @ 0.6 lb (9 oz) |
| Manufacturer | Fotodiox Inc. |
| Warranty | Limited 24-Months |
All pictures are for illustration purposes only. Actual product may vary slightly due to ongoing improvements in design.
Fotodiox WonderPana 200mm x 260mm Graduated Neutral Density 0.9 (Grad-ND8, 3-Stop) Soft Edge Filter for WonderPana XL Filter Systems
$ 199.95
Fotodiox WonderPana 200mm x 260mm Graduated Neutral Density 0.9 (Grad-ND8, 3-Stop) Soft Edge Filter for WonderPana XL Filter Systems
MFR SKU: 8x10ND-.9SE | Helix SKU: FX8x10ND9SE
Overview
Product Highlights:
- Provides up to a 3-stop reduction of light in selective areas
- Soft-edged line of transition between the dense and clear areas
- Filter does not affect the overall coloration of the image
- Constructed from optical polycarbonate (CR39) for clarity and durability
- Other WP80 Filters Include: 0.6 & 0.9 in Hard & Soft Edges
- Limited 2-Year Manufacturer Warranty
The Fotodiox WonderPana 80 Soft-Edge Graduated Neutral Density 0.9 Filter is designed for use with the WonderPana 80 filter holder system. It helps to darken specific areas of an image, such as bright skies, while allowing for a normal, unaffected exposure in the other regions of the image. The filter is densest at the top edge and tapers to clear by the middle, with a softer edged line of transition between the dense and clear areas. Neutral density filters do not affect the coloration of the image and this filter provides up to a 3-stop reduction in light from entering the lens.
Specifications:
| Construction | Premium Grade Optical Polycarbonate (CR39) |
| Density | +3 Stop EV Value (at Densest Edge) |
| Product Dimensions | 7.9 x 10.2 x 0.08 in (20 x 26 x 0.2 cm) @ 0.3 lb (5.2 oz) |
| Shipping Dimensions | 11 x 14 x 1.5 in (28 x 35.6 x 3.8 cm) @ 0.6 lb (9 oz) |
| Manufacturer | Fotodiox Inc. |
| Warranty | Limited 24-Months |
All pictures are for illustration purposes only. Actual product may vary slightly due to ongoing improvements in design.
Fotodiox WonderPana Absolute Core Unit for the Canon 14mm Super Wide Angle EF f/2.8L II USM Lens - 130mm Adapter Ring
$ 124.95
Fotodiox WonderPana Absolute Core Unit for the Canon 14mm Super Wide Angle EF f/2.8L II USM Lens - 130mm Adapter Ring
MFR SKU: WPAB-CA14-Core | Helix SKU: FXWPABCA14Core
Overview
Product Highlights:
- For Canon EF 14mm f/2.8L II USM
- WonderPana Absolute Core Unit
- Enables Use of Lee SW-150 Holder
- Enables Use of Cokin X-Pro Holder
The kit contains a WonderPana Absolute 150mm filter holder adapter ring for the Lee SW-150 filter system, a 130mm WonderPana Absolute filter holder adapter ring and a filter holder for both the Cokin X-Pro and FotodioX Pro 130mm filter systems, a 145mm WonderPana Absolute filter adapter ring for 145mm FotodioX round filters, a lens-dedicated retention ring, plus a 145mm inner-pinch lens cap for 145mm FotodioX round filters.
Each individual adapter ring attaches directly to the lens-dedicated retention ring and will not interfere with the Canon EF 14mm f/2.8L II USM lens's zoom capability. The adapter ring for a Lee SW-150 filter holder, as well as the adapter ring for the Cokin X-Pro and FotodioX Pro 130mm filter holders, securely connect to their compatible filter holders. They each allow for a filter holder's free rotation around the lens to complement the use of LEE SW-150, Cokin X-Pro, or FotodioX Pro 130mm graduated neutral density or other filters that are enhanced by varied positioning. Compatible filters can be screwed into the filter adapter ring for 145mm FotodioX round filters. Each adapter ring is designed to help avoid any vignetting. The retention ring and adapter rings within this kit are constructed using aluminum-alloy for durability while remaining lightweight.
The FotodioX Pro 130mm Filter Holder is designed to accommodate multiple Cokin X-Pro series or FotodioX Pro 130mm filters in order to help create the shot you envision. In its standard front-facing position, it can hold up to two rectangular filters for the Cokin X-Pro series or FotodioX Pro 130mm filter holders. Two adjustable, rear-facing brass tension knobs allow the FotodioX Pro 130mm Filter Holder to be rotated or locked into place while installed on a compatible adapter ring and facing front. To further avoid vignetting when needed, the filter holder can be placed in a reverse-facing position where it cannot rotate, but can hold one Cokin X-Pro series or one FotodioX Pro 130mm filter closer to the front of a lens it is used with.
Rectangular Cokin X-Pro series or FotodioX Pro 130mm filters are 130mm-wide and 2.9mm-thick. A FotodioX Pro 130mm filter holder adapter ring or Cokin X-Pro series filter holder adapter ring can be used to connect this plastic filter holder to the front of a lens.
The FotodioX 145mm Center-Pinch Snap-On Lens Cap for Select WonderPana Systems and Filters is a 145mm front lens cap with a squeeze, spring, and snap-on mechanism. It is easy to install as well as remove, and can attach to a WonderPana 145, FreeArc, or Absolute filter holder system in order to protect the front element of a lens that any one of those systems are mounted on. Additionally, this lens cap can be used to protect a non-slim FotodioX WonderPana 145 filter that is mounted on a FotodioX WonderPana 145, FreeArc, or Absolute filter holder system and has no other filters placed in front of it.
Specifications:
|
Fotodiox WonderPana Filter Holder for Olympus 7-14mm f/2.8 M.ZUIKO Digital ED PRO Lens (Micro-4/3 Format) - Ultra Wide Angle Lens Filter Adapter
$ 124.95
Fotodiox WonderPana Filter Holder for Olympus 7-14mm f/2.8 M.ZUIKO Digital ED PRO Lens (Micro-4/3 Format) - Ultra Wide Angle Lens Filter Adapter
MFR SKU: WP145-Core-OM714-MFT28-Cap | Helix SKU: FXWP145CoreOM714MFT28Cap
Overview
Product Highlights:
• Provides the ability to mount a variety of 145mm filters and more!
• Doubles as a hood to help protect your lens from damage, scratches, fingerprints and the elements
• Lightweight, aluminum-alloy construction with a corrosion-resistant, black anodized finish for durability
• Attaches to the lens securely as if it was a part of the lens itself, ultra wide construction to eliminate vignetting
• Limited 2-Year Manufacturer Warranty
WonderPana Overview
Challenging shooting scenarios often call for adding a lens filter to save the shot. However when you're shooting with an Wide Angle or Ultra Wide Angle lens, the bulbous front lens element and lack of threads make it impossible to add filters - until WonderPana. The WonderPana is a complete filter system designed expressly for filtering UWA and WA lenses without vignetting.
With a selection of 20+ different custom lens mounts, plus over 25 different filters, there is a perfect creative combination for any photographer or videographer. We offer 145mm round circular polarizer filters, neutral density ND4-1000, and a selection of 6.6" soft and hard edged rotating square gradient filters.
WonderPana FreeArc Core Option
- If you want to use rectangular graduated filters or mix both round and graduated filters and rotate them to set the horizon line wherever you want, this is for you!
Comprising the dedicated filter holder and a optional bracket for attaching 6.6"-wide rectangular filters, this WonderPana FreeArc Core Filter Holder and 6.6" add-on bracket from Fotodiox enables attaching 145mm threaded filters and caps to the lens, which itself lacks filter threads, the bracket can be added for working with 6.6"-wide square and rectangular filters. Once assembled, the entire system rotates a full 360° for flexible placement of the filter in use.
The optional Fotodiox WonderPana 6.6" Holder Bracket is a two-piece assembly designed to be used in combination with a Fotodiox WonderPana FreeArc Core Unit. When attached it then allows for the convenient use of two 2.5 to 4.0mm-thick filters measuring 6.6in wide, or one 6.6in wide filter along with one 145mm round filter behind it. The WonderPana 6.6" Holder Bracket features a lightweight, aluminum-alloy construction that has a corrosion-resistant, black anodized finish for durability. A rigid pouch is included for storage and transport.
In The Box:
Specifications:
|
FreeArc Core
|
|
| Product Dims | 19 x 15 x 3.8cm @ 12.1oz |
| Shipping Dims | 18 x 18 x 18cm @ 22oz |
| Manufacturer | Fotodiox Inc. |
| Warranty | Limited 24-Months |
Fujifilm EF-X500 TTL Speedlight
$ 449.95 - Vendido
Fujifilm EF-X500 TTL Speedlight
Fuji SKU: 16514118 | Helix SKU: FJ16514118
Overview
- Low-profile, premium design that is perfectly suited to compact and lightweight X-Series cameras.
- High-speed synchronization (FP) that supports the 1/8000 sec. shutter found in the FUJIFILM X-Pro2.
- Multiple flash-unit TTL auto function unleashes users' creativity by allowing them to control any lighting conditions.
- Weather and dust resistant making it the perfect companion for the FUJIFILM X-T1 and X-Pro2, which have the same levels of protection.
FP flash (high-speed flash sync) freeing photographers from worrying about shutter speed
With cameras equipped with a focal plane shutter, when the shutter speed is high, the first and second shutter curtains move across at the same time, making the exposure through a narrow vertical slit between them. Because of this, light from a conventional flash can only reach a small section of the sensor. This is why a slower shutter speed must be used in flash photography, with the range of available shutter speeds severely limited.
EF-X500 supports the FP mode (high-speed flash sync), in which the flash outputs continuous light while the first and second curtains travel across the sensor, thereby enabling flash photography at any shutter speed.
When shooting with a near-maximum aperture to create beautiful bokeh, the shutter speed tends to go higher. This flash mode frees photographers from having to be conscious about shutter speed limitations, and instead allows them to focus on shooting.
Wireless multi-flash TTL freely controlling light on subject and background to enable creative photography
EF-X500 can be used in multi-flash setup to freely control light on a subject and background for a creative result. TTL lighting control is available with single flash and also in the multi-flash setup, so that you can start shooting without having to make cumbersome adjustments to light output.
Multiple flashes can be controlled in up to three groups, each of which can be set up to have different light output, allowing you to fine-tune the space of light. As the light output can also be adjusted from the camera, you don’t need to set it down for lighting control.
This is the first Fujifilm flash that is dust-resistant and water-resistant. Use it with the weather-sealed X Series cameras to broaden your photographic fields.
Dust-resistant and water-resistant capabilities expanding the scope of photographic fields when used with X Series cameras
Innovative design with low center of gravity creating a perfect harmony with the lightweight and compact X Series cameras
The front side of EF-X500's main body is applied with leather texture to compliment the design of the X Series cameras. It is designed with low center of gravity to maintain ease of operation when mounted on the X Series cameras, known for their lightweight and compact bodies.
Other product features
- Maximum guide number approx. 50 (ISO100·m) / 164 (ISO100·ft)
- Zooming the illumination angle for the focal lengths of 24mm - 105mm*, and covering the illumination angle of around 20mm* when the wide panel is used
- Flash head that can be tilted up by 90 degrees, down by 10 degrees, to the left by 135 degrees and to the right by 180 degrees for bouncing light
- Equipped with LED video light that can also be used as AF assist light and catchlight
- Registers up to ten combinations of various settings. Register settings to suit a specific shooting condition in advance, so that they can be activated quickly when required.
Optional accessories
The external battery pack "EF-BP1" takes eight AA batteries to shorten charging time and improve the number of flashes per charge.
Specifications
| Type |
|
|---|---|
| Flash head |
|
| Exposure control |
|
| Charge |
|
| Wireless multi-flash system |
|
| Other functions |
|
| Included items |
Soft case |
| Power source |
|
| Dimensions and weight |
|
FUJIFILM FUJINON Adapter Ring AR-X100 - Silver
$ 49.95 - Vendido
FUJIFILM FUJINON Adapter Ring AR-X100 - Silver
Fujifilm SKU: 16144559 | Helix SKU: FJ16144559
Overview
This adapter ring allows the use of 49mm filters to be used on Fujifilm X100, X100T, X100S, X100F & X100V digital cameras.
Fujifilm NP-W126S Li-Ion Battery Pack
$ 69.95 - Vendido
Fujifilm NP-W126S Li-Ion Battery Pack
Fuji SKU: 16528470 | Helix SKU: FJ16528470
Overview
Specifications
Compatible With:
Fuji X-H1
X-Pro2
X-Pro1
X-T3
X-T2
X-T1
X-T30 II
X-T30
X-T20
X-T10
X-E2S
X-E2
X-E1
X-M1
X-A2
X-A1
X100F
FinePix HS50EXR
HS30EXR
HS33EXR
Fujifilm X-E2S Mirrorless Camera & XF 18-55mm f2.8-4.0 Lens - Black
$ 849.95 - Vendido
FujiFilm X-E2S Mirrorless Camera & XF 18-55mm Lens Kit - Black
FujiFilm SKU: 16499239 | Helix SKU: FJ16499239
Overview
From X-E2 to the X-E2S - the evolution
From Film Simulation to improved performance and faster autofocus - FUJIFILM X-E2S enables you to capture your vision as true-to-life a way as possible. The improved grip, silent electronic shutter and a more intuitive GUI make this an excellent addition to a photographer’s kit.
2.36M-Dot High-Precision Electronic Viewfinder
The FUJIFILM X-E2S is equipped with a 2.36M-dot organic EL electronic viewfinder with 100% coverage. The display is incredibly clear thanks to an optical structure using two glass lenses and one double-sided aspherical lens. Also, since effects such as Film Simulation and exposure compensation can be applied, you can check how an image will look in real time.
It is also possible to display natural tones, just as the naked eye would, by turning the preview picture effects off.
The X-E2S has a viewfinder magnification of 0.62x, making it larger and clearer than entry-level SLR cameras.
16MP APS-C X Trans CMOS II sensor
Due to the X-Trans CMOS II sensor architecture that eliminates the need for an optical low-pass filter (OLPF) and integrates FUJFILM's originally developed color filter array, the FUJIFILM X-E2S reproduces scenes with resolution and clarity rivaling a larger sensor.
X-Trans CMOS II sensor incorporates an original color filter array with a highly random pattern, eliminating the need for an optical low-pass filter (OLPF). These filters are used in conventional systems to inhibit moiré at the expense of resolution. The X-Trans CMOS II sensor array lets the sensor capture unfiltered light from the lens, achieving an unprecedented level of resolution.
Recreating the colors of Fujifilm's photographic films
Over decades of film manufacture Fujifilm has perfected the skill of color reproduction and it lives on in the FUJIFILM X-E2S. Pleasing skin tones, natural blues and greens, and the ability to perfectly record the diversity of white balance conditions throughout the day are all taken in the camera's stride, and it also boasts a wide dynamic range for better reproduction of detail.
Film Simulation, perfected through Fujifilm's passion and philosophy of color reproduction over 80 years of photographic film manufacturing, allows users to create the colors and tones of photographic film, delivering high quality results with ease. If you shoot RAW, the in-camera RAW processing function enables any of the 11 Film Simulation options to be applied post-capture, broadening your shooting options.
Specifications
| Model Name | FUJIFILM X-E2S |
|---|---|
| Number of effective pixels | 16.3 million pixels |
| Image sensor | 23.6mm x 15.6mm (APS-C) X-Trans CMOS II with primary color filter Total number of pixels: 16.7 million pixels
|
| Storage media | SD memory card / SDHC memory card / SDXC (UHS-I) memory card*1 |
| File format |
|
| Number of recorded pixels |
L: (3:2) 4896 x 3264 / (16:9) 4896 x 2760 / (1:1) 3264 x 3264 <Motion Panorama> |
| Lens mount | FUJIFILM X mount |
| Sensitivity | AUTO1/AUTO2/AUTO3 (Control available up to ISO 6400) Equivalent to ISO 200 - 6400 (Standard Output Sensitivity) Extended output sensitivity : Equivalent ISO 100, 12800, 25600 and 51200 |
| Exposure control | TTL 256-zone metering, Multi / Spot / Average |
| Exposure mode | Programmed AE / Shutter Speed priority AE / Aperture priority AE / Manual exposure |
| Exposure compensation | -3.0EV - +3.0EV, 1/3EV step (movie recording : -2.0EV - +2.0EV) |
| Image Stabilizer | Supported with OIS type lenses |
| Face Detection | Yes |
| Shutter type | Focal Plane Shutter |
| Shutter speed | (Electronic Shutter mode) 1sec. to 1/32000sec. *3 (P mode) 4sec. to 1/4000sec., (All other modes) 30sec. to 1/4000sec., Time 30sec. to 1/4000sec., Bulb (max.60min.), Synchronized shutter speed for flash : 1/180sec. or slower |
| Continuous shooting | Approx. 7.0 fps (JPEG : max. approx. 18 frames) Approx. 3.0 fps (JPEG : up to the capacity of the card)
|
| Auto bracketing | AE Bracketing (±1/3EV, ±2/3EV, ±1EV) Film Simulation Bracketing (Any 3 types of film simulation selectable) Dynamic Range Bracketing (100% · 200% · 400%) ISO sensitivity Bracketing (±1/3EV, ±2/3EV, ±1EV) White Balance Bracketing (±1, ±2, ±3) |
| Focus |
|
| White balance | Automatic scene recognition Custom / Color temperature selection (K) Preset : Fine / Shade / Fluorescent light (Daylight) / Fluorescent light (Warm White) / Fluorescent light (Cool White) / Incandescent light / Underwater |
| Self-timer | 10 sec. / 2 sec. Delay |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Startinng time) |
| Flash | Manual pop-up flash (Super Intelligent Flash) Guide number : approx. 5 (ISO100 · m) / approx. 7 (ISO200 · m) |
| Flash modes | Activated when external flash is connected
|
| Hot shoe | Yes (Dedicated TTL Flash compatible) |
| Viewfinder | 0.5-in., approx. 2.360K-dot OLED color viewfinder Coverage of viewing area vs. capturing area : approx. 100% Eye point : approx. 23mm (from the rear end of the camera's eyepiece) Diopter adjustment : -4m-1 to +2m-1 Magnification : 0.62x with 50mm lens (35mm format equivalent) at infinity and diopter set to - 1.0m-1 Diagonal angle of view : approx. 30° (Horizontal angle of view : approx. 25°) Built-in eye sensor |
| LCD monitor | 3.0-inch, aspect ratio 3:2, approx. 1,040K-dot, color LCD monitor (approx. 100% coverage) |
| Movie recording | Full HD 1920 x 1080 60p / 50p / 30p / 25p / 24p, Continuous recording : up to approx. 14 min. HD 1280 x 720 60p / 50p / 30p / 25p / 24p, Continuous recording : up to approx. 27 min.
|
| Photography functions | Advanced SR AUTO, Eye detection AF, Face Detection, Interval timer shooting, Auto Red-eye Removal, Select custom setting, Motion panorama, Color space, Setting (Color, Sharpness, D-range, Gradation), Film Simulation, Advanced Filter, Framing guideline, Frame No. memory, Histogram display, Preview depth of focus, Lens Modulatioon Optimizer, Pre-AF, Focus check, Focus Peak Highlight, Digital Split Image™ *4, Electronic level, Multiple exposure, Release priority / Focus priority selection, Fn button setting (RAW, Movie, etc.), ISO AUTO control, Instant AF setting (AF-S/AF-C), Interlock spot AE & Focus area, Selector button setting, AE-L/AF-L button setting, Edit/Save quick menu, Shutter Type |
| Film Simulation mode | 11 type (PROVIA/STANDARD, Velvia/VIVID, ASTIA/SOFT, CLASSIC CHROME, PRO Neg Hi, PRO Neg. Std, MONOCHROME, MONOCHROME+Ye FILTER, MONOCHROME+R FILTER, MONOCHROME+G FILTER, SEPIA) |
| Dynamic range setting | AUTO, 100%, 200%, 400% |
| Advanced filter | Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple) |
| Playback functions | RAW conversion, Image rotate, Auto image rotate, Face Detection, Red-eye reduction, Photobook assist, Erase selected frames, Image search, Multi-frame playback (with micro thumbnail), Slide show, Mark for upload, Protect, Crop, Resize, Panorama, Favorites |
| Wireless transmitter |
|
| Wireless function | Geotagging, Wireless communication (Image transfer), View & Obtain Images, Remote camera shooting, PC Autosave, instax printer print |
| Other functions | PictBridge, Exif Print, 35 Languages, Date/Time, Time difference, Sound & Flash, High Performance, Preview exp. in Manual mode, EVF Brightness, EVF Color, LCD Brightness, LCD Color, Preview Pic. Effect, DISP. Custom Setting |
| Terminal |
|
| Power supply | NP-W126 Li-ion battery (included) |
| Dimensions | 129mm (W) x 74.9mm (H) x 37.2mm (D) / 5.08in. (W) x 2.95in. (H) x 1.47in. (D) (Minimum Depth : 30.9mm / 1.22 in.) |
| Weight | Approx. 350g / 12.3 oz. (including battery and memory card) Approx. 300g / 10.6 oz. (excluding accessories, battery and memory card) |
| Operating Temperature | 0°C - 40°C (+32°F - +104°F) |
| Operating Humidity | 10 - 80% (no condensation) |
| Battery life for still images*5 | Approx. 350 frames (When XF35mmF1.4 R is set, LCD monitor on) |
| Battery life for movies*5 | Consecutive movie recording : approx. 110 min. (Face detection is set to OFF)
|
| Starting up period | Approx. 0.5 sec., when High Performance mode set to ON Approx. 1.0 sec., when High Performance mode set to OFF
|
| Accessories included | Li-ion battery NP-W126 Battery charger BC-W126 Shoulder strap Body cap Metal strap clip Protective cover Clip attaching tool Owner's manual |
- *1Please see the Fujifilm website (http://www.fujifilm.com/support/digital_cameras/compatibility/card/x/) to check memory card compatibility.
