Used Asis Radio-Enabled 500ws Studio Strobe
$ 289.97
Used Asis Radio-Enabled 500ws Studio Strobe
Asis SKU: AS0500 | Helix SKU: AS0500U
Includes: Tube Cover, Reflector & Power Cable.
Overview
The ASIS 500 is a 500ws monolight featuring a built-in wireless receiver that allows the light to be remotely triggered and controlled with the ASIS remote (sold separately). The light features a short flash duration of up to 1/8000th of a second and can recycle at full power in less than a second. With the auto sensing capability it can be used internationally with AC voltages up to 265V.
The monolight head also features a photocell, Bowens style modifier mount, cooling fan, and stroboscopic mode. All of these features are housed in the light's durable metal body.
Features:
• Built-in wireless receiver
• Bowens style modifier mount
• Flash Durations as fast as 1/8000th second
• Recycles at Full power in <1 second
• Continuous Flash Mode
• 100w Modeling Lamps with Full, Half, Off positions
• Built-in Circut Protection and fan prevents overheating
Specifications
| SPECIFICATIONS |
Max Output Power: 500ws |
|---|
Used Canon EF 50mm f/1.4 USM
$ 299.97
Used Canon EF 50mm f/1.4 USM
Canon SKU: 2515A003 | Helix SKU: CA2515A003U
Includes: Front Cap, Rear Cap & Lens Hood.
Condition: Very Good
Overview
Standard lens featuring superb quality and portability. Two high-refraction lens elements and new Gaussian optics eliminate astigmatism and suppress astigmatic difference. Crisp images with little flare are obtained even at the maximum aperture.
MTF Charts
A Modulation Transfer Function (MTF) chart measures a lens’ expected optical performance at the center of the picture area and measures repeatedly along the diagonal line, further and further toward the corners of the image. The higher a curve is shown on the chart, the better the lens is performing in the area the chart is measuring. As a curve moves from left to right, it displays the lens' results from center towards the corners.
Specifications
Focal Length & Maximum Aperture: 50mm 1:1.4
Lens Construction: 7 elements in 6 groups
Diagonal Angle of View: 46°
Focus Adjustment: Overall linear extension system with USM
Closest Focusing Distance: 0.45m / 1.5 ft.
Filter Size: 58mm
Max. Diameter x Length, Weight: 2.9 x 2.0, 10.2 oz. / 73.8 x 50.5mm, 290g
UPC: 082966213014
Used Canon EF 75-300mm f4-5.6 III
$ 119.97
Used Canon EF 75-300mm f4-5.6 III
Canon SKU: 6473A003 | Helix SKU: CA6473A003U
Includes: Front Cap, & Rear Cap.
Condition: Excellent.
Overview
The optical system, construction, and exterior are the same as the EF 75-300 mm f/4-5.6 III USM’s. The difference is that it uses a DC motor instead of a USM to drive the AF. Equivalent focal length of 120-480mm on crop sensor camera bodies.
Specifications
Focal Length & Maximum Aperture
Lens Construction
Diagonal Angle of View
Focus Adjustment
Closest Focusing Distance
Filter Size
Max. Diameter x Length, Weight
*Image is for demonstration purposes only.
Used Canon EF-S 10-18mm f/4.5-5.6 IS STM
$ 229.97
Used Canon EF-S 10-18mm f/4.5-5.6 IS STM
Canon SKU: 9519B002 | Helix SKU: CA9519B002U
Includes: Original Box, Front Cap & Rear Cap.
Condition: Excellent.
Overview
The EF-S 10-18mm f/4.5-5.6 IS STM lens combines optical excellence with cutting-edge performance, providing an ultra-wide angle of view in a compact, portable package, perfect for EOS cameras with an APS-C sensor. It has a 4 group optical zoom system and includes a large-diameter element, an aspherical lens element, a UD lens element and enhanced lens coatings for high-contrast, high-resolution images with minimal glare and aberration. A circular, 7-blade aperture helps ensure fine background blur and the Canon Optical Image Stabilizer system provides up to four equivalent stops of shake correction. The lens has a stepping motor (STM) and a refined focus mechanism for smooth and continuous AF during video recording. It also has a rear focusing system, plus a high speed CPU and improved AF algorithm for high-speed AF; and offers full-time manual focus for quick adjustments. The EF-S 10-18mm f/4.5-5.6 IS STM delivers reliable, speedy and quiet wide-angle performance, making it an ideal lens for everyday photography, travel, stills and video recording.
- EF-S ultra wide zoom lens with an impressive starting focal length (16mm in 35mm equivalence).
- Compact design made possible by a new 4 group zoom optical system.
- A stepping motor (STM) and newly-designed focus mechanism support the Canon EOS Movie Servo AF function to provide smooth and quiet continuous AF during video recording, as well as when shooting photos.
- A large diameter element and an aspherical lens element help correct aberration to achieve higher image quality
- One UD lens element helps reduce chromatic aberration throughout the zoom range for excellent image quality with high resolution and contrast.
- Optical Image Stabilizer for up to four stops of correction*.
- Enhanced lens coatings help ensure outstanding color balance while minimizing ghosting and flare.
- Circular aperture (7 blades) creates beautiful, soft backgrounds.
- Rear focusing system, high-speed CPU and improved AF algorithm allow high speed autofocus.
- Full-time manual focus allows manual focus adjustment while in AF Mode.
Specifications
Focal Length & Maximum Aperture
Lens Construction
Diagonal Angle of View
Focus Adjustment
Closest Focusing Distance
Filter Size
Max. Diameter x Length, Weight
*Based on CIPA (Camera & Imaging Products Association) standards. Testing performed using the EOS 7D Digital SLR camera at a focal length of 18mm (29mm in 35mm equivalence).
† Prices and specifications subject to change without notice.
Used Canon EF-S 18-200mm f/3.5-5.6 IS
$ 399.97
Used Canon EF-S 18-200mm f/3.5-5.6 IS
Canon SKU: 2752B002 | Helix SKU: CA2752B002U
Includes: Canon Front Cap & Rear Cap.
Condition: Very Good
Overview
Compact, slightweight and a wide magnification range - this standard zoom lens features a wide focal length range from normal to telephoto equivalent to 29-320mm in the 35mm format. It features an Optical Image Stabilizer for up to 4-stops of effective correction even at full zoom. Since Canon's optical image stabilization system is in the lens, not in the camera, you can see the stabilized, steadier images through the viewfinder. And the circular aperture can give beautiful background blur effects. This new wide zoom ratio EF-S lens delivers excellent high-speed performance at an affordable price.
Specifications
Focal Length & Maximum Aperture
Lens Construction
Diagonal Angle of View
Focus Adjustment
Closest Focusing Distance
Zoom System
Filter Size
Max. Diameter x Length, Weight
Weight: 20.99 oz./595g
DISCLAIMERS
*For Canon EOS DSLR cameras with APS-C sized sensors.
† Prices and specifications subject to change without notice.
Used Canon EF-S 18-55mm f3.5-5.6 IS
$ 69.97
Used Canon EF-S 18-55mm f3.5-5.6 IS
Canon SKU: 2042B002 | Helix SKU: CA2042B002U
Includes: Front & Rear Lens Caps
Overview
In response to demands of photographers, this standard zoom lens is designed with Canon's Optical Image Stabilizer technology while retaining the compactness and lightness of previous models. Without a lot of size, weight or cost, this lens expands picture-taking possibilities any time slow shutter speeds are needed.
Optical Image Stabilizer Technology
Its stabilization allows sharp hand-held shots at shutter speeds up to four stops slower than otherwise possible.
11 elements in 9 groups and an Aspherical Lens
11 elements in 9 groups and uses an Aspherical lens element to correct aberration for excellent image quality throughout the zoom range and a circular aperture for exquisite rendering of out-of-focus backgrounds.
*Image for demonstration purposes only. Actual product not pictured.
Used Canon EF-S 55-250mm f4-5.6 IS
$ 119.97
Used Canon EF-S 55-250mm f4-5.6 IS
Canon SKU: 2044B024 | Helix SKU: CA2044B024U
Includes: Front Cap & Rear Cap.
Condition: Very Good.
Overview
Used Canon EOS 5D Mark IV with EF 24-105mm f4 L Lens
$ 2,599.97
Used Canon EOS 5D Mark IV with EF 24-105mm f4 Lens
Canon SKU: 1483C010 | Helix SKU: CA1483C010U
Includes: Original Box, Eyecup, Body Cap, Strap, Battery, Charger, USB Cable, Eyepiece Cover, Front Cap, Rear Cap, & Lens Hood.
Condition: Excellent.
Overview
The EOS 5D Mark IV camera builds on the powerful legacy of the 5D series, offering amazing refinements in image quality, performance and versatility. Canon's commitment to imaging excellence is the soul of the EOS 5D Mark IV. Wedding and portrait photographers, nature and landscape shooters, as well as creative videographers will appreciate the brilliance and power that the EOS 5D Mark IV delivers. Superb image quality is achieved with Canon's all-new 30.4 Megapixel full-frame sensor, and highly-detailed 4K video is captured with ease. Focus accuracy has been improved with a refined 61-point AF system and Canon's revolutionary Dual Pixel CMOS AF for quick, smooth AF for both video and Live View shooting. Fast operation is enhanced with Canon's DIGIC 6+ Image Processor, which provides continuous shooting at up to 7.0 fps*. Built-in Wi-Fi®**, GPS*** and an easy-to-navigate touch-panel LCD allow the camera to become an extension of you. When quality matters, the EOS 5D Mark IV helps deliver results to inspire even the most discerning imagemaker.
FEATURES
New 30.4 Megapixel full-frame CMOS sensor for versatile shooting in nearly any light, with ISO range 100-32000; expandable up to 50-102400 (equivalent ISO).
The EOS 5D Mark IV camera boasts a full-frame, high-speed CMOS sensor that's ideal for a broad range of applications with its remarkable high-resolution abilities. Measuring approximately 36.0mm x 24.0mm, the same size and ratio as a 35mm film frame, it records 30.4 effective Megapixels at normal ISOs of up to 32000. It also captures incredible still and 4K video clips suitable for significant post-processing, retouching and cropping.
ISO 100-32000 (expandable to 50-102400)
Featuring an ISO range of 100-32000 (expandable to 50-102400), the EOS 5D Mark IV camera is incredibly well-suited for low-light photography. Its sensor has an improved S/N ratio plus an improved noise-processing algorithm to help deliver high-level light sensitivity along with its high resolution, with virtually no compromise in image quality. Whether working in a dimly lit auditorium, trying to capture the action at night, photographing at the fastest possible shutter speed or simply suppressing camera shake blur, the EOS 5D Mark IV has an extended ISO range that contributes to its ability to excel in nearly every situation it faces.
4K Motion JPEG video (DCI cinema-type 4096 x 2160) at 30p or 24p; in-camera still frame grab* of 4K 8.8-Megapixel images; multiple video options include Full HD up to 60p, and HD up to 120p.
The EOS 5D Mark IV is a remarkably capable video camera. Thanks to its impressive CMOS sensor and its high-speed DIGIC 6+ Image Processor, it can transition from taking still photographs to shooting videos in a near instant, capturing Digital Cinema (DCI) standard 4K (Motion JPEG) videos of 4096 x 2160 pixels at up to 30 or 24 fps. Adding to its versatility, it also supports the 4K broadcasting standard of 3840 x 2160 pixels with slight trimming on the left and right sides.
Superb Dual Pixel CMOS AF for responsive and smooth AF during video or Live View shooting; LCD monitor has full touch-screen interface, including selection of AF area.
Adding to its powerful and portable design, the EOS 5D Mark IV camera utilizes Canon's smooth, fast and intelligent Dual Pixel CMOS AF. Featuring two photodiodes per pixel and each pixel capable of phase-difference detection autofocus, the CMOS sensor can deliver fast and accurate AF throughout approximately 80% of the image plane. Able to detect shifts in movement at the pixel level, Dual Pixel CMOS AF enables continuous automatic AF and AF tracking that enhances overall camera operation for sharp still images and smooth, accurate focus transitions in movies.
Specifications
Type
Digital, AF/AE single-lens reflex, camera
Recording Media
- CF card
- Type I drive (Type II and Microdrive non-supported.)
- UDMA Mode 7 supported.
- CFast cards cannot be used.
- SD, SDHC and SDXC memory cards
- UHS-I supported.
- MultiMediaCards (MMC) cannot be used (results in error).
- UHS-II not supported. If a UHS-II card is used, it may be slower than a UHS-I (depends on the card specifications).
Compatible Lenses
Canon EF Lenses (excluding EF-S and EF-M lenses)
Lens Mount
Canon EF mount
IMAGE SENSOR
Type
CMOS sensor (Compatible with Dual Pixel CMOS AF)
Pixels
Approx. 30.4 megapixels
Pixel Unit
Approx. 5.36 µm square
Total Pixels
Approx. 31.7 megapixels
Aspect Ratio
3:2 (Horizontal: Vertical)
Color Filter System
RGB primary color filters
Low Pass Filter
Installed in front of the image sensor, non-detachable
Dust Deletion Feature
- Self Cleaning Sensor Unit
- Removes dust adhering to the low-pass filter.
- Self-cleaning can be done automatically when the power is turned on/ off.
- After the cleaning is performed, the camera will automatically restart (Power OFF to ON).
- When you use Multi Shot Noise Reduction, "Clean now" cannot be selected.
- Dust Delete Data acquisition and appending
- The coordinates of the dust adhering to the low-pass filter are detected by a test shot and appended to subsequent images.
- The dust coordinate data appended to the image is used by the EOS software DPP to automatically erase the dust spots.
- Manual cleaning
RECORDING SYSTEM
Recording Format
Complies with Design rule for Camera File System 2.0 and EXIF 2.3
Image Format
Still Image: JPEG, RAW (14 bit Canon Original)
Video: MOV (4K video: Motion JPEG; Full HD and HD Movie: MPEG4 AVC/H.264*; Audio: Linear PCM), MP4 (Movie: MPEG4 AVC/H.264*; Audio: AAC)
* Variable (averaged) bit rate.
File Size
3:2 Aspect Ratio
Large/RAW: Approx. 30.1 Megapixels (6720 x 4480)
mRAW: Approx. 16.9 Megapixels (5040 x 3360)
Medium: Approx. 13.3 Megapixels (4464 x 2976)
Small 1/sRAW: Approx. 7.5 Megapixels (3360 x 2240)
Small 2: Approx. 2.5 Megapixels (1920 x 1280)
Small 3: Approx. 0.35 Megapixels (720 x 480)
4:3 Aspect Ratio
Large/RAW: Approx. 26.7 Megapixels (5952 x 4480)*
mRAW: Approx. 15.1 Megapixels (4480 x 3360)
Medium: Approx. 11.8 Megapixels (3968 x 2976)
Small 1/sRAW: Approx. 6.7 Megapixels (2976 x 2240)*
Small 2: Approx. 2.2 Megapixels (1696 x 1280)*
Small 3: Approx. 0.31 Megapixels (640 x 480)
16:9 Aspect Ratio
Large/RAW: Approx. 25.4 Megapixels (6720 x 3776)*
mRAW: Approx. 14.3 Megapixels (5040 x 2836)*
Medium: Approx. 11.2 Megapixels (4464 x 2512)*
Small 1/sRAW: Approx. 6.3 Megapixels (3360 x 1888)*
Small 2: Approx. 2.1 Megapixels (1920 x 1080)
Small 3: Approx. 0.29 Megapixels (720 x 408)*
1:1 Aspect Ratio
Large/RAW: Approx. 20.1 Megapixels (4480 x 4480)
mRAW: Approx. 11.3 Megapixels (3360 x 3360)
Medium: Approx. 8.9 Megapixels (2976 x 2976)
Small 1/sRAW: Approx. 5.0 Megapixels (2240 x 2240)
Small 2: Approx. 1.6 Megapixels (1280 x 1280)
Small 3: Approx. 0.23 Megapixels (480 x 480)
Values for Recording Pixels are rounded off to the nearest 10,000th or 1,000th.
JPEG images are generated in the set aspect ratio.
RAW images are generated in [3:2], and the set aspect ratio is appended.
* Inexact proportion.
Recording Functions
- Standard
- Select manually to record on either the CF card or SD card.
- Auto switch card
- When the current card becomes full, the camera switches to the other card automatically.
- Record separately
- The CF card and SD card record the same image at a different image recording quality (Large/Fine, Large/Normal, Medium/Fine, Medium/Normal, Small 1/Fine, Small 1/Normal, Small 2, Small 3, RAW, mRAW, sRAW).
- Record to multiple
- Both the CF card and SD card record the same image at the same image recording quality (Also applies to RAW+JPEG, mRAW+JPEG, and sRAW+JPEG).
Backup Recording
N/A
File Numbering
The following three types of file numbers can be set:
- Continuous numbering
- The numbering of captured images continues even after you replace the card.
- Auto reset
- When you replace the card, the numbering will be reset to start from 0001. If the new card already contains images, the numbering will continue from the last recorded image in the card.
- Manual reset
- Resets the file number to 0001, and creates a new folder automatically.
RAW + JPEG Simultaneous Recording
Possible
Color Space
sRGB, Adobe RGB
Picture Style
- Auto
- Standard
- Portrait
- Landscape
- Fine Detail
- Neutral
- Faithful
- Monochrome
- User Defined 1-3
- In Scene Intelligent Auto, [Auto] will be set automatically.
- [Standard] is the default setting for [User Def. 1-3].
WHITE BALANCE
Settings
Auto (Ambience priority/White priority), Daylight, Shade, Cloudy*, Tungsten Light, White Fluorescent Light, Flash, Custom (Custom WB), Color Temperature
* Effective also in twilight and sunset.
Auto White Balance
Option between ambience priority and white priority settings
Color Temperature Compensation
Blue/amber bias: ±9 levels
Magenta/green bias: ±9 levels
Corrected in reference to the current WB mode's color temperature.
