$ 299.00
The 20mm F/2.8 Di III OSD M1:2 (Model F050) is fast handling and packs expressive power that is the signature of fixed focal lenses. It’s the ideal first ultra wide-angle lens for any photographer. It is designed exclusively for mirrorless cameras. Light weight and compact, the Model F050 is extremely portable, ideal for situations where you need to travel light. The Model F050 is a creative tool that dynamically captures scenery by maximizing the perspective unique to ultra wide-angle lenses. The incredibly short 0.11m (4.3 in) MOD (Minimum Object Distance) makes it possible to get closer to your subjects than you’d ever imagined. In addition to the F/2.8 aperture, the Model F050 is constructed using special glass materials including LD (Low Dispersion) and GM (Glass Molded Aspherical) lens elements effectively arranged to quash aberrations. The Model F050 provides outstanding optical performance across the entire frame, and delivers a sharp image, right down to the texture of the subject. With Moisture-Resistant Construction and dirt-resistant Fluorine Coating, photographers can shoot confidently outdoors. If you can own only one ultra wide-angle, the Model F050 should be your first choice.
Model | F050 |
---|---|
Focal Length | 20mm |
Maximum Aperture | F/2.8 |
Angle of View (diagonal) |
94°30'(for full-frame mirrorless format) |
Optical Construction | 10 elements in 9 groups |
Minimum Object Distance | 0.11m (4.3 in) |
Maximum Magnification Ratio | 1:2 |
Filter Size | Φ67mm |
Maximum Diameter | Φ73mm |
Length* | 64mm (2.5 in) |
Weight | 220g (7.8 oz) |
Aperture Blades | 7 (circular diaphragm)** |
Minumum Aperture | F/22 |
Standard Accessory | Flower-shaped hood, Lens caps |
Compatible Mounts | Sony E-mount |
$ 249.00
One of the key features that makes this lens so exciting is its amazing ability to shoot close-ups. With this lens, you can get closer to an object than you’d ever imagined. At the 0.12m (4.7 in) MOD, the lens achieves its maximum magnification ratio of 1:2. You’ll never again be frustrated because you cannot get close to an object while shooting. This remarkable performance allows users to create compositions that exploit dramatic perspective (closer subjects are larger, and distant ones are smaller) and that are unique to wide-angle lenses. By getting close to an object, you can produce a one-of-a-kind photo and leverage the beautifully blurred background bokeh.
Take it with you anywhere. This lens travels as well as it performs. And because it’s matched to lightweight full-frame mirrorless cameras, your entire system becomes light, fast and nimble. It has a very compact body, weighing just 215g (7.6 oz) and an overall length of 64mm (2.5 in). It’s comfortably portable, highly maneuverable and amazingly easy to use and compose. Because the overall length does not change when focusing, you can get as close to an object as you need to without fear of accidentally bumping the front element. The lens has the same 67mm filter diameter as the other members of the series of Tamron high-speed lenses for Sony E-mount cameras. So you can swap filters (like polarizers), lens caps and other accessories for convenience. Who says great things can’t come in small packages?
Model | F051 |
---|---|
Focal Length | 24mm |
Maximum Aperture | F/2.8 |
Angle of View (diagonal) |
84°04'(for full-frame mirrorless format) |
Optical Construction | 10 elements in 9 groups |
Minimum Object Distance | 0.12m (4.7 in) |
Maximum Magnification Ratio | 1:2 |
Filter Size | Φ67mm |
Maximum Diameter | Φ73mm |
Length* | 64mm (2.5 in) |
Weight | 215g (7.6 oz) |
Aperture Blades | 7 (circular diaphragm)** |
Minumum Aperture | F/22 |
Standard Accessory | Flower-shaped hood, Lens caps |
Compatible Mounts | Sony E-mount |
$ 729.00 - Sold Out
For Full-Frame and APS-C Sony Mirrorless Cameras
All-In-One Zoom Lens for Sony E-Mount Cameras
Offers Fast aperture at Wide-angle in a Compact and Lightweight Design
The Tamron 28-200mm F2.8-5.6 is the world’s first all-in-one-zoom to achieve a maximum aperture of F2.8 at the 28mm wide-angle end. The new lens takes the convenience of an all-inone zoom and adds a fast-maximum aperture of F2.8 and remarkable image quality to enhance the potential for photographic applications. To assure superb optical performance, it features a precise arrangement of special lens elements that accommodate the increasingly high resolutions of today’s digital cameras. Enabling high quality image rendering throughout the zoom range, the lens responds to users’ photographic expressions in powerful style. With its 4.6” length, 20.3 oz. weight, and filter diameter of a mere 67mm, the 28-200mm F2.8-5.6 offers excellent portability. When combined with a compact, lightweight full-frame mirrorless camera, it allows photographers to capture virtually every scene they encounter in daily use, travel, sports and nature. Breaking conventional limitations and broadening the horizons of photographic possibilities, this zoom lens writes a new chapter in the history of the all-in-one zoom lens.