- *2Exif 2.3 is a digital camera file format that contains a variety of shooting information for optimal printing.
- *3The Electronic Shutter may not be suitable for fast-moving objects. Flash can not be used.
- *4Digital Split Image is a trademark or a registered trademark of FUJIFILM Corporation.
- *5Approximate number of frames / period that can be taken with a fully-charged battery based on CIPA standard.
Memory Card Capacity and Image Quality / Size
All figures are approximate; file size varies with the scene recorded, producing wide variations in the number of files that can be stored.
| Modes | Still image (L) | ||
|---|---|---|---|
| Number of recorded pixels | 4896 x 3264 (3:2) | ||
| Quality | JPEG FINE | JPEG NORMAL | |
| SDHC memory card | 8 GB | 1210 | 1910 |
| 16 GB | 2494 | 3951 | |
| Modes | Still image (M) | ||
|---|---|---|---|
| Number of recorded pixels | 3456 x 2304 (3:2) | ||
| Quality | JPEG FINE | JPEG NORMAL | |
| SDHC memory card | 8 GB | 1910 | 3740 |
| 16 GB | 3951 | 7719 | |
| Modes | Still image (S) | ||
|---|---|---|---|
| Number of recorded pixels | 2496 x 1664 (3:2) | ||
| Quality | JPEG FINE | JPEG NORMAL | |
| SDHC memory card | 8 GB | 3570 | 6840 |
| 16 GB | 7373 | 14116 | |
| Modes | RAW | |
|---|---|---|
| SDHC memory card | 8 GB | 230 |
| 16 GB | 494 | |
| Modes | Movie | ||
|---|---|---|---|
| Quality | FULL HD (1920 x 1080) 60p | HD (1280 x 720) 60p | |
| SDHC memory card | 8 GB | 26 min. | 51 min. |
| 16 GB | 54 min. | 105 min. | |
-
*For recording movies, use a card with SD Speed Class with
or higher. - *Individual movies cannot exceed approx. 14 min. on Full HD mode, and approx. 27 min. on HD mode in length.
FujiFilm X-H2s Mirrorless Camera Body
$ 2,499.95
FujiFilm X-H2s Mirrorless Camera Body
Fuji SKU: 16756924 | Helix SKU: FJ16756924
Overview
Never miss a decisive moment.
Featuring a stunning 5th generation X-Trans CMOS 5 HS sensor and X-Processor 5 in a beautifully designed body, photographers and filmmakers alike can now create at the pace of life and the speed of their imaginations.
Specifications
Specifications
| Model name | FUJIFILM X-H2S | |
| Lens Mount | FUJIFILM X mount | |
| Image sensor | 23.5mm x 15.6mm (APS-C) X-Trans CMOS 5 HS with primary color filter | |
| Number of effective pixels | 26.16 millions pixels | |
| Sensor Cleaning System | Ultra Sonic Vibration | |
| Image Processing Engine | X-Processor 5 | |
| Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 / CFexpress Type B Card (-2TB) *Please check Compatibilityfor more detail. *Please check the list of the operation confirmed CFexpress Type B Card |
|
| File format of still image | DCF | Compliant with Design rule for Camera File system (DCF2.0) |
| JPEG | Exif Ver.2.32*1 | |
| HEIF | 4:2:2 10bit | |
| RAW | 14bit RAW (RAF original format) | |
| TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) | |
| Number of recorded pixels | ［L］ | 〈3:2〉 6240 x 4160 〈16:9〉 6240 x 3512 〈1:1〉 4160 x 4160 |
| ［M］ | 〈3:2〉 4416 x 2944 〈16:9〉 4416 x 2488 〈1:1〉 2944 x 2944 | |
| ［S］ | 〈3:2〉 3120 x 2080 〈16:9〉 3120 x 1760 〈1:1〉 2080 x 2080 | |
| Panorama | ［L］ | 〈vertical〉 9600 x 2160 〈Horizontal〉 9600 x 1440 |
| ［M］ | 〈vertical〉 6400 x 2160 〈Horizontal〉 6400 x 1440 | |
| Sensitivity | Still Image | Standard Output: AUTO1 / AUTO2 / AUTO3 /ISO160 - 12800 (1/3 step) Extended Output: ISO80 / ISO100 / ISO125 / ISO25600 / ISO51200 |
| Movie | Standard Output: AUTO / ISO160 - 12800 (1/3 step) Extended Output: ISO25600 |
|
| Exposure control | TTL 256-zone metering / Multi / Spot / Average / Center Weighted | |
| Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) | |
| Exposure compensation | Still | -5.0EV - +5.0EV 1/3EV step |
| Movie | -2.0EV - +2.0EV 1/3EV step | |
| Image stabilizer | Mechanism | Image sensor shift mechanism with 5-axis compensation |
| Compensation Effect | 7.0 stops *based on CIPA standard *Pitch/yaw shake only *With XF35mmF1.4 R lens mounted |
|
| Digital Image Stabilization | Yes (movie mode only) | |
| IS MODE BOOST | Yes (movie mode only) | |
| Shutter type | Focal Plane Shutter | |
| Shutter speed | Mechanical shutter | P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. |
| Electronic shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb: 1sec. Fixed |
|
| Electronic front curtain shutter | P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. |
|
| Mechanical + Electronic shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb: up to 60min. *Mechanical shutter works until 1/8000sec. |
|
| E-front + Mechanical shutter | P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec. |
|
| E-front + Mechanical + Electronic shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec. |
|
| Movie | 6.2K: 1/8000sec. to 1/24 sec. DCI4K/4K: 1/8000sec. to 1/4 sec. FHD: 1/8000sec. to 1/4 sec. *Cannot choose slower shutter speed than framerate for some settings. |
|
| Synchronized shutter speed for flash | Mechanical shutter: 1/250sec. or slower Electronic shutter: 1/125sec. or slower |
|
| Continuous shooting | CH Electronic shutter Approx. 40fps (JPEG: 184 frames, Compressed RAW: 175 frames, Lossless compressed RAW: 170 frames, Uncompressed RAW: 140 frames) CH Electronic shutter Approx. 30fps (JPEG: 1000+ frames, Compressed RAW: 270 frames, Lossless compressed RAW: 250 frames, Uncompressed RAW: 180 frames) CH Electronic shutter Approx. 20fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 800 frames) CH Electronic shutter Approx. 15fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 1000 frames) CH Mechanical shutter Approx. 15fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 1000 frames) CH Mechanical shutter Approx. 10fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 1000+ frames) CL Mechanical shutter Approx. 8.0fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 1000+ frames) Pre-shot Electronic shutter Approx. 40fps (While half press: 40 frames, After full press: 110 frames, Total: 150 frames) Pre-shot Electronic shutter Approx. 30fps (While half press: 30 frames, After full press: 1000+ frames) Pre-shot Electronic shutter Approx. 20fps (While half press: 20 frames, After full press: 1000+ frames) Pre-shot Electronic shutter Approx. 15fps (While half press: 15 frames, After full press: 1000+ frames) *No. of recordable frames are calculated based on CFexpress Type B card in a cold start *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting frames |
|
| Drive Mode | AE Bracketing | 2 frames / 3 frames / 5 frames / 7 frames / 9 frames *by 1/3EV step, up to ±3EV steps |
| Filmsimulation bracketing | Any 3 types of film simulation selectable | |
| Dynamic Range Bracketing | 100% / 200% / 400% | |
| ISO sensitivity Bracketing | ±1/3EV / ±2/3EV / ±1EV | |
| White Balance Bracketing | ±1 / ±2 / ±3 | |
| Focus Bracketing | AUTO / MANUAL | |
| Multiple Exposure | Yes (Max. 9 frames) / Additive / Average / Bright / Dark | |
| HDR Mode | AUTO / 200% / 400% / 800% / 800% + | |
| Advanced filter | Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple) | |
| Focus | Mode | Single AF / Continuous AF / MF |
| Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
| Low-light Performance | Contrast: -4.0EV XF50mmF1.0 attached Phase Detection: -7.0EV XF50mmF1.0 attached |
|
| AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
| Face/eye detection | Yes | |
| Subject detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) | |
| Flash | EF-X8 | Guide Number: approx. 11 (ISO200・m) / approx. 8 (ISO100・m) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
| Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
| Synchronized terminal | Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: MANUAL |
|
| Hot shoe | Yes (Dedicated TTL Flash compatible) | |
| Viewfinder | EVF: 0.5 inch OLED Color Viewfinder, Approx. 5.76 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 24mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -5 - +3m-1 Magnification: 0.80x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 40° (Horizontal angle of view: approx. 32° ) Built-In Eye Sensor |
|
| LCD monitor | 3.0 inch vari-angle Touch Screen Color LCD Monitor Aspect Ratio: 3:2 Dots: Approx. 1.62 million dots |
|
| Touch Screen Mode | Shooting Mode | Shooting, AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), EVF Touch Screen Area Setting |
| Playback Mode | Swipe, Pinch-in / Pinch-out, Double-tap, Drag | |
| Sub LCD monitor | 1.28 inch Monochrome LCD Monitor Aspect Ratio: 1:1 Dots: 128x128-dot |
|
| Movie recording | File format | MOV: Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling) Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling) Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit / 48KHz sampling) HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
| Movie compression | All Intra / Long GOP | |
| File size Frame rate Bitrate |
[6.2K(3:2)] 6240 x 4160 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [DCI4K(17:9) High speed rec.] 4096 x 2160 120p/100p 720Mbps(recording)/360Mbps(recording)/200Mbps(recording) [4K(16:9) High speed rec.] 3840 x 2160 120p/100p 720Mbps(recording)/360Mbps(recording)/200Mbps(recording) [Full HD(17:9) High speed rec.] 2048 x 1080 240p/200p/120p/100p 720Mbps(recording)/360Mbps(recording)/200Mbps(recording) [Full HD(16:9) High speed rec.] 1920 x 1080 240p/200p/120p/100p 720Mbps(recording)/360Mbps(recording)/200Mbps(recording) *For recording movies, use a CFexpress Type B card or SD memory card with UHS Speed Class 3 or higher. *For recording movies in 360Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 60 or higher. *For recording movies in 720Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 90 or higher. *Selectable bitrate will be changed depends on the setting. *Apple ProRes codec can be only recorded to CFexpress Type B card *Bitrate for Apple ProRes codec is not selectable. *Recording time can become short depending on the temperature and/or shooting conditions |
|
| Film simulation mode | 19 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia) | |
| Monochromatic Color | Yes | |
| Grain Effect | Roughness | STRONG, WEAK, OFF |
| Size | LARGE, SMALL | |
| Color Chrome Effect | STRONG, WEAK, OFF | |
| Color chrome Blue | STRONG, WEAK, OFF | |
| Smooth Skin Effect | ||
| Dynamic range setting | Still | AUTO / 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO320 or more、DR400%: ISO640 or more |
| Movie | 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO320 or more、DR400%: ISO640 or more |
|
| White balance | Auto | White Priority / Auto / Ambience Priority |
| Custom | Custom1 - 3 | |
| Color temperature selection | 2500K - 10000K | |
| Preset | Daylight / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater | |
| Clarity setting | ±5 steps | |
| Self-timer | 10sec. / 2sec. | |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing) | |
| Wireless transmitter | Standard | IEEE802.11a/b/g/n/ac (standard wireless protocol) |
| Encryption | WPA/WPA2 mixed mode, WPA3 | |
| Access mode | Infrastructure | |
| Bluetooth® | Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) |
| Operating frequency (Center frequency) | 2402 - 2480MHz | |
| Terminal | Digital interface | USB Type-C (USB3.2 Gen2x1) |
| HDMI output | HDMI connector (Type A) | |
| Others | ø3.5mm, stereo mini connector (Microphone) ø3.5mm, stereo mini connector (Headphone) ø2.5mm, Remote Release Connector Hot shoe Synchronized terninal |
|
| Power supply | NP-W235 Li-ion battery (included) | |
| Battery life for still images*2 | Economy Mode: Approx. 720 frames Normal Mode: Approx. 580 frames *When XF35mmF1.4 R is set |
|
| Actual battery life of movie capture*2 | 6.2K: Approx. 90min. (29.97p) 4K: Approx. 70min. (59.94p), Approx. 60min (120p) Full HD: Approx. 95min. (59.94p) *Face detection is set to OFF |
|
| Continuance battery life of movie capture*2 | 6.2K: Approx. 120min. (29.97p) 4K: Approx. 105min. (59.94p) Full HD: Approx. 165min. (59.94p) *Face detection is set to OFF |
|
| Dimensions | Width: 136.3mm Height: 92.9mm Depth: 84.6mm (Minimum Depth) 42.8mm |
|
| Weight | including battery and memory card: Approx. 660g excluding battery and memory card: Approx. 579g |
|
| Operation Environment | Operating Temperature | -10℃ - +40℃ |
| Operating Humidity | 10% - 80% (no condensation) | |
| Starting up period | Approx. 0.49sec. | |
- *1 Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing
- *2 Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.
Item Includes
| Accessories Included | Li-ion battery NP-W235S AC power adapter AC-5VJ Plug adapter USB cable Shoulder strap Body cap Hot shoe cover File transmitter/vertical battery grip connector cover Memory card slot cover Sync terminal cover Cooling fan connector cover Cable protector |
|
Fujifilm X-T5 Mirrorless Camera Body - Black
$ 1,699.95 - Vendido
Fujifilm X-T5 Mirrorless Camera Body - Black
Fujifilm SKU: 16782301 | Helix SKU: FJ16782301
Overview
Photography First
X-T1 was originally released in 2014 to celebrate Fujifilm’s 80th anniversary.
It would go on to lead a mirrorless camera revolution.
Almost a decade and five generations later, Fujifilm’s latest imaging technology has come to X-T5, bringing photographers unrivalled image quality in a timeless, classic, and beloved camera body.
High Resolution 40.2MP BSI Imaging Sensor
The high-resolution 40.2MP X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio, delivering astonishing image quality.
Three top-plate dials
Three dials control ISO, shutter speed, and exposure compensation from the camera’s top-plate. Together with the aperture ring on most XF lenses, all exposure settings can be checked and adjusted before powering on the camera.
Create with confidence and concentrate on making an image.
Lightweight, high performance
X-T5 features a five-axis in-body image stabilization (IBIS) system that provides up to 7.0 stops of compensation and a 3.69 million dot EVF with an 0.8x magnification ratio. Despite this, the camera body only weighs 557g (1.23lb). Dials and buttons provide easy operation, letting life’s most precious moments stand a chance of being documented to see another day.
Three-way tilting LCD
A three-way tilting LCD offers enhanced versatility, particularly when working at waist level or in portrait orientation. The combination of tilting LCD and center viewfinder aligns the lens, camera, and photographer on the optical axis, for a more comfortable and intuitive image-making experience.
Film Simulation
19 Film Simulation modes inside of X-T5 digitally replicate the look of the classic photographic film stocks developed by Fujifilm for over 85 years. Reproduce the classic colors and tones that Fujifilm are known for, or add an artistic flair and start to Build Your Legacy.
White Balance
Fine adjustments can be made to Auto White Balance (AWB) by selecting one of three modes: Auto, White Priority, and Ambience Priority. Set to White Priority, white is more likely to be reproduced as white under incandescent lighting. However, when Ambience Priority is set, scenes will be photographed with the natural lighting characteristics of the scene preseved. Under incandescent lighting, this will generally result in images with warmer white tones.
AWB driven by AI technology
New deep-learning AI technology optimizes Auto White Balance performance in X-T5 by accurately identifying warm, orange-tinged colors to assist with the camera’s Auto White Balance accuracy.
Subject Detection Autofocus
X-Processor 5 features subject-detection AF that is built using Deep-Learning AI Technology. In addition to providing incredible AF tracking and detection for human faces and eyes, X-T5 can now also automatically detect and track a broad range of subjects, which include animals, birds, cars, motorcycles, bicycles, airplanes, and trains. This allows photographers to concentrate on composition and creativity, confident that X-T5 will track focus accurately.
Updated AF Algorithm
X-T5’s higher pixel count increases the number of phase detection pixels, which improves AF-S focusing accuracy on subjects including landscapes and portraits. The camera also incorporates an improved AF prediction algorithm, newly developed for the X-H2S, enabling stable focusing even when using AF-C.
A World of Detail 160MP Pixel Shift Multi-Shot
X-T5 features Pixel Shift Multi-Shot with the help of the Pixel Shift Combiner software, can produce a single, ultra-high-resolution 160MP image with a single touch of the shutter button.
Using in-body image stabilization to shift the sensor by a half pixel between each frame, X-T5 precisely makes 20 frames to ensure every red, green, and blue pixel has the same information. The result is a final image with almost no false colors visible.
1/180,000sec shutter speed
X-T5 has a maximum electronic shutter speed of 1/180,000, an increase of approximately 2.5 stops compared to other X Series cameras. Use it with wide apertures in extremely bright environments for more creative options, or to freeze action at the perfect moment.
ISO 125 standard sensitivity
X-Trans CMOS 5 HR has a more light-efficient pixel structure. ISO 125 – previously an extended sensitivity – is now available natively.
Supports HEIF image format
X-T5 supports the HEIF image format, which delivers 10-bit image quality in files up to 30% smaller than standard JPEGs. The next chapter in delivering high-quality results straight out of camera has officially begun for X Series.
Increased battery life
Thanks to the reduced power consumption of the X-Processor 5, the battery life for still images has been significantly increased from approximately 600 to 740 frames* compared to the X-T4.
- *In economy mode
Highly reliable, weather-resistant body
X-T5 features 56 weather-sealed points for high levels of dust and moisture resistance. It can also operate in temperatures as low as -10°C (14°F).
6.2K/30p 4:2:2 10-bit
6.2K movies can be recorded internally at 30p in 4:2:2 10-bit color, delivering high-definition footage with rich color detail.
F-Log2 support
In addition to F-Log, X-T5 also supports F-Log2, which records an expanded dynamic range of 13+ stops.* This range is wider than current F-Log, broadening post-production potential.
- *When recording F-Log2, based on Fujifilm internal testing.