Color Temperature Information Transmission
Provided
VIEWFINDER
Type
Eye-level SLR (with fixed pentaprism)
Coverage
Approx. 100% vertically and horizontally (at approx. 21mm eyepoint)
Magnification
Approx. 0.71
Eye Point
Approx. 21mm (at -1m-1 from the eyepiece lens center)
Dioptric Adjustment Correction
Adjustable from approx. -3.0 to +1.0 m-1 (dpt)
Focusing Screen
Fixed
Mirror
Quick-return half mirror
Viewfinder Information
Displayed with transparent liquid crystal
- AF point information
- AF operation*
- Area AF frame
- Metering mode*
- Spot metering circle
- Image quality*
- Electronic level (dedicated indicator)*
- Digital Lens Optimizer*
- Battery (remaining capacity)*
- Dual Pixel RAW setting (shooting)*
- Shooting mode*
- Flicker detection*
- White balance*
- Warning symbol
- Drive mode*
- AF status indicator
You can select whether or not to display the asterisked items [Show/hide in viewfinder].
Depth Of Field Preview
Enabled with depth of field preview button
AUTOFOCUS
Type
TTL secondary image-forming phase-difference detection system with AF-dedicated sensor
AF Points
AF Points (Max. 61 points)
| AF Points and AF Patterns | AF Points (Max.) |
| Dual cross-type AF points at f/2.8 and f/5.6 | 5 |
| Cross-type AF points at f/4.0 and f/5.6 | 20 |
| Cross-type AF points at f/5.6 and f/8 | 21 |
| Horizontal-line sensitive AF points at f/5.6 | 20 |
| Horizontal-line sensitive AF points at f/8 | 61 |
The number of AF points, cross-type AF points and dual cross-type AF points vary depending on the lens used.
AF Working Range
Conditions: One-Shot AF, at 73°F/23°C, ISO 100
| AF Point | Brightness |
| One center AF point focusing at f/2.8 | EV -3 to 18 |
| Four AF points at the top/bottom center focusing at f/2.8 | EV -2 to 18 |
| One center AF point focusing at f/5.6 and f/8 | EV -1.5 to 18 |
| Peripheral AF points focusing at f/5.6 and f/8 | EV -0.5 to 18 |
Focusing Modes
- Autofocus
- One-Shot AF
- Predictive AI Servo AF (AI Servo AF III)
- AI Focus AF
- Switches between One-Shot AF and AI Servo AF automatically.
- Manual focus
AF Point Selection
- Single-point Spot AF (Manual selection)
- Single-point AF (Manual selection)
- The checkmark cannot be removed from this option.
- AF point expansion (Manual selection, 4 points: Up, down, left and right)
- AF point expansion (Manual selection, surrounding 8 points)
- Zone AF (Manual zone selection)
- All AF points divided into nine focusing zones.
- Large Zone AF (Manual zone selection)
- All AF points divided into three focusing zones.
- AF point Auto selection AF
Selected AF Point Display
Selected AF Point Display
| During AF Point Selection | Shooting Ready (before AF) | During AF | When Focused | Metering Time Active | |
| Selected AF Point(s) (Always displayed) | All displayed | Selected AF point | Selected AF point | In-focus AF points | Selected AF point |
| All AF Points (Always displayed) | All displayed | All displayed | All displayed | All AF points + In-focus AF points | All displayed |
| Selected AF Point(s) (Before AF and when focused) | All displayed | Selected AF point | Not displayed | In-focus AF points displayed momentarily -> Turns off | Selected AF point |
| Selected AF Point(s) (Displayed when focused) | All displayed | Not displayed | Not displayed | In-focus AF points displayed momentarily -> Turns off | Not displayed |
| Not displayed | All displayed | Not displayed | Not displayed | Not displayed | Not displayed |
Active AF Point Indicator
Displayed in viewfinder with transparent LCD and on LCD panel
AF Assist Beam
- Enable
- Disable
- IR AF assist beam only
EXPOSURE CONTROL
Metering Modes
150,000-pixel RGB+IR metering sensor
- 153,600 effective pixels (480 x 320)
EOS iSA System with 252 zone (18 x 14) metering
- Evaluative metering (linked to all AF points)
- Partial metering (center, approx. 6.1% of viewfinder)
- Spot metering (center, approx. 1.3% of viewfinder)
- AF point-linked spot metering not provided.
- Center-weighted average metering
Metering Range
EV 0-20 (at 73°F / 23°C , ISO 100)
Exposure Control Systems
(1) Scene Intelligent Auto
(2) Program AE (shiftable)
(3) Shutter-priority AE (Safety shift possible)
(4) Aperture-priority AE (Safety shift possible)
(5) Manual exposure
(6) Bulb
(7) Custom shooting mode C1, C2, C3
ISO Speed Range
Manual setting (During viewfinder shooting)
| Normal | ISO 100–32000 (in 1/3-stop or whole-stop increments) |
| Expanded | ISO speeds L: equivalent to ISO 50, H1: 51200, H2: 102400 |
- For [Highlight tone priority], the settable ISO speed range will be ISO 200–32000.
- ISO speed safety shift possible with Custom Function.
Auto setting (During viewfinder shooting)
| Shooting Mode | ISO Settings | |
| No Flash | With Flash | |
| Scene Intelligent Auto | ISO 100–12800 | ISO 100–1600 |
| P/Tv/Av/M | ISO 100–32000*1 | ISO 400 fixed*1*2*3 |
| B | ISO 400 fixed*1 | |
*1 It depends on [Minimum] and [Maximum] of [ISO speed settings] [Range for stills].
*2 If fill-in flash will cause overexposure, ISO 100 or a higher ISO will be set (except for M and B).
*3 In the <d> mode, if you use bounce flash with an external Speedlite, ISO 400–1600 will be set automatically.
Exposure Compensation
Manual: ±5 stops in 1/3 or 1/2-stop increments
AEB: ±3 stops in 1/3 or 1/2-stop increments
* Indicated up to ±3 stops on the LCD panel and in the viewfinder. To set exposure compensation exceeding ±3 stops, you can use Quick Control.
* Live View shooting, exposure compensation can be set up to ±3 stops.
AE Lock
(1) Auto AE lock
·In the One-Shot AF mode with evaluative metering, AE lock takes effect when focus is achieved.
(2) Manual AE lock
·With AE lock button. (AE lock is updated each time you press the button.) Enabled in all metering modes.
SHUTTER
Type
Vertical-travel, mechanical, focal-plane shutter with all speeds electronically-controlled
Shutter Speeds
1/8000 to 30 sec., bulb (Total shutter speed range. Available range varies by shooting mode.)
X-sync at 1/200 sec.
Shutter Release
Soft-touch electromagnetic release
Self Timer
10-sec. self-timer, 2-sec. self-timer
Shutter Lag Time
Shutter Lag Time
| During SW-1 ON, time lag between SW-2 ON and start of exposure: | Normal shooting | Approx. 58 ms |
| During silent shooting | Approx. 108 ms | |
| With flash | Approx. 98 ms | |
| During silent shooting with flash | Approx. 153 ms | |
| Time lag between simultaneous SW-1/SW-2 ON and start of exposure: | Normal shooting | Approx. 130 ms |
| During silent shooting | Approx. 177 ms | |
| With flash | Approx. 266 ms | |
| During silent shooting with flash | Approx. 318 ms |
EXTERNAL SPEEDLITE
EOS Dedicated Speedlite
E-TTL II autoflash with all EX Series Speedlites
Zooming to Match Focal Length
Provided
Flash Exposure Compensation
±3 stops in 1/3- or 1/2-stop increments
FE Lock
Provided
External Flash Settings
- External flash control
- Flash firing
- E-TTL II Flash metering
- Flash sync. speed in Av mode
- Flash mode
- Radio transmission wireless flash shooting
- Optical transmission wireless flash shooting
- Flash ratio control
- Zoom
- Sync setting
- Flash exposure compensation
- FEB
- Clear settings
- Flash Custom Function setting
PC Terminal
Provided (no polarity)
DRIVE SYSTEM
Drive Modes
- Single shooting
- High-speed continuous shooting
- Low-speed continuous shooting
- Silent single shooting
- Silent continuous shooting
- 10-sec. self-timer/remote control
- 2-sec. self-timer/remote control
Continuous Shooting Speed
High-speed continuous shooting: Max. approx. 7.0 fps
- With 1/500 sec. or faster shutter speed, maximum aperture (varies depending on the lens), with a fully-charged Battery Pack LP-E6N, and at room temperature (73°F/23°C).
- The maximum continuous shooting speed will decrease under the following shooting conditions:
- [Anti-flicker shoot.: Enable] results in maximum approx. 6.6 fps.
- [Dual Pixel RAW: Enable] and RAW or RAW+JPEG image quality.
- [Digital Lens Optimizer: Enable] will greatly decrease the continuous shooting speed.
- The continuous shooting speed may become slower depending on the shutter speed, aperture, subject conditions, brightness, lens, flash use, temperature, battery type, remaining battery level, etc.
- With the AF mode set to One-Shot AF and the Image Stabilizer turned off when using the following lenses: EF 300mm f/4 L IS USM, EF 28-135mm f/3.5-5.6 IS USM, EF 75-300mm f/4-5.6 IS USM, EF 100-400mm f/4.5-5.6L IS USM.
- In AI Servo AF operation, the continuous shooting speed may become slower depending on the subject and the lens used.
- If you use Battery Pack LP-E6 and shoot in low temperatures (battery temperature is low), the high-speed continuous shooting speed may become slower.
- The continuous shooting speed may become slower if the remaining battery level is low or if you shoot under low-light conditions.
Low-speed continuous shooting: Max. approx. 3.0 fps
Silent continuous shooting: Max. approx. 3.0 fps
LIVE VIEW FUNCTIONS
Shooting Modes
Still photo and video recording
Focusing
- Dual Pixel CMOS AF
- Dual Pixel CMOS AF is possible with all EF lenses.
- Manual focus
- Magnify the image by 5x or 10x and focus manually.
Metering Modes
- Evaluative metering 315-zone (21 x 15)
- Partial metering (approx. 6.3% of Live View screen)
- Spot metering (approx. 2.7% of Live View screen)
- Center-weighted average metering
- AE lock possible. The active metering timer can be changed.
Metering Range
EV 0-20 (at 73°F/23°C, ISO 100)
Grid Display
- 3x3
- 6x4
- 3x3 + diagonals
Exposure Simulation
Possible
Silent Shooting
Provided (Mode 1 and 2)
VIDEO SHOOTING
File Format
MOV:
4K Video*: Motion JPEG
Full HD/HD Movie: MPEG-4 AVC/H.264
- Variable (averaged) bit rate
Audio: Linear PCM
MP4:
Movie: MPEG-4 AVC/H.264
- Variable (averaged) bit rate
Audio: AAC
File Size
Recording Sizes:
4096 x 2160 (4K)*, 1920 x 1080 (Full HD), 1280 x 720 (HD)
Frame Rates
MOV:
4096 x 2160 (4K)*: 30 fps (29.97 fps) / 24 fps / 23.98 fps
1920 x 1080 (Full HD): 60 fps (59.94 fps) / 30 fps (29.97 fps) / 24 fps / 23.98 fps
1280 x 720 (HD): 120 fps (119.9 fps)
MP4:
1920 x 1080 (Full HD): 60 fps (59.94 fps) / 30 fps (29.97 fps) / 24 fps / 23.98 fps
*4K requires the following write speed requirements: CF UDMA7 (100MB/sec. or faster); SD UHS-I (90MB/sec. or higher)
Continuous Shooting Time
Continuous Shooting Time
MOV
| Movie Recording Size | Total Recording Time (Approx.) | Bit Rate / File Size (Approx.) |
||||
| 8GB | 32GB | 128GB | ||||
| 4K 4096 x 2160 |
29.97 fps, |
Motion JPEG |
2 min. | 8 min. | 34 min. | 500 Mbps 3587 MB/min. |
| Full HD 1920 x 1080 |
59.94 fps | ALL-I | 5 min. | 23 min. | 94 min. |
180 Mbps 1298 MB/min. |
| IPB | 17 min. | 69 min. | 277 min. |
60 Mbps 440 MB/min. |
||
|
29.97 fps, |
ALL-I | 11 min. | 46 min. | 186 min. | 90 Mbps 654 MB/min. |
|
| IPB | 33 min. | 135 min. | 541 min. |
30 Mbps 225 MB/min. |
||
| HD 1280 x 720 |
119.9 fps |
All-I | 6 min. | 26 min. | 105 min. | 160 Mbps 1155 MB/min. |
MP4
| Movie Recording Size | Total Recording Time (Approx.) | Bit Rate / File Size (Approx.) |
||||
| 8GB | 32GB | 128GB | ||||
| Full HD 1920 x 1080 |
59.94 fps | IPB | 17 min. | 70 min. | 283 min. | 60 Mbps 431 MB/min. |
|
29.97 fps, |
IPB | 35 min. | 140 min. | 563 min. | 30 Mbps 216 MB/min. |
|
|
29.97 fps |
IPB (Light) |
86 min. | 347 min. | 1391 min. |
12 Mbps 87 MB/min. |
|
Bit rate indicates video output only, audio is not included.
For both MOV and MP4, if the recording time reaches 29 min. 59 sec. (or 7 min. 29 sec. for a HD High Frame Rate Movie), the movie shooting will stop automatically.
With MOV and MP4, movie shooting does not stop automatically stop even when the file size reaches 4 GB.
Focusing
- Dual Pixel CMOS AF
- Manual focus
- Magnify the image by approx. 5x or 10x and focus manually (not possible during movie shooting).
Exposure Compensation
Up to ±3 stops in 1/3-stop increments
LCD MONITOR
Type
TFT color, liquid-crystal monitor
Monitor Size
3.2-inch (Screen aspect ratio of 3:2)
3.19 in./8.10cm diagonal (2.65 in./6.74cm width, 1.77 in./4.49cm height)
Pixels
Approx. 1.62 million dots
Coverage
Approx. 100%
Viewing angle: 170° vertically and horizontally
Brightness Control
- Automatic
- Manually adjustable to one of seven brightness levels
Coating
Clear View LCD II
- Anti-smudge coating
- Anti-reflection coating
Interface Languages
25 (English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Romanian, Ukraine, Turkish, Arabic, Thai, Simplified/Traditional Chinese, Korean, Japanese)
TILT DISPLAY
On LCD Monitor
Electronic level indicates up to 360° roll and ±10° pitch in 1° increments.
- Precision has a margin of error of up to 1° for ±10°, and up to 3° for ±45°.
In Viewfinder
Electronic level indicates up to 7.5° roll left/right and ±4° pitch in 1° increments.
- Precision has a margin of error of up to 1° for ±10°, and up to 3° for ±45°.
PLAYBACK
Display Format
Single image display:
- No information display
- Basic information display
- Detailed shooting information display
Basic shooting information
Lens/histogram information
White balance information
Picture Style information 1
Picture Style information 2
Color space/noise reduction information
Lens aberration correction information 1
Lens aberration correction information 2
GPS information
IPTC information (First for EOS)
Index display:
- 4-image index
- 9-image index
- 36-image index
- 100-image index
Highlight Alert
With single-image display (Info.) and single-image display, the white areas with no image data will blink.
QUICK CONTROL FUNCTION
Items
Pressing the Quick Control button displays the Quick Control screen during viewfinder shooting, Live View shooting, movie shooting and playback.
IMAGE PROTECTION AND ERASE
Protection
Erase protection can be applied or canceled for a single image (select image), all images in a folder or all images in the card.
Erase
Erase a single image (playback and erase image), selected images, all images in a folder or all images in a card.
DIRECT PRINTING
Compatible Printers
Images can be sent via Wi-Fi® to a PictBridge-compatible (Wireless LAN) printer and printed.
Printable Images
- Individual images
- Specify images by folder
- Specify all images in card
- RAW images and movies cannot be specified for printing.
DPOF: DIGITAL PRINT ORDER FORMAT
DPOF
Compliant to DPOF Version 1.1
DIRECT IMAGE TRANSFER
Compatible Images
- JPEG images
- RAW images
- Movies
CUSTOMIZATION
Custom Functions
17 Custom Functions settable with the camera
Custom Controls
Functions can be assigned to the following buttons:
- Shutter button halfway pressing
- AF-ON button
- AE lock button
- Depth of field preview button
- Lens AF stop button
- Multi-function button
- SET button
- Main Dial
- Quick Control Dial
- Multi controller
- AF area selection button
Camera User Settings
Current camera settings can be registered to C1, C2 and C3 on the Mode Dial.
My Menu Registration
- Up to six top-tier menu options and Custom Functions can be registered.
- Up to five My Menu tabs can be added.
- My Menu tab overall operations
- Adding a tab
- Deleting tabs in a batch
- Deleting all tab items
- Setting the menu display
- My Menu tab detailed operations
- Selecting a registered item
- Sorting registered items
- Deleting selected registered items
- Deleting registered items in a batch
- Deleting tabs
- Changing a tab name (16 ASCII characters)
INTERFACE
USB Terminal
SuperSpeed USB (USB 3.0)
- For computer communication
- For WFT-E7 (Ver.2.0) connection
- For Connect Station CS100 connection
Video Out Terminal
HDMI Type C (Resolution switches automatically), CEC compatible
- Images can be displayed through the HDMI output and on LCD monitor at the same time.
Images will not be displayed unless [NTSC] or [PAL] is properly set according to the video system of the TV set.
POWER SOURCE
Battery
Battery Pack LP-E6N (or LP-E6) x 1
- With the AC Adapter + DC Coupler, AC power is possible.
- When the Battery Grip BG-E20 is used, two battery packs (LP-E6N or LP-E6) can be installed.
Battery Life
Battery Life (Approx. Number of Shots)
| Configuration | Shooting Method | Battery | Temperature | Possible Shots |
| Camera Body Only | Viewfinder shooting | LP-E6N | At 73°F/23°C | 900 |
| At 32°F/0°C | 850 | |||
| Live View Shooting | LP-E6N | At 73°F/23°C | 300 | |
| At 32°F/0°C | 280 | |||
| With Battery Grip BG-E20 |
Viewfinder shooting | LP-E6N x2 | At 73°F/23°C | 1800 |
| At 32°F/0°C | 1700 | |||
| Live View Shooting | LP-E6N x2 | At 73°F/23°C | 600 | |
| At 32°F/0°C | 560 |
Based on CIPA testing standards.
Battery Check
Automatic battery check when the power switch is turned ON. Displayed in 6 levels.
- Battery level displayed on the LCD panel and in the viewfinder.
- One of six levels displayed for LP-E6N and LP-E6. The display for other power sources is different.