Features:
Moisture-Resistant Construction, Fluorine Coating, and Zoom Lock switch -Compatible with main camera-specific features and functions
Specifications
Model Name |
A071 |
Minimum Focus Distance |
7.5" WIDE / 31.5" TELE |
Focal Length |
28-200mm |
Max. Mag. Ratio |
1:3.1 WIDE / 1:3.8 TELE |
Format size |
Di III |
Maximum Diameter |
Ø74mm |
Maximum Aperture |
F/2.8~5.6 |
Length |
4.6" |
Minimum Aperture |
F/16~32 |
Weight |
20.3 oz. |
Diagonal Angle of View |
75°23'-12°21' (for full-frame mirrorless format) |
Diaphragm Blades |
7 (circular diaphragm) |
Lens Construction |
18 elements, 14 groups |
Standard Accessory |
Flower-shaped hood and caps |
Filter Diameter |
Ø67 |
Compatible Mount |
Sony FE |
$ 899.00 - Sold Out
Spectacular optical performance that inspires creativity
With the goal of producing outstanding high image quality befitting a new fast-aperture zoom lens, TAMRON redesigned the optical design in the new 28-75mm F2.8 G2 from scratch. The optical construction of the Model A063 deploys 17 elements in 15 groups. To minimize optical aberrations to an extreme degree, two LD (Low Dispersion) and GM (Glass Molded Aspherical) lens elements are used in an optimal arrangement. The lens demonstrates high resolving power to the edges of the frame at all focal lengths, while also offering the soft and beautiful bokeh that is distinctive to fast-aperture lenses. The image quality shows marked improvements over the 1st-generation Model A036. The 28-75mm F2.8 G2 retains the same light weight and compact size while achieving significant improvements to resolution and overall performance across the entire zoom range. The new standard zoom is ideal for a wide range of photographic genres from street photography and portraiture to landscapes and general family events like vacations and holidays.
The AF drive system is equipped with VXD linear motor focus mechanism. VXD is exceptionally responsive and operates at high speed with great precision. The AF speed marks approximately twice1 as fast as the 1st-generation Model A036. With reliable, speedy focusing from the MOD to infinity and extremely good focus tracking, you are ready for those important moments even when photographing fast-moving subjects. Moreover, the AF drive motor is very quiet, making it ideal for still photography and videography when shooting in conditions where near-silence is required.
1 Compared to RXD (Rapid eXtra-silent stepping Drive) used in Model A036
Close focusing has also been improved. The MOD of the 28-75mm F2.8 G2 is 0.18m (7.1 in) at the wide 28mm end, an improvement over the 1st-generation Model A036. This allows photographers to capture powerful shots that emphasize the perspective effects unique to wide-angle photography when shooting close-ups. The working distance becomes about 4.4cm (1.7 in) at the MOD. The maximum magnification ratio is 1:2.7. Get closer to any subject and enjoy the world of wide macro photography. In addition, at the telephoto end the MOD is 0.38m (15 in). The magnification ratio when using the longer 75mm focal length is 1:4.1, enabling close-up shooting with greater working distance.
The 2nd-generation Model A063 incorporates the new ‘TAMRON Lens Utility’ software originally and uniquely developed by TAMRON. TAMRON Lens Utility can be operated using a computer by connecting the lens from its Connector Port via the optional TAMRON Connection Cable2. Users can customize the functions and update the firmware through the lens. The personal customization gives flexible shooting options to match the shooting situation such as still photography or videography.
2 TAMRON Connection Cable (USB Type-A to Type-C) sold separately.
TAMRON Lens Utility >
The all-new 28-75mm F2.8 G2 incorporates a new design that becomes the hallmark of TAMRON lenses introduced in the future. In constant pursuit of improving products in every way possible, TAMRON considered customer feedback and reviewed each part and component of the lens down to the finest details. As a result, TAMRON has enhanced both the operation and tactile presentation of the lens.
Model | A063 |
---|---|
Focal Length | 28-75mm |
Maximum Aperture | F2.8 |
Angle of View (diagonal) |
75°23'- 32°11' (for full-frame mirrorless format) |
Optical Construction | 17 elements in 15 groups |
Minimum Object Distance | 0.18m (7.1 in) (WIDE) / 0.38m (15 in) (TELE) |
Maximum Magnification Ratio | 1:2.7 (WIDE) / 1:4.1 (TELE) |
Filter Size | φ67mm |
Maximum Diameter | φ75.8mm |
Length* | 117.6mm (4.6 in) |
Weight | 540g (19 oz) |
Aperture Blades | 9 (circular diaphragm)** |
Minumum Aperture | F22 |
Standard Accessory | Flower-shaped hood, Lens caps |
Mount | Sony E-mount |
* Length is the distance from the front tip of the lens to the lens mount face.
** The circular diaphragm stays almost perfectly circular up to two stops down from maximum aperture.
Specifications, appearance, functionality, etc. are subject to change without prior notice.
This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.