RAW output via HDMI
When combined with an ATOMOS HDMI device, RAW video output from the X-T5 can be recorded as 12-bit Apple ProRes RAW at resolutions up to 6.2K and frame rates up to 29.97fps. When combined with Blackmagic Design Video Assist 12G, RAW video output from the camera can be recorded as Blackmagic RAW at resolutions up to 6.2K and frame rates up to 29.97fps.
- *Please contact ATOMOS or Blackmagic Design for the firmware release date of the compatible recorder.
Dual SD card slots
X-T5 features dual SD card slots, both with UHS-II compatibility.
Optional accessory Hand Grip MHG-XT5
MHG-XT5 substantially improves the ability to handhold the camera and does not need to be removed when changing a battery or SD card. An Arca-Swiss style dovetail is also elegantly machined into the bottom of the grip, making it compatible with tripod heads that use the broadly used quick-release system.
Specifications
Specifications
| Model name | FUJIFILM X-T5 | |
| Lens Mount | FUJIFILM X mount | |
| Image sensor | 23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with primary color filter | |
| Number of effective pixels | 40.2 millions pixels | |
| Sensor Cleaning System | Ultra Sonic Vibration | |
| Image Processing Engine | X-Processor 5 | |
| Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 *Please check Compatibilityfor more detail. |
|
| File format of still image | DCF | Compliant with Design rule for Camera File system (DCF2.0) |
| JPEG | Exif Ver.2.32*1 | |
| HEIF | 4:2:2 10bit | |
| RAW | 14bit RAW (RAF original format) | |
| TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) | |
| Number of recorded pixels | ［L］ | 〈4:3〉 6864 x 5152 〈3:2〉 7728 x 5152 〈16:9〉 7728 x 4344 〈1:1〉 5152 x 5152 〈5:4〉 6432x5152 |
| ［M］ | 〈4:3〉 4864 x 3648 〈3:2〉 5472 x 3648 〈16:9〉 5472 x 3080 〈1:1〉 3648 x 3648 〈5:4〉 4560x3648 | |
| ［S］ | 〈4:3〉 3456 x 2592 〈3:2〉 3888 x 2592 〈16:9〉 3888 x 2184 〈1:1〉 2592 x 2592 〈5:4〉 3264x2592 | |
| Panorama | ［L］ | 〈vertical〉 9600 x 2160 〈Horizontal〉 9600 x 1440 |
| ［M］ | 〈vertical〉 6400 x 2160 〈Horizontal〉 6400 x 1440 | |
| Digital Tele-Converter | 2.0x / 1.4x / OFF | |
| Sensitivity | Still Image | Standard Output: AUTO1 / AUTO2 / AUTO3 /ISO125 - 12800 (1/3 step) Extended Output: ISO64 / ISO80 / ISO100 / ISO25600 / ISO51200 |
| Movie | Standard Output: AUTO / ISO125 - 12800 (1/3 step) Extended Output: ISO25600 |
|
| Exposure control | TTL 256-zone metering / Multi / Spot / Average / Center Weighted | |
| Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) | |
| Exposure compensation | Still | -5.0EV - +5.0EV 1/3EV step |
| Movie | -2.0EV - +2.0EV 1/3EV step | |
| Image stabilizer | Mechanism | Image sensor shift mechanism with 5-axis compensation |
| Compensation Effect | 7.0 stops *based on CIPA standard *Pitch/yaw shake only *With XF35mmF1.4 R lens mounted |
|
| Digital Image Stabilization | Yes (movie mode only) | |
| IS MODE BOOST | Yes (movie mode only) | |
| Shutter type | Focal Plane Shutter | |
| Shutter speed | Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. |
| Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: 1sec. Fixed | |
| Electronic front curtain shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. | |
| Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Mechanical shutter works until 1/8000sec. |
|
| E-front + Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec. |
|
| E-front + Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
|
| Movie | 6.2K: 1/8000sec. to 1/24 sec. DCI4K/4K: 1/8000sec. to 1/4 sec. FHD: 1/8000sec. to 1/4 sec. *Cannot choose slower shutter speed than framerate for some settings. |
|
| Synchronized shutter speed for flash | Mechanical shutter: 1/250sec. or slower | |
| Continuous shooting | CH Electronic shutter Approx. 20fps (1.29x Crop) (JPEG 168 frames, Compressed RAW 72 frames, Lossless compressed RAW 41 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 37 frames, Lossless compressed RAW + JPEG 31 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 104 frames, Lossless compressed RAW 53 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 56 frames, Lossless compressed RAW + JPEG 44 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 10fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 70 frames, Uncompressed RAW 25 frames, Compressed RAW + JPEG 72 frames, Lossless compressed RAW + JPEG 53 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (JPEG 163 frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 22 frames, Compressed RAW+JPEG 32 frames, Lossless compressed RAW+JPEG 26 frames, Uncompressed RAW+JPEG 20 frames) CH Electronic shutter Approx. 8.9fps (JPEG 1000+ frames, Compressed RAW 94 frames, Lossless compressed RAW 40 frames, Uncompressed RAW 23 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 30 frames, Uncompressed RAW+JPEG 22 frames) CH Mechanical shutter Approx. 15fps (JPEG 119 frames, Compressed RAW 39 frames, Lossless compressed RAW 22 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 27 frames, Lossless compressed RAW+JPEG 21 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 10fps (JPEG 1000+ frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 34 frames, Lossless compressed RAW+JPEG 25 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 7.0fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 33 frames, Uncompressed RAW 20 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 22 frames, Uncompressed RAW+JPEG 20 frames) Pre-shot Electronic shutter Approx. 20fps (1.29x Crop) (While half press 20 frames, After full press 140 frames) Pre-shot Electronic shutter Approx. 13fps (1.29x Crop) (While half press 13 frames, After full press 300 frames) Pre-shot Electronic shutter Approx. 10fps (1.29x Crop) (While half press 10 frames, After full press 370 frames) Pre-shot Electronic shutter Approx. 13fps (While half press 13 frames, After full press 70 frames) *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting frames |
|
| Drive Mode | AE Bracketing | 2 frames / 3 frames / 5 frames / 7 frames / 9 frames *by 1/3EV step, up to ±3EV steps |
| Filmsimulation bracketing | Any 3 types of film simulation selectable | |
| Dynamic Range Bracketing | 100% / 200% / 400% | |
| ISO sensitivity Bracketing | ±1/3EV / ±2/3EV / ±1EV | |
| White Balance Bracketing | ±1 / ±2 / ±3 | |
| Focus Bracketing | AUTO / MANUAL | |
| Multiple Exposure | Yes (Max. 9 frames) / Additive / Average / Bright / Dark | |
| HDR Mode | AUTO / 200% / 400% / 800% / 800% + | |
| Advanced filter | Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple) | |
| Pixel Shift Multi Shot | Yes | |
| Focus | Mode | Single AF / Continuous AF / MF |
| Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
| Low-light Performance | Contrast: -4.0EV XF50mmF1.0 attached Phase Detection: -7.0EV XF50mmF1.0 attached |
|
| AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
| Face/eye detection | Yes | |
| Subject detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) | |
| Flash | EF-X8 | Guide Number: approx. 11 (ISO200・m) / approx. 8 (ISO100・m) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
| Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
| Synchronized terminal | Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: MANUAL |
|
| Hot shoe | Yes (Dedicated TTL Flash compatible) | |
| Viewfinder | EVF: 0.5 inch OLED Color Viewfinder, Approx. 3.69 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 24mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -5 - +3m-1 Magnification: 0.80x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 39° (Horizontal angle of view: approx. 32° ) Built-In Eye Sensor |
|
| LCD monitor | 3.0 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor Aspect Ratio: 3:2 Dots: Approx. 1.84 million dots |
|
| Touch Screen Mode | Shooting Mode | Shooting, AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), Touch Zoom (ON/OFF), EVF Touch Screen Area Setting |
| Playback Mode | Swipe, Pinch-in / Pinch-out, Double-tap, Drag | |
| Movie recording | File format | MOV: HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
| Movie compression | All Intra / Long GOP | |
| File size Frame rate Bitrate |
[6.2K(16:9)] 6240 x 3510 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K HQ(17:9)] 4096 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K HQ(16:9)] 3840 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9) High speed rec.] 2048 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) [Full HD(16:9) High speed rec.] 1920 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) *For recording movies, use a SD memory card with UHS Speed Class 3 or higher. *For recording movies in 360Mbps, use a SD memory card with Video Speed Class 60 or higher. *Selectable bitrate will be changed depends on the setting. *Recording time can become short depending on the temperature and/or shooting conditions |
|
| Film simulation mode | 19 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia) | |
| Monochromatic Color | Yes | |
| Grain Effect | Roughness | STRONG, WEAK, OFF |
| Size | LARGE, SMALL | |
| Color Chrome Effect | STRONG, WEAK, OFF | |
| Color chrome Blue | STRONG, WEAK, OFF | |
| Smooth Skin Effect | STRONG, WEAK, OFF | |
| Dynamic range setting | Still | AUTO / 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
| Movie | 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
|
| White balance | Auto | White Priority / Auto / Ambience Priority |
| Custom | Custom1 - 3 | |
| Color temperature selection | 2500K - 10000K | |
| Preset | Daylight / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater | |
| Clarity setting | ±5 steps | |
| Self-timer | Still | 10sec. / 2sec. |
| Movie | 10sec. / 5sec. / 3sec. | |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode) | |
| Wireless transmitter | Standard | IEEE802.11a/b/g/n/ac (standard wireless protocol) |
| Encryption | WPA/WPA2 mixed mode, WPA3 | |
| Access mode | Infrastructure | |
| Bluetooth® | Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) |
| Operating frequency (Center frequency) | 2402 - 2480MHz | |
| Terminal | Digital interface | USB Type-C (USB3.2 Gen2x1) |
| HDMI output | HDMI Micro connector (Type D) | |
| Others | ø3.5mm, stereo mini connector (Microphone) ø2.5mm, Remote Release Connector Hot shoe Synchronized terminal |
|
| Power supply | NP-W235 Li-ion battery (included) | |
| Battery life for still images*2 | Economy Mode: Approx. 740 frames Normal Mode: Approx. 580 frames *When XF35mmF1.4 R is set |
|
| Actual battery life of movie capture*2 | 6.2K: Approx. 90min. (29.97p) 4K: Approx. 80min. (59.94p) Full HD: Approx. 90min. (59.94p), Approx. 100min. (120P) *Face detection is set to OFF |
|
| Continuance battery life of movie capture*2 | 6.2K: Approx. 130min. (29.97p) 4K: Approx. 130min. (59.94p) Full HD: Approx. 150min. (59.94p) *Face detection is set to OFF |
|
| Dimensions | Width: 129.5mm Height: 91mm Depth: 63.8mm (Minimum Depth: 37.9mm) |
|
| Weight | including battery and memory card: Approx. 557g excluding battery and memory card: Approx. 476g |
|
| Operation Environment | Operating Temperature | -10℃ - +40℃ |
| Operating Humidity | 10% - 80% (no condensation) | |
| Starting up period | Approx. 0.49sec. | |
| Accessories included | Li-ion battery NP-W235 AC power adapter AC-5VJ Plug adapter USB cable Headphone adapter Shoulder strap Body cap Hot shoe cover Sync terminal cover |
|
- *1 Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing
- *2 Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.
Item Includes
Item Includes
-
Li-ion battery NP-W235
AC power adapter AC-5VJ
Plug adapter
USB cable
Headphone adapter
Shoulder strap
Body cap
Hot shoe cover
Sync terminal cover
Fujifilm X-T5 Mirrorless Camera Body - Silver
$ 1,699.95 - Vendido
Fujifilm X-T5 Mirrorless Camera Body - Silver
Fujifilm SKU: 16782337 | Helix SKU: FJ16782337
Overview
Photography First
X-T1 was originally released in 2014 to celebrate Fujifilm’s 80th anniversary.
It would go on to lead a mirrorless camera revolution.
Almost a decade and five generations later, Fujifilm’s latest imaging technology has come to X-T5, bringing photographers unrivalled image quality in a timeless, classic, and beloved camera body.
High Resolution 40.2MP BSI Imaging Sensor
The high-resolution 40.2MP X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio, delivering astonishing image quality.
Three top-plate dials
Three dials control ISO, shutter speed, and exposure compensation from the camera’s top-plate. Together with the aperture ring on most XF lenses, all exposure settings can be checked and adjusted before powering on the camera.
Create with confidence and concentrate on making an image.
Lightweight, high performance
X-T5 features a five-axis in-body image stabilization (IBIS) system that provides up to 7.0 stops of compensation and a 3.69 million dot EVF with an 0.8x magnification ratio. Despite this, the camera body only weighs 557g (1.23lb). Dials and buttons provide easy operation, letting life’s most precious moments stand a chance of being documented to see another day.
Three-way tilting LCD
A three-way tilting LCD offers enhanced versatility, particularly when working at waist level or in portrait orientation. The combination of tilting LCD and center viewfinder aligns the lens, camera, and photographer on the optical axis, for a more comfortable and intuitive image-making experience.
Film Simulation
19 Film Simulation modes inside of X-T5 digitally replicate the look of the classic photographic film stocks developed by Fujifilm for over 85 years. Reproduce the classic colors and tones that Fujifilm are known for, or add an artistic flair and start to Build Your Legacy.
White Balance
Fine adjustments can be made to Auto White Balance (AWB) by selecting one of three modes: Auto, White Priority, and Ambience Priority. Set to White Priority, white is more likely to be reproduced as white under incandescent lighting. However, when Ambience Priority is set, scenes will be photographed with the natural lighting characteristics of the scene preseved. Under incandescent lighting, this will generally result in images with warmer white tones.
AWB driven by AI technology
New deep-learning AI technology optimizes Auto White Balance performance in X-T5 by accurately identifying warm, orange-tinged colors to assist with the camera’s Auto White Balance accuracy.
Subject Detection Autofocus
X-Processor 5 features subject-detection AF that is built using Deep-Learning AI Technology. In addition to providing incredible AF tracking and detection for human faces and eyes, X-T5 can now also automatically detect and track a broad range of subjects, which include animals, birds, cars, motorcycles, bicycles, airplanes, and trains. This allows photographers to concentrate on composition and creativity, confident that X-T5 will track focus accurately.
Updated AF Algorithm
X-T5’s higher pixel count increases the number of phase detection pixels, which improves AF-S focusing accuracy on subjects including landscapes and portraits. The camera also incorporates an improved AF prediction algorithm, newly developed for the X-H2S, enabling stable focusing even when using AF-C.
A World of Detail 160MP Pixel Shift Multi-Shot
X-T5 features Pixel Shift Multi-Shot with the help of the Pixel Shift Combiner software, can produce a single, ultra-high-resolution 160MP image with a single touch of the shutter button.
Using in-body image stabilization to shift the sensor by a half pixel between each frame, X-T5 precisely makes 20 frames to ensure every red, green, and blue pixel has the same information. The result is a final image with almost no false colors visible.
1/180,000sec shutter speed
X-T5 has a maximum electronic shutter speed of 1/180,000, an increase of approximately 2.5 stops compared to other X Series cameras. Use it with wide apertures in extremely bright environments for more creative options, or to freeze action at the perfect moment.
ISO 125 standard sensitivity
X-Trans CMOS 5 HR has a more light-efficient pixel structure. ISO 125 – previously an extended sensitivity – is now available natively.
Supports HEIF image format
X-T5 supports the HEIF image format, which delivers 10-bit image quality in files up to 30% smaller than standard JPEGs. The next chapter in delivering high-quality results straight out of camera has officially begun for X Series.
Increased battery life
Thanks to the reduced power consumption of the X-Processor 5, the battery life for still images has been significantly increased from approximately 600 to 740 frames* compared to the X-T4.
- *In economy mode
Highly reliable, weather-resistant body
X-T5 features 56 weather-sealed points for high levels of dust and moisture resistance. It can also operate in temperatures as low as -10°C (14°F).
6.2K/30p 4:2:2 10-bit
6.2K movies can be recorded internally at 30p in 4:2:2 10-bit color, delivering high-definition footage with rich color detail.
F-Log2 support
In addition to F-Log, X-T5 also supports F-Log2, which records an expanded dynamic range of 13+ stops.* This range is wider than current F-Log, broadening post-production potential.
- *When recording F-Log2, based on Fujifilm internal testing.
RAW output via HDMI
When combined with an ATOMOS HDMI device, RAW video output from the X-T5 can be recorded as 12-bit Apple ProRes RAW at resolutions up to 6.2K and frame rates up to 29.97fps. When combined with Blackmagic Design Video Assist 12G, RAW video output from the camera can be recorded as Blackmagic RAW at resolutions up to 6.2K and frame rates up to 29.97fps.
- *Please contact ATOMOS or Blackmagic Design for the firmware release date of the compatible recorder.
Dual SD card slots
X-T5 features dual SD card slots, both with UHS-II compatibility.
Optional accessory Hand Grip MHG-XT5
MHG-XT5 substantially improves the ability to handhold the camera and does not need to be removed when changing a battery or SD card. An Arca-Swiss style dovetail is also elegantly machined into the bottom of the grip, making it compatible with tripod heads that use the broadly used quick-release system.