Power Saving
Power turns off after the set time (1, 2, 4, 8, 15 or 30 min.) of non-operation elapses.
- Even when you set the date, time or zone and 1, 2 or 4 min. is set, it will take 6 min. for auto power off to take effect.
Date/Time Battery
Built-in secondary battery
When fully-charged, the date/time can be maintained for approx. 3 months
- Recharge time: approx. 8 hr.
- The recharge time required to provide the above number of months with no battery pack installed.
Start-up Time
Approx. 0.96 sec
- Based on CIPA testing standards
DIMENSIONS AND WEIGHT
Dimensions (W x H x D)
Approx. 5.93 x 4.58 x 2.99 in. / 150.7 x 116.4 x 75.9mm
Weight
Approx. 31.39 oz. / 890g (Including battery, CF card and SD memory card)
Approx. 28.22 oz. / 800g (Body only; without battery, card, body cap and eyecup)
OPERATING ENVIRONMENT
Working Temperature Range
32-104°F/0-40°C
Working Humidity Range
85% or less
UPC: 013803281354
Used Canon EOS 7D Mark II Body Only
$ 849.97
Used Canon EOS 7D Mark II Body Only
Canon SKU: 9128B002 | Helix SKU: CA9128B002U
Includes: Original Box, Body Cap, Eye Cup, Battery, Charger, & Strap.
Condition: Excellent.
Overview
Fuel Your Creative Passion.
The Canon EOS 7D Mark II digital SLR camera is designed to meet the demands of photographers and videographers who want a camera that can provide a wide range of artistic opportunities. With a winning combination of cutting-edge operations and a robust, ergonomic design, it is optimized to make even the most challenging photography simple and easy. The EOS 7D Mark II features a refined APS-C sized 20.2 Megapixel CMOS sensor with Dual DIGIC 6 Image Processors for gorgeous imagery. It shoots up to 10 frames per second at ISOs ranging from 100-16000 (expandable to H1: 25600, H2: 51200), has a 65-point* all cross-type AF system and features Canon's amazing Dual Pixel CMOS AF for brilliant Live-View AF. It has dual card slots for both CF and SD cards, USB 3.0 connectivity and even has built-in GPS** for easy location tagging, automatically. Compatible with an ever-expanding collection of EF and EF-S lenses plus a host of EOS accessories, the EOS 7D Mark II is an ideal tool for creative and ambitious photography.
20.2 Megapixel CMOS (APS-C) sensor and ISO 100-16000
The EOS 7D Mark II has a newly designed 20.2 Megapixel sensor that delivers high-resolution image files with stunning detail and impressive clarity. Optimized for low-light shooting, the EOS 7D Mark II's sensor captures images at up to ISO 16000 (expandable to H1: 25600, H2: 51200) with remarkably low noise, thanks to its improved, higher sensitivity design. Phenomenal for stills, the EOS 7D Mark II's sensor is equally up to the task for movies, delivering Full HD capture even at rates of up to 60p.
Dual DIGIC 6 Image Processors
The EOS 7D Mark II's sensor works seamlessly with its Dual DIGIC 6 Image Processors for advanced image processing across the board. These image processors help the EOS 7D Mark II capture up to 1090 JPEG, 31 RAW, and 19 RAW + JPEG shots in a single burst for amazing action photography. Further, they enable the camera's powerful image processing on-the-fly: lens aberration, variances in peripheral illumination and image distortion can all be corrected in real time thanks to the EOS 7D Mark II's Dual DIGIC 6 Image Processors.
High speed continuous shooting up to 10.0 fps allows you to capture fast action
With a new, rugged shutter designed for 200,000 cycles, the EOS 7D Mark II can shoot up to 10 frames per second to capture all the action. With super quick AF and exposure systems complementing the shutter's 55 msec shutter release time lag, the EOS 7D Mark II is tailored to meet and even exceed the speed of the action. Refined mechanics like a newly designed, more efficient shutter-drive motor and a vibration dampened mirror drive mean impressive performance for high caliber image quality, fast.
The EOS 7D Mark II camera employs an advanced mirror vibration control technology that enables the camera to support its speedy, continuous shooting capabilities while ensuring great image quality. The system uses a motor to help reduce the vibrations caused by high-speed shooting. By reducing the vibrations, the camera can achieve accurate and precise autofocus to provide steady and clear action shots at up to 10.0 frames per second.
An EOS first, the EOS 7D Mark II features 65 all cross-type AF points* for high precision AF at remarkable speed. Cross-type AF points ensure stable AF that is not influenced by the subject's shape or color. On the EOS 7D Mark II, the AF points are spread over a wide area of the frame, enabling faster AF, wherever the subject lies. With a central dual cross-type AF point of f/2.8, AF is enhanced with lenses faster than f/2.8. And thanks to this new system, AF is possible even in dim lighting as low as EV-3 (center point only).
*The number of available AF points, and whether single line or cross-type, varies depending on the lens.
The EOS 7D Mark II features Canon's revolutionary Dual Pixel CMOS AF, a milestone in AF speed and accuracy that unlocks the potential of Live View shooting. This advanced technology has truly changed what is possible with a DSLR camera.
Dual Pixel CMOS AF involves a sophisticated rethinking of the CMOS sensor. Traditionally, image sensors have one photodiode per pixel for recording, but the CMOS sensor on the EOS 7D Mark II has two photodiodes per pixel, 40 million in total, enabling each pixel on the sensor to both perform phase-difference detection autofocus and capture light. With phase-difference detection AF, autofocus is achieved quickly and easily on the camera. This unique AF system enables autofocus on approximately 80% of the image plane, vertically and horizontally, and helps ensure virtually no loss in image quality.
The benefits of Dual Pixel CMOS AF are clearly evident in Live View and video shooting, where the EOS 7D Mark II achieves natural, precise focus very quickly, even when switching between subjects. And, combined with the predictive power of Movie Servo AF, subjects in motion are smoothly and consistently tracked – once focus is locked, the EOS 7D Mark II holds on! Plus, with the shallow depth-of-field afforded by EOS optics, video gains a brilliant, cinematic ambience lacking when shooting video with many other Digital SLRs.
While offering performance improvements across the board for still photography, the EOS 7D Mark II is also an incredibly capable HD movie camera. Taking advantage of its Dual Pixel CMOS AF capabilities, the EOS 7D Mark II has customizable Movie Servo AF options: not only can AF location be defined, AF speed and tracking intervals can be specified too, for fluid, smooth focus transitions. The EOS 7D Mark II delivers refined and detailed image quality with Full HD 60p recording at ISO values up to 16000, has an HDMI output and records to both SD and CF cards for versatility and security during important shoots.
The EOS 7D Mark II's Intelligent Viewfinder II makes it easy to both shoot, change and confirm camera settings and shooting modes all without looking away from the viewfinder. Displaying approximately 100% of the composition, the viewfinder can show settings like shooting mode, exposure level, white balance, drive mode, AF operation, metering mode, recording format, even an electronic level and more. All of this information can be displayed by or superimposed easily over the image for review while shooting, and multiple views are customizable through the EOS 7D Mark II's simple user interface.
An EOS first, the EOS 7D Mark II offers time-lapse fixed-point shooting and long exposures without the need for a remote control. The EOS 7D Mark II's interval timer takes from 1 to 99 shots at preselected intervals, ideal for shooting flowers as they bloom or clouds drifting through the sky. Its built-in bulb timer keeps the shutter open for a designated amount of time, perfect for night photography, or to capture the flow of traffic on a street corner.
The EOS 7D Mark II is constructed of the highest quality materials, and to exacting standards that ensure unfettered performance at all times. For example, the shutter can shoot at speeds up to 1/8000 sec. for up to 200,000 cycles, the chassis is built of lightweight and rigid magnesium, and the camera's seals are built to resist water and dust. This combination makes the EOS 7D Mark II ready for almost anything.
The EOS 7D Mark II is constructed of the highest quality materials, and to exacting standards that ensure unfettered performance at all times. For example, the shutter can shoot at speeds up to 1/8000 sec. for up to 200,000 cycles, the chassis is built of lightweight and rigid magnesium, and the camera's seals are built to resist water and dust. This combination makes the EOS 7D Mark II ready for almost anything.
Ideal for travel or nature photography, the EOS 7D Mark II's built-in GPS* can record longitude, latitude and altitude data as EXIF data, can track movement at set intervals with its logging function, and can even set the camera's internal clock to local time! When using the logger function on a computer, you will see the exact route you travelled, and the map will show you where and when you took each image.
* In certain countries and regions, the use of GPS may be restricted. Therefore be sure to use GPS in accordance with the laws and regulations of your country or region. Be particularly careful when traveling outside your home country. As a signal is received from GPS satellites, take sufficient measures when using in locations where the use of electronics is regulated.
The EOS 7D Mark II comes with a 3.0-inch Clear View II LCD monitor for shooting videos and stills. Displaying fine detail (at approximately 1.04 million dots), this screen is perfect for composing and reviewing images. Thanks to a solid construction between the monitor's resin-coated cover and the liquid crystal display, reflections are minimized, and the display can be viewed with reduced glare. The LCD's surface is treated with a smudge-resistant coating to minimize fingerprints and maintain a bright, clear image display.
Anti-flicker shooting
The EOS 7D Mark II features a new flicker detection system that not only alerts the user in the viewfinder, but with the camera's Anti-Flicker Shooting function can compensate for flickering light sources, taking shots only at peak light volume. This feature is useful for minimizing disparities in color and exposure, especially during continuous shooting in sub-optimal lighting situations.
In-camera lens aberration corrections
To help photographers with achieving high quality images, the EOS 7D Mark II corrects image distortions like peripheral illumination, chromatic aberration and distortion, in-camera, as the image is recorded. When shooting in Live View mode, the results of distortion can even be monitored in real time through the EOS 7D Mark II's Image Simulation Function.
USB 3.0
The EOS 7D Mark II features a USB 3.0 digital terminal for fast transfer to PCs and printers, plus offers connectivity to Canon's WFT-E7 (Version 2) for wireless transfer and Wi-Fi® compatibility.
NOTE: For connecting an interface cable to the USB 3.0 terminal, a cable protector is included with the EOS 7D Mark II, and must be used at all times to protect the camera's circuit board.
DISCLAIMERS
*The number of available AF points, and whether single line or cross-type, varies depending on the lens.
**In certain countries and regions, the use of GPS may be restricted. Therefore be sure to use GPS in accordance with the laws and regulations of your country or region. Be particularly careful when traveling outside your home country. As a signal is received from GPS satellites, take sufficient measures when using in locations where the use of electronics is regulated.
† Prices and specifications subject to change without notice.
Used Canon EOS Rebel T3i DSLR with 18-55mm IS II
$ 299.97
Used Canon EOS Rebel T3i DSLR with 18-55mm IS II
Canon SKU: 5169B003 | Helix SKU: CA5169B003U
Includes: Front Cap, Strap, Battery & Charger.
Condition: Excellent.
Overview
The REBEL on the Move.Photographers looking for an easy-to-use camera that will help them create their next masterpiece need look no further than the Canon EOS Rebel T3i. The next in a long line of phenomenal compact DSLRs, the EOS Rebel T3i continues the Rebel tradition of easy operation, compact design and no-compromise performance. Featuring Canon's newest DIGIC 4 Image Processor and an 18.0 Megapixel CMOS Image Sensor - plus cutting-edge technologies like Full HD video recording, Live View shooting, Wireless flash photography and even a Vari-angle 3.0-inch LCD monitor - the EOS Rebel T3i offers the best of EOS photography in a compact package.
Specifications
Type
Digital, AF/AE single-lens reflex, camera with built-in flash
Recording Media
SD/SDHC/SDXC card, via external media (USB v.2.0 hard drive, or via Wireless LAN (Eye-Fi card*))
*Canon cameras are not guaranteed to support Eye-Fi card functions, including wireless transfer. In case of an issue with the Eye-Fi card, please consult with the card manufacturer. The use of Eye-Fi cards may not be approved in all regions, or from one region to another; please contact the card manufacturer for status of approval in the country/region of use.
Image Format
22.3 x 14.9 mm (APS-C size)
Compatible Lenses
Canon EF lenses including EF-S lenses
(35mm-equivalent focal length is approx.1.6x the lens focal length)
Lens Mount
Canon EF mount
Image Sensor
Type
High-sensitivity, high-resolution, large single-plate CMOS sensor
Pixels
Effective pixels: Approx. 18.0 megapixels
Total Pixels
Total pixels: Approx. 18.70 megapixels
Aspect Ratio
3:2 (Horizontal : Vertical)
Color Filter System
RGB primary color filters
Low Pass Filter
Fixed position in front of the CMOS sensor
Dust Deletion Feature
(1) Automatic Sensor Cleaning
- Removes dust adhering to the low-pass filter.
- Self-cleaning executed automatically (taking 2 sec.) when power is turned on or off. Manual execution also possible (taking 5 sec.).
- Low-pass filter has a fluorine coating.
(2) Dust Delete Data appended to the captured image
- The coordinates of the dust adhering to the low-pass filter are detected by a test shot and appended to subsequent images.
- The dust coordinate data appended to the image is used by the provided software to automatically erase the dust spots.
(3) Manual cleaning of sensor
Recording System
Recording Format
Design rule for Camera File System 2.0 and 2.30
File Size
(1) Large: Approx. 17.90 Megapixels (5,184 x 3,456)
(2) Medium: Approx. 8.00 Megapixels (3,456 x 2,304)
(3) Small: Approx. 4.50 Megapixels (2,592 x 1,728)
(4) S2: Approx. 2.50 Megapixels (1,920 x 1,280)
(5) S3: Approx. 0.35 Megapixels (720 x 480)
(6) RAW: Approx. 17.90 Megapixels (5,184 x 3,456)
Exact file sizes depend on the subject, ISO speed, Picture Style, etc.
Recording Functions
Images record directly to the SD card.
File Numbering
Consecutive numbering, auto reset, manual reset.
RAW + JPEG Simultaneous Recording
RAW and Large JPEG images are recorded simultaneously
Color Space
sRGB, Adobe RGB
Picture Style
Auto, Standard, Portrait, Landscape, Neutral, Faithful, Monochrome, User Defined 1-3
White Balance
Settings
Auto, Daylight, Shade, Cloudy, Tungsten Light, White Fluorescent Light, Flash, Custom
Auto White Balance
Auto white balance with the image sensor
Color Temperature Compensation
White balance correction:
- Blue/amber bias: ±9 levels
- Magenta/green bias: ±9 levels
White balance bracketing:
- ±3 levels, in single-level increments
Color Temperature Information Transmission
Provided
Viewfinder
Type
Eye-level SLR (with fixed pentamirror)
Coverage
Vertical/Horizontal approx. 95% (TD)
Magnification
Approx. 0.85x / 23.8° (with 50mm lens at infinity, -1 m-1 (dpt))
Eye Point
Approx. 19 mm (At -1m-1 from the eyepiece lens center)
Dioptric Adjustment Correction
Adjustable from approx. -3.0 to +1.0 m-1 (dpt)
Focusing Screen
Fixed
Mirror
Quick-return half mirror (transmittance: reflectance ratio of 40:60)
Viewfinder Information
1) AF information (AF points, focus confirmation light)
2) Exposure information (Shutter speed, aperture, ISO speed, AE lock, exposure level, spot metering circle, exposure warning)
3) Flash information (Flash ready, flash exposure compensation, high-speed sync, FE lock, red-eye reduction light)
4) Image information (Highlight tone priority, Monochrome shooting, maximum burst, white balance correction, SD card information)
5) Composition information (Grid, electronic level)
6) Battery check
Depth Of Field Preview
Enabled with depth-of-field preview button
Autofocus
Type
TTL-CT-SIR AF-dedicated CMOS sensor
AF Points
9 points (Center AF point is AF cross-type at f/5.6, Center AF point is vertical line-sensitive at f/2.8.)
AF Working Range
EV -0.5 - 18 (at 23°C/73°F and ISO 100, based on Canon's testing standards)
Focusing Modes
(1) Autofocus
- One-Shot AF
- Predictive AI Servo AF
- AI Focus AF
(2) Manual focus (MF)
AF Point Selection
(1) Manual selection
(2) Auto selection
* Automatically set (2) in Basic Zone modes and A-DEP mode.
Selected AF Point Display
Indicated by superimposed display in the viewfinder and on the LCD monitor
AF Assist Beam
(1) Intermittent firing of built-in flash
(2) Effective range: Approx. 4 m/13.1 ft at center, approx. 3.5 m/11.5 ft at periphery
* With an EOS-dedicated Speedlite attached, the Speedlite's AF-assist beam is emitted instead.
* Compatible with assist-beam (intermittent firing) of 320EX, 270EX II and 270EX flashes.
Exposure Control
Metering Modes
TTL maximum aperture metering with 63-zone metering sensor
- Evaluative metering (linkable to all AF points)
- Partial metering (center, approx. 9% of viewfinder at center)
- Spot metering (center, approx. 4% of viewfinder at center)
- Center-weighted average metering
Metering Range
EV 1.0 - EV 20.0 (at 73°F/23°C with EF50mm f/1.4 USM lens, ISO 100)
Exposure Control Systems
Program AE (Shiftable), Shutter-priority AE, Aperture-priority AE, Manual exposure, Automatic depth-of-field, Scene Intelligent Auto, Flash Off, Creative Auto, Programmed Image Control modes, E-TTL II autoflash program AE
ISO Speed Range
Auto, ISO 100 - 6400 (in whole-stop increments), H: 12800
Exposure Compensation
Manual: ±5 stops in 1/3- or 1/2-stop increments (AEB ±2 stops)
* Indicated up to ±3 stops in the viewfinder.
AE Lock
Auto: Applied in One-Shot AF mode with evaluative metering when focus is achieved
Manual: By AE lock button
Shutter
Type
Vertical-travel, mechanical, focal-plane shutter with all speeds electronically controlled.
Shutter Speeds
1/4000 to 1/60 sec., X-sync at 1/200 sec.
1/4000 to 30 sec., Bulb (Total shutter speed range. Available range varies by shooting mode.)
- Settable in 1/3- or 1/2-stop increments.
Shutter Release
Soft-touch electromagnetic release
Self Timer
10-sec. or 2-sec. delay
Remote Control
(1) The EOS Rebel T3i has a remote control terminal for Remote Switch RS-60E3.