Release Date
October 28th, 2021
$ 1,699.00 - Sold Out
Tamron SKU: AFA058S700 | Helix SKU: TRAFA058S700
Versatile zoom range and breathtaking image quality
The world's first1 F2 all-in-one full-frame mirrorless travel zoom lens
From expansive scenery to magnificent cityscapes—you can capture it all. We created a fast-aperture zoom lens ideal for the creation of art while traveling to take photos. The 35-150mm F/2-2.8 Di III VXD (Model A058) is a high resolution travel zoom lens that covers everything from the 35mm wide angle to the 150mm telephoto focal length, the first zoom lens achieving an aperture of F2 at the wide angle in a Sony full-frame mirrorless lens. This versatile all-in-one zoom enables photography of beautiful natural scenery, urban landscapes, impressive buildings, restaurant interiors, city night views and more while traveling, without having to change lenses—or changing your distance from the subject when composing. It has a groundbreaking fast-aperture and utilizes the linear motor focus mechanism VXD (Voice-coil eXtreme-torque Drive), thereby achieving high speed, high precision autofocusing. The innovative lens design enabled us to greatly improve the lens's grip and functionality and includes a Connector Port on the lens barrel. The port enables users to apply the TAMRON Lens Utility™, developed in-house, to easily customize functions and to update firmware. The 35-150mm F2-2.8 allows photographers to shoot at the common focal lengths frequently used when creating art while traveling, from the wide angle to normal, semi-telephoto, and telephoto—and anything in between. This empowers you to clearly capture the scenes as you envision them with its overwhelming resolving power and amazing flexibility. If you're looking to get your hands on the powerful 35-150mm A058, head to one of our authorized Tamron dealers today!
The 35-150mm F2-2.8 features an optimal combination of four LD (Low Dispersion) lens elements that subdue aberrations, and three extraordinary GM (Glass Molded Aspherical) lens elements. Together they assure high optical performance that enhances your ability to capture all the incredible scenery you encounter while traveling. TAMRON has achieved a maximum aperture of F2 at the wide-angle end and F2.8 at the telephoto end, enabling you to achieve beautiful, soft bokeh across the entire zoom range. The lens also makes it possible to capture subjects clearly in more situations. The lens's fast maximum aperture helps you control camera movement by permitting a higher shutter speed, or when trying to reduce noise by choosing a low ISO. Even when used with the latest mirrorless cameras that require high resolution performance, images are sharp edge-to-edge and from center to every corner, across the entire frame of the photo.
This zoom lens covers everything from the 35mm wide angle to 150mm telephoto, including all the commonly used focal lengths, so it’s very handy for travel because it can replace several single lenses. Seamlessly take photos without switching lenses in various situations. Change to an 85mm semi-telephoto angle of view, focus on a faraway subject at 150mm, and make full use of the 35mm and 50mm focal lengths. Change composition without changing your distance from the subject. You can use just this one lens to capture a wide range of photos while traveling, from landscapes to snapshots and portraits. Our design goal was portability and compact design while achieving a spectacular specification of F2-2.8 with a 4.3x zoom ratio.
The autofocus drive employs the VXD linear motor focus mechanism. You can easily achieve focus from the MOD (Minimum Object Distance) to infinity, even at the maximum F2 aperture, thanks to the speed and precision of this highly accurate autofocus system. Focus tracking is also extremely precise so you can capture sudden movements by your subject. The linear motor also suppresses drive noise and vibrations during focusing, making it ideal for shooting both still photos and video in environments that demand quietness.
The Model A058 incorporates the new ‘TAMRON Lens Utility’ software originally and uniquely developed by TAMRON. TAMRON Lens Utility can be operated using a computer by connecting the lens from its Connector Port via the optional TAMRON Connection Cable2. Users can customize the functions and update the firmware through the lens. The personal customization gives flexible shooting options to match the shooting situation such as still photography or videography.
2 TAMRON Connection Cable (USB Type A to Type C) sold separately.
The new 35-150mm F2-2.8 boasts the ability to take closeup photographs extremely close to the subject. At the 35mm wide-angle end, the MOD is 0.33m (13 in), achieving a maximum magnification ratio of 1:5.7. To further accentuate the subject and separate it visually from its surroundings you can create a greatly blurred background using the large F2-2.8 maximum aperture. You can also take unique and impressive photos, including overhead shots of food and close-ups of parts of small objects, flowers, or other subject details.
The Model A058 incorporates a new design that becomes the hallmark of TAMRON lenses introduced in the future. In constant pursuit of improving products in every way possible, TAMRON considered customer feedback and reviewed each part and component of the lens down to the finest details. As a result, TAMRON has enhanced both the operation and tactile presentation of the lens.
・Fast Hybrid AF
・Eye AF
・Direct Manual Focus (DMF)
・ In-camera lens correction (shading, chromatic aberration, distortion)
* Features vary by camera. Please consult your camera’s instruction manual for details.
