Olympus OM-D E-M1 Mark II Mirrorless Camera - Black

Vendor: Olympus

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Olympus OM-D E-M1 Mark II Mirrorless Camera - Black

Olympus SKU: V207060BU000 | Helix SKU: OYV207060BU000

Introducing the OM-D E-M1 Mark II, an advanced system of innovative technology and features designed to forever change your photography. Up to 18 frames per second sequential shooting with precision C-AF Tracking. 121 Cross-Type On-Chip Phase Detection AF points. Up to 5.5 shutter speed steps of compensation with powerful in-body image stabilization. Plus a 50MP High-Res Shot Mode. It’s all enclosed in a magnesium alloy weatherproof body that weighs a mere 1.27 lbs. Paired with the superior resolution of M.Zuiko PRO lenses, the E-M1 Mark II will deliver brilliant imagery that’s coveted by professionals everywhere.


Experience sequential shooting speeds that far surpass those of DSLR cameras. Using its advanced silent electronic shutter, the E-M1 Mark II captures 20 MP RAW image files at up to an astonishing 60 fps in S-AF Mode and 18 fps in C-AF Tracking Mode. Or, use the E-M1 Mark II’s high-speed mechanical shutter to shoot full resolution photos at a blazing 15 fps in S-AF Mode, far surpassing other cameras in its class. Thanks to cutting-edge processing speeds, even fast-moving subjects are captured in stunning detail.

*Sequential shooting speed as of September 2016, when using Silent Sequential Shooting H Mode S-AF.


Capture split-second moments with precision and ease. The Frequency Acceleration Sensor Technology (F.A.S.T.) AF system boasts 121 points of On-Chip Phase Detection plus Contrast Detection AF. Every point of On-Chip Phase Detection is cross-type, facilitating detection of vertical and horizontal lines for superior accuracy. For even faster focusing, the in-body AF Limiter function shortens AF drive time with three customizable focus distance ranges.


Capturing fast action is easy with the interactive 2.36 million-dot LCD EVF. It features a smooth 120 fps refresh rate with a 5 millisecond response time that’s imperceptible to the human eye. For superior control, there are five AF target modes: All Point, Single Point, 5-Point Cross, and 9-Point Group, and Small Targets. Precision C-AF Tracking and the subject-tracking Cluster Display simplify focusing on moving subjects. And the AF Targeting Pad function lets you move the focus point by touching the LCD monitor with your thumb while composing shots through the viewfinder.


The new 20 MP Live MOS Sensor features an Anti-Reflective Coating on both sides of the sealed cover glass to reduce flare, and its high-speed design captures distortion-free images of moving subjects that are rich in color and detail. It works simultaneously with the new dual quad-core TruePic™ VIII Image Processor that boasts four CPU cores, four image processing cores, and a dedicated AF calculation circuit to easily power the E-M1 Mark II’s blazing sequential shooting and autofocus speeds.


The advanced 5-Axis Image Stabilization compensates for all types of camera motion to provide up to 5.5 shutter speed steps of compensation for crisp images. When paired with a M.Zuiko PRO lens that features in-lens stabilization, 5-Axis Sync IS provides up to 6.5 shutter speed steps, the world’s most effective stabilization performance*. Capture blur-free shots at longer shutter speeds of up to 2 seconds, no tripod required.

*As of September 2016, with M.Zuiko Digital ED 12-100mm f4.0 IS PRO, 100mm focal length, Yaw / Pitch correction.


Capture C4K (4096 x 2160) video up to max bit rate of 237 Mbps at a 24P frame rate for true cinema quality. For even greater flexibility, shoot 4K (3840 x 2160) video with a 30P, 25P, or 24P frame rate. With the E-M1 Mark II’s 5-Axis Image Stabilization and electronic stabilization that’s optimized for video, you’ll shoot ultra-smooth handheld UHD video without tripods, jibs, or other bulky stabilizing equipment. Plus, there are two HDMI output modes: Monitor Mode supports an external monitor display, while Recording Mode records to an external monitor recorder. For those who professionally color grade their footage, a free LUT compatible with DaVinci Resolve is available for download.