Specifications
Specifications
| Model name | FUJIFILM X-T5 | |
| Lens Mount | FUJIFILM X mount | |
| Image sensor | 23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with primary color filter | |
| Number of effective pixels | 40.2 millions pixels | |
| Sensor Cleaning System | Ultra Sonic Vibration | |
| Image Processing Engine | X-Processor 5 | |
| Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 *Please check Compatibilityfor more detail. |
|
| File format of still image | DCF | Compliant with Design rule for Camera File system (DCF2.0) |
| JPEG | Exif Ver.2.32*1 | |
| HEIF | 4:2:2 10bit | |
| RAW | 14bit RAW (RAF original format) | |
| TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) | |
| Number of recorded pixels | ［L］ | 〈4:3〉 6864 x 5152 〈3:2〉 7728 x 5152 〈16:9〉 7728 x 4344 〈1:1〉 5152 x 5152 〈5:4〉 6432x5152 |
| ［M］ | 〈4:3〉 4864 x 3648 〈3:2〉 5472 x 3648 〈16:9〉 5472 x 3080 〈1:1〉 3648 x 3648 〈5:4〉 4560x3648 | |
| ［S］ | 〈4:3〉 3456 x 2592 〈3:2〉 3888 x 2592 〈16:9〉 3888 x 2184 〈1:1〉 2592 x 2592 〈5:4〉 3264x2592 | |
| Panorama | ［L］ | 〈vertical〉 9600 x 2160 〈Horizontal〉 9600 x 1440 |
| ［M］ | 〈vertical〉 6400 x 2160 〈Horizontal〉 6400 x 1440 | |
| Digital Tele-Converter | 2.0x / 1.4x / OFF | |
| Sensitivity | Still Image | Standard Output: AUTO1 / AUTO2 / AUTO3 /ISO125 - 12800 (1/3 step) Extended Output: ISO64 / ISO80 / ISO100 / ISO25600 / ISO51200 |
| Movie | Standard Output: AUTO / ISO125 - 12800 (1/3 step) Extended Output: ISO25600 |
|
| Exposure control | TTL 256-zone metering / Multi / Spot / Average / Center Weighted | |
| Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) | |
| Exposure compensation | Still | -5.0EV - +5.0EV 1/3EV step |
| Movie | -2.0EV - +2.0EV 1/3EV step | |
| Image stabilizer | Mechanism | Image sensor shift mechanism with 5-axis compensation |
| Compensation Effect | 7.0 stops *based on CIPA standard *Pitch/yaw shake only *With XF35mmF1.4 R lens mounted |
|
| Digital Image Stabilization | Yes (movie mode only) | |
| IS MODE BOOST | Yes (movie mode only) | |
| Shutter type | Focal Plane Shutter | |
| Shutter speed | Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. |
| Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: 1sec. Fixed | |
| Electronic front curtain shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. | |
| Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Mechanical shutter works until 1/8000sec. |
|
| E-front + Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec. |
|
| E-front + Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
|
| Movie | 6.2K: 1/8000sec. to 1/24 sec. DCI4K/4K: 1/8000sec. to 1/4 sec. FHD: 1/8000sec. to 1/4 sec. *Cannot choose slower shutter speed than framerate for some settings. |
|
| Synchronized shutter speed for flash | Mechanical shutter: 1/250sec. or slower | |
| Continuous shooting | CH Electronic shutter Approx. 20fps (1.29x Crop) (JPEG 168 frames, Compressed RAW 72 frames, Lossless compressed RAW 41 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 37 frames, Lossless compressed RAW + JPEG 31 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 104 frames, Lossless compressed RAW 53 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 56 frames, Lossless compressed RAW + JPEG 44 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 10fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 70 frames, Uncompressed RAW 25 frames, Compressed RAW + JPEG 72 frames, Lossless compressed RAW + JPEG 53 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (JPEG 163 frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 22 frames, Compressed RAW+JPEG 32 frames, Lossless compressed RAW+JPEG 26 frames, Uncompressed RAW+JPEG 20 frames) CH Electronic shutter Approx. 8.9fps (JPEG 1000+ frames, Compressed RAW 94 frames, Lossless compressed RAW 40 frames, Uncompressed RAW 23 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 30 frames, Uncompressed RAW+JPEG 22 frames) CH Mechanical shutter Approx. 15fps (JPEG 119 frames, Compressed RAW 39 frames, Lossless compressed RAW 22 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 27 frames, Lossless compressed RAW+JPEG 21 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 10fps (JPEG 1000+ frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 34 frames, Lossless compressed RAW+JPEG 25 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 7.0fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 33 frames, Uncompressed RAW 20 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 22 frames, Uncompressed RAW+JPEG 20 frames) Pre-shot Electronic shutter Approx. 20fps (1.29x Crop) (While half press 20 frames, After full press 140 frames) Pre-shot Electronic shutter Approx. 13fps (1.29x Crop) (While half press 13 frames, After full press 300 frames) Pre-shot Electronic shutter Approx. 10fps (1.29x Crop) (While half press 10 frames, After full press 370 frames) Pre-shot Electronic shutter Approx. 13fps (While half press 13 frames, After full press 70 frames) *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting frames |
|
| Drive Mode | AE Bracketing | 2 frames / 3 frames / 5 frames / 7 frames / 9 frames *by 1/3EV step, up to ±3EV steps |
| Filmsimulation bracketing | Any 3 types of film simulation selectable | |
| Dynamic Range Bracketing | 100% / 200% / 400% | |
| ISO sensitivity Bracketing | ±1/3EV / ±2/3EV / ±1EV | |
| White Balance Bracketing | ±1 / ±2 / ±3 | |
| Focus Bracketing | AUTO / MANUAL | |
| Multiple Exposure | Yes (Max. 9 frames) / Additive / Average / Bright / Dark | |
| HDR Mode | AUTO / 200% / 400% / 800% / 800% + | |
| Advanced filter | Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple) | |
| Pixel Shift Multi Shot | Yes | |
| Focus | Mode | Single AF / Continuous AF / MF |
| Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
| Low-light Performance | Contrast: -4.0EV XF50mmF1.0 attached Phase Detection: -7.0EV XF50mmF1.0 attached |
|
| AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
| Face/eye detection | Yes | |
| Subject detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) | |
| Flash | EF-X8 | Guide Number: approx. 11 (ISO200・m) / approx. 8 (ISO100・m) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
| Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
| Synchronized terminal | Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: MANUAL |
|
| Hot shoe | Yes (Dedicated TTL Flash compatible) | |
| Viewfinder | EVF: 0.5 inch OLED Color Viewfinder, Approx. 3.69 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 24mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -5 - +3m-1 Magnification: 0.80x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 39° (Horizontal angle of view: approx. 32° ) Built-In Eye Sensor |
|
| LCD monitor | 3.0 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor Aspect Ratio: 3:2 Dots: Approx. 1.84 million dots |
|
| Touch Screen Mode | Shooting Mode | Shooting, AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), Touch Zoom (ON/OFF), EVF Touch Screen Area Setting |
| Playback Mode | Swipe, Pinch-in / Pinch-out, Double-tap, Drag | |
| Movie recording | File format | MOV: HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
| Movie compression | All Intra / Long GOP | |
| File size Frame rate Bitrate |
[6.2K(16:9)] 6240 x 3510 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K HQ(17:9)] 4096 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K HQ(16:9)] 3840 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9) High speed rec.] 2048 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) [Full HD(16:9) High speed rec.] 1920 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) *For recording movies, use a SD memory card with UHS Speed Class 3 or higher. *For recording movies in 360Mbps, use a SD memory card with Video Speed Class 60 or higher. *Selectable bitrate will be changed depends on the setting. *Recording time can become short depending on the temperature and/or shooting conditions |
|
| Film simulation mode | 19 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia) | |
| Monochromatic Color | Yes | |
| Grain Effect | Roughness | STRONG, WEAK, OFF |
| Size | LARGE, SMALL | |
| Color Chrome Effect | STRONG, WEAK, OFF | |
| Color chrome Blue | STRONG, WEAK, OFF | |
| Smooth Skin Effect | STRONG, WEAK, OFF | |
| Dynamic range setting | Still | AUTO / 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
| Movie | 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
|
| White balance | Auto | White Priority / Auto / Ambience Priority |
| Custom | Custom1 - 3 | |
| Color temperature selection | 2500K - 10000K | |
| Preset | Daylight / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater | |
| Clarity setting | ±5 steps | |
| Self-timer | Still | 10sec. / 2sec. |
| Movie | 10sec. / 5sec. / 3sec. | |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode) | |
| Wireless transmitter | Standard | IEEE802.11a/b/g/n/ac (standard wireless protocol) |
| Encryption | WPA/WPA2 mixed mode, WPA3 | |
| Access mode | Infrastructure | |
| Bluetooth® | Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) |
| Operating frequency (Center frequency) | 2402 - 2480MHz | |
| Terminal | Digital interface | USB Type-C (USB3.2 Gen2x1) |
| HDMI output | HDMI Micro connector (Type D) | |
| Others | ø3.5mm, stereo mini connector (Microphone) ø2.5mm, Remote Release Connector Hot shoe Synchronized terminal |
|
| Power supply | NP-W235 Li-ion battery (included) | |
| Battery life for still images*2 | Economy Mode: Approx. 740 frames Normal Mode: Approx. 580 frames *When XF35mmF1.4 R is set |
|
| Actual battery life of movie capture*2 | 6.2K: Approx. 90min. (29.97p) 4K: Approx. 80min. (59.94p) Full HD: Approx. 90min. (59.94p), Approx. 100min. (120P) *Face detection is set to OFF |
|
| Continuance battery life of movie capture*2 | 6.2K: Approx. 130min. (29.97p) 4K: Approx. 130min. (59.94p) Full HD: Approx. 150min. (59.94p) *Face detection is set to OFF |
|
| Dimensions | Width: 129.5mm Height: 91mm Depth: 63.8mm (Minimum Depth: 37.9mm) |
|
| Weight | including battery and memory card: Approx. 557g excluding battery and memory card: Approx. 476g |
|
| Operation Environment | Operating Temperature | -10℃ - +40℃ |
| Operating Humidity | 10% - 80% (no condensation) | |
| Starting up period | Approx. 0.49sec. | |
| Accessories included | Li-ion battery NP-W235 AC power adapter AC-5VJ Plug adapter USB cable Headphone adapter Shoulder strap Body cap Hot shoe cover Sync terminal cover |
|
- *1 Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing
- *2 Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.
Item Includes
Item Includes
-
Li-ion battery NP-W235
AC power adapter AC-5VJ
Plug adapter
USB cable
Headphone adapter
Shoulder strap
Body cap
Hot shoe cover
Sync terminal cover
Fujifilm X-T5 Mirrorless Camera with 16-80mm F/4 - Black
$ 2,199.00 - Vendido
Fujifilm X-T5 Mirrorless Camera with 16-80mm F/4 - Black
Fujifilm SKU: 16782636 | Helix SKU: FJ16782636
Overview
Photography First
X-T1 was originally released in 2014 to celebrate Fujifilm’s 80th anniversary.
It would go on to lead a mirrorless camera revolution.
Almost a decade and five generations later, Fujifilm’s latest imaging technology has come to X-T5, bringing photographers unrivalled image quality in a timeless, classic, and beloved camera body.
High Resolution 40.2MP BSI Imaging Sensor
The high-resolution 40.2MP X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio, delivering astonishing image quality.
Three top-plate dials
Three dials control ISO, shutter speed, and exposure compensation from the camera’s top-plate. Together with the aperture ring on most XF lenses, all exposure settings can be checked and adjusted before powering on the camera.
Create with confidence and concentrate on making an image.
Lightweight, high performance
X-T5 features a five-axis in-body image stabilization (IBIS) system that provides up to 7.0 stops of compensation and a 3.69 million dot EVF with an 0.8x magnification ratio. Despite this, the camera body only weighs 557g (1.23lb). Dials and buttons provide easy operation, letting life’s most precious moments stand a chance of being documented to see another day.
Three-way tilting LCD
A three-way tilting LCD offers enhanced versatility, particularly when working at waist level or in portrait orientation. The combination of tilting LCD and center viewfinder aligns the lens, camera, and photographer on the optical axis, for a more comfortable and intuitive image-making experience.
Film Simulation
19 Film Simulation modes inside of X-T5 digitally replicate the look of the classic photographic film stocks developed by Fujifilm for over 85 years. Reproduce the classic colors and tones that Fujifilm are known for, or add an artistic flair and start to Build Your Legacy.
White Balance
Fine adjustments can be made to Auto White Balance (AWB) by selecting one of three modes: Auto, White Priority, and Ambience Priority. Set to White Priority, white is more likely to be reproduced as white under incandescent lighting. However, when Ambience Priority is set, scenes will be photographed with the natural lighting characteristics of the scene preseved. Under incandescent lighting, this will generally result in images with warmer white tones.
AWB driven by AI technology
New deep-learning AI technology optimizes Auto White Balance performance in X-T5 by accurately identifying warm, orange-tinged colors to assist with the camera’s Auto White Balance accuracy.
Subject Detection Autofocus
X-Processor 5 features subject-detection AF that is built using Deep-Learning AI Technology. In addition to providing incredible AF tracking and detection for human faces and eyes, X-T5 can now also automatically detect and track a broad range of subjects, which include animals, birds, cars, motorcycles, bicycles, airplanes, and trains. This allows photographers to concentrate on composition and creativity, confident that X-T5 will track focus accurately.
Updated AF Algorithm
X-T5’s higher pixel count increases the number of phase detection pixels, which improves AF-S focusing accuracy on subjects including landscapes and portraits. The camera also incorporates an improved AF prediction algorithm, newly developed for the X-H2S, enabling stable focusing even when using AF-C.
A World of Detail 160MP Pixel Shift Multi-Shot
X-T5 features Pixel Shift Multi-Shot with the help of the Pixel Shift Combiner software, can produce a single, ultra-high-resolution 160MP image with a single touch of the shutter button.
Using in-body image stabilization to shift the sensor by a half pixel between each frame, X-T5 precisely makes 20 frames to ensure every red, green, and blue pixel has the same information. The result is a final image with almost no false colors visible.
1/180,000sec shutter speed
X-T5 has a maximum electronic shutter speed of 1/180,000, an increase of approximately 2.5 stops compared to other X Series cameras. Use it with wide apertures in extremely bright environments for more creative options, or to freeze action at the perfect moment.
ISO 125 standard sensitivity
X-Trans CMOS 5 HR has a more light-efficient pixel structure. ISO 125 – previously an extended sensitivity – is now available natively.
Supports HEIF image format
X-T5 supports the HEIF image format, which delivers 10-bit image quality in files up to 30% smaller than standard JPEGs. The next chapter in delivering high-quality results straight out of camera has officially begun for X Series.
Increased battery life
Thanks to the reduced power consumption of the X-Processor 5, the battery life for still images has been significantly increased from approximately 600 to 740 frames* compared to the X-T4.
- *In economy mode
Highly reliable, weather-resistant body
X-T5 features 56 weather-sealed points for high levels of dust and moisture resistance. It can also operate in temperatures as low as -10°C (14°F).
6.2K/30p 4:2:2 10-bit
6.2K movies can be recorded internally at 30p in 4:2:2 10-bit color, delivering high-definition footage with rich color detail.
F-Log2 support
In addition to F-Log, X-T5 also supports F-Log2, which records an expanded dynamic range of 13+ stops.* This range is wider than current F-Log, broadening post-production potential.
- *When recording F-Log2, based on Fujifilm internal testing.
RAW output via HDMI
When combined with an ATOMOS HDMI device, RAW video output from the X-T5 can be recorded as 12-bit Apple ProRes RAW at resolutions up to 6.2K and frame rates up to 29.97fps. When combined with Blackmagic Design Video Assist 12G, RAW video output from the camera can be recorded as Blackmagic RAW at resolutions up to 6.2K and frame rates up to 29.97fps.
- *Please contact ATOMOS or Blackmagic Design for the firmware release date of the compatible recorder.
Dual SD card slots
X-T5 features dual SD card slots, both with UHS-II compatibility.
Optional accessory Hand Grip MHG-XT5
MHG-XT5 substantially improves the ability to handhold the camera and does not need to be removed when changing a battery or SD card. An Arca-Swiss style dovetail is also elegantly machined into the bottom of the grip, making it compatible with tripod heads that use the broadly used quick-release system.
Specifications
Specifications
| Model name | FUJIFILM X-T5 | |
| Lens Mount | FUJIFILM X mount | |
| Image sensor | 23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with primary color filter | |
| Number of effective pixels | 40.2 millions pixels | |
| Sensor Cleaning System | Ultra Sonic Vibration | |
| Image Processing Engine | X-Processor 5 | |
| Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 *Please check Compatibilityfor more detail. |
|
| File format of still image | DCF | Compliant with Design rule for Camera File system (DCF2.0) |
| JPEG | Exif Ver.2.32*1 | |
| HEIF | 4:2:2 10bit | |
| RAW | 14bit RAW (RAF original format) | |
| TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) | |
| Number of recorded pixels | ［L］ | 〈4:3〉 6864 x 5152 〈3:2〉 7728 x 5152 〈16:9〉 7728 x 4344 〈1:1〉 5152 x 5152 〈5:4〉 6432x5152 |
| ［M］ | 〈4:3〉 4864 x 3648 〈3:2〉 5472 x 3648 〈16:9〉 5472 x 3080 〈1:1〉 3648 x 3648 〈5:4〉 4560x3648 | |
| ［S］ | 〈4:3〉 3456 x 2592 〈3:2〉 3888 x 2592 〈16:9〉 3888 x 2184 〈1:1〉 2592 x 2592 〈5:4〉 3264x2592 | |
| Panorama | ［L］ | 〈vertical〉 9600 x 2160 〈Horizontal〉 9600 x 1440 |
| ［M］ | 〈vertical〉 6400 x 2160 〈Horizontal〉 6400 x 1440 | |
| Digital Tele-Converter | 2.0x / 1.4x / OFF | |
| Sensitivity | Still Image | Standard Output: AUTO1 / AUTO2 / AUTO3 /ISO125 - 12800 (1/3 step) Extended Output: ISO64 / ISO80 / ISO100 / ISO25600 / ISO51200 |
| Movie | Standard Output: AUTO / ISO125 - 12800 (1/3 step) Extended Output: ISO25600 |
|
| Exposure control | TTL 256-zone metering / Multi / Spot / Average / Center Weighted | |
| Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) | |
| Exposure compensation | Still | -5.0EV - +5.0EV 1/3EV step |
| Movie | -2.0EV - +2.0EV 1/3EV step | |
| Image stabilizer | Mechanism | Image sensor shift mechanism with 5-axis compensation |
| Compensation Effect | 7.0 stops *based on CIPA standard *Pitch/yaw shake only *With XF35mmF1.4 R lens mounted |
|
| Digital Image Stabilization | Yes (movie mode only) | |
| IS MODE BOOST | Yes (movie mode only) | |
| Shutter type | Focal Plane Shutter | |
| Shutter speed | Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. |
| Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: 1sec. Fixed | |
| Electronic front curtain shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. | |
| Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Mechanical shutter works until 1/8000sec. |
|
| E-front + Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec. |
|
| E-front + Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
|
| Movie | 6.2K: 1/8000sec. to 1/24 sec. DCI4K/4K: 1/8000sec. to 1/4 sec. FHD: 1/8000sec. to 1/4 sec. *Cannot choose slower shutter speed than framerate for some settings. |
|
| Synchronized shutter speed for flash | Mechanical shutter: 1/250sec. or slower | |
| Continuous shooting | CH Electronic shutter Approx. 20fps (1.29x Crop) (JPEG 168 frames, Compressed RAW 72 frames, Lossless compressed RAW 41 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 37 frames, Lossless compressed RAW + JPEG 31 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 104 frames, Lossless compressed RAW 53 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 56 frames, Lossless compressed RAW + JPEG 44 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 10fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 70 frames, Uncompressed RAW 25 frames, Compressed RAW + JPEG 72 frames, Lossless compressed RAW + JPEG 53 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (JPEG 163 frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 22 frames, Compressed RAW+JPEG 32 frames, Lossless compressed RAW+JPEG 26 frames, Uncompressed RAW+JPEG 20 frames) CH Electronic shutter Approx. 8.9fps (JPEG 1000+ frames, Compressed RAW 94 frames, Lossless compressed RAW 40 frames, Uncompressed RAW 23 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 30 frames, Uncompressed RAW+JPEG 22 frames) CH Mechanical shutter Approx. 15fps (JPEG 119 frames, Compressed RAW 39 frames, Lossless compressed RAW 22 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 27 frames, Lossless compressed RAW+JPEG 21 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 10fps (JPEG 1000+ frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 34 frames, Lossless compressed RAW+JPEG 25 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 7.0fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 33 frames, Uncompressed RAW 20 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 22 frames, Uncompressed RAW+JPEG 20 frames) Pre-shot Electronic shutter Approx. 20fps (1.29x Crop) (While half press 20 frames, After full press 140 frames) Pre-shot Electronic shutter Approx. 13fps (1.29x Crop) (While half press 13 frames, After full press 300 frames) Pre-shot Electronic shutter Approx. 10fps (1.29x Crop) (While half press 10 frames, After full press 370 frames) Pre-shot Electronic shutter Approx. 13fps (While half press 13 frames, After full press 70 frames) *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting frames |
|
| Drive Mode | AE Bracketing | 2 frames / 3 frames / 5 frames / 7 frames / 9 frames *by 1/3EV step, up to ±3EV steps |
| Filmsimulation bracketing | Any 3 types of film simulation selectable | |
| Dynamic Range Bracketing | 100% / 200% / 400% | |
| ISO sensitivity Bracketing | ±1/3EV / ±2/3EV / ±1EV | |
| White Balance Bracketing | ±1 / ±2 / ±3 | |
| Focus Bracketing | AUTO / MANUAL | |
| Multiple Exposure | Yes (Max. 9 frames) / Additive / Average / Bright / Dark | |
| HDR Mode | AUTO / 200% / 400% / 800% / 800% + | |
| Advanced filter | Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple) | |
| Pixel Shift Multi Shot | Yes | |
| Focus | Mode | Single AF / Continuous AF / MF |
| Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
| Low-light Performance | Contrast: -4.0EV XF50mmF1.0 attached Phase Detection: -7.0EV XF50mmF1.0 attached |
|
| AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
| Face/eye detection | Yes | |
| Subject detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) | |
| Flash | EF-X8 | Guide Number: approx. 11 (ISO200・m) / approx. 8 (ISO100・m) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
| Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
| Synchronized terminal | Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: MANUAL |
|
| Hot shoe | Yes (Dedicated TTL Flash compatible) | |
| Viewfinder | EVF: 0.5 inch OLED Color Viewfinder, Approx. 3.69 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 24mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -5 - +3m-1 Magnification: 0.80x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 39° (Horizontal angle of view: approx. 32° ) Built-In Eye Sensor |
|
| LCD monitor | 3.0 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor Aspect Ratio: 3:2 Dots: Approx. 1.84 million dots |
|
| Touch Screen Mode | Shooting Mode | Shooting, AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), Touch Zoom (ON/OFF), EVF Touch Screen Area Setting |
| Playback Mode | Swipe, Pinch-in / Pinch-out, Double-tap, Drag | |
| Movie recording | File format | MOV: HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
| Movie compression | All Intra / Long GOP | |
| File size Frame rate Bitrate |
[6.2K(16:9)] 6240 x 3510 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K HQ(17:9)] 4096 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K HQ(16:9)] 3840 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9) High speed rec.] 2048 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) [Full HD(16:9) High speed rec.] 1920 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) *For recording movies, use a SD memory card with UHS Speed Class 3 or higher. *For recording movies in 360Mbps, use a SD memory card with Video Speed Class 60 or higher. *Selectable bitrate will be changed depends on the setting. *Recording time can become short depending on the temperature and/or shooting conditions |
|
| Film simulation mode | 19 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia) | |
| Monochromatic Color | Yes | |
| Grain Effect | Roughness | STRONG, WEAK, OFF |
| Size | LARGE, SMALL | |
| Color Chrome Effect | STRONG, WEAK, OFF | |
| Color chrome Blue | STRONG, WEAK, OFF | |
| Smooth Skin Effect | STRONG, WEAK, OFF | |
| Dynamic range setting | Still | AUTO / 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
| Movie | 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
|
| White balance | Auto | White Priority / Auto / Ambience Priority |
| Custom | Custom1 - 3 | |
| Color temperature selection | 2500K - 10000K | |
| Preset | Daylight / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater | |
| Clarity setting | ±5 steps | |
| Self-timer | Still | 10sec. / 2sec. |
| Movie | 10sec. / 5sec. / 3sec. | |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode) | |
| Wireless transmitter | Standard | IEEE802.11a/b/g/n/ac (standard wireless protocol) |
| Encryption | WPA/WPA2 mixed mode, WPA3 | |
| Access mode | Infrastructure | |
| Bluetooth® | Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) |
| Operating frequency (Center frequency) | 2402 - 2480MHz | |
| Terminal | Digital interface | USB Type-C (USB3.2 Gen2x1) |
| HDMI output | HDMI Micro connector (Type D) | |
| Others | ø3.5mm, stereo mini connector (Microphone) ø2.5mm, Remote Release Connector Hot shoe Synchronized terminal |
|
| Power supply | NP-W235 Li-ion battery (included) | |
| Battery life for still images*2 | Economy Mode: Approx. 740 frames Normal Mode: Approx. 580 frames *When XF35mmF1.4 R is set |
|
| Actual battery life of movie capture*2 | 6.2K: Approx. 90min. (29.97p) 4K: Approx. 80min. (59.94p) Full HD: Approx. 90min. (59.94p), Approx. 100min. (120P) *Face detection is set to OFF |
|
| Continuance battery life of movie capture*2 | 6.2K: Approx. 130min. (29.97p) 4K: Approx. 130min. (59.94p) Full HD: Approx. 150min. (59.94p) *Face detection is set to OFF |
|
| Dimensions | Width: 129.5mm Height: 91mm Depth: 63.8mm (Minimum Depth: 37.9mm) |
|
| Weight | including battery and memory card: Approx. 557g excluding battery and memory card: Approx. 476g |
|
| Operation Environment | Operating Temperature | -10℃ - +40℃ |
| Operating Humidity | 10% - 80% (no condensation) | |
| Starting up period | Approx. 0.49sec. | |
| Accessories included | Li-ion battery NP-W235 AC power adapter AC-5VJ Plug adapter USB cable Headphone adapter Shoulder strap Body cap Hot shoe cover Sync terminal cover |
|
- *1 Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing
- *2 Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.