* As of August, 2021
Model | A058 |
---|---|
Focal Length | 35-150mm |
Maximum Aperture | F2-2.8 |
Angle of View (diagonal) |
63°26'- 16°25' (for full-frame mirrorless format) |
Optical Construction | 21 elements in 15 groups |
Minimum Object Distance |
0.33m (13 in) (WIDE) / 0.85m (33.5 in) (TELE) |
Maximum Magnification Ratio |
1:5.7 (WIDE) / 1:5.9 (TELE) |
Filter Size | φ82mm |
Maximum Diameter | φ89.2mm |
Length* | 158mm (6.2 in) |
Weight | 1,165g (41.1 oz) |
Aperture Blades | 9 (circular diaphragm)** |
Minumum Aperture | F16-22 |
Standard Accessory | Flower-shaped hood, Lens caps |
Mount | Sony E-mount |
$ 249.00
Versatile F/2.8 wide-angle for everyday use for Sony E-mount full-frame mirrorless cameras
The 35mm F/2.8 Di III OSD M1:2 (Model F053) is a wide-angle, fixed focal lens suitable for just about every shooting situation. The 35mm focal length is wide angle-of-view, but natural perspective and field-of-view for instinctive image capture. The lens is great for many different types of photography, including portraits with context, food photography, and nature. Very light in weight and compact, it hardly adds anything to the heft to your bag, so you can carry it comfortably every day. Focusing as close as 0.15m (5.9 in), you can fill the frame with even small subjects. In addition to the F/2.8 aperture, the Model F053 is constructed using special glass materials including LD (Low Dispersion) and GM (Glass Molded Aspherical) lens elements effectively arranged to quash aberrations. The Model F053 provides outstanding optical performance across the entire frame, and delivers a sharp image, right down to the texture of the subject. With Moisture-Resistant Construction and dirt-resistant Fluorine Coating, photographers can shoot confidently outdoors. You will discover beauty that you have never experienced before. This lens may lead you to new discoveries.
One of the key features that makes this lens so exciting is its amazing ability to shoot close-ups. With this lens, you can get closer to an object than you’d ever imagined. At the 0.15m (5.9 in) MOD (Minimum Object Distance), the lens achieves its maximum magnification ratio of 1:2. You’ll never again be frustrated because you cannot get close to an object while shooting. This remarkable performance allows users to create compositions that exploit dramatic perspective (closer subjects are larger, and distant ones are smaller) and that are unique to wide-angle lenses. By getting close to an object, you can produce a one-of-a-kind photo and leverage the beautifully blurred background bokeh.
Model | F053 |
---|---|
Focal Length | 35mm |
Maximum Aperture | F/2.8 |
Angle of View (diagonal) |
63°26'(for full-frame mirrorless format) |
Optical Construction | 9 elements in 8 groups |
Minimum Object Distance | 0.15m (5.9 in) |
Maximum Magnification Ratio | 1:2 |
Filter Size | Φ67mm |
Maximum Diameter | Φ73mm |
Length* | 64mm (2.5 in) |
Weight | 210g (7.4 oz) |
Aperture Blades | 7 (circular diaphragm)** |
Minumum Aperture | F/22 |
Standard Accessory | Cap-type hood***, Lens caps |
Compatible Mounts | Sony E-mount |
$ 1,199.00
Tamron SKU: AFA056S-700 | Helix SKU: TRAFA056S700
$ 399.00
Tamron SKU: AFA047S-700 | Helix SKU: TRAFA047S700
The 70-300mm F/4.5-6.3 Di III RXD (Model A047) for Sony full-frame E-mount mirrorless cameras is a telephoto zoom lens designed and created so photographers of all skill levels can enjoy high quality images comfortably. Tamron’s new 70-300mm F4.5-6.3 covers a broad telephoto zoom range yet is the world's smallest size and lightest weight, coming in at 148mm (5.8 in) long with a maximum diameter of 77mm, and weighing just 545g (19.2 oz). With special emphasis on resolving power, Tamron has deployed special lens elements appropriately arranged to correct chromatic aberration, generally very strong in a telephoto lens, as well as other aberrations. Users can enjoy high-resolution images combined with the stunning bokeh qualities that are achievable only with a telephoto lens. The lens also incorporates the RXD (Rapid eXtra-silent stepping Drive) stepping motor unit, a high-speed precision AF drive system that is remarkably quiet. Tamron's Moisture-Resistant Construction provides extra protection, while various features that are built into Sony mirrorless cameras, including "Eye AF," are supported. The 70-300mm F4.5-6.3 is a versatile lens for photographing landscapes, sports and other action, pets and wildlife and more. The lens also demonstrates its potential for portrait shooting, casual snapshots and scenarios that require you to be mobile and shoot handheld, like sporting events. The apparent image compression and the close-up effects characteristic of telephoto lenses naturally amplify photographic expression. Zooming in on distant objects and making them appear closer is one of the joys of telephoto shooting. This zoom lens provides an entryway into that new world.
To make the 300mm telephoto focal length more fun and accessible, Tamron focused intently on designing a telephoto zoom lens that’s both small and lightweight. Turning the conventional concept of a telephoto lens on its head, the 70-300mm F4.5-6.3 is only 148mm (5.8 in) in length with a maximum diameter of 77mm and a weight of just 545g (19.2 oz). This gives users the freedom to concentrate fully on shooting without worrying about lens size or weight. In addition to those wishing to pursue real telephoto shooting for the first time, the lens is also recommended for people who use cameras that have built-in image stabilization because they can leave the tripod at home. Of special significance, when paired with the APS-C sized E-mount Sony cameras, this zoom adds additional telephoto reach and still remains comfortable to handle. Users can enjoy shooting with even higher power telephoto effects at a maximum equivalent focal length of approximately 450mm 2.