Capturing the best moments can be difficult, especially when your subject is in motion. Pro Capture Mode ensures you’ll catch the exact moment you want without any lag. Pro Capture uses the silent electronic shutter to start buffering a running series of full resolution JPEG / RAW images when you press the shutter release button halfway. Then, fully press the shutter release to capture an image plus the 35 previous frames all at once. You can keep the shutter release fully depressed to continue sequential shooting. With its time machine-like capability, Pro Capture always has the perfect shot stored and ready to save.


The E-M1 Mark II’s High Res Shot Mode creates incredibly sharp images with resolution that exceeds that of many full-frame DSLRs. It automatically captures 8 consecutive shots in one second, then composites the images into one ultra-high resolution shot. The advanced TruePic™ VIII Image Processor prevents image blur caused by subject movement for greater shooting flexibility. To customize your final file size, both a 50 MP Mode and a 25 MP Mode are available.


Silent Mode completely eliminates shutter noise and all electronic sounds, perfect for quiet environments. With the Live Composite and Live Bulb Modes, you’ll shoot beautiful nighttime photos as you watch the image build up on the monitor, giving you freedom of exposure adjustment. For sharp macro photos with large depths of field, Focus Stacking automatically takes several shots with varying focal points and composites them into a single image.


Whether you’re taking to the streets, traveling the world, or working in the studio, the E-M1 Mark II is built to keep you capturing great shots without worrying about your gear. Combined with M.Zuiko PRO lenses, the E-M1 Mark II is more compact and lightweight than DSLRs, providing comfortable shooting with more freedom - even allowing for handheld super-telephoto photography. The metal body provides outstanding grip and is hermetically sealed to be splashproof, dustproof, and freezeproof down to 14°F (-10°C), so you can take advantage of every photo opportunity in any environment.


The new high-capacity Li-Ion battery enables more images on a single charge (up to 440 shots) plus requires less charging time. The camera’s percentage battery display lets you check the remaining battery charge at a glance. Dual card slots feature a staggered layout for easy access and boast four recording settings, ideal for the backup and management of your image and video files. And the E-M1 Mark II’s shutter surpasses durability tests of 200,000 actuations.


We’ve created an entire professional system to complement your new E-M1 Mark II. Both the FL-900R High-Intensity Flash and the STF-8 Twin Macro Flash feature weatherproof construction and are perfectly matched to the E-M1 Mark II’s compact dimensions. The HLD-9 Powered Grip offers a second arrow pad for convenient control when holding the camera vertically, and the RM-CB2 Remote Cable Release easily connects to the camera with an L-shaped pin jack. Add the PT-EP14 Underwater Housing that's waterproof to depths of 60 meters and you'll be prepared to capture amazing shots in every environment.

  1. Sensor Type 4/3" Live MOS Sensor
  2. Effective Pixels 20.4 million
  3. Total Pixels 21.8 million
  4. Aspect Ratio & Area 4:3 / 17.4 x 13.0mm
  5. Dust Reduction Super Sonic Wave Filter


  1. Processor Type TruePic™ VIII

Focusing System

  1. AF System Type High-speed imager AF: Imager phase detection AF and imager contrast AF (active AF automatically selected by camera; when a Micro Four Thirds lens is attached, imager phase detection AF is always selected)
  2. Focus Modes Single AF (S-AF) / Continuous AF (C-AF) / Manual Focus (MF) / S-AF + MF / AF tracking (C-AF + TR) / Preset MF*1
    *1 Distance setting values are rough estimates and not compatible lens except the AF lens.
  3. Full Time AF Not Available
  4. AF Limiter Available (Fn button can be assigned to On/Off; can save 3 settings) *Distance setting values are rough estimates.
  5. AF Performance C-AF lock (5 steps) , AF scanner (3 types)
  6. Magnified Frame 3x , 5x , 7x , 10x , 14x
    *Autofocusing is possible in the magnified frame; can be assigned to button to turn magnify frame AF on and to activate magnification; touch icon on monitor to turn off; enables selection of AF point from over 800.
  7. Face Detection AF / Eye Detection Available
    Eye Detection AF mode : off / nearer-eye priority / right-eye priority / left-eye priority
  8. Focusing Points / Focusing Points Selection Mode 121-point cross-type phase detection AF and 121-point contrast AF / All target, group target (9-area or 5-area), single target
  9. AF Illuminator Available
  10. AF Targeting Pad Available (activate / deactivate with double tap on rear monitor)
  11. Manual Focus Assist* Customize Function Focus ring rotation activates Live View image magnification and/or focus peaking when in S-AF+MF or MF mode
  12. Peaking Function Activate with Fn button or focus ring 
    Change peaking settings using the Info button 
    Color selection: white, black, red, yellow
    Intensity selection: high, normal, low
    Back light effect: on, off