(2) Compatible with Remote Controller RC-6, RC-1 and RC-5.
Built in Flash
Type
Auto pop-up, retractable, built-in flash in the pentaprism
Flash Metering System
E-TTL II autoflash
Guide Number
Approx. 13/43 (at ISO 100 in meters/feet)
Recycling Time
Approx. 3 sec.
Flash Ready Indicator
Flash-ready icon lights in viewfinder
Flash Coverage
Up to 17mm focal length (equivalent to approx. 28mm in 135 format)
FE Lock
Provided
Flash Exposure Compensation
Up to ±2 stops in 1/3- or 1/2-stop increments
- Flash exposure compensation for built-in flash and Speedlite can be set with the camera.
External Speedlite
Flash Metering
E-TTL II autoflash
Flash Exposure Compensation
±2 stops in 1/3-stop or 1/2-stop increments
FE Lock
Provided
Drive System
Drive Modes
Single, Continuous, 10-sec. self-timer/Remote control, 2-sec. self-timer, Continuous shooting after 10-sec. self-timer
Continuous Shooting Speed
Max. approx. 3.7 fps [TD] (with One-Shot AF or AI SERVO AF)
* Same as with Battery Grip BG-E8 loaded with size-AA/LR6 alkaline batteries.
Maximum Burst
JPEG (Large/Fine): approx. 34
RAW: approx. 6
RAW+JPEG (Large/Fine): approx. 3
* The number of possible shots and maximum burst apply to a 4GB card based on Canon's testing standards.
* The image file size, number of possible shots, and maximum burst will vary depending on the shooting conditions (3:2 aspect ratio, subject, memory card brand, ISO speed, Picture Style, Custom Functions, etc.).
* "F" indicates that continuous shooting is possible until the card becomes full.
Live View Functions
Shooting Modes
Still photo shooting and video shooting
Focusing
(1) Autofocus (Same as focusing with Live View shooting)
Before shooting a movie, 1, 2, and 3 below are possible.
AF during movie shooting is possible with [AF w/ shutter button during video]. When this is set to [Enable], 1 and 2 below are possible:
A. Live mode
B. Face detection Live mode
C. Quick mode
* If 3 has been set when you start shooting a movie, it will switch to 1 automatically.
(2) Manual focusing
* Magnify the image by about 5x or 10x and focus manually.
* Magnified view not possible with digital zoom nor during movie shooting.
Metering Modes
(1) AF point-linked evaluative metering
* Used when the AF mode is Face detection Live mode and a face has been detected.
(2) Center-weighted average metering
* Used during manual focus, when the AF mode is Face detection Live mode and a face has not been detected. Also used in the Live mode and Quick mode.
* Metering range: EV 0 to EV 20 (At 23°C/73°F and ISO 100, with 50mm f/1.4 lens)
Metering Range
EV 0 to EV 20 (At 23°C/73°F and ISO 100, with 50mm f/1.4 lens)
Grid Display
Two grids provided (not displayed during movie shooting):
(1) Grid 1: Pair of vertical and horizontal lines
(2) Grid 2: 5 vertical and 3 horizontal lines
Exposure Simulation
Provided
Silent Shooting
Not provided
Video Shooting
File Format
MOV (image data: H.264; audio: Linear PCM (monaural))
* Meta information is embedded in the MOV file (no separate THM file)
File Size
Recording Size: 1920 x 1080 (Full HD), 1280 x 720 (HD), 640 x 480 (SD)
| Movie-recording Size | Total Recording Time | File Size | ||
| 8GB Card | 16GB Card | |||
| 1920x1080 | 30fps | 22 min. | 44 min. | 330 MB/min. |
| 25fps | ||||
| 24fps | ||||
| 1280x720 | 60fps | 22 min. | 22 min. | 330 MB/min. |
| 50fps | ||||
| 640x480 | 30fps | 1 hr. 32 min. | 3 hr. 4 min. | 82.5 MB/min. |
| 25fps | ||||
* The file system limits the file size of a single movie clip to 4 GB. If the movie clip reaches 4 GB, the shooting will stop automatically. This translates to around 11 min. for 1920 x 1080 and 1280 x 720, and around 46 min. for 640 x 480.
* Even if the file size of a single movie clip is within 4 GB, movie shooting will automatically terminate when the movie time reaches 29 min. 59 sec.
Frame Rates
24, 25, 30, 50, or 60 fps (30 fps during magnified view)
Focusing
(1) Autofocus (Same as focusing with Live View shooting)
Before shooting a movie, A, B, and C below are possible.
AF during movie shooting is possible with [AF w/ shutter button during video]. When this is set to [Enable], A and B below are possible:
A. Live mode
B. Face detection Live mode
C. Quick mode
* If C has been set when you start shooting a movie, it will switch to A automatically.
(2) Manual focusing
* Magnify the image by about 5x or 10x and focus manually.
* Magnified view not possible with digital zoom nor during movie shooting.
Exposure Control
Program AE for video shooting, Manual exposure
Exposure Compensation
±3 stops in 1/3-stop increments
LCD Monitor
Type
TFT color, liquid-crystal monitor
Monitor Size
3.0 in. (Screen aspect ratio of 3:2)
Pixels
Approx. 1,040,000 dots
Coverage
Approx. 100%
Viewing Angle: 170°
Brightness Control
Adjustable to one of seven brightness levels
Interface Languages
25 (English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Hungarian, Czech, Romanian, Ukraine, Turkish, Arabic, Thai, Simplified Chinese, Traditional Chinese, Korean and Japanese)
Playback
Display Format
(1) Single image display
- Single image, basic information, detailed information, histogram display
(2) Index display
- 4-image index and 9-image index.
(3) Jump display (Image jump w/ Main Dial)
- 1/10/100 images, shooting date, by folder, movies, stills, rating
Highlight Alert
On the detailed information and histogram displays, highlight areas with no image data will blink.
Image Protection and Erase
Protection
Erase protection can be applied/canceled for a single image, all images in a folder, or all images in the card.
Erase
Erase single image, erase selected images, erase all images on folder, erase all images in a card, or erase only unprotected images.
Direct Printing
Compatible Printers
PictBridge-compatible printers
Printable Images
JPEG images complying to Design rule for Camera File System
- RAW images printable.
- Movies cannot be printed.
DPOF: Digital Print Order Format
DPOF
Version 1.1 compatible
Customization
Custom Functions
11 Custom Functions with 34 settings settable with the camera
Camera User Settings
Not provided
Interface
USB Terminal
Hi-Speed USB-standard mini-B terminal for personal computer communications and PictBridge.
Video Out Terminal
(1) Video OUT terminal: NTSC/PAL selectable
(2) mini-HDMI OUT terminal
Power Source
Battery
Battery Pack LP-E8 x 1
* With the AC Adapter Kit ACK-E8, AC power is possible.
* With BG-E8, two battery packs (LP-E8) can be used. Or six size-AA/LR6 batteries can be used.
Battery Life
1) Camera body only:
| Shooting Method | Temperature | Shooting Conditions | |
| AE 100% | AE 50%, FA 50% | ||
| Viewfinder Shooting | At 73°F/23°C | Approx. 550 | Approx. 440 |
| At 32°F/0°C | Approx. 470 | Approx. 400 | |
| Live View Shooting | At 73°F/23°C | Approx. 200 | Approx. 180 |
| At 32°F/0°C | Approx. 170 | Approx. 150 | |
2) With Battery Grip BG-E8:
| Shooting Method | Battery | Temperature | Shooting Conditions | |
| AE 100% | AE 50%, FA 50% | |||
| Viewfinder Shooting | LP-E8 x 1 | Same as (1) | ||
| LP-E8 x 2 | At 73°F/23°C | Approx. 1100 | Approx. 880 | |
| At 32°F/0°C | Approx. 940 | Approx. 800 | ||
| Size-AA/LR6 alkaline batteries |
At 73°F/23°C | Approx. 470 | Approx. 270 | |
| At 32°F/0°C | Approx. 130 | Approx. 80 | ||
| Live View Shooting | LP-E8 x 1 | Same as (1) | ||
| LP-E8 x 2 | At 73°F/23°C | Approx. 400 | Approx. 360 | |
| At 32°F/0°C | Approx. 340 | Approx. 300 | ||
| Size-AA/LR6 alkaline batteries |
At 73°F/23°C | - | - | |
| At 32°F/0°C | - | - | ||
The figures above are based on CIPA (Camera & Imaging Products Association) testing standards
Battery Check
Automatic battery level check when power is turned ON.
Battery level indicated in one of four levels on LCD monitor.
Power Saving
Power turns off after the set time of non-operation elapses
* [Auto power off] settable to 30 sec., 1 min., 2 min., 4 min., 8 min., or 15 min.
Date/Time Battery
Built-in secondary battery. When fully-charged, the date/time can be maintained for about three months.
Start-up Time
Approx. 0.1 sec. (Based on CIPA testing standards)
Dimensions and Weight
Dimensions (W x H x D)
Approx. 5.2 x 3.9 x 3.1 in./133.1 x 99.5 x 79.7mm
Weight
Approx. 18.2 oz. / 515g (body only)
Operating Environment
Working Temperature Range
32-104°F/0-40°C
Working Humidity Range
85% or less
All data are based on Canon's Standard Test Method. Subject to change without notice. â¨
If a problem occurs with a non-Canon lens attached to the camera, consult the lens maker.
Canon, DIGIC and EOS Rebel are registered trademarks of Canon Inc. in the United States and may also be registered trademarks or trademarks in other countries. Microsoft, Windows and Windows Vista are trademarks or registered trademarks of Microsoft Corporation in the United States and/or other countries. Mac is a trademark of Apple, Inc., registered in the United States and other countries. HDMI, the HDMI logo and High-Definition Multimedia Interface are registered trademarks or trademarks of HDMI Licensing, LLC in the United States and/or other countries. All other products and brand names are registered trademarks, trademarks or service marks of their respective owners in the United States and/or other countries.
Used Canon Extender 1.4x II Teleconverter
$ 224.97
Used Canon Extender 1.4x II Teleconverter
Canon SKU: 6845A004 | Helix SKU: CA6845A004U
Includes: Original Box, Front & Rear Caps.
Condition: Very Good.
Used Nikon AF Micro-Nikkor 60mm f/2.8D
$ 399.97
Used Nikon AF Micro-Nikkor 60mm f/2.8D
Nikon SKU: 1987 | Helix SKU: NK1987U
Includes: Front Cap & Rear Cap
Condition: 9.5/10
Overview
Versatile standard macro lens with manual aperture control.
Explore unseen possibilities
Sharp images from life-size (1:1) to infinity
Compact and versatile
Fast f/2.8 aperture and standard focal length
Specifications
Used Nikon AF Nikkor 18-35mm f3.5-4.5D ED
$ 274.97
Used Nikon AF Nikkor 18-35mm f3.5-4.5D ED
Nikon SKU: 1998 | Helix SKU: NK1998U
Includes: Front Cap, Rear Cap & Lens Hood.
Condition: Very Good.
Overview
Extra-low Dispersion (ED) glass element reduces chromatic aberrations providing superior optical performance, even at maximum aperture.
Focus distance of 1 foot to infinity is ideal for landscape, snapshot, candid, environmental, close-up and full length portrait photography.
Nikon D-type design provides precise distance information for flash and ambient light exposure processes.
Internal Focusing (IF) design for smooth and fast auto focus.
Specifications
Focal Length Range: 18-35mm (27-52.5mm on DX Format Cameras)Maximum Aperture: f/ 3.5-4.5
Format: FX/35mm (Full-Frame)
Approx. Dimensions (Diameter x Length): 3.6in. (91.4mm) x 3.2in. (81.2mm)
Approx. Weight: 13oz. (370g)
Used Nikon AF Nikkor 70-300mm f/4-5.6D ED
$ 149.97
Used Nikon AF Nikkor 70-300mm f/4-5.6D ED
Nikon SKU: 1924 | Helix SKU: NK1924U
Includes: Original Box, Instruction Manual, Front Cap, Rear Cap & Lens Hood.
Condition: Like New.
Overview
Specifications
Used Nikon AF Nikkor 80-400mm f/4.5-5.6D ED VR
$ 699.97
Used Nikon AF Nikkor 80-400mm f/4.5-5.6D ED VR
Nikon SKU: 1996 | Helix SKU: NK1996U
Includes: Front Cap, Rear Cap, Tripod Collar, Lens Hood, & Lens Case.
Condition: Excellent.
Overview
The ultimate medium to super-telephoto zoom lens.
Any subject. Any light.
Remarkable versatility and performance
Technology
-
Vibration Reduction
A Nikon in-lens technology that improves image stability by automatically compensating for camera shake. Lenses that offer VR will feature the abbreviation VR on the lens barrel. -
ED (Extra-Low Dispersion) Glass
An optical glass developed by Nikon that is used with normal optical glass in telephoto lenses to obtain optimum correction of chromatic aberrations. -
A-M
A-M stands for Auto-Manual Mode. Thanks to a mechanism incorporated in the lens barrel, smooth focusing operation in Manual focus mode is realized in the same way as users have become accustomed to with conventional manual-focus lenses by adding an appropriate torque to the focus ring.
LCD, Video and Photo Gallery images are for illustrative purposes only.
Specifications
Used Nikon AF-P Nikkor 18-55mm f/3.5-5.6G VR DX
$ 149.97 $ 139.97
Used Nikon AF-P Nikkor 18-55mm f/3.5-5.6G VR DX
Nikon SKU: 20059 | Helix SKU: NK20059U
Overview
A go-to lens for nearly any situation
Compact, lightweight all-around lens
Outstanding Nikon image quality
VR image stabilization
Specifications
Item Includes
AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR
- LC-55A 55mm Snap-On Front Lens Cap
- Rear Lens Cap
Used Nikon AF-P Nikkor 70-300mm f/4.5-6.3G ED DX
$ 179.97 $ 129.97
Used Nikon AF-P Nikkor 70-300mm f/4.5-6.3G ED DX
Nikon SKU: 20061 | Helix SKU: NK20061U
Includes: Front & Rear Lens Caps
Condition: 10/10
Overview
Far away has never been closer.
Versatile 70–300mm focal length
Outstanding Nikon image quality
Smooth, fast autofocus
The number of cameras compatible with both lenses is limited. Even for compatible cameras, firmware update may be required*. Fully compatible models: D7500, D5600, D5500, D5300*, D3400, D3300*, D500 and later models
Compatible models with limited functions: D5, D810 series, Df, D750, D7200, D7100, D5200, Nikon 1 series with the FT1
Incompatible models: D4 series, D3 series, D2 series, D1 series, D800 series, D700, D610, D600, D300 series, D200, D100, D7000, D5100, D5000, D90, D80, D70 series, D3200, D3100, D3000, D60, D50, D40 series, film cameras
ED (Extra-Low Dispersion) Glass
M/A
Specifications
Used Nikon AF-S Micro-Nikkor 85mm F/3.5G VR DX
$ 459.97
Used Nikon AF-S Micro-Nikkor 85mm F/3.5G VR DX
Nikon SKU: 2190 | Helix SKU: NK2190U
Includes: Original Box, Lens Hood, Front & Rear Caps.
Condition: Like New.
Overview
Advanced medium-telephoto macro lens with VR II image stabilization.
Sharpness from life-size (1:1) to infinity
Stunning results in many applications
Nikon Vibration Reduction
Specifications
Used Nikon AF-S Nikkor 14-24mm f2.8G ED
$ 1,099.97
Used Nikon AF-S Nikkor 14-24mm f2.8G ED
Nikon SKU: 2163 | Helix SKU: NK2163U
Includes: Front Cap, Rear Cap & Lens Case.
Condition: Excellent.
Overview
An optical masterpiece: the ultimate ultra-wide-angle zoom.
Unrivaled performance
A lens in a class of its own
Engineered for pros
Advanced, durable and reliable
Specifications
Used Nikon AF-S Nikkor 16-35mm f/4G ED VR
$ 849.97
Used Nikon AF-S NIKKOR 16-35mm f/4G ED VR
Nikon SKU: 2182 | Helix SKU: NK2182U
Includes: Original Box, Instruction Manual, Front Cap, Rear Cap, & Lens Hood.
Condition: Like New.
Overview
The lens that loves to travel
Expect this lens to awe you… just don't forget to put the camera down every now and then to take in the scene in front of you!
Unwavering sharpness
Nikon VR II image stabilization
Exceptional versatility
Superior stills and HD video in any setting
Detail oriented
Capture all the details around you
Built for all day shooting
Legendary NIKKOR Lens Construction
Nikon Vibration Reduction
Specifications
Used Nikon AF-S Nikkor 16-80mm F/2.8-4E ED VR DX
$ 699.97
Used Nikon AF-S Nikkor 16-80mm F/2.8-4E ED VR DX
Nikon SKU: 20055 | Helix SKU: NK20055U
Includes: Front Cap, Rear Cap, & Lens Hood.
Condition: Like New.
Overview
Inspiring views of your world.
Ultra-light, ultra-versatile
An everyday lens that's anything but ordinary
Pro-grade image quality
A new level of DX-format performance
Rock steady
4 stops of Vibration Reduction**
Ultra-fast precision
High-speed electromagnetic diaphragm
Nonstick glass
Nikon's innovative protective fluorine coat
Technology
-
AS
AS stands for Aspherical lens elements. This type of lens utilizes non-spherical surfaces on either one or both sides of the glass in order to eliminate certain types of lens aberration. -
Electromagnetic Diaphragm Mechanism
An electromagnetic diaphragm mechanism in the lens barrel provides highly accurate electronic diaphragm or aperture blade control when using auto exposure during continuous shooting. With conventional D/G type lenses, the diaphragm blades are operated by mechanical linkage levers. -
ED (Extra-Low Dispersion) Glass
An optical glass developed by Nikon that is used with normal optical glass in telephoto lenses to obtain optimum correction of chromatic aberrations. -
Fluorine Coat
Photographers need gear that can withstand the elements. Nikon’s fluorine coat effectively repels dust, water droplets, grease or dirt, ensuring easy removal even when they adhere to the lens surface. Nikon’s fluorine coat endures a high frequency of lens surface wiping and its anti-reflective effect also contributes to the capture of clear images. -
IF Lens
A NIKKOR lens in which only the internal lens group shifts during focusing. Thus, IF NIKKORS do not change in size during AF operation, allowing for compact, lightweight lenses capable of closer focusing distances. These lenses will be designated with the abbreviation IF on the lens barrel. -
Nano Crystal Coat
An anti-reflective coating developed by Nikon that virtually eliminates internal lens element reflections across a wide range of wavelengths. Nano Crystal Coat solves ghost effects caused by red light and effectively reduces ghost and flare caused by light entering the lens diagonally. -
Silent Wave Motor
AF-S NIKKOR lenses feature Nikon’s Silent Wave Motor (SWM). This technology converts “traveling waves” into rotational energy to focus the optics. This enables high-speed autofocusing that's extremely accurate and super quiet. -
Super Integrated Coating
Nikon Super Integrated Coating is Nikon's term for its multilayer coating of the optical elements in NIKKOR lenses. -
Vibration Reduction
A Nikon in-lens technology that improves image stability by automatically compensating for camera shake. Lenses that offer VR will feature the abbreviation VR on the lens barrel.