2 For APS-C mirrorless format: 105-450mm equivalent field-of-view
The 70-300mm F4.5-6.3 zoom’s optical design was refined via thorough simulations utilizing the latest technologies. With high priority on reduced size and weight, Tamron selected the aperture of F6.3 for the telephoto end to achieve a slim lens barrel and outstanding lightness. Taking the weight savings even further, we used a specially treated, high-strength aluminum-magnesium alloy3, the first time Tamron has used this material in the mount components of a lens for full-frame mirrorless cameras. The new design maintains excellent strength while successfully reducing weight to around 68% of previous mounts. The lens is made up of 15 elements in 10 groups with an appropriate arrangement of LD (Low Dispersion) lens elements. Eliminating waste to the extreme degree, Tamron reduced weight while still achieving very high image quality in the 70-300mm F4.5-6.3. Aberrations such as axial chromatic aberration (which tends to occur in telephoto lens designs) have been well corrected. The 300mm end, which receives particularly frequent use in a telephoto zoom, provides excellent high-resolution performance from the center of the image all the way to the corners. Stunning bokeh (intentional background blur qualities) are another remarkable feature of this new lens. Subjects are accentuated against the beautifully soft bokeh effects in the background. To suppress ghosting and flare, the lens uses Tamron's BBAR (Broad-Brand Anti-Reflection) Coating, which is renowned for its anti-reflection performance. In addition, the actuation of the lens correction features built into Sony cameras lets users enjoy enhanced performance and functions.
3 High-strength aluminum-magnesium alloy: An alloy mainly comprised of aluminum with a high magnesium content.
The AF drive on the 70-300mm F4.5-6.3 includes an RXD motor unit to help you stay focused on the action. RXD uses an actuator to precisely control the rotational angle of the motor, allowing it to directly drive the focusing lens without passing through a reduction gear. A sensor that precisely detects the position of the lens enables high-speed and accurate AF, which is ideal when shooting continually moving subjects or recording video. And with a focusing system that is both smooth and quiet, the 70-300mm F4.5-6.3 lets you shoot free from stress not worrying the drive sound in a quiet environment.
Tamron’s new 70-300mm F4.5-6.3 zoom is compatible with many of the advanced features that are specific to mirrorless cameras. This includes:
- Fast Hybrid AF
- Eye AF
- Direct Manual Focus (DMF)
- In-camera lens correction (shading, chromatic aberration, distortion)
- Camera-based lens unit firmware updates
Model | A047 |
---|---|
Focal Length | 70-300mm |
Maximum Aperture | F4.5-6.3 |
Angle of View (diagonal) |
34°21'-8°15' (for full-frame mirrorless format) |
Optical Construction | 15 elements in 10 groups |
Minimum Object Distance | 0.8m (31.5 in) (WIDE) / 1.5m (59.1 in) (TELE) |
Maximum Magnification Ratio | 1:9.4 (WIDE) / 1:5.1 (TELE) |
Filter Size | φ67mm |
Maximum Diameter | φ77mm |
Length* | 148mm (5.8 in) |
Weight | 545g (19.2 oz) |
Aperture Blades | 7 (circular diaphragm)** |
Minumum Aperture | F22-32 |
Standard Accessory | Round-shaped hood, Lens caps |
Compatible Mounts | Sony E-mount |
* Length is the distance from the front tip of the lens to the lens mount face.
** The circular diaphragm stays almost perfectly circular up to two stops down from maximum aperture.
Specifications, appearance, functionality, etc. are subject to change without prior notice.
This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.
$ 1,699.00 $ 1,529.00
Zeiss SKU: 2136-695 | Helix SKU: ZS2136695
Long focal length, fast autofocus, optical image stabilization. Thanks to the outstanding correction of all chromatic aberrations, the ZEISS Batis 2.8/135 is a high-performance telephoto lens with an Apo Sonnar design. The lens is the optimum solution for medium-distance portrait photography.
The advanced correction of the Apo Sonnar lens design ensures extremely realistic portrayal of your subject. To avoid shaking, an optical image stabilizer has also been integrated in the design. The fast and precise autofocus is your guarantee of sharply defined images - even in difficult light. The shallow depth of field at maximum aperture allows the creative combination of focus and blur, allowing you to direct the viewer's attention to the main subject of your photo.
The ZEISS Batis autofocus lenses were specially developed for mirrorless, full-frame system cameras from Sony. The lenses are fully compatible with all E-mount cameras and offer protection against dust and weather in addition to fast and quiet autofocus. For creative photography, the innovative OLED display shows the distance and depth of field to ensure that the focusing range can always be perfectly set. The result: images that will amaze you. The completely new design of the high-speed ZEISS Batis family offers perfect image quality.