Item Includes
Item Includes
-
Li-ion battery NP-W235
AC power adapter AC-5VJ
Plug adapter
USB cable
Headphone adapter
Shoulder strap
Body cap
Hot shoe cover
Sync terminal cover - XF 16-80mm f/4.0
Fujifilm X-T5 Mirrorless Camera with 16-80mm F/4 - Silver
$ 2,199.00 - Vendido
Fujifilm X-T5 Mirrorless Camera with 16-80mm F/4 - Silver
Fujifilm SKU: 16782662 | Helix SKU: FJ16782662
Overview
Photography First
X-T1 was originally released in 2014 to celebrate Fujifilm’s 80th anniversary.
It would go on to lead a mirrorless camera revolution.
Almost a decade and five generations later, Fujifilm’s latest imaging technology has come to X-T5, bringing photographers unrivalled image quality in a timeless, classic, and beloved camera body.
High Resolution 40.2MP BSI Imaging Sensor
The high-resolution 40.2MP X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio, delivering astonishing image quality.
Three top-plate dials
Three dials control ISO, shutter speed, and exposure compensation from the camera’s top-plate. Together with the aperture ring on most XF lenses, all exposure settings can be checked and adjusted before powering on the camera.
Create with confidence and concentrate on making an image.
Lightweight, high performance
X-T5 features a five-axis in-body image stabilization (IBIS) system that provides up to 7.0 stops of compensation and a 3.69 million dot EVF with an 0.8x magnification ratio. Despite this, the camera body only weighs 557g (1.23lb). Dials and buttons provide easy operation, letting life’s most precious moments stand a chance of being documented to see another day.
Three-way tilting LCD
A three-way tilting LCD offers enhanced versatility, particularly when working at waist level or in portrait orientation. The combination of tilting LCD and center viewfinder aligns the lens, camera, and photographer on the optical axis, for a more comfortable and intuitive image-making experience.
Film Simulation
19 Film Simulation modes inside of X-T5 digitally replicate the look of the classic photographic film stocks developed by Fujifilm for over 85 years. Reproduce the classic colors and tones that Fujifilm are known for, or add an artistic flair and start to Build Your Legacy.
White Balance
Fine adjustments can be made to Auto White Balance (AWB) by selecting one of three modes: Auto, White Priority, and Ambience Priority. Set to White Priority, white is more likely to be reproduced as white under incandescent lighting. However, when Ambience Priority is set, scenes will be photographed with the natural lighting characteristics of the scene preseved. Under incandescent lighting, this will generally result in images with warmer white tones.
AWB driven by AI technology
New deep-learning AI technology optimizes Auto White Balance performance in X-T5 by accurately identifying warm, orange-tinged colors to assist with the camera’s Auto White Balance accuracy.
Subject Detection Autofocus
X-Processor 5 features subject-detection AF that is built using Deep-Learning AI Technology. In addition to providing incredible AF tracking and detection for human faces and eyes, X-T5 can now also automatically detect and track a broad range of subjects, which include animals, birds, cars, motorcycles, bicycles, airplanes, and trains. This allows photographers to concentrate on composition and creativity, confident that X-T5 will track focus accurately.
Updated AF Algorithm
X-T5’s higher pixel count increases the number of phase detection pixels, which improves AF-S focusing accuracy on subjects including landscapes and portraits. The camera also incorporates an improved AF prediction algorithm, newly developed for the X-H2S, enabling stable focusing even when using AF-C.
A World of Detail 160MP Pixel Shift Multi-Shot
X-T5 features Pixel Shift Multi-Shot with the help of the Pixel Shift Combiner software, can produce a single, ultra-high-resolution 160MP image with a single touch of the shutter button.
Using in-body image stabilization to shift the sensor by a half pixel between each frame, X-T5 precisely makes 20 frames to ensure every red, green, and blue pixel has the same information. The result is a final image with almost no false colors visible.
1/180,000sec shutter speed
X-T5 has a maximum electronic shutter speed of 1/180,000, an increase of approximately 2.5 stops compared to other X Series cameras. Use it with wide apertures in extremely bright environments for more creative options, or to freeze action at the perfect moment.
ISO 125 standard sensitivity
X-Trans CMOS 5 HR has a more light-efficient pixel structure. ISO 125 – previously an extended sensitivity – is now available natively.
Supports HEIF image format
X-T5 supports the HEIF image format, which delivers 10-bit image quality in files up to 30% smaller than standard JPEGs. The next chapter in delivering high-quality results straight out of camera has officially begun for X Series.
Increased battery life
Thanks to the reduced power consumption of the X-Processor 5, the battery life for still images has been significantly increased from approximately 600 to 740 frames* compared to the X-T4.
- *In economy mode
Highly reliable, weather-resistant body
X-T5 features 56 weather-sealed points for high levels of dust and moisture resistance. It can also operate in temperatures as low as -10°C (14°F).
6.2K/30p 4:2:2 10-bit
6.2K movies can be recorded internally at 30p in 4:2:2 10-bit color, delivering high-definition footage with rich color detail.
F-Log2 support
In addition to F-Log, X-T5 also supports F-Log2, which records an expanded dynamic range of 13+ stops.* This range is wider than current F-Log, broadening post-production potential.
- *When recording F-Log2, based on Fujifilm internal testing.
RAW output via HDMI
When combined with an ATOMOS HDMI device, RAW video output from the X-T5 can be recorded as 12-bit Apple ProRes RAW at resolutions up to 6.2K and frame rates up to 29.97fps. When combined with Blackmagic Design Video Assist 12G, RAW video output from the camera can be recorded as Blackmagic RAW at resolutions up to 6.2K and frame rates up to 29.97fps.
- *Please contact ATOMOS or Blackmagic Design for the firmware release date of the compatible recorder.
Dual SD card slots
X-T5 features dual SD card slots, both with UHS-II compatibility.
Optional accessory Hand Grip MHG-XT5
MHG-XT5 substantially improves the ability to handhold the camera and does not need to be removed when changing a battery or SD card. An Arca-Swiss style dovetail is also elegantly machined into the bottom of the grip, making it compatible with tripod heads that use the broadly used quick-release system.
Specifications
Specifications
| Model name | FUJIFILM X-T5 | |
| Lens Mount | FUJIFILM X mount | |
| Image sensor | 23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with primary color filter | |
| Number of effective pixels | 40.2 millions pixels | |
| Sensor Cleaning System | Ultra Sonic Vibration | |
| Image Processing Engine | X-Processor 5 | |
| Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 *Please check Compatibilityfor more detail. |
|
| File format of still image | DCF | Compliant with Design rule for Camera File system (DCF2.0) |
| JPEG | Exif Ver.2.32*1 | |
| HEIF | 4:2:2 10bit | |
| RAW | 14bit RAW (RAF original format) | |
| TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) | |
| Number of recorded pixels | ［L］ | 〈4:3〉 6864 x 5152 〈3:2〉 7728 x 5152 〈16:9〉 7728 x 4344 〈1:1〉 5152 x 5152 〈5:4〉 6432x5152 |
| ［M］ | 〈4:3〉 4864 x 3648 〈3:2〉 5472 x 3648 〈16:9〉 5472 x 3080 〈1:1〉 3648 x 3648 〈5:4〉 4560x3648 | |
| ［S］ | 〈4:3〉 3456 x 2592 〈3:2〉 3888 x 2592 〈16:9〉 3888 x 2184 〈1:1〉 2592 x 2592 〈5:4〉 3264x2592 | |
| Panorama | ［L］ | 〈vertical〉 9600 x 2160 〈Horizontal〉 9600 x 1440 |
| ［M］ | 〈vertical〉 6400 x 2160 〈Horizontal〉 6400 x 1440 | |
| Digital Tele-Converter | 2.0x / 1.4x / OFF | |
| Sensitivity | Still Image | Standard Output: AUTO1 / AUTO2 / AUTO3 /ISO125 - 12800 (1/3 step) Extended Output: ISO64 / ISO80 / ISO100 / ISO25600 / ISO51200 |
| Movie | Standard Output: AUTO / ISO125 - 12800 (1/3 step) Extended Output: ISO25600 |
|
| Exposure control | TTL 256-zone metering / Multi / Spot / Average / Center Weighted | |
| Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) | |
| Exposure compensation | Still | -5.0EV - +5.0EV 1/3EV step |
| Movie | -2.0EV - +2.0EV 1/3EV step | |
| Image stabilizer | Mechanism | Image sensor shift mechanism with 5-axis compensation |
| Compensation Effect | 7.0 stops *based on CIPA standard *Pitch/yaw shake only *With XF35mmF1.4 R lens mounted |
|
| Digital Image Stabilization | Yes (movie mode only) | |
| IS MODE BOOST | Yes (movie mode only) | |
| Shutter type | Focal Plane Shutter | |
| Shutter speed | Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. |
| Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: 1sec. Fixed | |
| Electronic front curtain shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. | |
| Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Mechanical shutter works until 1/8000sec. |
|
| E-front + Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec. |
|
| E-front + Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
|
| Movie | 6.2K: 1/8000sec. to 1/24 sec. DCI4K/4K: 1/8000sec. to 1/4 sec. FHD: 1/8000sec. to 1/4 sec. *Cannot choose slower shutter speed than framerate for some settings. |
|
| Synchronized shutter speed for flash | Mechanical shutter: 1/250sec. or slower | |
| Continuous shooting | CH Electronic shutter Approx. 20fps (1.29x Crop) (JPEG 168 frames, Compressed RAW 72 frames, Lossless compressed RAW 41 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 37 frames, Lossless compressed RAW + JPEG 31 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 104 frames, Lossless compressed RAW 53 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 56 frames, Lossless compressed RAW + JPEG 44 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 10fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 70 frames, Uncompressed RAW 25 frames, Compressed RAW + JPEG 72 frames, Lossless compressed RAW + JPEG 53 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (JPEG 163 frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 22 frames, Compressed RAW+JPEG 32 frames, Lossless compressed RAW+JPEG 26 frames, Uncompressed RAW+JPEG 20 frames) CH Electronic shutter Approx. 8.9fps (JPEG 1000+ frames, Compressed RAW 94 frames, Lossless compressed RAW 40 frames, Uncompressed RAW 23 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 30 frames, Uncompressed RAW+JPEG 22 frames) CH Mechanical shutter Approx. 15fps (JPEG 119 frames, Compressed RAW 39 frames, Lossless compressed RAW 22 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 27 frames, Lossless compressed RAW+JPEG 21 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 10fps (JPEG 1000+ frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 34 frames, Lossless compressed RAW+JPEG 25 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 7.0fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 33 frames, Uncompressed RAW 20 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 22 frames, Uncompressed RAW+JPEG 20 frames) Pre-shot Electronic shutter Approx. 20fps (1.29x Crop) (While half press 20 frames, After full press 140 frames) Pre-shot Electronic shutter Approx. 13fps (1.29x Crop) (While half press 13 frames, After full press 300 frames) Pre-shot Electronic shutter Approx. 10fps (1.29x Crop) (While half press 10 frames, After full press 370 frames) Pre-shot Electronic shutter Approx. 13fps (While half press 13 frames, After full press 70 frames) *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting frames |
|
| Drive Mode | AE Bracketing | 2 frames / 3 frames / 5 frames / 7 frames / 9 frames *by 1/3EV step, up to ±3EV steps |
| Filmsimulation bracketing | Any 3 types of film simulation selectable | |
| Dynamic Range Bracketing | 100% / 200% / 400% | |
| ISO sensitivity Bracketing | ±1/3EV / ±2/3EV / ±1EV | |
| White Balance Bracketing | ±1 / ±2 / ±3 | |
| Focus Bracketing | AUTO / MANUAL | |
| Multiple Exposure | Yes (Max. 9 frames) / Additive / Average / Bright / Dark | |
| HDR Mode | AUTO / 200% / 400% / 800% / 800% + | |
| Advanced filter | Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple) | |
| Pixel Shift Multi Shot | Yes | |
| Focus | Mode | Single AF / Continuous AF / MF |
| Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
| Low-light Performance | Contrast: -4.0EV XF50mmF1.0 attached Phase Detection: -7.0EV XF50mmF1.0 attached |
|
| AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
| Face/eye detection | Yes | |
| Subject detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) | |
| Flash | EF-X8 | Guide Number: approx. 11 (ISO200・m) / approx. 8 (ISO100・m) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
| Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
| Synchronized terminal | Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: MANUAL |
|
| Hot shoe | Yes (Dedicated TTL Flash compatible) | |
| Viewfinder | EVF: 0.5 inch OLED Color Viewfinder, Approx. 3.69 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 24mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -5 - +3m-1 Magnification: 0.80x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 39° (Horizontal angle of view: approx. 32° ) Built-In Eye Sensor |
|
| LCD monitor | 3.0 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor Aspect Ratio: 3:2 Dots: Approx. 1.84 million dots |
|
| Touch Screen Mode | Shooting Mode | Shooting, AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), Touch Zoom (ON/OFF), EVF Touch Screen Area Setting |
| Playback Mode | Swipe, Pinch-in / Pinch-out, Double-tap, Drag | |
| Movie recording | File format | MOV: HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
| Movie compression | All Intra / Long GOP | |
| File size Frame rate Bitrate |
[6.2K(16:9)] 6240 x 3510 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K HQ(17:9)] 4096 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K HQ(16:9)] 3840 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9) High speed rec.] 2048 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) [Full HD(16:9) High speed rec.] 1920 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) *For recording movies, use a SD memory card with UHS Speed Class 3 or higher. *For recording movies in 360Mbps, use a SD memory card with Video Speed Class 60 or higher. *Selectable bitrate will be changed depends on the setting. *Recording time can become short depending on the temperature and/or shooting conditions |
|
| Film simulation mode | 19 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia) | |
| Monochromatic Color | Yes | |
| Grain Effect | Roughness | STRONG, WEAK, OFF |
| Size | LARGE, SMALL | |
| Color Chrome Effect | STRONG, WEAK, OFF | |
| Color chrome Blue | STRONG, WEAK, OFF | |
| Smooth Skin Effect | STRONG, WEAK, OFF | |
| Dynamic range setting | Still | AUTO / 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
| Movie | 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
|
| White balance | Auto | White Priority / Auto / Ambience Priority |
| Custom | Custom1 - 3 | |
| Color temperature selection | 2500K - 10000K | |
| Preset | Daylight / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater | |
| Clarity setting | ±5 steps | |
| Self-timer | Still | 10sec. / 2sec. |
| Movie | 10sec. / 5sec. / 3sec. | |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode) | |
| Wireless transmitter | Standard | IEEE802.11a/b/g/n/ac (standard wireless protocol) |
| Encryption | WPA/WPA2 mixed mode, WPA3 | |
| Access mode | Infrastructure | |
| Bluetooth® | Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) |
| Operating frequency (Center frequency) | 2402 - 2480MHz | |
| Terminal | Digital interface | USB Type-C (USB3.2 Gen2x1) |
| HDMI output | HDMI Micro connector (Type D) | |
| Others | ø3.5mm, stereo mini connector (Microphone) ø2.5mm, Remote Release Connector Hot shoe Synchronized terminal |
|
| Power supply | NP-W235 Li-ion battery (included) | |
| Battery life for still images*2 | Economy Mode: Approx. 740 frames Normal Mode: Approx. 580 frames *When XF35mmF1.4 R is set |
|
| Actual battery life of movie capture*2 | 6.2K: Approx. 90min. (29.97p) 4K: Approx. 80min. (59.94p) Full HD: Approx. 90min. (59.94p), Approx. 100min. (120P) *Face detection is set to OFF |
|
| Continuance battery life of movie capture*2 | 6.2K: Approx. 130min. (29.97p) 4K: Approx. 130min. (59.94p) Full HD: Approx. 150min. (59.94p) *Face detection is set to OFF |
|
| Dimensions | Width: 129.5mm Height: 91mm Depth: 63.8mm (Minimum Depth: 37.9mm) |
|
| Weight | including battery and memory card: Approx. 557g excluding battery and memory card: Approx. 476g |
|
| Operation Environment | Operating Temperature | -10℃ - +40℃ |
| Operating Humidity | 10% - 80% (no condensation) | |
| Starting up period | Approx. 0.49sec. | |
| Accessories included | Li-ion battery NP-W235 AC power adapter AC-5VJ Plug adapter USB cable Headphone adapter Shoulder strap Body cap Hot shoe cover Sync terminal cover |
|
- *1 Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing
- *2 Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.