Image Stabilization

  1. System Type Built-in 5-axis* sensor-shift image stabilization for movie and still photos
    *yaw/pitch/roll/vertical shift/horizontal shift
  2. Modes 4 modes (S-IS AUTO, S-IS1, S-IS2, S-IS3), OFF
  3. 5-Axis Sync IS Available*
    *When using M.Zuiko Digital lenses equipped with image stabilization
  4. Live View Image Stabilization Activation by half-pressing shutter button or enlarging view
  5. Focal Length Setting 11 settings: 10 programmable settings (10 lenses), 1 open setting
  6. IS For Live View Image Activation by half-pressing shutter button or enlarging view
  7. Stabilization Performance 5.5 EV*
    *Based on CIPA measurement conditions.
     When using M.Zuiko Digital ED 12-40mm f/2.8 PRO (focal length = 40mm (35mm equivalent: 80mm))
  8. Lens IS Priority Available

Shutter / Sequential Shooting

  1. Shutter Type Computerized focal-plane, high-speed mechanical shutter Silent electronic shutter
  2. Shutter Speed Mechanical Shutter: 1/8000 - 60 sec. (1/3, 1/2, 1 EV steps selectable)
    Electronic Shutter (Silent Mode): 1/32000 - 60 sec
    Bulb / Time: default setting 8 min. (1/2/4/8/15/20/25/30 min. selectable)
  3. Sequential Shooting Maximum Speed [Sequential shooting H] approx. 15 fps with selectable 10-15 fps
    [Sequential shooting L] approx. 10 fps with selectable 1-10 fps
    [Anti-shock sequential shooting L] approx. 8.5 fps with selectable 1-8 fps
    [Silent sequential shooting H] approx. 60 fps with selectable 15, 20, 30, 60 fps
    [Silent sequential shooting L] approx. 18 fps with selectable 1-10, 15, 18 fps
    [Pro Capture H] approx. 60 fps with selectable 15, 20, 30, 60 fps*
    [Pro Capture L] approx. 18 fps with selectable 1-10, 15, 18 fps*
    *When using the M.ZUIKO DIGITAL ED 12-40mm f/2.8 PRO
    *Maximum sequential shooting speed may be affected by several factors including lens used, brightness, aperture, shutter speed, and ISO setting.
    *When in Pro Capture mode, slower shutter speeds and flash can not be used。
    *When ISO is 8000 or above, 30 fps becomes the maximum sequential shooting speed, and the actual shooting speed may become slower than the set shooting speed by a few frames per second. When using ISO Bracketing, performance will be affected at ISO 2000 or above.
    *Focus and exposure are fixed at the values of the first shot when using sequential shooting H.
    *Maximum sequential shooting speed is 8.5 fps for anti-shock sequential shooting L, even when set to 9 or 10 fps.
    *Zuiko Four Thirds and Panasonic Micro Four Thirds lenses are only compatible with Pro Capture H mode.
  4. Max Recordable Pictures in Sequential Shooting [Sequential shooting H 15fps] RAW: Max. 84 frames, JPEG (LN): Max. 117 frames
    [Sequential shooting L 10fps] RAW: Max. 148 frames, JPEG (LN): Until card is full
    [Silent sequential shooting H 60fps] RAW: Max. 48 frames, JPEG (LN): Max. 48 frames
    [Silent sequential shooting L 18fps] RAW: Max. 77 frames, JPEG (LN): Max. 105 frames
    *When using the M.Zuiko Digital ED 12-40mm F2.8 PRO and the Toshiba SDXU-B032G memory card with standard card setting in slot 1.
  5. Self Timer Operation time: 12 sec., 2 sec.,custom (Waiting time 1-30sec.,Shooting interval 0.5/1/2/3sec.,Number of shots 1-10