A lens with relatively few glass-air surfaces, it was developed by Dr. Ludwig Bertele at ZEISS in 1930. At the time it was one of the fastest high-speed lenses for 35 mm photography, with apertures as large as 1:1.5 and high contrast thanks to effective stray light reduction. Its high speed and high contrast helped give the lens its name, which is derived from the word “sun,” the symbol of maximum brightness. You continue to find the aforementioned benefits with modern lenses in the normal and telephoto ranges whose optical design is based on this basic type.
Performance | Focal length | 135 mm |
Aperture range | f/2.8 – f/22 | |
Camera mount | Sony E-Mount* | |
Format compatibility | Full Frame | |
Focusing range | 0,87 m (2.9 ft) – ∞ | |
Free working distance | 0,74 m (2.4 ft) – ∞ | |
Angular field** (diag. | horiz. | vert.) | 18° / 15° / 10° | |
Diameter of image field | 43 mm (1.69") | |
Coverage at close range (MOD)** | 125 x 185 mm (4.9 x 7.3") | |
Image ratio at minimum object distance | 1:5.3 | |
Lens elements | groups | 14 / 11 | |
Flange focal distance | 18 mm (0.71") | |
Entrance pupil position (front of image plane) | ||
Features | Autofocus | + |
Image Stabilization | + | |
Physical | Filter thread | M67 x 0.75 |
Rotation angle of focusing ring | Focusing not mechanically coupled | |
Diameter max. | 98 mm (3.9") | |
Diameter of focusing ring | 81 mm (3.2") | |
Length (with lens caps) | 133 mm (5.2") | |
Length (without lens caps) | 120 mm (4.7") | |
Weight | 614 g (1.4 lbs) |
$ 1,299.00 $ 1,169.00
Zeiss SKU: 000000-2103-750 | Helix SKU: ZS2103750
Short close-focusing distance, high speed, fast autofocus, and a wide field angle for the full frame: the professional lens for exceptional perspectives in landscape, architecture, street photography and photojournalism.
The very close focusing distance of the 25 mm wide-angle lens supports the creative implementation of exceptional perspectives. An extremely uniform image quality is ensured right into the corners of the image. The lens is the perfect companion for shooting landscapes, architecture, street scenes and photojournalism.
The ZEISS Batis autofocus lenses were specially developed for mirrorless full-frame system cameras from Sony. The lenses are fully compatible with all E-mount cameras and offer not only fast, quiet autofocus, but also protection against dust and spray water. For creative photography, the innovative OLED display shows the distance and depth of field to ensure that the focusing range can always be perfectly set. The result: images that will amaze you. The completely new design of the high-speed ZEISS Batis family offers perfect image quality.
The design of the autofocus system requires an extremely accurate shifting of particular lens groups. The focusing system of ZEISS lenses is designed to ensure a robust and smooth-running autofocus mechanism with the best imaging performance.
The powerful lens for the mirrorless full-frame system of Sony fulfills the highest requirements. Despite its compact design, the image meets the expectations of professional photographers.
Richly saturated and vivid colours are a must in the creation of lasting impressions. However, stray light within an optical system leads to a lightening of the image that is particularly noticeable in the shadows. This reduces image contrast, with the result that exposures lack contrast and appear faded. To avoid this, ZEISS combines various specially developed technologies to reduce the undesirable effects of stray light.
Thanks to features that are designed to keep out dust and spray water, the lens is perfectly suited for critical outdoor conditions. It is also designed for many years of intensive use.
For the first time, you can accurately read the focus distance and depth of field simply and intuitively on the OLED display on the lens. Especially in poor light conditions – excellent readability is always guaranteed.
Originally developed for SLR cameras requiring a long back focal distance for short focal lengths because of the mirror box (the distance between the back lens element and the film plane must be considerably longer than the focal length), the Distagon lenses (retrofocus design) are also ideal for mirrorless system cameras thanks to their optimized ray path. Even with longer focal lengths, the high-performance Distagon optical design enables consistently good correction all the way to the corners of the image and very low field curvature.
Performance | Focal length | 25 mm |
Aperture range | f/2 – f/22 | |
Camera mount | Sony E-Mount* | |
Format compatibility | Full Frame | |
Focusing range | 0,2 m (7.9") – ∞ | |
Free working distance | 0,13 m (5.1") – ∞ | |
Angular field** (diag. | horiz. | vert.) | 82° / 72° / 51° | |
Diameter of image field | 43 mm (1.69") | |
Coverage at close range (MOD)** | 124 x 187 mm (4.9 x 7.4") | |
Image ratio at minimum object distance | 1:5.2 | |
Lens elements | groups | 10 / 8 | |
Flange focal distance | 18 mm (0.71") | |
Entrance pupil position (front of image plane) | 70 mm (2.7") | |
Features | Autofocus | + |
Image Stabilization | – | |
Physical | Filter thread | M67 x 0.75 |
Rotation angle of focusing ring | Focusing not mechanically coupled | |
Diameter max. | 81 mm (3.2") | |
Diameter of focusing ring | 78 mm (3.1") | |
Length (with lens caps) | 92 mm (3.6") | |
Length (without lens caps) | 78 mm (3.1") | |
Weight | 335 g (0.74 lbs) |
$ 1,399.00
Zeiss SKU: 2162-636 | Helix SKU: ZS2162636
Portable, inconspicuous, powerful – fitting ways to describe the ZEISS Loxia 2.4/85 telephoto lens. The completely reworked optical design has been specially developed using seven lens elements for the high-resolution, full-frame sensors of the mirrorless Sony α series. The Loxia 2.4/85 supplements the focal lengths of the ZEISS Loxia product family in the short telephoto lens segment.