Item Includes
Item Includes
-
Li-ion battery NP-W235
AC power adapter AC-5VJ
Plug adapter
USB cable
Headphone adapter
Shoulder strap
Body cap
Hot shoe cover
Sync terminal cover - XF 16-80mm f/4.0
Fujifilm X-T5 Mirrorless Camera with 18-55mm F/2.8-4 - Black
$ 2,099.00 - Vendido
Fujifilm X-T5 Mirrorless Camera with 18-55mm F/2.8-4 - Black
Fujifilm SKU: 16783082 | Helix SKU: FJ16783082
Overview
Photography First
X-T1 was originally released in 2014 to celebrate Fujifilm’s 80th anniversary.
It would go on to lead a mirrorless camera revolution.
Almost a decade and five generations later, Fujifilm’s latest imaging technology has come to X-T5, bringing photographers unrivalled image quality in a timeless, classic, and beloved camera body.
High Resolution 40.2MP BSI Imaging Sensor
The high-resolution 40.2MP X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio, delivering astonishing image quality.
Three top-plate dials
Three dials control ISO, shutter speed, and exposure compensation from the camera’s top-plate. Together with the aperture ring on most XF lenses, all exposure settings can be checked and adjusted before powering on the camera.
Create with confidence and concentrate on making an image.
Lightweight, high performance
X-T5 features a five-axis in-body image stabilization (IBIS) system that provides up to 7.0 stops of compensation and a 3.69 million dot EVF with an 0.8x magnification ratio. Despite this, the camera body only weighs 557g (1.23lb). Dials and buttons provide easy operation, letting life’s most precious moments stand a chance of being documented to see another day.
Three-way tilting LCD
A three-way tilting LCD offers enhanced versatility, particularly when working at waist level or in portrait orientation. The combination of tilting LCD and center viewfinder aligns the lens, camera, and photographer on the optical axis, for a more comfortable and intuitive image-making experience.
Film Simulation
19 Film Simulation modes inside of X-T5 digitally replicate the look of the classic photographic film stocks developed by Fujifilm for over 85 years. Reproduce the classic colors and tones that Fujifilm are known for, or add an artistic flair and start to Build Your Legacy.
White Balance
Fine adjustments can be made to Auto White Balance (AWB) by selecting one of three modes: Auto, White Priority, and Ambience Priority. Set to White Priority, white is more likely to be reproduced as white under incandescent lighting. However, when Ambience Priority is set, scenes will be photographed with the natural lighting characteristics of the scene preseved. Under incandescent lighting, this will generally result in images with warmer white tones.
AWB driven by AI technology
New deep-learning AI technology optimizes Auto White Balance performance in X-T5 by accurately identifying warm, orange-tinged colors to assist with the camera’s Auto White Balance accuracy.
Subject Detection Autofocus
X-Processor 5 features subject-detection AF that is built using Deep-Learning AI Technology. In addition to providing incredible AF tracking and detection for human faces and eyes, X-T5 can now also automatically detect and track a broad range of subjects, which include animals, birds, cars, motorcycles, bicycles, airplanes, and trains. This allows photographers to concentrate on composition and creativity, confident that X-T5 will track focus accurately.
Updated AF Algorithm
X-T5’s higher pixel count increases the number of phase detection pixels, which improves AF-S focusing accuracy on subjects including landscapes and portraits. The camera also incorporates an improved AF prediction algorithm, newly developed for the X-H2S, enabling stable focusing even when using AF-C.
A World of Detail 160MP Pixel Shift Multi-Shot
X-T5 features Pixel Shift Multi-Shot with the help of the Pixel Shift Combiner software, can produce a single, ultra-high-resolution 160MP image with a single touch of the shutter button.
Using in-body image stabilization to shift the sensor by a half pixel between each frame, X-T5 precisely makes 20 frames to ensure every red, green, and blue pixel has the same information. The result is a final image with almost no false colors visible.
1/180,000sec shutter speed
X-T5 has a maximum electronic shutter speed of 1/180,000, an increase of approximately 2.5 stops compared to other X Series cameras. Use it with wide apertures in extremely bright environments for more creative options, or to freeze action at the perfect moment.
ISO 125 standard sensitivity
X-Trans CMOS 5 HR has a more light-efficient pixel structure. ISO 125 – previously an extended sensitivity – is now available natively.
Supports HEIF image format
X-T5 supports the HEIF image format, which delivers 10-bit image quality in files up to 30% smaller than standard JPEGs. The next chapter in delivering high-quality results straight out of camera has officially begun for X Series.
Increased battery life
Thanks to the reduced power consumption of the X-Processor 5, the battery life for still images has been significantly increased from approximately 600 to 740 frames* compared to the X-T4.
- *In economy mode
Highly reliable, weather-resistant body
X-T5 features 56 weather-sealed points for high levels of dust and moisture resistance. It can also operate in temperatures as low as -10°C (14°F).
6.2K/30p 4:2:2 10-bit
6.2K movies can be recorded internally at 30p in 4:2:2 10-bit color, delivering high-definition footage with rich color detail.
F-Log2 support
In addition to F-Log, X-T5 also supports F-Log2, which records an expanded dynamic range of 13+ stops.* This range is wider than current F-Log, broadening post-production potential.
- *When recording F-Log2, based on Fujifilm internal testing.
RAW output via HDMI
When combined with an ATOMOS HDMI device, RAW video output from the X-T5 can be recorded as 12-bit Apple ProRes RAW at resolutions up to 6.2K and frame rates up to 29.97fps. When combined with Blackmagic Design Video Assist 12G, RAW video output from the camera can be recorded as Blackmagic RAW at resolutions up to 6.2K and frame rates up to 29.97fps.
- *Please contact ATOMOS or Blackmagic Design for the firmware release date of the compatible recorder.
Dual SD card slots
X-T5 features dual SD card slots, both with UHS-II compatibility.
Optional accessory Hand Grip MHG-XT5
MHG-XT5 substantially improves the ability to handhold the camera and does not need to be removed when changing a battery or SD card. An Arca-Swiss style dovetail is also elegantly machined into the bottom of the grip, making it compatible with tripod heads that use the broadly used quick-release system.
Specifications
Specifications
| Model name | FUJIFILM X-T5 | |
| Lens Mount | FUJIFILM X mount | |
| Image sensor | 23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with primary color filter | |
| Number of effective pixels | 40.2 millions pixels | |
| Sensor Cleaning System | Ultra Sonic Vibration | |
| Image Processing Engine | X-Processor 5 | |
| Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 *Please check Compatibilityfor more detail. |
|
| File format of still image | DCF | Compliant with Design rule for Camera File system (DCF2.0) |
| JPEG | Exif Ver.2.32*1 | |
| HEIF | 4:2:2 10bit | |
| RAW | 14bit RAW (RAF original format) | |
| TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) | |
| Number of recorded pixels | ［L］ | 〈4:3〉 6864 x 5152 〈3:2〉 7728 x 5152 〈16:9〉 7728 x 4344 〈1:1〉 5152 x 5152 〈5:4〉 6432x5152 |
| ［M］ | 〈4:3〉 4864 x 3648 〈3:2〉 5472 x 3648 〈16:9〉 5472 x 3080 〈1:1〉 3648 x 3648 〈5:4〉 4560x3648 | |
| ［S］ | 〈4:3〉 3456 x 2592 〈3:2〉 3888 x 2592 〈16:9〉 3888 x 2184 〈1:1〉 2592 x 2592 〈5:4〉 3264x2592 | |
| Panorama | ［L］ | 〈vertical〉 9600 x 2160 〈Horizontal〉 9600 x 1440 |
| ［M］ | 〈vertical〉 6400 x 2160 〈Horizontal〉 6400 x 1440 | |
| Digital Tele-Converter | 2.0x / 1.4x / OFF | |
| Sensitivity | Still Image | Standard Output: AUTO1 / AUTO2 / AUTO3 /ISO125 - 12800 (1/3 step) Extended Output: ISO64 / ISO80 / ISO100 / ISO25600 / ISO51200 |
| Movie | Standard Output: AUTO / ISO125 - 12800 (1/3 step) Extended Output: ISO25600 |
|
| Exposure control | TTL 256-zone metering / Multi / Spot / Average / Center Weighted | |
| Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) | |
| Exposure compensation | Still | -5.0EV - +5.0EV 1/3EV step |
| Movie | -2.0EV - +2.0EV 1/3EV step | |
| Image stabilizer | Mechanism | Image sensor shift mechanism with 5-axis compensation |
| Compensation Effect | 7.0 stops *based on CIPA standard *Pitch/yaw shake only *With XF35mmF1.4 R lens mounted |
|
| Digital Image Stabilization | Yes (movie mode only) | |
| IS MODE BOOST | Yes (movie mode only) | |
| Shutter type | Focal Plane Shutter | |
| Shutter speed | Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. |
| Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: 1sec. Fixed | |
| Electronic front curtain shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. | |
| Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Mechanical shutter works until 1/8000sec. |
|
| E-front + Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec. |
|
| E-front + Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
|
| Movie | 6.2K: 1/8000sec. to 1/24 sec. DCI4K/4K: 1/8000sec. to 1/4 sec. FHD: 1/8000sec. to 1/4 sec. *Cannot choose slower shutter speed than framerate for some settings. |
|
| Synchronized shutter speed for flash | Mechanical shutter: 1/250sec. or slower | |
| Continuous shooting | CH Electronic shutter Approx. 20fps (1.29x Crop) (JPEG 168 frames, Compressed RAW 72 frames, Lossless compressed RAW 41 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 37 frames, Lossless compressed RAW + JPEG 31 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 104 frames, Lossless compressed RAW 53 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 56 frames, Lossless compressed RAW + JPEG 44 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 10fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 70 frames, Uncompressed RAW 25 frames, Compressed RAW + JPEG 72 frames, Lossless compressed RAW + JPEG 53 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (JPEG 163 frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 22 frames, Compressed RAW+JPEG 32 frames, Lossless compressed RAW+JPEG 26 frames, Uncompressed RAW+JPEG 20 frames) CH Electronic shutter Approx. 8.9fps (JPEG 1000+ frames, Compressed RAW 94 frames, Lossless compressed RAW 40 frames, Uncompressed RAW 23 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 30 frames, Uncompressed RAW+JPEG 22 frames) CH Mechanical shutter Approx. 15fps (JPEG 119 frames, Compressed RAW 39 frames, Lossless compressed RAW 22 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 27 frames, Lossless compressed RAW+JPEG 21 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 10fps (JPEG 1000+ frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 34 frames, Lossless compressed RAW+JPEG 25 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 7.0fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 33 frames, Uncompressed RAW 20 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 22 frames, Uncompressed RAW+JPEG 20 frames) Pre-shot Electronic shutter Approx. 20fps (1.29x Crop) (While half press 20 frames, After full press 140 frames) Pre-shot Electronic shutter Approx. 13fps (1.29x Crop) (While half press 13 frames, After full press 300 frames) Pre-shot Electronic shutter Approx. 10fps (1.29x Crop) (While half press 10 frames, After full press 370 frames) Pre-shot Electronic shutter Approx. 13fps (While half press 13 frames, After full press 70 frames) *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting frames |
|
| Drive Mode | AE Bracketing | 2 frames / 3 frames / 5 frames / 7 frames / 9 frames *by 1/3EV step, up to ±3EV steps |
| Filmsimulation bracketing | Any 3 types of film simulation selectable | |
| Dynamic Range Bracketing | 100% / 200% / 400% | |
| ISO sensitivity Bracketing | ±1/3EV / ±2/3EV / ±1EV | |
| White Balance Bracketing | ±1 / ±2 / ±3 | |
| Focus Bracketing | AUTO / MANUAL | |
| Multiple Exposure | Yes (Max. 9 frames) / Additive / Average / Bright / Dark | |
| HDR Mode | AUTO / 200% / 400% / 800% / 800% + | |
| Advanced filter | Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple) | |
| Pixel Shift Multi Shot | Yes | |
| Focus | Mode | Single AF / Continuous AF / MF |
| Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
| Low-light Performance | Contrast: -4.0EV XF50mmF1.0 attached Phase Detection: -7.0EV XF50mmF1.0 attached |
|
| AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
| Face/eye detection | Yes | |
| Subject detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) | |
| Flash | EF-X8 | Guide Number: approx. 11 (ISO200・m) / approx. 8 (ISO100・m) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
| Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
| Synchronized terminal | Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: MANUAL |
|
| Hot shoe | Yes (Dedicated TTL Flash compatible) | |
| Viewfinder | EVF: 0.5 inch OLED Color Viewfinder, Approx. 3.69 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 24mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -5 - +3m-1 Magnification: 0.80x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 39° (Horizontal angle of view: approx. 32° ) Built-In Eye Sensor |
|
| LCD monitor | 3.0 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor Aspect Ratio: 3:2 Dots: Approx. 1.84 million dots |
|
| Touch Screen Mode | Shooting Mode | Shooting, AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), Touch Zoom (ON/OFF), EVF Touch Screen Area Setting |
| Playback Mode | Swipe, Pinch-in / Pinch-out, Double-tap, Drag | |
| Movie recording | File format | MOV: HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
| Movie compression | All Intra / Long GOP | |
| File size Frame rate Bitrate |
[6.2K(16:9)] 6240 x 3510 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K HQ(17:9)] 4096 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K HQ(16:9)] 3840 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9) High speed rec.] 2048 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) [Full HD(16:9) High speed rec.] 1920 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) *For recording movies, use a SD memory card with UHS Speed Class 3 or higher. *For recording movies in 360Mbps, use a SD memory card with Video Speed Class 60 or higher. *Selectable bitrate will be changed depends on the setting. *Recording time can become short depending on the temperature and/or shooting conditions |
|
| Film simulation mode | 19 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia) | |
| Monochromatic Color | Yes | |
| Grain Effect | Roughness | STRONG, WEAK, OFF |
| Size | LARGE, SMALL | |
| Color Chrome Effect | STRONG, WEAK, OFF | |
| Color chrome Blue | STRONG, WEAK, OFF | |
| Smooth Skin Effect | STRONG, WEAK, OFF | |
| Dynamic range setting | Still | AUTO / 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
| Movie | 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
|
| White balance | Auto | White Priority / Auto / Ambience Priority |
| Custom | Custom1 - 3 | |
| Color temperature selection | 2500K - 10000K | |
| Preset | Daylight / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater | |
| Clarity setting | ±5 steps | |
| Self-timer | Still | 10sec. / 2sec. |
| Movie | 10sec. / 5sec. / 3sec. | |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode) | |
| Wireless transmitter | Standard | IEEE802.11a/b/g/n/ac (standard wireless protocol) |
| Encryption | WPA/WPA2 mixed mode, WPA3 | |
| Access mode | Infrastructure | |
| Bluetooth® | Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) |
| Operating frequency (Center frequency) | 2402 - 2480MHz | |
| Terminal | Digital interface | USB Type-C (USB3.2 Gen2x1) |
| HDMI output | HDMI Micro connector (Type D) | |
| Others | ø3.5mm, stereo mini connector (Microphone) ø2.5mm, Remote Release Connector Hot shoe Synchronized terminal |
|
| Power supply | NP-W235 Li-ion battery (included) | |
| Battery life for still images*2 | Economy Mode: Approx. 740 frames Normal Mode: Approx. 580 frames *When XF35mmF1.4 R is set |
|
| Actual battery life of movie capture*2 | 6.2K: Approx. 90min. (29.97p) 4K: Approx. 80min. (59.94p) Full HD: Approx. 90min. (59.94p), Approx. 100min. (120P) *Face detection is set to OFF |
|
| Continuance battery life of movie capture*2 | 6.2K: Approx. 130min. (29.97p) 4K: Approx. 130min. (59.94p) Full HD: Approx. 150min. (59.94p) *Face detection is set to OFF |
|
| Dimensions | Width: 129.5mm Height: 91mm Depth: 63.8mm (Minimum Depth: 37.9mm) |
|
| Weight | including battery and memory card: Approx. 557g excluding battery and memory card: Approx. 476g |
|
| Operation Environment | Operating Temperature | -10℃ - +40℃ |
| Operating Humidity | 10% - 80% (no condensation) | |
| Starting up period | Approx. 0.49sec. | |
| Accessories included | Li-ion battery NP-W235 AC power adapter AC-5VJ Plug adapter USB cable Headphone adapter Shoulder strap Body cap Hot shoe cover Sync terminal cover |
|
- *1 Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing
- *2 Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.
Item Includes
Item Includes
-
Li-ion battery NP-W235
AC power adapter AC-5VJ
Plug adapter
USB cable
Headphone adapter
Shoulder strap
Body cap
Hot shoe cover
Sync terminal cover - XF 18-55mm f/2.8-4.0
Fujifilm X-T5 Mirrorless Camera with 18-55mm F/2.8-4 - Silver
$ 2,099.00 - Vendido
Fujifilm X-T5 Mirrorless Camera with 18-55mm F/2.8-4 - Silver
Fujifilm SKU: 16783111 | Helix SKU: FJ16783111
Overview
Photography First
X-T1 was originally released in 2014 to celebrate Fujifilm’s 80th anniversary.
It would go on to lead a mirrorless camera revolution.
Almost a decade and five generations later, Fujifilm’s latest imaging technology has come to X-T5, bringing photographers unrivalled image quality in a timeless, classic, and beloved camera body.
High Resolution 40.2MP BSI Imaging Sensor
The high-resolution 40.2MP X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio, delivering astonishing image quality.
Three top-plate dials
Three dials control ISO, shutter speed, and exposure compensation from the camera’s top-plate. Together with the aperture ring on most XF lenses, all exposure settings can be checked and adjusted before powering on the camera.
Create with confidence and concentrate on making an image.
Lightweight, high performance
X-T5 features a five-axis in-body image stabilization (IBIS) system that provides up to 7.0 stops of compensation and a 3.69 million dot EVF with an 0.8x magnification ratio. Despite this, the camera body only weighs 557g (1.23lb). Dials and buttons provide easy operation, letting life’s most precious moments stand a chance of being documented to see another day.
Three-way tilting LCD
A three-way tilting LCD offers enhanced versatility, particularly when working at waist level or in portrait orientation. The combination of tilting LCD and center viewfinder aligns the lens, camera, and photographer on the optical axis, for a more comfortable and intuitive image-making experience.
Film Simulation
19 Film Simulation modes inside of X-T5 digitally replicate the look of the classic photographic film stocks developed by Fujifilm for over 85 years. Reproduce the classic colors and tones that Fujifilm are known for, or add an artistic flair and start to Build Your Legacy.
White Balance
Fine adjustments can be made to Auto White Balance (AWB) by selecting one of three modes: Auto, White Priority, and Ambience Priority. Set to White Priority, white is more likely to be reproduced as white under incandescent lighting. However, when Ambience Priority is set, scenes will be photographed with the natural lighting characteristics of the scene preseved. Under incandescent lighting, this will generally result in images with warmer white tones.
AWB driven by AI technology
New deep-learning AI technology optimizes Auto White Balance performance in X-T5 by accurately identifying warm, orange-tinged colors to assist with the camera’s Auto White Balance accuracy.
Subject Detection Autofocus
X-Processor 5 features subject-detection AF that is built using Deep-Learning AI Technology. In addition to providing incredible AF tracking and detection for human faces and eyes, X-T5 can now also automatically detect and track a broad range of subjects, which include animals, birds, cars, motorcycles, bicycles, airplanes, and trains. This allows photographers to concentrate on composition and creativity, confident that X-T5 will track focus accurately.
Updated AF Algorithm
X-T5’s higher pixel count increases the number of phase detection pixels, which improves AF-S focusing accuracy on subjects including landscapes and portraits. The camera also incorporates an improved AF prediction algorithm, newly developed for the X-H2S, enabling stable focusing even when using AF-C.