  1. Finder Type Eye-level electronic viewfinder, approx. 2.36M dots
  2. Field of View / Viewfinder Magnification Approx. 100% / Approx. 1.30x*1 - 1.48x*2 (-1m-1, 50mm lens, Infinity)
    *1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3)
  3. Eye Point / Diopter Adjustment Range Approx. 21mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1
  4. Preview Live View preview with depth of field preview lock
  5. Display Grid Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid
    *grid color is selectable
  6. Level Gauge 2-axis (horizontal / vertical) level gauge
  7. One Touch Tele-Converter Available (2x)
  8. Finder Style 3 styles
  9. Brightness / Color Temp Control Adaptive brightness technology (EVF Auto Luminance) / ±7 level manual brightness control /±7 level manual color temperature control
  10. S-OVF (Simulated OVF) Expands the Live View dynamic range. *Available in the EVF when in P, A, S and M modes. Art filter, WB and exposure are not reflected in EVF.
  11. Eyecup Optional eyecup EP-13 available
  12. Rear Monitor Size 3.0-inch vari-angle monitor* *Approx.1037k dots (3:2), electrostatic capacitance touch panel
  13. Touch Control Shutter release, magnification, AF area selection, AF area size adjustment, AF touch pad, frame forward/backward, magnified playback, Live Guide, Super Control Panel, Wi-Fi connection, movie controls, movie effects, movie teleconverter , selfie controls (shutter release, e-Portrait, custom self timer)
  14. Tilting Capability With (mirror display when monitor is in self portrait position)
  15. Brightness / Color Temp Control (Rear Monitor) ±7 levels / ±7 levels
  16. Color Tone Select Vivid / Natural
  17. Live View Approx. 100% field of view, exposure compensation preview, WB adjustment preview, gradation preview, face detection preview (up to 8 faces), grid line, magnification display (x3/x5/x7/x10/x14), 
    Display modes: Standard, Histogram, Highlight & Shadow, Level Gauge, Off (Image Only)
  18. Field of View 100%
  19. Display Mode Standard, Histogram, Highlight & Shadow, Level Gauge, Off (Image Only)
  20. Magnification Display x3/x5/x7/x10/x14
  21. Monitor Information Aperture value, Shutter speed, Auto Bracket, AE Lock, AF mode, IS, Shooting Mode, Battery %, Custom Set, Internal Temperature Warning, Face / Eye Detection, Histogram, Number of storable still pictures, Record mode, ISO, Sequential shooting, Self-timer, White Balance, Metering Mode, AF confirmation, Exposure Compensation Value, Spot metering Area Flash Mode, Flash Status, Flash intensity Control, Super FP, Focal length, Tone control, Eye-Fi condition, Digital teleconverter
  22. Display of Face Detection Max 8 frames of face detection can be displayed.