Despite its compactness the handy ZEISS Loxia® 2.4/85, a moderate telephoto lens offers outstanding image performance – across the entire image field of a full-frame sensor. Be it for a portrait or a street or landscape shot, this inconspicuous lens is great for helping you master these photographic disciplines.
ZEISS Loxia lenses were specifically designed for Sony α7 cameras. This means that they can make the most of the mirrorless, full frame system, while giving you all the creative possibilities of ‚classic’ photography with manual focus at the same time.
And that’s not all: ZEISS Loxia lenses also provide everything you need to shoot high quality video, such as the unique DeClick feature for smooth adjustment of the aperture, for example.
$ 1,299.00
Zeiss SKU: 000000-2103-749 | Helix SKU: ZS2103749
Light, unassuming and reserved. The moderate wide angle and the creative possibilities of manual focus make the ZEISS Loxia 2/35 a perfect storyteller.
The ZEISS Loxia® 2/35 offers an extended field of view. This makes it the first choice for showing a subject in their environment or establishing connections between people. Like in reportage or street photography, for example. That’s what makes it the most important focal length for the genre in compact 35mm cameras. At the same time, the small size and weight of this camera system allows for a great deal of independence and discretion when it comes to photographing your subjects. And precise, manual focus gives you all the creative possibilities you need to tell the story in your own personal way.
ZEISS Loxia lenses were specifically designed for Sony α7 cameras. This means that they can make the most of the mirrorless, full frame system, while giving you all the creative possibilities of ‘classic’ photography with manual focus at the same time.
And that’s not all: ZEISS Loxia lenses also provide everything you need to shoot high quality video, such as the unique DeClick feature for smooth adjustment of the aperture, for example.
One completely new feature of the Loxia lens is that you can ‘declick’ the aperture’s locking mechanism using a tool (supplied) and an adjustment screw on the bayonet surface. This means that for video applications, you can smoothly eliminate any unwanted differences in brightness as you pan the camera. This feature can also be used with other video systems whose size makes them suitable for adaption.
Manually focusing a lens means controlling the image result from your fingertips. A good ergonomic design makes all the difference. ZEISS lenses stand out with their large rotation angle which enables precise focusing. Changes are immediately visible in the viewfinder. The high-quality focusing mechanism moves smoothly without play, thus also supporting the intuitive interaction with the focal plane. The precise engraving in meter and feet, and the depth of focus scale provide additional support for manually focusing.
Dramatic perspectives and a view from extraordinary image angles – ZEISS lenses open up new composition possibilities. Distortion would disrupt the composition because straight lines, whose image does not go through the image center, would be reproduced with a curved shape. This annoying effect is accordingly and largely compensated through elaborate optical designs at all focal lengths.
Tangible quality that holds its value is what qualifies ZEISS lenses for decades of hard use. A precision-engineered full-metal casing, grippy focus and aperture rings made of metal, and a tough front bayonet and filter screw guarantee stunning photographic results. A special sealing ring on the bayonet also protects the interface between the camera and the lens.
The ZEISS Loxia lenses are suitable for use with the mirrorless Sony Alpha cameras with E-mount and were optimized for sensors up to full 35 mm format (24 x 36 mm). With the ZEISS Loxia lenses, the aperture is controlled manually. This allowed the integration of the so-called DeClick feature of the mechanical aperture ring. The cameras feature the corresponding automatic exposure control (A) and manual exposure control (M).
A lens with such a large field angle that it can capture as much of the photographer's surroundings as possible in a single shot – this is the origin of the name Biogon®. The largely symmetrical Biogon optical design enables the use of very compact, moderate to extremely wide-angle lenses, including with rangefinder and mirrorless system cameras. The lenses feature exceptionally good distortion correction, chromatic properties and image field flattening.