Specifications
Used Nikon AF-S Nikkor 18-105mm f/3.5-5.6G ED VR DX
$ 199.97 $ 149.97
Used Nikon AF-S Nikkor 18-105mm f/3.5-5.6G ED VR DX
Nikon SKU: 2179 | Helix SKU: NK2179U
Includes: Front & Rear Caps.
Condition: Very Good.
Overview
Outstanding sharpness in a 5.8x telephoto zoom
One lens for every subject
5.8x wide-angle to telephoto zoom
Exceptional photos and videos
Nikon technology for high-performance
Specifications
Used Nikon AF-S Nikkor 18-200mm f/3.5-5.6G ED VR II DX
$ 329.97
Used Nikon AF-S NIKKOR 18-200mm f/3.5-5.6G ED VR II DX
Nikon SKU: 2192 | Helix SKU: NK2192U
Includes: Original Box, Front Cap, Rear Cap, & Lens Hood.
Condition: Very Good.
Overview
Versatile, high-power 11x zoom with Vibration Reduction (VR II)
Any subject. Anywhere.
Remarkable 11x zoom versatility
Exceptional performance
Nikon technology for better shots
Nikon Vibration Reduction
Specifications
Used Nikon AF-S Nikkor 18-35mm f/3.5-4.5G ED
$ 649.97
Used Nikon AF-S Nikkor 18-35mm f/3.5-4.5G ED
Nikon SKU: 2207 | Helix SKU: NK2207U
Includes: Front Cap, Rear Cap, & Lens Hood.
Condition: Excellent.
Overview
A versatile, affordable wide-angle to standard view FX-format zoom lens.
Use it everywhere
Wide-angle to standard zoom versatility
Excellent for video
Ultra-fast, ultra-quiet autofocusing
A lifetime of great performance
Nikon lens technologies for consistently stunning images
Specifications
Used Nikon AF-S Nikkor 24-70mm f2.8G ED
$ 999.97
Used Nikon AF-S Nikkor 24-70mm f2.8G ED
Nikon SKU: 2164 | Helix SKU: NK2164U
Includes: Front Cap, Rear Cap, Lens Hood & Lens Case.
Condition: Very Good.
Overview
Balanced, fixed f/2.8 wide-angle to medium telephoto zoom lens
Fast. Versatile. Exceptional.
f/2.8 fixed aperture 24–70mm zoom
A favorite among professionals
Durable, reliable and remarkable
Specifications
Used Nikon AF-S Nikkor 35mm f/1.8G DX
$ 149.97
Used Nikon AF-S Nikkor 35mm f/1.8G DX
Nikon SKU: 2183 | Helix SKU: NK2183U
Includes: Front Cap, Rear Cap & Lens Hood.
Condition: Excellent.
Overview
Optimized for DX-format cameras, the compact, lightweight AF-S DX NIKKOR 35mm f/1.8G delivers the consistently stunning images you’d expect from a prime lens. Its fast f/1.8 maximum aperture is perfect for low-light shooting and creating softly blurred backgrounds; and its classic “normal” angle of view (approximating what we see with our eyes) makes it a great all-around lens.
Specifications
- Mount Type - Nikon F-Bayonet
- Focal Length - 35 mm
- Maximum Aperture - f/ 1.8
- Minimum Aperture - f/ 22
- Format - DX
- Minimum Angle of View (DX-format) - 44°
- Maximum Reproduction Ratio - 0.16 x
- Lens Elements - 8
- Lens Groups - 6
- Compatible Format(s) - DX FX in DX Crop Mode
- Diaphragm Blades - 7
- Distance Information - Yes
- Aspherical Elements - 1
- Super Integrated Coating - Yes
- Autofocus - Yes
- AF-S (Silent Wave Motor) - Yes
- Minimum Focus Distance - 0.98 ft.
- Focus Mode - Auto, Manual, Manual/Auto
- Rear Focusing - Yes
- G-type - Yes
- Filter Size - 52 mm
- Accepts Filter Type - Screw-on
- Approx. Dimensions (Diameter x Length)
- 2.8in. (70mm) x 2.1 in.(52.5mm)
Used Nikon AF-S Nikkor 55-200mm f4.5-5.6G ED DX VR II
$ 174.97
Used Nikon AF-S 55-200mm f4.5-5.6G ED DX VR II
Nikon SKU: 20050 | Helix SKU: NK20050U
Includes: Original Box, Manual, Front Cap & Rear Cap.
Overview
Optimized for Nikon's compact DX-format DSLRs, the AF-S DX NIKKOR 55-200mm f/4-5.6G ED VR II features a retracting design that's small and lightweight—ideal for travel and everyday use. Its versatile zoom range goes from 55mm, which is great for portraits and group shots, up to 200mm telephoto for catching close-ups on the sports field, school events and more. Forget about blurry photos and shaky videos; Vibration Reduction (VR) helps keep your photos sharp and your videos steady. On its own, the AF-S DX NIKKOR 55-200mm f/4-5.6G ED VR II is a great multipurpose lens. As a companion to the 18-55mm kit lens that comes with many DX-format DSLRs, it offers continuous coverage across the entire focal length range from 18mm to 200mm.
Specifications
Used Nikon AF-S Nikkor 70-200mm f/2.8G ED VR II
$ 1,499.97
Nikon AF-S Nikkor 70-200mm f/2.8G ED VR II
Nikon SKU: 2185 | Helix SKU: NK2185U
Includes: Front Cap, Rear Cap, Lens Hood, Tripod Collar, & Lens Case.
Condition: Very Good.
Overview
Specifications
Used Nikon AF-S Nikkor 70-300mm f/4.5-5.6G ED-IF VR
$ 299.97
Used Nikon AF-S Nikkor 70-300mm f/4.5-5.6G ED-IF VR
Nikon SKU: 2161 | Helix SKU: NK2161U
Includes: Front Cap, Rear Cap, & Lens Hood.
Condition: Excellent
Overview
Compact, high-performance telephoto zoom lens with VR II
Nikon’s VR II image stabilization
Built on a legacy of NIKKOR excellence
Specifications
Used Nikon D5100 DX DSLR Body w/Grip
$ 199.97
Used Nikon D5100 DX DSLR Body w/Grip
Nikon SKU: 25476 | Helix SKU: NK25476U
Includes: Body Cap, Battery Grip, Battery, & Charger.
Condition: Very Good.
Overview
Specifications
Tech Specs
-
16.2 million
-
23.6 mmx 15.6 mm
-
DX
-
SD
SDHC
SDXC -
4 frames per second
-
ISO 100 -6400
Hi-0.3
Hi-0.7
Hi-1 (ISO 12,800)
Hi-2 (ISO 25,600)
-
Full HD 1,920x1,080 / 30 fps
Full HD 1,920x1,080 / 24 fps
HD 1,280x720 / 30 fps
HD 1,280x720 / 24 fps
VGA 640x424 / 30 fps -
3.0 in. diagonal
-
Wide Viewing Angle
Vari-angle TFT-LCD -
One EN-EL14a Rechargeable Li-ion Battery or EN-EL14 Rechargeable Li-ion Battery
-
5.0 in.(127 mm)x 3.8 in.(96.5 mm)x 3.1 in.(78.7 mm)
-
19.7 oz.(560 g)
Used Nikon SB-700 AF Speedlight
$ 229.97
Used Nikon SB-700 AF Speedlight
Nikon SKU: 4808 | Helix SKU: NK4808U
Includes: Original Box, Manuals, Flash Case, Flash Stand, Flash Diffuser & Color Correction Gels.
Condition: Like New.
Overview
Versatility meets portability
Ideal exposure every time
Nikon’s precision i-TTL flash control
Complete lighting control
Wireless commander mode
Ready for any situation
Intuitive versatile lighting options
Specifications
Used Olympus OM-D E-M1 Mark II Mirrorless Camera - Black
$ 999.97
Used Olympus OM-D E-M1 Mark II Mirrorless Camera - Black
Olympus SKU: V207060BU000 | Helix SKU: OYV207060BU000U
Includes: Original Box, Manuals, USB Cable, Cable Clip, Body Cap, Battery, Charger, FL-LM3 Flash, & Strap.
Condition: Like New.
Overview
Introducing the OM-D E-M1 Mark II, an advanced system of innovative technology and features designed to forever change your photography. Up to 18 frames per second sequential shooting with precision C-AF Tracking. 121 Cross-Type On-Chip Phase Detection AF points. Up to 5.5 shutter speed steps of compensation with powerful in-body image stabilization. Plus a 50MP High-Res Shot Mode. It’s all enclosed in a magnesium alloy weatherproof body that weighs a mere 1.27 lbs. Paired with the superior resolution of M.Zuiko PRO lenses, the E-M1 Mark II will deliver brilliant imagery that’s coveted by professionals everywhere.
THE WORLD’S FASTEST*
Experience sequential shooting speeds that far surpass those of DSLR cameras. Using its advanced silent electronic shutter, the E-M1 Mark II captures 20 MP RAW image files at up to an astonishing 60 fps in S-AF Mode and 18 fps in C-AF Tracking Mode. Or, use the E-M1 Mark II’s high-speed mechanical shutter to shoot full resolution photos at a blazing 15 fps in S-AF Mode, far surpassing other cameras in its class. Thanks to cutting-edge processing speeds, even fast-moving subjects are captured in stunning detail.
*Sequential shooting speed as of September 2016, when using Silent Sequential Shooting H Mode S-AF.
NEXT LEVEL AF
Capture split-second moments with precision and ease. The Frequency Acceleration Sensor Technology (F.A.S.T.) AF system boasts 121 points of On-Chip Phase Detection plus Contrast Detection AF. Every point of On-Chip Phase Detection is cross-type, facilitating detection of vertical and horizontal lines for superior accuracy. For even faster focusing, the in-body AF Limiter function shortens AF drive time with three customizable focus distance ranges.
COMPOSE AND CONTROL
Capturing fast action is easy with the interactive 2.36 million-dot LCD EVF. It features a smooth 120 fps refresh rate with a 5 millisecond response time that’s imperceptible to the human eye. For superior control, there are five AF target modes: All Point, Single Point, 5-Point Cross, and 9-Point Group, and Small Targets. Precision C-AF Tracking and the subject-tracking Cluster Display simplify focusing on moving subjects. And the AF Targeting Pad function lets you move the focus point by touching the LCD monitor with your thumb while composing shots through the viewfinder.
OUTSTANDING IMAGE QUALITY
The new 20 MP Live MOS Sensor features an Anti-Reflective Coating on both sides of the sealed cover glass to reduce flare, and its high-speed design captures distortion-free images of moving subjects that are rich in color and detail. It works simultaneously with the new dual quad-core TruePic™ VIII Image Processor that boasts four CPU cores, four image processing cores, and a dedicated AF calculation circuit to easily power the E-M1 Mark II’s blazing sequential shooting and autofocus speeds.
WORLD’S MOST EFFECTIVE IMAGE STABILIZATION*
The advanced 5-Axis Image Stabilization compensates for all types of camera motion to provide up to 5.5 shutter speed steps of compensation for crisp images. When paired with a M.Zuiko PRO lens that features in-lens stabilization, 5-Axis Sync IS provides up to 6.5 shutter speed steps, the world’s most effective stabilization performance*. Capture blur-free shots at longer shutter speeds of up to 2 seconds, no tripod required.
*As of September 2016, with M.Zuiko Digital ED 12-100mm f4.0 IS PRO, 100mm focal length, Yaw / Pitch correction.
HANDHELD 4K VIDEO
Capture C4K (4096 x 2160) video up to max bit rate of 237 Mbps at a 24P frame rate for true cinema quality. For even greater flexibility, shoot 4K (3840 x 2160) video with a 30P, 25P, or 24P frame rate. With the E-M1 Mark II’s 5-Axis Image Stabilization and electronic stabilization that’s optimized for video, you’ll shoot ultra-smooth handheld UHD video without tripods, jibs, or other bulky stabilizing equipment. Plus, there are two HDMI output modes: Monitor Mode supports an external monitor display, while Recording Mode records to an external monitor recorder. For those who professionally color grade their footage, a free LUT compatible with DaVinci Resolve is available for download.
LAG-FREE PHOTOGRAPHY
Capturing the best moments can be difficult, especially when your subject is in motion. Pro Capture Mode ensures you’ll catch the exact moment you want without any lag. Pro Capture uses the silent electronic shutter to start buffering a running series of full resolution JPEG / RAW images when you press the shutter release button halfway. Then, fully press the shutter release to capture an image plus the 35 previous frames all at once. You can keep the shutter release fully depressed to continue sequential shooting. With its time machine-like capability, Pro Capture always has the perfect shot stored and ready to save.
50 MEGAPIXEL HIGH RES SHOT
The E-M1 Mark II’s High Res Shot Mode creates incredibly sharp images with resolution that exceeds that of many full-frame DSLRs. It automatically captures 8 consecutive shots in one second, then composites the images into one ultra-high resolution shot. The advanced TruePic™ VIII Image Processor prevents image blur caused by subject movement for greater shooting flexibility. To customize your final file size, both a 50 MP Mode and a 25 MP Mode are available.
ADVANCED SHOOTING MODES
Silent Mode completely eliminates shutter noise and all electronic sounds, perfect for quiet environments. With the Live Composite and Live Bulb Modes, you’ll shoot beautiful nighttime photos as you watch the image build up on the monitor, giving you freedom of exposure adjustment. For sharp macro photos with large depths of field, Focus Stacking automatically takes several shots with varying focal points and composites them into a single image.
LIGHTWEIGHT WEATHERPROOF DESIGN
Whether you’re taking to the streets, traveling the world, or working in the studio, the E-M1 Mark II is built to keep you capturing great shots without worrying about your gear. Combined with M.Zuiko PRO lenses, the E-M1 Mark II is more compact and lightweight than DSLRs, providing comfortable shooting with more freedom - even allowing for handheld super-telephoto photography. The metal body provides outstanding grip and is hermetically sealed to be splashproof, dustproof, and freezeproof down to 14°F (-10°C), so you can take advantage of every photo opportunity in any environment.
PROFESSIONAL CONSTRUCTION
The new high-capacity Li-Ion battery enables more images on a single charge (up to 440 shots) plus requires less charging time. The camera’s percentage battery display lets you check the remaining battery charge at a glance. Dual card slots feature a staggered layout for easy access and boast four recording settings, ideal for the backup and management of your image and video files. And the E-M1 Mark II’s shutter surpasses durability tests of 200,000 actuations.
COMPLETE YOUR OWN PRO SYSTEM
We’ve created an entire professional system to complement your new E-M1 Mark II. Both the FL-900R High-Intensity Flash and the STF-8 Twin Macro Flash feature weatherproof construction and are perfectly matched to the E-M1 Mark II’s compact dimensions. The HLD-9 Powered Grip offers a second arrow pad for convenient control when holding the camera vertically, and the RM-CB2 Remote Cable Release easily connects to the camera with an L-shaped pin jack. Add the PT-EP14 Underwater Housing that's waterproof to depths of 60 meters and you'll be prepared to capture amazing shots in every environment.
Specifications
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Sensor Type4/3" Live MOS Sensor
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Effective Pixels20.4 million
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Total Pixels21.8 million
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Aspect Ratio & Area4:3 / 17.4 x 13.0mm
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Dust ReductionSuper Sonic Wave Filter
Processor
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Processor TypeTruePic™ VIII
Focusing System
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AF System TypeHigh-speed imager AF: Imager phase detection AF and imager contrast AF (active AF automatically selected by camera; when a Micro Four Thirds lens is attached, imager phase detection AF is always selected)
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Focus ModesSingle AF (S-AF) / Continuous AF (C-AF) / Manual Focus (MF) / S-AF + MF / AF tracking (C-AF + TR) / Preset MF*1
*1 Distance setting values are rough estimates and not compatible lens except the AF lens. -
Full Time AFNot Available
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AF LimiterAvailable (Fn button can be assigned to On/Off; can save 3 settings) *Distance setting values are rough estimates.
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AF PerformanceC-AF lock (5 steps) , AF scanner (3 types)
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Magnified Frame3x , 5x , 7x , 10x , 14x
*Autofocusing is possible in the magnified frame; can be assigned to button to turn magnify frame AF on and to activate magnification; touch icon on monitor to turn off; enables selection of AF point from over 800. -
Face Detection AF / Eye DetectionAvailable
Eye Detection AF mode : off / nearer-eye priority / right-eye priority / left-eye priority -
Focusing Points / Focusing Points Selection Mode121-point cross-type phase detection AF and 121-point contrast AF / All target, group target (9-area or 5-area), single target
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AF IlluminatorAvailable
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AF Targeting PadAvailable (activate / deactivate with double tap on rear monitor)
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Manual Focus Assist* Customize FunctionFocus ring rotation activates Live View image magnification and/or focus peaking when in S-AF+MF or MF mode
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Peaking FunctionActivate with Fn button or focus ring
Change peaking settings using the Info button
Color selection: white, black, red, yellow
Intensity selection: high, normal, low
Back light effect: on, off
Image Stabilization
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System TypeBuilt-in 5-axis* sensor-shift image stabilization for movie and still photos
*yaw/pitch/roll/vertical shift/horizontal shift -
Modes4 modes (S-IS AUTO, S-IS1, S-IS2, S-IS3), OFF
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5-Axis Sync ISAvailable*
*When using M.Zuiko Digital lenses equipped with image stabilization -
Live View Image StabilizationActivation by half-pressing shutter button or enlarging view
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Focal Length Setting11 settings: 10 programmable settings (10 lenses), 1 open setting
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IS For Live View ImageActivation by half-pressing shutter button or enlarging view
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Stabilization Performance5.5 EV*
*Based on CIPA measurement conditions.