A World of Detail 160MP Pixel Shift Multi-Shot
X-T5 features Pixel Shift Multi-Shot with the help of the Pixel Shift Combiner software, can produce a single, ultra-high-resolution 160MP image with a single touch of the shutter button.
Using in-body image stabilization to shift the sensor by a half pixel between each frame, X-T5 precisely makes 20 frames to ensure every red, green, and blue pixel has the same information. The result is a final image with almost no false colors visible.
1/180,000sec shutter speed
X-T5 has a maximum electronic shutter speed of 1/180,000, an increase of approximately 2.5 stops compared to other X Series cameras. Use it with wide apertures in extremely bright environments for more creative options, or to freeze action at the perfect moment.
ISO 125 standard sensitivity
X-Trans CMOS 5 HR has a more light-efficient pixel structure. ISO 125 – previously an extended sensitivity – is now available natively.
Supports HEIF image format
X-T5 supports the HEIF image format, which delivers 10-bit image quality in files up to 30% smaller than standard JPEGs. The next chapter in delivering high-quality results straight out of camera has officially begun for X Series.
Increased battery life
Thanks to the reduced power consumption of the X-Processor 5, the battery life for still images has been significantly increased from approximately 600 to 740 frames* compared to the X-T4.
- *In economy mode
Highly reliable, weather-resistant body
X-T5 features 56 weather-sealed points for high levels of dust and moisture resistance. It can also operate in temperatures as low as -10°C (14°F).
6.2K/30p 4:2:2 10-bit
6.2K movies can be recorded internally at 30p in 4:2:2 10-bit color, delivering high-definition footage with rich color detail.
F-Log2 support
In addition to F-Log, X-T5 also supports F-Log2, which records an expanded dynamic range of 13+ stops.* This range is wider than current F-Log, broadening post-production potential.
- *When recording F-Log2, based on Fujifilm internal testing.
RAW output via HDMI
When combined with an ATOMOS HDMI device, RAW video output from the X-T5 can be recorded as 12-bit Apple ProRes RAW at resolutions up to 6.2K and frame rates up to 29.97fps. When combined with Blackmagic Design Video Assist 12G, RAW video output from the camera can be recorded as Blackmagic RAW at resolutions up to 6.2K and frame rates up to 29.97fps.
- *Please contact ATOMOS or Blackmagic Design for the firmware release date of the compatible recorder.
Dual SD card slots
X-T5 features dual SD card slots, both with UHS-II compatibility.
Optional accessory Hand Grip MHG-XT5
MHG-XT5 substantially improves the ability to handhold the camera and does not need to be removed when changing a battery or SD card. An Arca-Swiss style dovetail is also elegantly machined into the bottom of the grip, making it compatible with tripod heads that use the broadly used quick-release system.
Specifications
Specifications
| Model name | FUJIFILM X-T5 | |
| Lens Mount | FUJIFILM X mount | |
| Image sensor | 23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with primary color filter | |
| Number of effective pixels | 40.2 millions pixels | |
| Sensor Cleaning System | Ultra Sonic Vibration | |
| Image Processing Engine | X-Processor 5 | |
| Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 *Please check Compatibilityfor more detail. |
|
| File format of still image | DCF | Compliant with Design rule for Camera File system (DCF2.0) |
| JPEG | Exif Ver.2.32*1 | |
| HEIF | 4:2:2 10bit | |
| RAW | 14bit RAW (RAF original format) | |
| TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) | |
| Number of recorded pixels | ［L］ | 〈4:3〉 6864 x 5152 〈3:2〉 7728 x 5152 〈16:9〉 7728 x 4344 〈1:1〉 5152 x 5152 〈5:4〉 6432x5152 |
| ［M］ | 〈4:3〉 4864 x 3648 〈3:2〉 5472 x 3648 〈16:9〉 5472 x 3080 〈1:1〉 3648 x 3648 〈5:4〉 4560x3648 | |
| ［S］ | 〈4:3〉 3456 x 2592 〈3:2〉 3888 x 2592 〈16:9〉 3888 x 2184 〈1:1〉 2592 x 2592 〈5:4〉 3264x2592 | |
| Panorama | ［L］ | 〈vertical〉 9600 x 2160 〈Horizontal〉 9600 x 1440 |
| ［M］ | 〈vertical〉 6400 x 2160 〈Horizontal〉 6400 x 1440 | |
| Digital Tele-Converter | 2.0x / 1.4x / OFF | |
| Sensitivity | Still Image | Standard Output: AUTO1 / AUTO2 / AUTO3 /ISO125 - 12800 (1/3 step) Extended Output: ISO64 / ISO80 / ISO100 / ISO25600 / ISO51200 |
| Movie | Standard Output: AUTO / ISO125 - 12800 (1/3 step) Extended Output: ISO25600 |
|
| Exposure control | TTL 256-zone metering / Multi / Spot / Average / Center Weighted | |
| Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) | |
| Exposure compensation | Still | -5.0EV - +5.0EV 1/3EV step |
| Movie | -2.0EV - +2.0EV 1/3EV step | |
| Image stabilizer | Mechanism | Image sensor shift mechanism with 5-axis compensation |
| Compensation Effect | 7.0 stops *based on CIPA standard *Pitch/yaw shake only *With XF35mmF1.4 R lens mounted |
|
| Digital Image Stabilization | Yes (movie mode only) | |
| IS MODE BOOST | Yes (movie mode only) | |
| Shutter type | Focal Plane Shutter | |
| Shutter speed | Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. |
| Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: 1sec. Fixed | |
| Electronic front curtain shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. | |
| Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Mechanical shutter works until 1/8000sec. |
|
| E-front + Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec. |
|
| E-front + Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
|
| Movie | 6.2K: 1/8000sec. to 1/24 sec. DCI4K/4K: 1/8000sec. to 1/4 sec. FHD: 1/8000sec. to 1/4 sec. *Cannot choose slower shutter speed than framerate for some settings. |
|
| Synchronized shutter speed for flash | Mechanical shutter: 1/250sec. or slower | |
| Continuous shooting | CH Electronic shutter Approx. 20fps (1.29x Crop) (JPEG 168 frames, Compressed RAW 72 frames, Lossless compressed RAW 41 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 37 frames, Lossless compressed RAW + JPEG 31 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 104 frames, Lossless compressed RAW 53 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 56 frames, Lossless compressed RAW + JPEG 44 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 10fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 70 frames, Uncompressed RAW 25 frames, Compressed RAW + JPEG 72 frames, Lossless compressed RAW + JPEG 53 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (JPEG 163 frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 22 frames, Compressed RAW+JPEG 32 frames, Lossless compressed RAW+JPEG 26 frames, Uncompressed RAW+JPEG 20 frames) CH Electronic shutter Approx. 8.9fps (JPEG 1000+ frames, Compressed RAW 94 frames, Lossless compressed RAW 40 frames, Uncompressed RAW 23 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 30 frames, Uncompressed RAW+JPEG 22 frames) CH Mechanical shutter Approx. 15fps (JPEG 119 frames, Compressed RAW 39 frames, Lossless compressed RAW 22 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 27 frames, Lossless compressed RAW+JPEG 21 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 10fps (JPEG 1000+ frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 34 frames, Lossless compressed RAW+JPEG 25 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 7.0fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 33 frames, Uncompressed RAW 20 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 22 frames, Uncompressed RAW+JPEG 20 frames) Pre-shot Electronic shutter Approx. 20fps (1.29x Crop) (While half press 20 frames, After full press 140 frames) Pre-shot Electronic shutter Approx. 13fps (1.29x Crop) (While half press 13 frames, After full press 300 frames) Pre-shot Electronic shutter Approx. 10fps (1.29x Crop) (While half press 10 frames, After full press 370 frames) Pre-shot Electronic shutter Approx. 13fps (While half press 13 frames, After full press 70 frames) *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting frames |
|
| Drive Mode | AE Bracketing | 2 frames / 3 frames / 5 frames / 7 frames / 9 frames *by 1/3EV step, up to ±3EV steps |
| Filmsimulation bracketing | Any 3 types of film simulation selectable | |
| Dynamic Range Bracketing | 100% / 200% / 400% | |
| ISO sensitivity Bracketing | ±1/3EV / ±2/3EV / ±1EV | |
| White Balance Bracketing | ±1 / ±2 / ±3 | |
| Focus Bracketing | AUTO / MANUAL | |
| Multiple Exposure | Yes (Max. 9 frames) / Additive / Average / Bright / Dark | |
| HDR Mode | AUTO / 200% / 400% / 800% / 800% + | |
| Advanced filter | Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple) | |
| Pixel Shift Multi Shot | Yes | |
| Focus | Mode | Single AF / Continuous AF / MF |
| Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
| Low-light Performance | Contrast: -4.0EV XF50mmF1.0 attached Phase Detection: -7.0EV XF50mmF1.0 attached |
|
| AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
| Face/eye detection | Yes | |
| Subject detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) | |
| Flash | EF-X8 | Guide Number: approx. 11 (ISO200・m) / approx. 8 (ISO100・m) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
| Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
| Synchronized terminal | Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: MANUAL |
|
| Hot shoe | Yes (Dedicated TTL Flash compatible) | |
| Viewfinder | EVF: 0.5 inch OLED Color Viewfinder, Approx. 3.69 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 24mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -5 - +3m-1 Magnification: 0.80x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 39° (Horizontal angle of view: approx. 32° ) Built-In Eye Sensor |
|
| LCD monitor | 3.0 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor Aspect Ratio: 3:2 Dots: Approx. 1.84 million dots |
|
| Touch Screen Mode | Shooting Mode | Shooting, AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), Touch Zoom (ON/OFF), EVF Touch Screen Area Setting |
| Playback Mode | Swipe, Pinch-in / Pinch-out, Double-tap, Drag | |
| Movie recording | File format | MOV: HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
| Movie compression | All Intra / Long GOP | |
| File size Frame rate Bitrate |
[6.2K(16:9)] 6240 x 3510 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K HQ(17:9)] 4096 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K HQ(16:9)] 3840 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9) High speed rec.] 2048 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) [Full HD(16:9) High speed rec.] 1920 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) *For recording movies, use a SD memory card with UHS Speed Class 3 or higher. *For recording movies in 360Mbps, use a SD memory card with Video Speed Class 60 or higher. *Selectable bitrate will be changed depends on the setting. *Recording time can become short depending on the temperature and/or shooting conditions |
|
| Film simulation mode | 19 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia) | |
| Monochromatic Color | Yes | |
| Grain Effect | Roughness | STRONG, WEAK, OFF |
| Size | LARGE, SMALL | |
| Color Chrome Effect | STRONG, WEAK, OFF | |
| Color chrome Blue | STRONG, WEAK, OFF | |
| Smooth Skin Effect | STRONG, WEAK, OFF | |
| Dynamic range setting | Still | AUTO / 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
| Movie | 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
|
| White balance | Auto | White Priority / Auto / Ambience Priority |
| Custom | Custom1 - 3 | |
| Color temperature selection | 2500K - 10000K | |
| Preset | Daylight / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater | |
| Clarity setting | ±5 steps | |
| Self-timer | Still | 10sec. / 2sec. |
| Movie | 10sec. / 5sec. / 3sec. | |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode) | |
| Wireless transmitter | Standard | IEEE802.11a/b/g/n/ac (standard wireless protocol) |
| Encryption | WPA/WPA2 mixed mode, WPA3 | |
| Access mode | Infrastructure | |
| Bluetooth® | Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) |
| Operating frequency (Center frequency) | 2402 - 2480MHz | |
| Terminal | Digital interface | USB Type-C (USB3.2 Gen2x1) |
| HDMI output | HDMI Micro connector (Type D) | |
| Others | ø3.5mm, stereo mini connector (Microphone) ø2.5mm, Remote Release Connector Hot shoe Synchronized terminal |
|
| Power supply | NP-W235 Li-ion battery (included) | |
| Battery life for still images*2 | Economy Mode: Approx. 740 frames Normal Mode: Approx. 580 frames *When XF35mmF1.4 R is set |
|
| Actual battery life of movie capture*2 | 6.2K: Approx. 90min. (29.97p) 4K: Approx. 80min. (59.94p) Full HD: Approx. 90min. (59.94p), Approx. 100min. (120P) *Face detection is set to OFF |
|
| Continuance battery life of movie capture*2 | 6.2K: Approx. 130min. (29.97p) 4K: Approx. 130min. (59.94p) Full HD: Approx. 150min. (59.94p) *Face detection is set to OFF |
|
| Dimensions | Width: 129.5mm Height: 91mm Depth: 63.8mm (Minimum Depth: 37.9mm) |
|
| Weight | including battery and memory card: Approx. 557g excluding battery and memory card: Approx. 476g |
|
| Operation Environment | Operating Temperature | -10℃ - +40℃ |
| Operating Humidity | 10% - 80% (no condensation) | |
| Starting up period | Approx. 0.49sec. | |
| Accessories included | Li-ion battery NP-W235 AC power adapter AC-5VJ Plug adapter USB cable Headphone adapter Shoulder strap Body cap Hot shoe cover Sync terminal cover |
|
- *1 Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing
- *2 Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.
Item Includes
Item Includes
-
Li-ion battery NP-W235
AC power adapter AC-5VJ
Plug adapter
USB cable
Headphone adapter
Shoulder strap
Body cap
Hot shoe cover
Sync terminal cover - XF 18-55mm f/2.8-4.0
Fujinon XC 35mm F/2.0
$ 199.95 - Vendido
Fujinon XC 35mm F/2.0
Fuji SKU: 16647434 | Helix SKU: FJ16647434
Overview
Compact & Lightweight Standard Prime
The FUJINON XC35mmF2 lens gives an equivalent to 52mm on a 35mm format. Weighing just 130g and measuring 46.5mm in length, this new prime lens has nine elements including two aspherical lens elements in six groups, producing sharp and crisp images. AF operation is quick and near silent thanks to the use of an internal focus system*1, which uses a stepping motor*2, making it drive the focus lens elements fast and accurately. The lens produces creamy bokeh while offering excellent portability and high-speed AF.
Notes
*1 An AF system that moves relatively small lens elements in the middle or at the rear for focusing without moving the front group, which consist of relatively large lens elements
*2 A type of motor that rotates only at a fixed angle in response to an electrical pulse signal, making it capable of precision positioning
Specifications
Specifications
| Type | FUJINON XC35mmF2 | |
| Lens configuration | 9 elements 6 groups (includes two aspherical elements) | |
| Focal length | f=35mm (53mm in 35mm format equivalent) | |
| Angle of view | 44.2° | |
| Max. aperture | F2 | |
| Min. aperture | F16 | |
| Aperture control |
Number of blades: 9 (rounded diaphragm opening) Step size: 1/3EV (19 steps)) |
|
| Focus range | 35cm - ∞ | |
| Max. magnification | 0.14x | |
| External dimensions : Diameter x Length*1 (approx.) | ø58.4mm x 46.5mm | |
| Weight*2 (approx.) | 130g | |
| Filter size | ø43mm | |
| Accessories included | Lens cap FLCP-43 | |
Notes
*1 Distance from camera lens mount flange
*2 Excluding caps
Item Includes
Item Includes:
Front Cap
Rear Cap
Fujinon XF 1.4X TC WR Telecoverter
$ 449.95
Fujinon XF 1.4X TC WR Telecoverter
Fuji SKU: 16481892 | Helix SKU: FJ16481892
Overview
The "FUJINON TELECONVERTER XF 1.4X TC WR" is a high-performance teleconverter capable of multiplying the focal length of mounted lenses* by 1.4x. Although the aperture becomes one f-stop higher when mounted, the teleconverter features an excellent optical design with a construction of 7 elements in 3 groups to maintain the optical performance of the original lens. Also, thanks to the unified design when mounted to a compatible lens*, the teleconverter is weather and dust-resistant and operates at temperatures as low as -10°C. This makes it possible to be used with confidence outdoors when used with the weather and dust-resistant FUJIFILM X-T1 or X-Pro2 camera bodies and XF50-140mmF2.8 R LM OIS WR or XF100-400mmF4.5-5.6 R LM OIS WR lenses.
Compatibility Chart
| Lens | Focal length with teleconverter mounted | Max. aperture with teleconverter mounted |
|---|---|---|
| XF50-140mmF2.8 R LM OIS WR | 70mm-196mm (107mm-299mm in 35mm format equivalent) |
F4 |
| XF100-400mmF4.5-5.6 R LM OIS WR | 140mm-560mm (213mm-853mm in 35mm format equivalent) |
F6.3-8 |
Specifications
| Type | FUJINON TELECONVERTER XF1.4X TC WR |
|---|---|
| Lens configuration | 7 elements 3 groups |
| Focal length | 1.4x that of original lens |
| Max. aperture | 1 additional stop |
| Min. aperture | 1 additional stop |
| Focus range | Approx. same as that of original lens |
| Max. magnification | 1.4x that of original lens |
| External dimensions: Diameter x Length （distance from camera lens mount flange） |
Approx. Φ58mm x 15mm |
| Weight (excluding lens caps） |
Approx.130g |
MTF Chart of XF1.4X TC WR with XF50-140mmF2.8 R LM OIS WR
Spatial frequency 15 lines/mm
Distance from the center of the image
XF50-140mmF2.8 R LM OIS WR
Spatial frequency 45 lines/mm
Distance from the center of the image
XF50-140mmF2.8 R LM OIS WR
Spatial frequency 15 lines/mm
Distance from the center of the image
XF50-140mmF2.8 R LM OIS WR
Spatial frequency 45 lines/mm
Distance from the center of the image
XF50-140mmF2.8 R LM OIS WR
Lens Configuration
FUJINON TELECONVERTER XF1.4X TC WR
Fujinon XF 10-24mm F/4 R OIS WR
$ 999.95 - Vendido
Fujinon XF 10-24mm F4 R OIS WR
Overview
A compact wide-angle zoom, with a 35mm equivalent focal range of 15-36mm, that has 3.5 stops of Optical Image Stabilization, weather resistance, and simple updates to the aperture ring to make it practical, portable, and durable.
- A New Weather Resistant Design, Same Optics: Some things should never change, and when it comes to the optical design of this lens, that is certainly the case. Despite being designed to be both dust and moisture resistant, the new XF10-24mmF4 R OIS WR retains the same XF lens optical designs that make them a beloved addition to any X Series user’s camera bag. XF10-24mm F4 R OIS WR lens maintains a compact form factor, edge-to-edge sharpness, and constant F4 aperture value throughout its entire range of focal lengths. It is able to do this in challenging environments and in temperatures as low as 14°Fahrenheit (-10°Celsius).
-
Redesigned For Enhanced Stability: Added stability comes to XF10-24mmF4 R OIS WR lens in the form of a new, sophisticated gyro sensor that is designed to improve Optical Image Stabilization (OIS) from our previous XF lenses by 1.0 stop. This brings vibration reduction performance up to 3.5 stops, which can be further extended to 6.5 stops when it is paired with a current X Series camera equipped with an In-Body Image Stabilization (IBIS)
feature, such as FUJIFILM X-T4. Regardless of the X Series camera it is used with, one thing is certain: with the new XF10-24mm F4 R OIS WR lens, sharp images are on the horizon.
- You Asked, We Listened: Incorporating user feedback into our products is in our DNA, so it should be no surprise that the requests for an “A-position” aperture lock and an f-stop scale be added to the lens’s aperture ring were the first things we addressed with this new XF lens design. And since we were making these changes, we also decided to take the opportunity to go one step further and also reduce the width of both the aperture and focus rings (as compared to the previous XF 10-24mm F4 R OIS lens version) by 1mm to shave 0.9 oz. (25g) off the total weight. Added practicality for less weight just seemed like the perfect trade-off in our opinion. We hope you think so too.
- Fast, Reliable, and Near-silent Autofocus: Our engineers go to great lengths to make lenses that will focus accurately and quietly, while keeping lens breathing to a minimum. Whether it's being used for photo or video, the new XF10-24mmF4 R OIS WR lens is engineered to meet all of these needs. Lightweight focusing elements snap into place with the help of a high-precision motor and subjects easily remain tack sharp, with the lens reliably holding focus regardless of whether the subject is standing still or moving within the frame.