Exposure Control / Flash

  1. Metering System Digital ESP metering (324-area multi pattern metering), center-weighted average metering, spot metering*, spot metering with highlight control, spot metering with shadow control *Also available AF target spot metering
  2. Metering Range EV -2 - 20 (using 17mm f2.8, ISO 100)
  3. Exposure Mode / Shooting Mode i Auto (Live Guide can be used) , P: program AE (program shift can be performed), 
    A: aperture priority AE 
    S: Shutter priority AE
    M: Manual (Live Bulb, Live Time and Live Composite are available)
    Custom 1,2,3
    Art Filter
    Underwater wide/Underwater macro (to be assigned to the Fn1 button)
  4. Scene Select AE No
  5. ISO Sensitivity AUTO ISO (default) : LOW (approx.64) ‐ 6400 with customizable upper limit (200 - 6400)
    Manual ISO : LOW (approx.64), 200 - 25600 (adjustable in 1/3 or 1 EV steps)
  6. Exposure Compensation ±5 EV, adjustable by 1/3, 1/2 or 1 EV steps When shooting in HDR or in video, only adjustable up to ±3 EV steps Live View only reflects up to ±3 EV steps
  7. AE Lock Locks with a half-press of the shutter button , AEL/AFL button(can be set to Fn button as well)
  8. Noise Filter at High ISO Setting Off, Low, Standard, High
  9. Noise Reduction at Slow Shutter Speed Off, On, Auto On : effective when shutter speed is slower than 1 sec.
    Auto : effective when shutter speed is slower than 4 sec. (at ISO 200 or higher) or 8 sec. (at lower than ISO200)
  10. Flash Intensity Control Mode TTL Auto, Auto*, Manual, Super FP*(FP-TTL AUTO, FP-MANUAL)
    * Available on the external flash
  11. Bundled Flash FL-LM3(dustproof and splashproof flash)
     GN=9.1(ISO100・m)/ GN=12.9(ISO200・m)
     Bounce Capability (up and down:45, 60, 75, 90 degree / left and right 30, 60, 90, 120, 150, 180 degree)
    *Powered by the camera
  12. Flash Mode Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual(1/1(FULL)~1/64)
  13. Synchronization Speed 1/250 sec.
    *When using Super FP: 1/125-1/8000 sec. 
    *When using electronic shutter: 1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing
  14. Flash Intensity Control Up to ±3 EV in 1/3, 1/2, 1 EV steps selectable
  15. Compatible External Flash FL-50R, FL-36R, FL-20, FL-14, FL-300R, FL-600R, FL-900R, STF-8
  16. Wireless Flash Control Wireless flash transmission channel settings enable selection of the flash/no flash for groups of multiple flash units. In addition, it allows TTL auto, auto and manual models to be set; offers a bounce and swivel head; and flash coverage is automatically adjusted in several steps to correspond to the image area when zooming.
  17. Wireless Flash Control Method Triggered and controlled by Olympus Wireless RC Flash system compatible flashes: included FL-LM3 or separately available FL-600R and FL-900R , STF-8
  18. Wireless Flash Intensity Control Mode TTL Auto, Auto, Manual, FP-TTL-AUTO, FP-MANUAL
  19. Channel No. 4 channels
  20. Group No. 4 groups (External flash 3 groups + commander flash)

Memory / Image Recording (File Format)

  1. Compatible Memory SD, SDHC*1, SDXC*1, Eye-Fi Card compatible*2
    *1 Slot1:UHS-I,II compatible , Slot2:UHS-I compatible.
    *2 Not compatible with Endless Memory.
  2. Recording Format DCF2.0, Exif2.3
  3. File Format RAW (12-bit lossless compression), JPEG, RAW+JPEG
  4. Recording Image Size [RAW] 5184 x 3888 pixels [JPEG] 5184 x 3888 pixels - 1024 x 768 pixels
  5. File Size [RAW] 5184 x 3888 pixels
    [JPEG] 5184 x 3888 pixels - 1024 x 768 pixels
  6. Dual Card Slot Settings Standard, Auto Switch, Dual Independent, Dual Same *When two cards are inserted, card to be saved on to or to be viewed can be designated.
  7. Folder Creation and Selection Available
  8. Copy Copy single file, copy multiple files, copy all *When copied, the new file will be given a different name from that of the original file.