When using M.Zuiko Digital ED 12-40mm f/2.8 PRO (focal length = 40mm (35mm equivalent: 80mm)) -
Lens IS PriorityAvailable
Shutter / Sequential Shooting
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Shutter TypeComputerized focal-plane, high-speed mechanical shutter Silent electronic shutter
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Shutter SpeedMechanical Shutter: 1/8000 - 60 sec. (1/3, 1/2, 1 EV steps selectable)
Electronic Shutter (Silent Mode): 1/32000 - 60 sec
Bulb / Time: default setting 8 min. (1/2/4/8/15/20/25/30 min. selectable) -
Sequential Shooting Maximum Speed[Sequential shooting H] approx. 15 fps with selectable 10-15 fps
[Sequential shooting L] approx. 10 fps with selectable 1-10 fps
[Anti-shock sequential shooting L] approx. 8.5 fps with selectable 1-8 fps
[Silent sequential shooting H] approx. 60 fps with selectable 15, 20, 30, 60 fps
[Silent sequential shooting L] approx. 18 fps with selectable 1-10, 15, 18 fps
[Pro Capture H] approx. 60 fps with selectable 15, 20, 30, 60 fps*
[Pro Capture L] approx. 18 fps with selectable 1-10, 15, 18 fps*
*When using the M.ZUIKO DIGITAL ED 12-40mm f/2.8 PRO
*Maximum sequential shooting speed may be affected by several factors including lens used, brightness, aperture, shutter speed, and ISO setting.
*When in Pro Capture mode, slower shutter speeds and flash can not be used。
*When ISO is 8000 or above, 30 fps becomes the maximum sequential shooting speed, and the actual shooting speed may become slower than the set shooting speed by a few frames per second. When using ISO Bracketing, performance will be affected at ISO 2000 or above.
*Focus and exposure are fixed at the values of the first shot when using sequential shooting H.
*Maximum sequential shooting speed is 8.5 fps for anti-shock sequential shooting L, even when set to 9 or 10 fps.
*Zuiko Four Thirds and Panasonic Micro Four Thirds lenses are only compatible with Pro Capture H mode. -
Max Recordable Pictures in Sequential Shooting[Sequential shooting H 15fps] RAW: Max. 84 frames, JPEG (LN): Max. 117 frames
[Sequential shooting L 10fps] RAW: Max. 148 frames, JPEG (LN): Until card is full
[Silent sequential shooting H 60fps] RAW: Max. 48 frames, JPEG (LN): Max. 48 frames
[Silent sequential shooting L 18fps] RAW: Max. 77 frames, JPEG (LN): Max. 105 frames
*When using the M.Zuiko Digital ED 12-40mm F2.8 PRO and the Toshiba SDXU-B032G memory card with standard card setting in slot 1. -
Self TimerOperation time: 12 sec., 2 sec.,custom (Waiting time 1-30sec.,Shooting interval 0.5/1/2/3sec.,Number of shots 1-10
Viewfinder/Monitor
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Finder TypeEye-level electronic viewfinder, approx. 2.36M dots
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Field of View / Viewfinder MagnificationApprox. 100% / Approx. 1.30x*1 - 1.48x*2 (-1m-1, 50mm lens, Infinity)
*1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3) -
Eye Point / Diopter Adjustment RangeApprox. 21mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1
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PreviewLive View preview with depth of field preview lock
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Display GridOff / normal grid / trichotomy /golden grid / scale / diagonal / movie grid
*grid color is selectable -
Level Gauge2-axis (horizontal / vertical) level gauge
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One Touch Tele-ConverterAvailable (2x)
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Finder Style3 styles
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Brightness / Color Temp ControlAdaptive brightness technology (EVF Auto Luminance) / ±7 level manual brightness control /±7 level manual color temperature control
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S-OVF (Simulated OVF)Expands the Live View dynamic range. *Available in the EVF when in P, A, S and M modes. Art filter, WB and exposure are not reflected in EVF.
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EyecupOptional eyecup EP-13 available
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Rear Monitor Size3.0-inch vari-angle monitor* *Approx.1037k dots (3:2), electrostatic capacitance touch panel
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Touch ControlShutter release, magnification, AF area selection, AF area size adjustment, AF touch pad, frame forward/backward, magnified playback, Live Guide, Super Control Panel, Wi-Fi connection, movie controls, movie effects, movie teleconverter , selfie controls (shutter release, e-Portrait, custom self timer)
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Tilting CapabilityWith (mirror display when monitor is in self portrait position)
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Brightness / Color Temp Control (Rear Monitor)±7 levels / ±7 levels
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Color Tone SelectVivid / Natural
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Live ViewApprox. 100% field of view, exposure compensation preview, WB adjustment preview, gradation preview, face detection preview (up to 8 faces), grid line, magnification display (x3/x5/x7/x10/x14),
Display modes: Standard, Histogram, Highlight & Shadow, Level Gauge, Off (Image Only) -
Field of View100%
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Display ModeStandard, Histogram, Highlight & Shadow, Level Gauge, Off (Image Only)
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Magnification Displayx3/x5/x7/x10/x14
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Monitor InformationAperture value, Shutter speed, Auto Bracket, AE Lock, AF mode, IS, Shooting Mode, Battery %, Custom Set, Internal Temperature Warning, Face / Eye Detection, Histogram, Number of storable still pictures, Record mode, ISO, Sequential shooting, Self-timer, White Balance, Metering Mode, AF confirmation, Exposure Compensation Value, Spot metering Area Flash Mode, Flash Status, Flash intensity Control, Super FP, Focal length, Tone control, Eye-Fi condition, Digital teleconverter
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Display of Face DetectionMax 8 frames of face detection can be displayed.
Exposure Control / Flash
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Metering SystemDigital ESP metering (324-area multi pattern metering), center-weighted average metering, spot metering*, spot metering with highlight control, spot metering with shadow control *Also available AF target spot metering
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Metering RangeEV -2 - 20 (using 17mm f2.8, ISO 100)
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Exposure Mode / Shooting Modei Auto (Live Guide can be used) , P: program AE (program shift can be performed),
A: aperture priority AE
S: Shutter priority AE
M: Manual (Live Bulb, Live Time and Live Composite are available)
Custom 1,2,3
Art Filter
Underwater wide/Underwater macro (to be assigned to the Fn1 button) -
Scene Select AENo
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ISO SensitivityAUTO ISO (default) : LOW (approx.64) ‐ 6400 with customizable upper limit (200 - 6400)
Manual ISO : LOW (approx.64), 200 - 25600 (adjustable in 1/3 or 1 EV steps) -
Exposure Compensation±5 EV, adjustable by 1/3, 1/2 or 1 EV steps When shooting in HDR or in video, only adjustable up to ±3 EV steps Live View only reflects up to ±3 EV steps
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AE LockLocks with a half-press of the shutter button , AEL/AFL button(can be set to Fn button as well)
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Noise Filter at High ISO SettingOff, Low, Standard, High
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Noise Reduction at Slow Shutter SpeedOff, On, Auto On : effective when shutter speed is slower than 1 sec.
Auto : effective when shutter speed is slower than 4 sec. (at ISO 200 or higher) or 8 sec. (at lower than ISO200) -
Flash Intensity Control ModeTTL Auto, Auto*, Manual, Super FP*(FP-TTL AUTO, FP-MANUAL)
* Available on the external flash -
Bundled FlashFL-LM3（dustproof and splashproof flash）
GN＝9.1（ISO100・m）/ GN=12.9(ISO200・m)
Bounce Capability （up and down：45, 60, 75, 90 degree / left and right 30, 60, 90, 120, 150, 180 degree）
*Powered by the camera -
Flash ModeRedeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual（1/1（FULL）～1/64）
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Synchronization Speed1/250 sec.
*When using Super FP: 1/125-1/8000 sec.
*When using electronic shutter: 1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing -
Flash Intensity ControlUp to ±3 EV in 1/3, 1/2, 1 EV steps selectable
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Compatible External FlashFL-50R, FL-36R, FL-20, FL-14, FL-300R, FL-600R, FL-900R, STF-8
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Wireless Flash ControlWireless flash transmission channel settings enable selection of the flash/no flash for groups of multiple flash units. In addition, it allows TTL auto, auto and manual models to be set; offers a bounce and swivel head; and flash coverage is automatically adjusted in several steps to correspond to the image area when zooming.
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Wireless Flash Control MethodTriggered and controlled by Olympus Wireless RC Flash system compatible flashes: included FL-LM3 or separately available FL-600R and FL-900R , STF-8
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Wireless Flash Intensity Control ModeTTL Auto, Auto, Manual, FP-TTL-AUTO, FP-MANUAL
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Channel No.4 channels
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Group No.4 groups (External flash 3 groups + commander flash)
Memory / Image Recording (File Format)
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Compatible MemorySD, SDHC*1, SDXC*1, Eye-Fi Card compatible*2
*1 Slot1:UHS-I,II compatible , Slot2:UHS-I compatible.
*2 Not compatible with Endless Memory. -
Recording FormatDCF2.0, Exif2.3
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File FormatRAW (12-bit lossless compression), JPEG, RAW+JPEG
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Recording Image Size[RAW] 5184 x 3888 pixels [JPEG] 5184 x 3888 pixels - 1024 x 768 pixels
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File Size[RAW] 5184 x 3888 pixels
[JPEG] 5184 x 3888 pixels - 1024 x 768 pixels -
Dual Card Slot SettingsStandard, Auto Switch, Dual Independent, Dual Same *When two cards are inserted, card to be saved on to or to be viewed can be designated.
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Folder Creation and SelectionAvailable
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CopyCopy single file, copy multiple files, copy all *When copied, the new file will be given a different name from that of the original file.
White Balance / Color Mode
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White Balance ModeAuto WB, 7 Preset WBs, 4 Capture WBs, Custom WB(Kelvin setting)
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White Balance Compensation*±7 steps along A-B / G-M axis * Except for Custom WB
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Preset White Balance7 preset WBs (3000K - 7500K) - Sunny(5300K), Shadow(7500K), Cloudy(6000K), Incandescent(3000K), Fluorescent(4000K), Underwater, WB Flash(5500K)
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CWB (Kelvin Setting)2000 - 14000K
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Capture White Balance4 custom settings can be registered
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Color ModesRGB, Adobe RGB
Bracketing / HDR
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Exposure Bracketing2, 3 or 5 frames in 0.3/0.7/1.0EV steps selectable, 7 frames in 0.3/0.7EV steps selectable
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ISO Bracketing3 frames in 0.3/0.7/1.0EV steps selectable
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White Balance Bracketing3 frames in 2, 4, 6 selectable steps for A-B/G-M axis.
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Flash Bracketing3 frames in 0.3/0.7/1.0EV step selectable
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Art Filter Bracketingi-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator selectable
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Focus Bracketing3 to 999 shots, focus steps adjustable from 1 to 10 (compatible with Micro Four Thirds lenses)
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Focus Stacking Mode8 shots are taken at different focus points and automatically composited together into a single image
* Angle of view becomes slightly smaller
* Compatible with :
M.Zuiko Digital ED 60mm f/2.8 Macro
M.Zuiko Digital ED 12-40mm f/2.8 PRO
M.Zuiko Digital ED 40-150mm f/2.8 PRO
M.Zuiko Digital ED 30mm f/3.5 Macro
M.Zuiko Digital ED 7-14mm f/2.8 PRO
M.Zuiko Digital ED 8mm f/1.8 Fisheye PRO
M.Zuiko Digital ED 300mm f/4.0 IS PRO
M.Zuiko Digital ED 12-100mm f/4.0 IS PRO -
HDR (Auto Composite)HDR1, HDR2 (painting-like)
※ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec.
※Exposure compensation can be performed. -
Bracketing for HDR post-process3 or 5 frames in 2.0 or 3.0 EV steps, or 7 frames in 2.0 EV steps.
*This sequential shooting H AE bracketing is specifically for shooting images that will be HDR-processed on a PC.
Creative Features
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Picture Modei-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, e Portrait, Underwater, Color Creator, Art Filters
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GradationAuto, Normal, High Key, Low Key [except when using i-Enhance, Underwater, Art Filters, Color Creator]
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Filter Effect (B&W Filter)Neutral, Yellow, Orange, Red, Green for Monotone
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Picture ToneNeutral, Sepia, Blue, Purple, Green for Monotone
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Art Filter
(Variation / Art Effect)Pop Art (I, II / a.b.c.d.e)
Soft Focus ( - / c.e)
Pale & Light Color (I, II / a.b.c.d)
Light Tone ( - / d)
Grainy Film (I, II / b.c.d.f.g)
Pin Hole (I, II, III / d.)
Diorama ( - / d.)
Cross Process (I, II / b.c.d.)
Gentle Sepia ( - / a.b.c.d.f.)
Dramatic Tone (I / b.c.d.e.f.) (II / b.c.d.e.f.g.h)
Key Line (I, II / a.b.c.d.e.)
Watercolor (I, II / a.b.c.d.)
Vintage (I, II, III / a.b.c.d.e.f.i)
Partial Color (I, II, III / a.b.c.d.e.f)
Bleach Bypass (I, II / a.b.c.d.e.f.g.h.i) -
Art Effecta. Soft Focus Effect
b. Pin-Hole Effect
c. White Edge Effect
d. Frame Effect
e. Star Light Effect
f. Blur Effect (Top & bottom, Left & Right)
g. B&W Effect (None, Yellow, Orange, Red, Green)
h. Picture Tone (None, Sepia, Blue, Purple, Green)
i. Shade Effect (Top & bottom, Left & Right) -
Color Ring (for partial color)18 color selectable
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Live Bulb / Live TimeUpdate Interval Time - 0.5 sec – 60 sec
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Live CompositeUpdate Interval Time / composite method – 0.5 sec – 60 sec / Lighten Mode (Bright area prioritization)
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Interval Shooting"Interval Time 1sec. - 24 Hours, Max 999 frames. Available on making Time-lapse movie automatically"
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Multiple Exposure (number of pictures / function)2 frames / Auto gain, Exposing on Recorded picture(RAW)
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Keystone CompensationAvailable (can be confirmed in Live View) *Horizontal and vertical compensation can be performed simultaneously.
Video / Audio Recording
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Video Recording FormatMOV(MPEG-4AVC/H.264) , AVI(Motion JPEG)
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Movie Mode / Frame Rate / Compression Method4096 × 2160 (C4K) / 24p / IPB (approx. 237 Mbps)
3840 × 2160 (4K) / 30p, 25p, 24p / IPB (approx. 102 Mbps)
1920 x 1080 (FHD) / 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N)
1920 x 1080 (FHD) / 60p, 50p / IPB (SF, F, N)
1280 x 720 (HD) / 60p, 50p, 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N)
60p： 59.94 fps, 50p： 50.00 fps, 30p： 29.97 fps, 25p： 25.00 fps,
24p： 23.98 fps, C4K 24.00 fps
FHD ALL-I (A-I： ALL-Intra / approx. 202 Mbps),
FHD IPB (SF: SuperFine / approx. 52 Mbps, F: Fine / approx.. 30 Mbps,
N: Normal / approx. 18 Mbps)
HD ALL-I (A-I：ALL-Intra / approx. 102 Mbps),
HD IPB(SF：SuperFine / approx.26Mbps, F:Fine / approx.14Mbps、N：Normal / approx.10Mbps)
HD (1280 x 720) / 30p
*Frame rates may drop when particular Art Filters and Movie Effects are used.
*Class 10 or higher SD card is recommended for shooting movies.
*UHS-II or UHS-I U3 card is recommended for 4K,C4K,ALL-I shooting. -
Maximum Video Recording Time[MOV] Approx.. 29min [AVI] Approx. 7min*
*Excluding when particular Art Filters are used -
Movie Tele-converterApprox. 3x (enlarges view of selected area)
-
Art Filter MovieAvailable (Frame rates may drop when certain Art Filters are used)
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Movie EffectOne-shot Echo / Multi-echo / Art Fade / Old Film
-
Timelapse Movie[AVI ]
3840×2160（4K）/ 5fps
1920×1080（FHD)/ 5fps，10fps，15fps
1280×720（HD)/ 5fps、10fps、15fps、30fps -
IS for MovieM-IS1*(Image sensor shift and electronic image stabilizer with multi motion IS),
M-IS2(Image sensor shift with multi motion IS), Off
*While using M-IS1, field of view may be affected. -
AE LockAvailable
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Video Exposure ControlProgram AE, aperture priority AE, shutter priority AE, manual
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Grid Lines / Focus Peaking4 types of grid lines / 4 colors for focus peaking
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Time CodeRec run/free run, drop frame/non-drop frame
-
Clips1, 2, 4, 8 sec.
(Further continued shooting possible up to 16 seconds by pressing movie record button again) -
Quick Movie / Slow MovieWith (this function is not available for videos with certain frame rates)
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Audio Recording FormatWave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz)
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Microphone / SpeakerBuilt-in stereo microphone / built-in mono speaker *External stereo microphone can be attached
-
Microphone FunctionWind noise reduction, recording volume, microphone volume limiter
Audio dubbing possible for still pictures (up to 30 sec.)