Fujinon XF 100-400mm F/4.5-5.6mm R LM OIS WR
$ 1,899.95 - Vendido
Fujinon XF 100-400mm F4.5-5.6mm R LM OIS WR
Fuji SKU: 16501109 | Helix SKU: FJ16501109
Overview
The FUJINON XF100-400mmF4.5-5.6 R LM OIS WR is a super telephoto zoom lens that covers a 35mm focal length equivalent of 152-609mm. The high performance optical construction of 21 elements in 14 groups includes five ED lenses and one Super ED lens to help reduce chromatic aberration that often occurs in telephoto lenses. As a result, it delivers the highest image quality in its class. The lens has been designed for handheld shooting with a 5.0-stop* image stabilization system and weighs less than 1.4kg. Linear motor for fast autofocusing makes it perfect for shooting fast-moving subjects including aircraft and motorsports. The lens is also both water and dust resistant and can operate in temperatures as low as -10°C, so it’s suitable for use in a wide range of outdoor shooting conditions. A fluorine coating has also been applied to the front lens element to repel water and dirt, further improving the toughness of the lens.
Lens Configuration
XF100-400mmF4.5-5.6 R LM OIS WR
MTF Chart
Vertical axis : Contrast S : Sagittal M : Meridional
Wide
Spatial frequency 15 lines/mm
Distance from the center of the image
Spatial frequency 45 lines/mm
Distance from the center of the image
Telephoto
Spatial frequency 15 lines/mm
Distance from the center of the image
Spatial frequency 45 lines/mm
Distance from the center of the image
Specifications
| Type | FUJINON LENS XF100-400mmF4.5-5.6 R LM OIS WR |
|---|---|
| Lens configuration | 21 elements 14 groups (includes 5 extra low dispersion elements and 1 super extra low dispersion element) |
| Focal length (35mm format equivalent) |
f＝100-400mm (152-609mm) |
| Angle of view | 16.2°- 4.1° |
| Max. aperture | F4.5 (Wide) - F5.6 (Telephoto) |
| Min. aperture | F22 |
| Aperture control |
|
| Focus range | 1.75m - ∞ |
| Max. magnification | 0.19x (Telephoto) |
| External dimensions : Diameter x Length* (approx.) * distance from camera lens mount flange |
ø94.8mm x 210.5mm (Wide) / 270mm (Telephoto) |
| Weight* (approx.) *excluding caps and hoods |
1,375g |
| Filter size | ø77mm |
Fujinon XF 14mm F/2.8 R
$ 899.95 - Vendido
Fujinon XF 14mm F/2.8 R
Fuji SKU: 16276481 | Helix SKU: FJ3221
Overview
Designed to capture images rich in perspective, this ultra wide-angle lens with its extreme angle of view is the ideal choice. With minimized distortion, and high resolution from the center to the periphery of the image frame, this lens has the versatility to capture not only powerful landscape and architectural photos, but also amazing image quality when shooting indoors in confined spaces. Using the focusing distance and depth-of-field scales on the focus ring, photographers can take intriguing snapshots that accentuate depth of field.
Specifications
Specifications
| Type | XF14mmF2.8 R |
|---|---|
| Lens construction | 10 elements in 7 groups (includes 2 aspherical and 3 extra low dispersion elements) |
| Focal length (35mm format equivalent) |
f=14mm (21mm) |
| Angle of view | 89° |
| Max. aperture | F2.8 |
| Min. aperture | F22 |
| Aperture control |
|
| Focus range | Approx. 18cm - ∞ |
| Max. magnification | 0.12x |
| External dimensions | ø65mm x 58.4mm |
| Filter size | ø58mm |
Fujinon XF 16-55mm F/2.8 R LM WR
$ 1,199.95 - Vendido
Fujinon XF 16-55mm F/2.8 R LM WR Lens - FJ1692
Product Overview
The XF16-55mm F2.8 R LM WR weather-resistant zoom lens is a flagship "XF standard zoom lens" with a focal length equivalent of 24mm* to 84mm*, and a constant F2.8 aperture throughout the range. The advanced optical design controls various forms of aberration to achieve edge-to-edge sharpness across the entire zoom range.
Lens Configuration
XF16-55mmF2.8 R LM WR
MTF Chart
Vertical axis : Contrast S : Sagittal M : Meridional
Wide
Spatial frequency 15 lines/mm
Distance from the center of the image
Spatial frequency 45 lines/mm
Distance from the center of the image
Telephoto
Spatial frequency 15 lines/mm
Distance from the center of the image
Spatial frequency 45 lines/mm
Distance from the center of the image
Specifications
| Type | XF16-55mmF2.8 R LM WR |
|---|---|
| Lens configuration | 17 elements 12 groups (includes 3 aspherical and 3 extra low dispersion elements） |
| Focal length (35mm format equivalent) |
f=16-55mm (24-84mm) |
| Angle of view | 83.2°- 29° |
| Max. aperture | F2.8 |
| Min. aperture | F22 |
| Aperture control |
|
| Focus range |
|
| Max. magnification | 0.16x (Telephoto) |
| External dimensions : Diameter x Length* (approx.) * distance from camera lens mount flange |
ø83.3mm x 106.0mm (Wide) / 129.5mm (Telephoto) |
| Weight* (approx.) *excluding caps and hoods |
655g |
| Filter size | ø77mm |
Fujinon XF 16-80mm F/4 R OIS WR
$ 799.95 - Vendido
Fujinon XF 16-80mm F/4 R OIS WR
Fuji SKU: 16635613 | Helix SKU: FJ16635613
Overview
Compact zoom with a constant F4 aperture and 6.0-stop OIS
FUJINON XF 16-80mm F4 R OIS WR has a maximum aperture value of F4 throughout the focal length of 16-80mm (equivalent to 24-122mm in the 35mm film format). This lens has a minimum shooting distance of 35cm over the entire zoom range, which gives a maximum shooting magnification of 0.25x. The compact and lightweight lens weighs only 440g which is approximately 40% lighter than an equivalent lens for a 35mm format system. When attached to an X-T3 the kit weighs only 979g and 823g when combined with X-T30, making it the ultimate travel combination. This new standard zoom lens features 6.0-stop OIS, meaning you can comfortably shoot in a wide variety of situations from a night scene or indoors without worrying about camera shake.
Advanced image quality
The lens consists of 16 elements in 12 groups, including three aspherical lens elements and one ED aspherical lens. The aspherical lens elements are controlled at high precision to reduce field curvature and spherical aberration, resulting in an advanced level of image sharpness across the frame. By using an ED aspherical lens as a OIS lens, aberration fluctuation due to image stabilization is suppressed. In addition, This lens has a minimum focusing distance of 35 cm close-up photography over the entire zoom range. The lens has very little breathing making it suitable for movie shooting.
Compact, lightweight and stylish design for superior operability
- The compact 5x zoom lens weighs just 440g for excellent portability. In addition, the total length is the compact size of 88.9 mm. Approximately 40% lighter than a full size 5x zoom lens.
- Metal aspects of the exterior achieve a stylish look that gives additional quality and durability.
- The zoom, aperture and focus rings have just the right amount of torque for better handling.
Powerful OIS
It has the strongest OIS performance equivalent to 6.0 CIPA-guideline standard. The camera automatically detects when it is fixed to a tripod or when panning, and adjusts accordingly.
Fast and silent autofocus
The lens uses the internal focus AF system that drives smaller and lighter focusing elements. It uses a stepping motor, known for its quiet operation and accuracy, to achieve fast and silent autofocus.
Advanced construction
The lens barrel is sealed at 10 locations making the lens dust and weather resistant and capable of operating at temperatures as low as -10°C. Mounting it on weather resistant mirrorless digital cameras such as X-Pro2, X-T1, X-T2, X-T3 and X-H1 allows you to shoot in light rain or a dusty environment outdoors with peace of mind.
Specifications
Specifications
| Type | XF16-80mmF4 R OIS WR |
|---|---|
| Lens configuration | 16 elements 12 groups (includes 3 aspherical elements and 1 ED aspherical element） |
| Focal length | f=16-80mm(24-122mm) |
| Angle of view | 83.2°-20.1° |
| Max. aperture | F4 |
| Min. aperture | F22 |
| Aperture control |
|
| Focus range | 35cm - ∞ |
| Max. magnification | 0.25x (Telephoto) |
| External dimensions : Diameter x Length* (approx.) * distance from camera lens mount flange |
Φ78.3mm x 88.9mm(Wide) / 131.5mm(Telephoto) |
| Weight* (approx.) *excluding caps |
440g |
| Filter size | Φ72mm |
Lens Configuration
XF16-80mmF4 R OIS WR
MTF Chart
Vertical axis : Contrast
Horizontal axis : Distance from the center of the image
S : Sagittal
M : Meridional
Wide
Spatial frequency 15 lines/mm
Spatial frequency 45 lines/mm
Telephoto
Spatial frequency 15 lines/mm
Spatial frequency 45 lines/mm
Item Includes
| Accessories included | Front lens cap FLCP-72II Rear lens cap RLCP-001 Lens hood Wrapping coth |
|---|
Fujinon XF 16mm F/1.4 R
$ 999.95 - Vendido
Fujinon XF 16mm F/1.4 R Lens
Fuji SKU: 16463670 | Helix SKU: FJ16463670
Overview
The XF16mmF1.4R WR lens has a fixed focal length of 16mm (24mm in 35mm format equivalent) and offers a dramatic wide field of view and stunning optical performance. The F1.4 maximum aperture delivers high image quality in low-light conditions and bokeh-rich macro photography with a minimum working distance of 15cm (approx. 6"). Featuring high-speed auto focus, a weather and dust resistant structure that can work in temperatures as low as -10°C (14°F), and great portability thanks to its compact size, your shooting possibilities are boundless.
Lens Configuration
XF16mmF1.4 R WR
MTF Chart
Vertical axis : Contrast S : Sagittal M : Meridional
Spatial frequency 15 lines/mm
Distance from the center of the image
Spatial frequency 45 lines/mm
Distance from the center of the image
Specifications
| Type | FUJINON LENS XF16mmF1.4 R WR |
|---|---|
| Lens configuration | 13 elements 11 groups (includes 2 aspherical and 2 extra low dispersion elements) |
| Focal length (35mm format equivalent) |
f=16mm (24mm) |
| Angle of view | 83.2° |
| Max. aperture | F1.4 |
| Min. aperture | F16 |
| Aperture control |
|
| Focus range | 15cm - ∞ |
| Max. magnification | 0.21x |
| External dimensions : Diameter x Length* (approx.) * distance from camera lens mount flange |
ø73.4mm x 73.0mm |
| Weight* (approx.) *excluding caps and hoods |
375g |
| Filter size | ø67mm |
Fujinon XF 16mm F/2.8 R WR - Black
$ 399.95 - Vendido
Fujinon XF 16mm F/2.8 R WR - Black
Fuji SKU: 16611655 | Helix SKU: FJ16611655
Overview
Compact, lightweight and stylish wide angle lens for X Series
The “FUJINON XF16mmF2.8 R WR” features a focal length equivalent to 24mm (in the 35mm format) and has a maximum aperture of F2.8. It helps to deliver the best results from Fujifilm’s unique X-Trans™*1 CMOS sensors. Small and lightweight, the lens offers very high resolution performance due to the optical design. The XF16mmF2.8 R WR lens adopts an inner focusing system*2 driven by a stepping motor*3 for faster and quieter auto-focusing. Metal parts are used extensively on the exterior providing a premium yet robust feel, while the aperture and focusing rings have been designed to be comfortable and easy to use. The lens is also weather and dust resistant, and operates in temperatures as low as -10°C, making it ideal for shooting in a variety of conditions.
The XF 16mm F2.8 R WR will expand the lineup of compact, lightweight and stylish lenses, which currently includes the FUJINON XF 23mm F2 R WR, XF 35mm F2 R WR, and XF 50mm F2 R WR, further broadening the appeal of FUJIFILM mirrorless digital cameras.
High resolution performance
The lens features 10 lens elements in 8 groups including two aspherical elements. Optimal arrangement of aspherical lenses suppress spherical aberrations and field curvature while maintaining high performance from the center of the screen to every corner.
Compact, lightweight and stylish design
Fast and silent autofocus
Weather and dust resistant, capable of operating in temperatures as low as -10°C
The lens is weather-sealed at nine points around the barrel making it weather and dust resistant. It is designed to operate in temperatures as low as -10°C. Used with the weather and dust-resistant FUJIFILM X-Pro2 or X-T1/T2/T3, and X-H1 bodies means users can shoot confidently in light rain or dusty environments without worrying about the conditions
Specifications
Specifications
| Type | FUJINON XF 16mm F2.8 R WR | |
| Lens configuration | 10 elements 8 groups (includes 2 aspherical elements） | |
| Focal length | f=16mm (24mm in 35mm format equivalent) | |
| Angle of view | 83.2° | |
| Max. aperture | F2.8 | |
| Min. aperture | F22 | |
| Aperture control | ||
| Number of blades | 9 (rounded diaphragm opening) | |
| Step size | 1/3EV (19 steps) | |
| Focus range | 17cm-∞ | |
| Max. magnification | 0.13x | |
| External dimensions : Diameter x Length*1 (approx.) | ø60.0mm x 45.4mm | |
| Weight*2 (approx.) | 155g | |
| Filter size | ø49mm | |
Item Includes
| Accessories included | Lens cap FLCP-49 Lens rear cap RLCP-001 Lens hood Wrapping cloth |
|
Fujinon XF 18-135mm F/3.5-5.6 WR
$ 899.95 - Vendido
Fujinon XF 18-135mm F3.5-5.6 WR Lens - FJ9542
Product Overview
The Fujinon high-magnification zoom lens, XF18-135mmF3.5-5.6 R LM OIS WR, covers a wide range of shooting scenarios, from wide angle (27mm*equivalent) to telephoto (206mm*equivalent). This lens boasts the world's most advanced 5.0-stop image stabilization technology** and a dust-proof structure with weather resistant sealing applied to more than 20 different areas of the lens.
The XF18-135mmF3.5-5.6 lens has high-performance glass that includes 4 aspherical and 2 ED lenses with multi-layer HT-EBC that effectively reduces lens flare and ghosting. It offers rapid auto focus speeds (max. 0.10 seconds) and silent operation thanks to the low noise linear motor technology. When combined with the X-T1, the camera and lens weigh a mere 930g so they make an ideal weather-sealed combination for travel that offers improved flexibility and increased photo opportunities.
Lens Configuration
XF18-135mmF3.5-5.6 R LM OIS WR
MTF Chart
Vertical axis : Contrast S : Sagittal M : Meridional
Wide
Spatial frequency 15 lines/mm
Distance from the center of the image
Spatial frequency 45 lines/mm
Distance from the center of the image
Telephoto
Spatial frequency 15 lines/mm
Distance from the center of the image
Spatial frequency 45 lines/mm
Distance from the center of the image
Specifications
| Type | XF18-135mmF3.5-5.6 R LM OIS WR |
|---|---|
| Lens configuration | 16 elements in 12 groups (4 aspherical elements and 2 anomalous dispersion lenses) |
| Focal length (35mm format equivalent) |
f=18-135mm (27-206mm) |
| Angle of view | 76.5° - 12° |
| Max. aperture | F3.5 - F5.6 |
| Min. aperture | F22 |
| Aperture control |
|
| Focus range |
|
| Max. magnification | 0.27x (Telephoto) |
| External dimensions : Diameter x Length* (approx.) * distance from camera lens mount flange |
ø75.7mm x 97.8mm(Wide) / 158mm(Telephoto) |
| Weight* (approx.) *excluding caps and hoods |
490g |
| Filter size | ø67mm |
Fujinon XF 18mm F/2.0 R
$ 599.95 - Vendido
Fujinon XF 18mm F/2.0 R
Fuji SKU: 16240743 | Helix SKU: FJ1345
Overview
- Compact and lightweight “Pancake” type.
- Using glass-mold aspheric lenses at the 5th and 7th elements is effective to in increasing the maximum aperture (5th element) and reducing the overall thickness of the lens (7th element).
- The final element, positioned as closely to the sensor as possible, makes the incidence angle of light reaching the sensor smaller, and reduces vignetting and color shading, while helping to keep the lens’s overall size small.
Specifications
| Type | XF18mmF2 R |
|---|---|
| Lens construction | 8 elements in 7 groups (includes 2 aspherical elements) |
| Focal length (35mm format equivalent) |
f=18mm (27mm) |
| Angle of view | 76.5° |
| Max. aperture | F2.0 |
| Min. aperture | F16 |
| Aperture control |
|
| Focus range | Approx. 18cm - ∞ |
| Max. magnification | 0.14x |
| External dimensions | ø64.5mm x 40.6mm |
| Weight (excluding caps and hoods) |
Approx. 116g |
| Filter size | ø52mm |
Fujinon XF 2.0X TC WR Teleconverter
$ 449.95
Fujinon XF 2.0X TC WR Teleconverter
Fuji SKU: 16516271 | Helix SKU: FJ16516271
Overview
The "FUJINON TELECONVERTER XF2X TC WR" is a high-performance teleconverter capable of multiplying the focal length of mounted lenses* by two. It features excellent optical design with a construction of 9 elements in 5 groups to maintain the optical performance of the original lens. Also, thanks to the unified design when mounted to a compatible lens, the teleconverter is weather and dust-resistant and operates at temperatures as low as -10°C. This makes it possible to be used with confidence outdoors when used with the weather and dust-resistant X-T1 and X-Pro2 camera bodies, and the XF50-140mmF2.8 R LM OIS WR and XF100-400mmF4.5-5.6 R LM OIS WR lenses.
Lens Configuration
FUJINON TELECONVERTER XF2X TC WR
Compatibility Chart
| Lens | Focal length with teleconverter mounted | Max. aperture with teleconverter mounted |
|---|---|---|
| XF50-140mmF2.8 R LM OIS WR | 100mm-280mm (152mm-427mm in 35mm format equivalent) |
F5.6 |
| XF100-400mmF4.5-5.6 R LM OIS WR | 200mm-800mm (305mm-1,219mm in 35mm format equivalent) |
F9-11 |
MTF Chart of XF2X TC WR with XF50-140mmF2.8 R LM OIS WR
Vertical axis : Contrast S : Sagittal M : Meridional
Wide(50mm)
Spatial frequency 15 lines/mm
Distance from the center of the image
XF50-140mmF2.8 R LM OIS WR
Spatial frequency 45 lines/mm
Distance from the center of the image
XF50-140mmF2.8 R LM OIS WR
Telephoto(140mm)
Spatial frequency 15 lines/mm
Distance from the center of the image
XF50-140mmF2.8 R LM OIS WR
Spatial frequency 45 lines/mm
Distance from the center of the image
XF50-140mmF2.8 R LM OIS WR
MTF Chart of XF2X TC WR with XF100-400mmF4.5-5.6 R LM OIS WR
Vertical axis : Contrast S : Sagittal M : Meridional
Wide(100mm)
Spatial frequency 15 lines/mm
Distance from the center of the image
XF100-400mmF4.5-5.6 R LM OIS WR
Spatial frequency 45 lines/mm
Distance from the center of the image
XF100-400mmF4.5-5.6 R LM OIS WR
Telephoto(400mm)
Spatial frequency 15 lines/mm
Distance from the center of the image
XF100-400mmF4.5-5.6 R LM OIS WR
Spatial frequency 45 lines/mm
Distance from the center of the image
XF100-400mmF4.5-5.6 R LM OIS WR
Specifications
| Type | FUJINON TELECONVERTER XF2X TC WR |
|---|---|
| Lens configuration | 9 elements 5 groups |
| Focal length | 2x that of original lens |
| Max. aperture | 2 additional stop |
| Min. aperture | 2 additional stop |
| Focus range | Approx. same as that of original lens |
| Max. magnification | 2x that of original lens |
| External dimensions: Diameter x Length （distance from camera lens mount flange） |
Approx. Φ58mm x 30.2mm |
| Weight (excluding lens caps ） |
Approx.170g |