White Balance / Color Mode

  1. White Balance Mode Auto WB, 7 Preset WBs, 4 Capture WBs, Custom WB(Kelvin setting)
  2. White Balance Compensation* ±7 steps along A-B / G-M axis * Except for Custom WB
  3. Preset White Balance 7 preset WBs (3000K - 7500K) - Sunny(5300K), Shadow(7500K), Cloudy(6000K), Incandescent(3000K), Fluorescent(4000K), Underwater, WB Flash(5500K)
  4. CWB (Kelvin Setting) 2000 - 14000K
  5. Capture White Balance 4 custom settings can be registered
  6. Color Mode sRGB, Adobe RGB

Bracketing / HDR

  1. Exposure Bracketing 2, 3 or 5 frames in 0.3/0.7/1.0EV steps selectable, 7 frames in 0.3/0.7EV steps selectable
  2. ISO Bracketing 3 frames in 0.3/0.7/1.0EV steps selectable
  3. White Balance Bracketing 3 frames in 2, 4, 6 selectable steps for A-B/G-M axis.
  4. Flash Bracketing 3 frames in 0.3/0.7/1.0EV step selectable
  5. Art Filter Bracketing i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator selectable
  6. Focus Bracketing 3 to 999 shots, focus steps adjustable from 1 to 10 (compatible with Micro Four Thirds lenses)
  7. Focus Stacking Mode 8 shots are taken at different focus points and automatically composited together into a single image
    * Angle of view becomes slightly smaller
    * Compatible with :
    M.Zuiko Digital ED 60mm f/2.8 Macro
    M.Zuiko Digital ED 12-40mm f/2.8 PRO
    M.Zuiko Digital ED 40-150mm f/2.8 PRO
    M.Zuiko Digital ED 30mm f/3.5 Macro
    M.Zuiko Digital ED 7-14mm f/2.8 PRO
    M.Zuiko Digital ED 8mm f/1.8 Fisheye PRO
    M.Zuiko Digital ED 300mm f/4.0 IS PRO
    M.Zuiko Digital ED 12-100mm f/4.0 IS PRO
  8. HDR (Auto Composite) HDR1, HDR2 (painting-like)
    ※ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec.
    ※Exposure compensation can be performed.
  9. Bracketing for HDR post-process 3 or 5 frames in 2.0 or 3.0 EV steps, or 7 frames in 2.0 EV steps.
    *This sequential shooting H AE bracketing is specifically for shooting images that will be HDR-processed on a PC.

Creative Features

  1. Picture Mode i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, e Portrait, Underwater, Color Creator, Art Filters
  2. Gradation Auto, Normal, High Key, Low Key [except when using i-Enhance, Underwater, Art Filters, Color Creator]
  3. Filter Effect (B&W Filter) Neutral, Yellow, Orange, Red, Green for Monotone
  4. Picture Tone Neutral, Sepia, Blue, Purple, Green for Monotone
  5. Art Filter
    (Variation / Art Effect)
    Pop Art (I, II / a.b.c.d.e)
    Soft Focus ( - / c.e)
    Pale & Light Color (I, II / a.b.c.d)
    Light Tone ( - / d)
    Grainy Film (I, II / b.c.d.f.g)
    Pin Hole (I, II, III / d.)
    Diorama ( - / d.)
    Cross Process (I, II / b.c.d.)
    Gentle Sepia ( - / a.b.c.d.f.)
    Dramatic Tone (I / b.c.d.e.f.) (II / b.c.d.e.f.g.h)
    Key Line (I, II / a.b.c.d.e.)
    Watercolor (I, II / a.b.c.d.)
    Vintage (I, II, III / a.b.c.d.e.f.i)
    Partial Color (I, II, III / a.b.c.d.e.f)
    Bleach Bypass (I, II / a.b.c.d.e.f.g.h.i)
  6. Art Effect a. Soft Focus Effect
    b. Pin-Hole Effect
    c. White Edge Effect
    d. Frame Effect
    e. Star Light Effect
    f. Blur Effect (Top & bottom, Left & Right)
    g. B&W Effect (None, Yellow, Orange, Red, Green)
    h. Picture Tone (None, Sepia, Blue, Purple, Green)
    i. Shade Effect (Top & bottom, Left & Right)
  7. Color Ring (for partial color) 18 color selectable
  8. Live Bulb / Live Time Update Interval Time - 0.5 sec – 60 sec
  9. Live Composite Update Interval Time / composite method – 0.5 sec – 60 sec / Lighten Mode (Bright area prioritization)
  10. Interval Shooting "Interval Time 1sec. - 24 Hours, Max 999 frames. Available on making Time-lapse movie automatically"
  11. Multiple Exposure (number of pictures / function) 2 frames / Auto gain, Exposing on Recorded picture(RAW)
  12. Keystone Compensation Available (can be confirmed in Live View) *Horizontal and vertical compensation can be performed simultaneously.