*May affect audio quality. -
IC Recorder LinkageSlate Tone / Synchronized Audio Rec-Movie Rec *LS-100 compatible
Operability
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WiFiEasy Connection
QR code setting
Wireless Shooting
Live View
Power off
Rec View
Self timer (w/Countdown guidance, Sequential shooting, movie recording capability)
Touch AF & Shutter
P/A/S/M exposure modes (Live Bulb, Live Time, Live Composite)
Sequential shooting
Movie Recording
Zoom
Aperture, shutter speed, exposure, ISO sensitivity, white balance can be adjusted.*
*When in private connection -
Tethered ShootingVia USB cable (camera can be operated by both PC or camera controls)
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Playback ModeSingle-frame, information display, index display (4/9/25/100 frames), Clips, calendar, enlargement (2x - 14x), movie (with sound, FF/REW/Pause), picture rotation (auto), slideshow (with sound including BGM, Slide show effects, replaceable BGM), Light Box display
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Information DisplayHistogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF
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Custom Settings / ResetModes C1, C2, and C3 can be accessed by mode dial
Modes C1, C2, and C3 can be accessed via the menu
Dial function and dial direction are customizable for both dials -
Button CustomizationButtons can be customized (select from 35 functions)
*Buttons on lenses and HLD-9 power batter holder can also be customized from the camera
*Some buttons may have restrictions to what functions can be assigned -
Copyright Settings / Lens Info SettingsAvailable / With (save up to 10 lenses)
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RAW Image Editing FunctionsGradation auto, Monochrome, Sepia, Red-eye fix, Saturation, Resize (1280x960, 640x480, 320x240), Trimming, Aspect, e-Portrait, Image Overlay, Post recording
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JPEG Image Editing Functions
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Image OverlayUp to 3 RAW images
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Erasing Function
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Protect Function
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Menu Languages (34 selectable)English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai
Connectivity / Power Requirements
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USB ConnectorUSB Type-C
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Remote Connectorφ2.5Pin Jack (when using separately available RM-CB2).
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HDMI ConnectorMicro HDMI （type D)
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Flash AttachmentHot shoe, sync terminal
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Wireless LANBuilt-in（IEEE 802.11b/g/n）
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MIC Input Jackφ3.5 stereo mini jack (plug-in power on/off)
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Headphone Jackφ3.5 stereo mini jack
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PC InterfaceSuperSpeed（USB3.0）
-
TV InterfaceNot Available
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BatteryBLH-1 Li-ion battery (included)
-
Battery Status DisplayRemaining power (4 steps, %, or by-minute display), shot count, degradation
-
Power Battery HolderHLD-9 power battery holder is separately available (holds one BLH-1 battery).
-
AC AdapterAC-5 AC adapter is separately available (connects to power battery holder HLD-9 to provide power to camera).
-
Sleep ModeAvailable (1/3/5 min. off)
-
Number of Recordable PicturesApprox. 440 shots (using BLH-1 and Toshiba SDHC UHS-I Card Exceria with IS ON, with no flashes attached, based on CIPA test standards) *When used with an authentic Olympus BLH-1 battery.
Approx. 950 shots (using quick sleep mode, under Olympus testing conditions based on CIPA test standards) *When used with an authentic Olympus BLH-1 battery. -
Battery Life for Movie ShootingApprox. 90 minutes* (under standard JEITA testing) *When used with an authentic Olympus BLH-1 battery.
Approx. 150 minutes* (when zoom and other operational functions are not used) *When used with an authentic Olympus BLH-1 battery.
*When repeatedly recording at the maximum time of 29 minutes
Weights & Dimensions / Operating Environment / Box Contents
-
WeightApprox. 1.27 lbs. / 574g (with BLH-1 battery and Memory card, based on CIPA standards)
Approx. 1.1 lbs. / 498g (body only) -
DimensionsW:134.1mm H:90.9mm D:68.9mm
(based on CIPA standards: excludes protrusions) -
Environmentally SealedDust, Splash, Freezeproof
-
Operating Temperature Range-10℃ ~ +40℃ (when in operation) / -20 ~ +60℃ (when stored)
-
Operating Humidity Range30 - 90% (when in operation) / 10 - 90% (when stored)
Used Sigma 135-400mm f4.5-5.6 APO - Canon Mount
$ 449.97
Used Sigma 135-400mm f4.5-5.6 APO - Canon Mount
Sigma SKU: 723101 | Helix SKU: SM723101U
Includes: Front Cap, Rear Cap, Lens Hood, Tripod Collar & Lens Case.
Overview
The Sigma 135-400mm f/4.5-5.6 APO employs three SLD glass elements which eliminates any chromatic aberrations, giving you amazing results. The detachable tripod collar helps you stabilize the lens and your camera to a tripod or monopod.
Specifications
| Focal Length | 135-400mm (216-640mm on APS-C) |
| Max Aperture | f4.5 |
| Min Aperture | f38 |
| Lens Construction | 13 Elements in 11 Groups |
| Min Focusing Distance | 7.9" |
| Filter Diameter | 77mm |
| Weight | 2.75lbs |
Used Sigma 35mm F1.4 ART DG HSM (Canon)
$ 699.97
Used Sigma 35mm F1.4 ART DG HSM (Canon)
Sigma SKU: 340101 | Helix SKU: SM340101U
Includes: Front Cap, Rear Cap, Lens Hood, & Lens Case.
Condition: Excellent.
Overview
The Sigma 35mm 1.4 DG HSM is a state of the art lens designed for full frame cameras but can also be used with APS-C sensors as well. The first addition to the Art category in Sigma’s Global Vision, the 35mm 1.4 DG HSM includes new features based around a unique lens concept and design. The 35mm is a staple focal length in the world of photography, and paired with Sigma technology, this lens can take artistic expression to the next level. The lens is equipped with technology including a Hyper Sonic Motor (HSM), floating internal focusing system, SLD and FLD Glass elements. The HSM ensures quiet, high speed, accurate autofocusing while the floating focusing system allows for superior optical performance with subjects at a closer shooting distance. The SLD glass elements along with the FLD glass elements, which are equal to fluorite, help correct both axial and chromatic aberration. The large 1.4 aperture make it ideal in low light and the lens is compatible with the Sigma USB dock and Optimization Pro software to adjust and fine tune focusing parameters. The Sigma 35mm 1.4 DG HSM is a must have for any camera bag.
UPC: 085126340544
Specifications
LENS CONSTRUCTION
Used Sony a6000 Mirrorless Camera Body Only - Black
$ 199.97
Sony a6000 Mirrorless Camera Body Only - Black
Sony SKU: ILCE6000/B | Helix SKU: SYILCE6000BU
Includes: Body Cap, Battery, Charger & Strap.
Condition: Good.
Overview
FEATURES
24.3-megapixel APS-C image sensor
Create images of astounding beauty that surpass your expectations with Sony’s newly developed 24.3-effective- megapixel APS-C image sensor. The same size as found in most DSLRs, this sophisticated sensor offers high sensitivity in dimly lit environments and strikingly attractive foreground and background defocusing. You’ll enjoy the increased light collecting efficiency of a gapless on-chip lens structure, extremely low noise throughout a wide sensitivity range of ISO 100 to 25600, and superb corner-to-corner image quality with lifelike color, supreme detail and smooth tonal gradations that reveal every nuance of your scene.
BIONZ X™ image processing engine
Astonishingly fast, Sony’s sophisticated BIONZ X™ image processing engine reproduces textures and details in real time as seen by the naked eye. The resulting images are remarkably realistic with especially rich tonal gradations and a natural three-dimensional appearance. Whether shooting still images or movies, visual noise is nearly imperceptible, thanks to further advanced area-specific noise reduction. Detail reproduction technology delivers more finely detailed textures while diffraction-reducing technology optimizes the performance of any lens you mount to enable advances such as finer details at small aperture settings.
Full HD movies
Press the MOVIE button to start recording beautiful movies that are notable for their sharpness and lack of visual “noise” — in your choice of 60p, 60i or 24p. New improved Fast Hybrid AF provides remarkably fast and accurate autofocusing and tracking while shooting movies. You can also use P/A/S/M modes to achieve maximum control over how the image looks, and zoom with extra clarity, courtesy of Clear Image Zoom.
The world’s fastest* AF performance
Capture every subject clearly with unparalleled precision, at record speed, thanks to Sony’s newly advanced Fast Hybrid AF with vastly improved phase-detection and contrast-detection capabilities. Faster data reading from the image sensor, higher-speed BIONZ X™ data processing, more advanced AF algorithms and optimized control of the lens drive delivers approximately 35% faster performance than in previous systems. *Among interchangeable-lens digital cameras equipped with an APS-C image sensor as of February 12, 2014, based on Sony research. Measured using internal methods with an E PZ 16-50 mm F3.5-5.6 OSS IS lens mounted. CIPA guideline compliant.
179 AF points over nearly the entire screen
In addition to 25 higher-speed, higher-precision contrast-detection AF (Fast Intelligent AF) points, the improved Fast Hybrid AF system features 179 extremely accurate phase-detection AF points that cover nearly the entire image area. They permit enhanced subject tracking plus the capture of fast-moving subjects anywhere on the screen, as well as improved scene recognition and subject size detection.
11 fps continuous shooting with AF tracking
When your subject is moving fast, 11 fps continuous shooting with superior AF tracking performance ensures you capture the decisive moment. This feature makes the most of the superb tracking performance of Sony’s wide-area 179 phase-detection AF points to accurately track your subject anywhere on the screen.
Eye AF
Even when capturing a subject partially turned away from the camera with a shallow depth of field, the face is sharply focused thanks to extremely accurate Eye AF. A green frame appears over the prioritized eye when focus has been achieved.
Improved Lock-on AF
Now more accurate than ever, due to advances in phase-detection AF, Lock-on AF enhances tracking of moving subjects by adjusting target frame size to match subject characteristics and ensuring usage of the optimal AF point at all times.
AF mode
Matching the focus mode to the subject assures super-sharp results. The 6000 is the first E-mount camera to offer AF-A, and displays the active AF points even in the AF-C mode so you can easily check if you are focusing on the intended subject.
High-resolution OLED Tru-Finder™
View every scene clearly and naturally on the bright and accurate OLED Tru-Finder™ viewfinder, which offers 100% frame coverage. The new optical system with four double aspherical lenses provides a wide viewing angle of approximately 33° and clear visibility from corner to corner. Clear details, rich tonal gradation, and high contrast are yours in both dark and light environments, thanks to an advanced OLED design that lets you more faithfully preview defocusing, exposure, and other effects. You can also fine-tune the focus by taking advantage of MF Assist and a helpful Peaking function, as well as adjust brightness in five steps to match the shooting environment.
Swift, intuitive operation
Controls are refined for intuitive DSLR-style operation while viewing scenes through the viewfinder. The mode dial enables quick selection of shooting modes with your thumb, while the control dial and control wheel make it easy to set various parameters.
Customizable buttons
Button customization lets you shoot just the way you like for greater speed and convenience. You can assign any of 47 functions* to any of 7 buttons (including two dedicated custom buttons), and assign up to twelve functions to the Fn button for quick access. *Some functions can only be assigned to certain buttons.
Tiltable 3 in LCD screen
Shooting comfort is enhanced by a 3 in LCD screen that smoothly tilts to accommodate everything from low to high-angle shooting. This tilting flexibility combines with the camera’s compact mobility to greatly expand your shooting options.
Customizable UI
The User Interface takes on many of the features of A-mount cameras to enable smooth, personalized operation. Quick Navi Pro displays all major shooting options for quick confirmation and adjustment. The Fn button also enables swift access to preferred features.
One-touch remote and one-touch sharing
One-touch remote lets you use your smartphone or tablet as a viewfinder and remote control for a digital camera, and one-touch sharing lets you transfer your photos and videos from your camera. Either way, by installing the PlayMemories Mobile app to your NFC-enabled Android smartphone or tablet, you can avoid complex setup sequences and establish wireless connection simply by touching your device to the camera. You are now ready to control your camera from your smartphone to take a photo from a previously out-of-reach spot, or simply be in your own group shot, as well as transfer them instantly to your smartphone for sharing on SNS. No NFC? No problem. You can also pair the devices manually.
Supported in Capture One Express (for Sony)
Capture One Express (for Sony) is one of the world's best RAW converters, rendering precise colors and incredible detail. It contains flexible digital asset management, all the essential adjustment tools, and fast, responsive performance in one customizable and integrated solution. * Please direct all inquiries on purchase, usage, and support on Capture One solutions to Phase One.
Works with iMovie and Final Cut Pro X
This product is compatible with Final Cut Pro X and iMovie.
Used Tamron 16-300mm F3.5-6.3 Di II VC PZD - Canon Mount
$ 349.97
Used Tamron 16-300mm F3.5-6.3 Di II VC PZD - Canon Mount
Tamron SKU: AFB016C-700 | Hellix SKU: TRAFB016C700U
Includes: Front Cap, Rear Cap & Lens Hood.
Condition: Excellent.
Overview
-
Expand your options with high-power zooming from 16mm wide-angle
Spanning an ultra-wide spectrum of focal lengths, the all-in-one zoom lens is a supremely versatile photographic tool. Now, Tamron sets a new standard with a revolutionary new 18.8X zoom lens for APS-C sized digital SLR cameras. This single lens covers 16mm to 300mm and provides macro focusing. It combines our latest advances in optical design - including the deployment of aspherical elements and newly developed glass - with multiple layers of coating to produce clear, sharp images while maintaining compact dimensions. Imagine the creative possibilities embodied in this latest breakthrough from the pioneer in high-power zooms! -
The world's first 18.8X zoom, plus 1:2.9 macro reproduction
Zooming from 16mm (35mm equivalent:24.8mm) to 300mm (35mm equivalent: 465mm), at its widest-angle setting this lens can shoot sweeping panoramic landscapes and intimate interiors, and as a telephoto it can capture powerful close-ups of distant subjects. Macro focusing down to 1:2.9 is also provided -
VC (Vibration Compensation)
VC (Vibration Compensation) is Tamron's proprietary image stabilization system. It employs three driving coils that electromagnetically activate a shake-compensating VC lens group. Since the VC lens elements are held in place only by three ceramic ball bearings, there is smooth movement with little friction. Even when shooting long-range or under low light, the viewfinder image remains stable and the tracking response is excellent -
PZD (Piezo Drive) for faster, quieter autofocusing
With Tamron's PZD (Piezo Drive), autofocusing is noticeably faster and quieter. You can capture crisp images spontaneously, even in noise-sensitive situations. There is enhanced support for contrast-detection AF capabilities, and focusing when in live-view mode is smoother. Full-time manual override lets you make fine focus adjustments at any time without having to switch out of autofocus mode -
Advanced optical and mechanical design technology achieve high image quality in a compact, lightweight zoom
The cutting-edge lens design consists of 16 elements in 12 groups and includes three Molded-Glass Aspherical elements, two LD (Low Dispersion) elements and UXR (Ultra-Extra Refractive Index) glass. Together, they correct optical aberrations, while state-of-the-art multi-layer coating significantly minimizes ghosting and flare to deliver images of exceptional clarity. The entire package is kept incredibly compact through the use of advanced mechanical design engineering -
Elegant new style
The rubber grips on the zoom and focus rings have a rectilinear grid pattern that adds sophistication to the design, while the signature Tamron brand ring in tungsten silver enhances its luxurious finish -
Moisture-resistant construction
Moisture-resistant construction helps prevent moisture from penetrating the lens -
Di-II lenses
Performance-engineered expressly for digital SLR cameras with image sensors commonly referred to as APS-C, measuring approximately 24mm x 16mm
Specifications
- Model: B016
- Lens Construction (Groups/Elements): 12/16
- Angle of View: 82°12' - 5°20'
- Diaphragm Blade Number: 7 (circular diaphragm)*
- Minimum Aperature: F/22 ~ F/40
- Minimum Focus Distance: 15.3in.(0.39m)
- Macro Magnification Ratio: 1:2.9 (at f=300mm; MFD 0.39m)
- Filter Diameter: ø67
- Diameter: ø75mm
- Accessory: Flower-shaped Lens hood
- Mount: Canon, Nikon, Sony A mount****
-
Technology
- Tamron Di-II lenses are engineered expressly for digital SLR cameras* with image sensors commonly referred to as APS-C, measuring approximately 24mm x 16mm. Rendering an ideal image circle for APS-C sensors, Di-II lenses are also include properties to optimize digital imaging performance
-
Tamron’s Unique State-of-the-Art In-Lens Image Stabilization System
Handheld camera shake is the leading cause of blurry and unsharp pictures. Several leading companies now make lenses with built-in optical image-stabilization systems that sense the amplitude and direction of the shake and compensate by moving optical groups within the lens. Tamron’s exclusive new Vibration Compensation (VC) system that’s built into the Tamron AF28-300mm F/3.5-6.3 XR Di VC LD Aspherical (IF) Macro and the Tamron AF18-270mm F/3.5-6.3 Di-II VC LD Aspherical (IF) Macro lenses performs a similar function, but it executes it much more effectively due to its innovative breakthrough design -
PZD (Piezo Drive) piezoelectric AF motor
Piezoelectric drive replaces traveling wave energy with more efficient standing wave energy for higher AF performance with less weight and bulk. A vital contributor to compactness, PZD focuses quickly and precisely, assuring sharper results in demanding conditions with speed that captures spontaneous moments crisply—moments that might otherwise be lost to image softness. PZD is exceptionally quiet, making it ideal for nature, live performance shooting, golf and other conditions that demand quiet operation -
Low Dispersion (LD) Glass for Greater Lens Sharpness
Low dispersion (LD) glass elements in a lens help reduce chromatic aberration; the tendency of light of different colors to come to different points of focus at the image plane. Chromatic aberration reduces the sharpness of an image, but glass with an extremely lowdispersion index, has less of a tendency to separate (defract) a ray of light into a rainbow of colors. This characteristic allows the lens designer to effectively compensate for chromatic aberration at the center of the field (on axis), a particular problem at long focal lengths (the telephoto end of the zoom range), and for lateral chromatic aberration (towards the edges of the field) that often occurs at short focal lengths (the wide-angle end of the zoom range.) -
Hybrid Aspherical Elements Provide the Ultimate in Image Quality and Compactness
Tamron uses several hybrid aspherical lens elements in many lenses bearing the Aspherical designation. These innovative optics allow us to achieve the ultimate in image quality, and at the same time produce lenses that offer remarkable zoom ranges in extraordinarily compact packages. By perfecting theses cutting-edge advances for series production, Tamron has advanced the state of optical design, and virtually eliminated spherical aberration and image distortion from the high-power-zoom series.Through the effective application of Hybrid Aspherical Technology, one lens elemen tcan take the place of multiple elements without compromising performance. This is what allows us to produce remarkably compact long-range lenses that deliver a uniformly high level of image quality at all focal lengths and apertures -
Internal Focusing (IF) System
Internal focusing (IF) provides numerous practical benefits to photographers including a non-rotating front filter ring that facilitates the positioning of polarizing and graduated filters, and more predictable handling because the lens length does not change during focusing. Even more important, Tamron’s Internal Focusing (IF) system provides a much closer minimum focusing distance (MFD) throughout its entire focusing range. In addition, IF improves optical performance by minimizing illumination loss at the corners of the image field, and helps to suppress other aberrations that become more troublesome at different focusing positions -
Moisture Resistant
Moisture-resistant construction helps prevent moisture from penetrating the lens -
Zoom Lock (ZL) Feature
Another original Tamron mechanical engineering concept is the Zoom Lock (ZL), a simple convenience feature that prevents undesired extension of the lens barrel when carrying the camera/lens unit on a neck strap
Approximate Dimensions:
- Length:3.9"
Approximate Weight:
- Unit: 19 oz
- Shipping: 2 lbs
Used Tamron 16-300mm F3.5-6.3 Di II VC PZD - Nikon Mount
$ 499.97 $ 399.97
Used Tamron 16-300mm F3.5-6.3 Di II VC PZD - Nikon Mount
Tamron SKU: AFB016N-700 | Helix SKU: TRAFB016N700U
Includes: Front Cap, Rear Cap, & Lens Hood.
Condition: Excellent.
Overview
-
Expand your options with high-power zooming from 16mm wide-angle
Spanning an ultra-wide spectrum of focal lengths, the all-in-one zoom lens is a supremely versatile photographic tool. Now, Tamron sets a new standard with a revolutionary new 18.8X zoom lens for APS-C sized digital SLR cameras. This single lens covers 16mm to 300mm and provides macro focusing. It combines our latest advances in optical design - including the deployment of aspherical elements and newly developed glass - with multiple layers of coating to produce clear, sharp images while maintaining compact dimensions. Imagine the creative possibilities embodied in this latest breakthrough from the pioneer in high-power zooms! -
The world's first 18.8X zoom, plus 1:2.9 macro reproduction
Zooming from 16mm (35mm equivalent:24.8mm) to 300mm (35mm equivalent: 465mm), at its widest-angle setting this lens can shoot sweeping panoramic landscapes and intimate interiors, and as a telephoto it can capture powerful close-ups of distant subjects. Macro focusing down to 1:2.9 is also provided -
VC (Vibration Compensation)
VC (Vibration Compensation) is Tamron's proprietary image stabilization system. It employs three driving coils that electromagnetically activate a shake-compensating VC lens group. Since the VC lens elements are held in place only by three ceramic ball bearings, there is smooth movement with little friction. Even when shooting long-range or under low light, the viewfinder image remains stable and the tracking response is excellent -
PZD (Piezo Drive) for faster, quieter autofocusing
With Tamron's PZD (Piezo Drive), autofocusing is noticeably faster and quieter. You can capture crisp images spontaneously, even in noise-sensitive situations. There is enhanced support for contrast-detection AF capabilities, and focusing when in live-view mode is smoother. Full-time manual override lets you make fine focus adjustments at any time without having to switch out of autofocus mode -
Advanced optical and mechanical design technology achieve high image quality in a compact, lightweight zoom
The cutting-edge lens design consists of 16 elements in 12 groups and includes three Molded-Glass Aspherical elements, two LD (Low Dispersion) elements and UXR (Ultra-Extra Refractive Index) glass. Together, they correct optical aberrations, while state-of-the-art multi-layer coating significantly minimizes ghosting and flare to deliver images of exceptional clarity. The entire package is kept incredibly compact through the use of advanced mechanical design engineering -
Elegant new style
The rubber grips on the zoom and focus rings have a rectilinear grid pattern that adds sophistication to the design, while the signature Tamron brand ring in tungsten silver enhances its luxurious finish -
Moisture-resistant construction
Moisture-resistant construction helps prevent moisture from penetrating the lens -
Di-II lenses
Performance-engineered expressly for digital SLR cameras with image sensors commonly referred to as APS-C, measuring approximately 24mm x 16mm
Specifications
- Model: B016
- Lens Construction (Groups/Elements): 12/16
- Angle of View: 82°12' - 5°20'
- Diaphragm Blade Number: 7 (circular diaphragm)*
- Minimum Aperature: F/22 ~ F/40
- Minimum Focus Distance: 15.3in.(0.39m)
- Macro Magnification Ratio: 1:2.9 (at f=300mm; MFD 0.39m)
- Filter Diameter: ø67
- Diameter: ø75mm
- Accessory: Flower-shaped Lens hood
- Mount: Canon, Nikon, Sony A mount****
-
Technology
- Tamron Di-II lenses are engineered expressly for digital SLR cameras* with image sensors commonly referred to as APS-C, measuring approximately 24mm x 16mm. Rendering an ideal image circle for APS-C sensors, Di-II lenses are also include properties to optimize digital imaging performance
-
Tamron’s Unique State-of-the-Art In-Lens Image Stabilization System
Handheld camera shake is the leading cause of blurry and unsharp pictures. Several leading companies now make lenses with built-in optical image-stabilization systems that sense the amplitude and direction of the shake and compensate by moving optical groups within the lens. Tamron’s exclusive new Vibration Compensation (VC) system that’s built into the Tamron AF28-300mm F/3.5-6.3 XR Di VC LD Aspherical (IF) Macro and the Tamron AF18-270mm F/3.5-6.3 Di-II VC LD Aspherical (IF) Macro lenses performs a similar function, but it executes it much more effectively due to its innovative breakthrough design -
PZD (Piezo Drive) piezoelectric AF motor
Piezoelectric drive replaces traveling wave energy with more efficient standing wave energy for higher AF performance with less weight and bulk. A vital contributor to compactness, PZD focuses quickly and precisely, assuring sharper results in demanding conditions with speed that captures spontaneous moments crisply—moments that might otherwise be lost to image softness. PZD is exceptionally quiet, making it ideal for nature, live performance shooting, golf and other conditions that demand quiet operation -
Low Dispersion (LD) Glass for Greater Lens Sharpness
Low dispersion (LD) glass elements in a lens help reduce chromatic aberration; the tendency of light of different colors to come to different points of focus at the image plane. Chromatic aberration reduces the sharpness of an image, but glass with an extremely lowdispersion index, has less of a tendency to separate (defract) a ray of light into a rainbow of colors. This characteristic allows the lens designer to effectively compensate for chromatic aberration at the center of the field (on axis), a particular problem at long focal lengths (the telephoto end of the zoom range), and for lateral chromatic aberration (towards the edges of the field) that often occurs at short focal lengths (the wide-angle end of the zoom range.) -
Hybrid Aspherical Elements Provide the Ultimate in Image Quality and Compactness
Tamron uses several hybrid aspherical lens elements in many lenses bearing the Aspherical designation. These innovative optics allow us to achieve the ultimate in image quality, and at the same time produce lenses that offer remarkable zoom ranges in extraordinarily compact packages. By perfecting theses cutting-edge advances for series production, Tamron has advanced the state of optical design, and virtually eliminated spherical aberration and image distortion from the high-power-zoom series.Through the effective application of Hybrid Aspherical Technology, one lens elemen tcan take the place of multiple elements without compromising performance. This is what allows us to produce remarkably compact long-range lenses that deliver a uniformly high level of image quality at all focal lengths and apertures -
Internal Focusing (IF) System
Internal focusing (IF) provides numerous practical benefits to photographers including a non-rotating front filter ring that facilitates the positioning of polarizing and graduated filters, and more predictable handling because the lens length does not change during focusing. Even more important, Tamron’s Internal Focusing (IF) system provides a much closer minimum focusing distance (MFD) throughout its entire focusing range. In addition, IF improves optical performance by minimizing illumination loss at the corners of the image field, and helps to suppress other aberrations that become more troublesome at different focusing positions -
Moisture Resistant
Moisture-resistant construction helps prevent moisture from penetrating the lens -
Zoom Lock (ZL) Feature
Another original Tamron mechanical engineering concept is the Zoom Lock (ZL), a simple convenience feature that prevents undesired extension of the lens barrel when carrying the camera/lens unit on a neck strap
Approximate Dimensions:
- Length:3.9"
Approximate Weight:
- Unit: 19 oz
- Shipping: 2 lbs
Used Tokina 11-16mm F/2.8 AF-II Super-Wide Lens for Nikon w/motor
$ 349.97
Tokina 11-16mm F/2.8 AF-II Super-Wide Lens for Nikon w/motor - TKATXAF116DXIIN
Tokina SKU: AT-X116PRODXII | Helix SKU: TKATX116PRODXIINAFU
Includes: Original Box, Manual, Front Cap, Rear Cap & Lens Hood.
Condition: Like New.
Overview
Tokina AT-X 116 PRO DX-II is an update to the widely popular and award winning AT-X 116 PRO DX, 11-16 F2.8 lens.
The main update to this lens is in the Nikon mount, the AT-X 116 PRO DX-II has an internal silent focusing motor to allow the lens to AF on Nikon bodies that do not have an AF drive gear and motor.
There have also been some adjustments made to the coating for slightly improved optical performance.
This compact ultra wide-angle zoom has a bright constant F2.8 aperture make viewing and auto focus possible in lower light situations but still maintaining a reasonable size and weight.
Two Super-Low Dispersion glass elements and two aspheric glass allow the proprietary optical design to achieve excellent contrast and sharpness as well as controlling chromatic aberration.
Tokina’s exclusive One-touch Focus Clutch Mechanism allows the photographer to switch between AF and MF simply by snapping the focus ring forward for AF and back toward the lens mount for manual focusing. The lens is also designed to stand up to the rigors of daily use by photographers in a wide variety of shooting conditions and environments.
Other than the optical coating change there are no changes to the Canon mount. The AT-X 116 PRO DX-II for Canon uses the same AF motor and AF drive system as the the previous model.
Specifications
SPECIFICATIONS |
|
|---|---|
| Focal Length | 11 - 16mm |
| Maximum Aperture | F2.8 |
| Minimum Aperture | F22 |
| Construction E/G | 13 Elements in 11 Groups |
| Coatings | Multi-layer |
| Angle of View | 104 - 84° |
| Minimum Focus Distance | 1.0 ft (0.3 m) |
| Macro Ratio | 1:11.6 |
| Focusing Mode | Internal Focusing |
| Zoom Mode | Rotary Zoon |
| Aperture Blades | 9 |
| Filter Size | 77mm |
| Lens Width | 3.3 in (84mm) |
| Lens Length | 3.5 in (89.2mm) |
| Weight | 1.2 lbs (550g) |
| Accessories | Flower design Bayonet lens hood (BH77B) |
| Lens Hood | BH-77B |
| Mounts | Canon APS-C, Nikon APS-C, Sony Alpha APS-C |
| Notes | * The lens is designed for Digital cameras with APS-C sized CMOS and CCD sensors, not designed for cameras with Full Frame sensors. ** Please note, the Tokina AT-X 116 PRO DX lens itself is not waterproof or water resistant. |
| Warranty | 2 Year Limited Warranty |
LENS CONSTRUCTION
MTF CHART
Used Zeiss Batis 18mm f2.8 - Sony E-Mount
$ 999.97
Used Zeiss Batis 18mm f2.8 - Sony E-Mount
Zeiss SKU: 000000-2136-691 | Helix SKU: ZS2136691U
Includes: Zeiss Front Cap, Zeiss Rear Cap, & Zeiss Lens Hood.
Condition: Excellent.
Overview
Very large field angle and fast autofocus – combined with protection against dust and spray water for reliable photography in all weathers: this is the ideal full-frame lens for landscape, astro and architectural photography.
The very large field angle of this super wide-angle lens is perfect for creative shots with unusual perspectives. Consistently excellent image quality right into the corners makes the lens perfect for the challenges of, for example, landscape, astro and architectural photography.
The ZEISS Batis autofocus lenses were specially developed for mirrorless full-frame system cameras from Sony. The lenses are fully compatible with all E-mount cameras and offer not only fast, quiet autofocus, but also protection against dust and spray water. For creative photography, the innovative OLED display shows the distance and depth of field to ensure that the focusing range can always be perfectly set. The result: images that will amaze you. The completely new design of the high-speed ZEISS Batis family offers perfect image quality.
The design of the autofocus system requires an extremely accurate shifting of particular lens groups. The focusing system of ZEISS lenses is designed to ensure a robust and smooth-running autofocus mechanism with the best imaging performance.
The powerful lens for the mirrorless full-frame system of Sony fulfills the highest requirements. Despite its compact design, the image meets the expectations of professional photographers.
Richly saturated and vivid colours are a must in the creation of lasting impressions. However, stray light within an optical system leads to a lightening of the image that is particularly noticeable in the shadows. This reduces image contrast, with the result that exposures lack contrast and appear faded. To avoid this, ZEISS combines various specially developed technologies to reduce the undesirable effects of stray light.
Thanks to features that are designed to keep out dust and spray water, the lens is perfectly suited for critical outdoor conditions. It is also designed for many years of intensive use.
For the first time, you can accurately read the focus distance and depth of field simply and intuitively on the OLED display on the lens. Especially in poor light conditions – excellent readability is always guaranteed.
Originally developed for SLR cameras requiring a long back focal distance for short focal lengths because of the mirror box (the distance between the back lens element and the film plane must be considerably longer than the focal length), the Distagon lenses (retrofocus design) are also ideal for mirrorless system cameras thanks to their optimized ray path. Even with longer focal lengths, the high-performance Distagon optical design enables consistently good correction all the way to the corners of the image and very low field curvature.
Specifications
| Performance | Focal length | 18 mm |
| Aperture range | f/2.8 – f/22 | |
| Camera mount | Sony E-Mount* | |
| Format compatibility | Full Frame | |
| Focusing range | 0,25 m (9.8") – ∞ | |
| Free working distance | 0,17 m (6.7") – ∞ | |
| Angular field** (diag. | horiz. | vert.) | 99° / 90° / 67° | |
| Diameter of image field | 43 mm (1.69") | |
| Coverage at close range (MOD)** | 227 x 340 mm (8.9 x 13.4") | |
| Image ratio at minimum object distance | 1 : 9.5 | |
| Lens elements | groups | 11 / 10 | |
| Flange focal distance | 18 mm (0.71") | |
| Entrance pupil position (front of image plane) | 73 mm (2.9") | |
| Features | Autofocus | + |
| Image Stabilization | – | |
| Physical | Filter thread | M77 x 0.75 |
| Rotation angle of focusing ring | Focusing not mechanically coupled | |
| Diameter max. | 100 mm (3.9") | |
| Diameter of focusing ring | 78 mm (3.1") | |
| Length (with lens caps) | 95 mm (3.7") | |
| Length (without lens caps) | 80 mm (3.1") | |
| Weight | 330 g (0.74 lbs) |
Used Zeiss Batis 25mm f/2.0 - Sony E-Mount
$ 749.97 - Sold Out
Used Zeiss Batis 25mm f/2.0 - Sony E-Mount
Zeiss SKU: 2103-750 | Helix SKU: ZS2103750U
Includes: Original Box, User's Manual, Test Certificate, Front Cap, Rear Cap, & Lens Hood.
Condition: Like New.
Overview
Short close-focusing distance, high speed, fast autofocus, and a wide field angle for the full frame: the professional lens for exceptional perspectives in landscape, architecture, street photography and photojournalism.
The very close focusing distance of the 25 mm wide-angle lens supports the creative implementation of exceptional perspectives. An extremely uniform image quality is ensured right into the corners of the image. The lens is the perfect companion for shooting landscapes, architecture, street scenes and photojournalism.
The ZEISS Batis autofocus lenses were specially developed for mirrorless full-frame system cameras from Sony. The lenses are fully compatible with all E-mount cameras and offer not only fast, quiet autofocus, but also protection against dust and spray water. For creative photography, the innovative OLED display shows the distance and depth of field to ensure that the focusing range can always be perfectly set. The result: images that will amaze you. The completely new design of the high-speed ZEISS Batis family offers perfect image quality.
The design of the autofocus system requires an extremely accurate shifting of particular lens groups. The focusing system of ZEISS lenses is designed to ensure a robust and smooth-running autofocus mechanism with the best imaging performance.
The powerful lens for the mirrorless full-frame system of Sony fulfills the highest requirements. Despite its compact design, the image meets the expectations of professional photographers.
Richly saturated and vivid colours are a must in the creation of lasting impressions. However, stray light within an optical system leads to a lightening of the image that is particularly noticeable in the shadows. This reduces image contrast, with the result that exposures lack contrast and appear faded. To avoid this, ZEISS combines various specially developed technologies to reduce the undesirable effects of stray light.
Thanks to features that are designed to keep out dust and spray water, the lens is perfectly suited for critical outdoor conditions. It is also designed for many years of intensive use.
For the first time, you can accurately read the focus distance and depth of field simply and intuitively on the OLED display on the lens. Especially in poor light conditions – excellent readability is always guaranteed.
Originally developed for SLR cameras requiring a long back focal distance for short focal lengths because of the mirror box (the distance between the back lens element and the film plane must be considerably longer than the focal length), the Distagon lenses (retrofocus design) are also ideal for mirrorless system cameras thanks to their optimized ray path. Even with longer focal lengths, the high-performance Distagon optical design enables consistently good correction all the way to the corners of the image and very low field curvature.
Specifications
| Performance | Focal length | 25 mm |
| Aperture range | f/2 – f/22 | |
| Camera mount | Sony E-Mount* | |
| Format compatibility | Full Frame | |
| Focusing range | 0,2 m (7.9") – ∞ | |
| Free working distance | 0,13 m (5.1") – ∞ | |
| Angular field** (diag. | horiz. | vert.) | 82° / 72° / 51° | |
| Diameter of image field | 43 mm (1.69") | |
| Coverage at close range (MOD)** | 124 x 187 mm (4.9 x 7.4") | |
| Image ratio at minimum object distance | 1:5.2 | |
| Lens elements | groups | 10 / 8 | |
| Flange focal distance | 18 mm (0.71") | |
| Entrance pupil position (front of image plane) | 70 mm (2.7") | |
| Features | Autofocus | + |
| Image Stabilization | – | |
| Physical | Filter thread | M67 x 0.75 |
| Rotation angle of focusing ring | Focusing not mechanically coupled | |
| Diameter max. | 81 mm (3.2") | |
| Diameter of focusing ring | 78 mm (3.1") | |
| Length (with lens caps) | 92 mm (3.6") | |
| Length (without lens caps) | 78 mm (3.1") | |
| Weight | 335 g (0.74 lbs) |