Video / Audio Recording

  1. Video Recording Format MOV(MPEG-4AVC/H.264) , AVI(Motion JPEG)
  2. Movie Mode / Frame Rate / Compression Method 4096 × 2160 (C4K) / 24p / IPB (approx. 237 Mbps)
    3840 × 2160 (4K) / 30p, 25p, 24p / IPB (approx. 102 Mbps)
    1920 x 1080 (FHD) / 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N)
    1920 x 1080 (FHD) / 60p, 50p / IPB (SF, F, N)
    1280 x 720 (HD) / 60p, 50p, 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N)
    60p: 59.94 fps, 50p: 50.00 fps, 30p: 29.97 fps, 25p: 25.00 fps,
    24p: 23.98 fps, C4K 24.00 fps
    FHD ALL-I (A-I: ALL-Intra / approx. 202 Mbps),
    FHD IPB (SF: SuperFine / approx. 52 Mbps, F: Fine / approx.. 30 Mbps,
    N: Normal / approx. 18 Mbps)
    HD ALL-I (A-I:ALL-Intra / approx. 102 Mbps),
    HD IPB(SF:SuperFine / approx.26Mbps, F:Fine / approx.14Mbps、N:Normal / approx.10Mbps)
    HD (1280 x 720) / 30p
    *Frame rates may drop when particular Art Filters and Movie Effects are used.
    *Class 10 or higher SD card is recommended for shooting movies.
    *UHS-II or UHS-I U3 card is recommended for 4K,C4K,ALL-I shooting.
  3. Maximum Video Recording Time [MOV] Approx.. 29min [AVI] Approx. 7min*
    *Excluding when particular Art Filters are used
  4. Movie Tele-converter Approx. 3x (enlarges view of selected area)
  5. Art Filter Movie Available (Frame rates may drop when certain Art Filters are used)
  6. Movie Effect One-shot Echo / Multi-echo / Art Fade / Old Film
  7. Timelapse Movie [AVI ]
    3840×2160(4K)/ 5fps
    1920×1080(FHD)/ 5fps,10fps,15fps
    1280×720(HD)/ 5fps、10fps、15fps、30fps
  8. IS for Movie M-IS1*(Image sensor shift and electronic image stabilizer with multi motion IS), 
    M-IS2(Image sensor shift with multi motion IS), Off
    *While using M-IS1, field of view may be affected.
  9. AE Lock Available
  10. Video Exposure Control Program AE, aperture priority AE, shutter priority AE, manual
  11. Grid Lines / Focus Peaking 4 types of grid lines / 4 colors for focus peaking
  12. Time Code Rec run/free run, drop frame/non-drop frame
  13. Clips 1, 2, 4, 8 sec.
    (Further continued shooting possible up to 16 seconds by pressing movie record button again)
  14. Quick Movie / Slow Movie With (this function is not available for videos with certain frame rates)
  15. Audio Recording Format Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz)
  16. Microphone / Speaker Built-in stereo microphone / built-in mono speaker *External stereo microphone can be attached
  17. Microphone Function Wind noise reduction, recording volume, microphone volume limiter
    Audio dubbing possible for still pictures (up to 30 sec.)
    *May affect audio quality.
  18. IC Recorder Linkage Slate Tone / Synchronized Audio Rec-Movie Rec *LS-100 compatible


  1. WiFi Easy Connection
    QR code setting
    Wireless Shooting
    Live View
    Power off
    Rec View
    Self timer (w/Countdown guidance, Sequential shooting, movie recording capability)
    Touch AF & Shutter
    P/A/S/M exposure modes (Live Bulb, Live Time, Live Composite)
    Sequential shooting
    Movie Recording
    Aperture, shutter speed, exposure, ISO sensitivity, white balance can be adjusted.*
    *When in private connection
  2. Tethered Shooting Via USB cable (camera can be operated by both PC or camera controls)
  3. Playback Mode Single-frame, information display, index display (4/9/25/100 frames), Clips, calendar, enlargement (2x - 14x), movie (with sound, FF/REW/Pause), picture rotation (auto), slideshow (with sound including BGM, Slide show effects, replaceable BGM), Light Box display
  4. Information Display Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF
  5. Custom Settings / Reset Modes C1, C2, and C3 can be accessed by mode dial
    Modes C1, C2, and C3 can be accessed via the menu
    Dial function and dial direction are customizable for both dials
  6. Button Customization Buttons can be customized (select from 35 functions)
    *Buttons on lenses and HLD-9 power batter holder can also be customized from the camera
    *Some buttons may have restrictions to what functions can be assigned
  7. Copyright Settings / Lens Info Settings Available / With (save up to 10 lenses)
  8. RAW Image Editing Functions Gradation auto, Monochrome, Sepia, Red-eye fix, Saturation, Resize (1280x960, 640x480, 320x240), Trimming, Aspect, e-Portrait, Image Overlay, Post recording
  9. JPEG Image Editing Functions
  10. Image Overlay Up to 3 RAW images
  11. Erasing Function
  12. Protect Function
  13. Menu Languages (34 selectable) English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai

Connectivity / Power Requirements

  1. USB Connector USB Type-C
  2. Remote Connector φ2.5Pin Jack (when using separately available RM-CB2).
  3. HDMI Connector Micro HDMI (type D)
  4. Flash Attachment Hot shoe, sync terminal
  5. Wireless LAN Built-in(IEEE 802.11b/g/n)
  6. MIC Input Jack φ3.5 stereo mini jack (plug-in power on/off)
  7. Headphone Jack φ3.5 stereo mini jack
  8. PC Interface SuperSpeed(USB3.0)
  9. TV Interface Not Available
  10. Battery BLH-1 Li-ion battery (included)
  11. Battery Status Display Remaining power (4 steps, %, or by-minute display), shot count, degradation
  12. Power Battery Holder HLD-9 power battery holder is separately available (holds one BLH-1 battery).
  13. AC Adapter AC-5 AC adapter is separately available (connects to power battery holder HLD-9 to provide power to camera).
  14. Sleep Mode Available (1/3/5 min. off)
  15. Number of Recordable Pictures Approx. 440 shots (using BLH-1 and Toshiba SDHC UHS-I Card Exceria with IS ON, with no flashes attached, based on CIPA test standards) *When used with an authentic Olympus BLH-1 battery.
    Approx. 950 shots (using quick sleep mode, under Olympus testing conditions based on CIPA test standards) *When used with an authentic Olympus BLH-1 battery.
  16. Battery Life for Movie Shooting Approx. 90 minutes* (under standard JEITA testing) *When used with an authentic Olympus BLH-1 battery.
    Approx. 150 minutes* (when zoom and other operational functions are not used) *When used with an authentic Olympus BLH-1 battery.
    *When repeatedly recording at the maximum time of 29 minutes

Weights & Dimensions / Operating Environment / Box Contents

  1. Weight Approx. 1.27 lbs. / 574g (with BLH-1 battery and Memory card, based on CIPA standards)
    Approx. 1.1 lbs. / 498g (body only)
  2. Dimensions W:134.1mm H:90.9mm D:68.9mm
    (based on CIPA standards: excludes protrusions)
  3. Environmentally Sealed Dust, Splash, Freezeproof
  4. Operating Temperature Range -10℃ ~ +40℃ (when in operation) / -20 ~ +60℃ (when stored)
  5. Operating Humidity Range 30 - 90% (when in operation) / 10 - 90% (when stored)


Body, USB cable, cable clip, shoulder strap, instruction manual, warranty card, FL-LM3 flash, BLH-1 Li-ion battery , BCH-1 Li-ion battery charger