Performance | Focal length | 35 mm |
Aperture range | f/2.0 – f/22 | |
Camera mount | Sony E-Mount* | |
Format compatibility | Full Frame | |
Focusing range | 0,30 m (11.81") - ∞ | |
Free working distance | 0,23 m (9.06") - ∞ | |
Angular field** (diag. | horiz. | vert.) | 63° / 54° / 38° | |
Diameter of image field | 43 mm (1.69") | |
Coverage at close range (MOD)** | 210 x 139 mm (8.28 x 5.49") | |
Image ratio at minimum object distance | 1 : 5.8 | |
Lens elements | groups | 9 / 6 | |
Flange focal distance | 18 mm (0.71") | |
Entrance pupil position (front of image plane) | 52 mm (2.03") | |
Features | Autofocus | – |
Image Stabilization | – | |
Physical | Filter thread | M52 x 0.75 |
Rotation angle of focusing ring | 180° | |
Diameter max. | 62 mm (2.44") | |
Diameter of focusing ring | 62 mm (2.44") | |
Length (with lens caps) | 66 mm (2.60") | |
Length (without lens caps) | 59 mm (2.33") | |
Weight | 340 g (0.75 lbs) |
$ 949.00
Zeiss SKU: 000000-2103-748 | Helix SKU: ZS2103748
Our compact standard lens for full frame Sony α7 cameras. Revel in the exceptional feel of precise manual focus, giving you unparalleled creative freedom at your fingertips.
A 50mm lens was legendary photographer Cartier Bresson’s favourite. The reason is simple: this focal length provides the equivalent field of view of the human eye on a 35mm camera, which makes for a very natural perspective. Compact, light and extremely flexible, the ZEISS Loxia® 2/50 shines in the most varied of applications. Regardless of whether it’s for street photography, landscapes, portraits or spontaneous discoveries, the ZEISS Loxia 2/50 is the ideal companion for photographic and filmic exploration.
ZEISS Loxia lenses were specifically designed for Sony α7 cameras. This means that they can make the most of the mirrorless, full frame system, while giving you all the creative possibilities of ‚classic’ photography with manual focus at the same time.
And that’s not all: ZEISS Loxia lenses also provide everything you need to shoot high quality video, such as the unique DeClick feature for smooth adjustment of the aperture, for example.
One completely new feature of the Loxia lens is that you can ‘declick’ the aperture’s locking mechanism using a tool (supplied) and an adjustment screw on the bayonet surface. This means that for video applications, you can smoothly eliminate any unwanted differences in brightness as you pan the camera. This feature can also be used with other video systems whose size makes them suitable for adaption.
Manually focusing a lens means controlling the image result from your fingertips. A good ergonomic design makes all the difference. ZEISS lenses stand out with their large rotation angle which enables precise focusing. Changes are immediately visible in the viewfinder. The high-quality focusing mechanism moves smoothly without play, thus also supporting the intuitive interaction with the focal plane. The precise engraving in meter and feet, and the depth of focus scale provide additional support for manually focusing.
Dramatic perspectives and a view from extraordinary image angles – ZEISS lenses open up new composition possibilities. Distortion would disrupt the composition because straight lines, whose image does not go through the image center, would be reproduced with a curved shape. This annoying effect is accordingly and largely compensated through elaborate optical designs at all focal lengths.
Tangible quality that holds its value is what qualifies ZEISS lenses for decades of hard use. A precision-engineered full-metal casing, grippy focus and aperture rings made of metal, and a tough front bayonet and filter screw guarantee stunning photographic results. A special sealing ring on the bayonet also protects the interface between the camera and the lens.
The ZEISS Loxia lenses are suitable for use with the mirrorless Sony Alpha cameras with E-mount and were optimized for sensors up to full 35 mm format (24 x 36 mm). With the ZEISS Loxia lenses, the aperture is controlled manually. This allowed the integration of the so-called DeClick feature of the mechanical aperture ring. The cameras feature the corresponding automatic exposure control (A) and manual exposure control (M).
The Planar lens design is the most successful – and most frequently copied – camera lens design of all time. Modifications to the tried-and-tested six-lens basic type ensure that it achieves the high imaging quality required by modern sensors. Lenses with a Planar optical design enable consistent performance across a large range of image scales – the key requirement for universal macro-lenses.
Performance | Focal length | 50 mm |
Aperture range | f/2.0 – f/22 | |
Camera mount | Sony E-Mount* | |
Format compatibility | Full Frame | |
Focusing range | 0,45 m (17.72") - ∞ | |
Free working distance | 0,37 m (14.57") - ∞ | |
Angular field** (diag. | horiz. | vert.) | 47° / 39° / 27° | |
Diameter of image field | 43 mm (1.69") | |
Coverage at close range (MOD)** | 255 x 168 mm (10.04 x 6.63") | |
Image ratio at minimum object distance | 1 : 6.9 | |
Lens elements | groups | 6 / 4 | |
Flange focal distance | 18 mm (0.71") | |
Entrance pupil position (front of image plane) | 49 mm (1.91") | |
Features | Autofocus | – |
Image Stabilization | – | |
Physical | Filter thread | M52 x 0.75 |
Rotation angle of focusing ring | 180° | |
Diameter max. | 62 mm (2.44") | |
Diameter of focusing ring | 62 mm (2.44") | |
Length (with lens caps) | 66 mm (2.60") | |
Length (without lens caps) | 59 mm (2.33") | |
Weight | 320 g (0.71lbs) |
$ 720.00 $ 648.00
ZEISS SKU: 2030-678 | Helix SKU: ZS2030678
A compact standard focal length with autofocus, especially designed and constructed for compact APS-C cameras of the Sony Alpha series with E-Mount and Fujifilm X series. A lens that makes it so easy to spontaneously capture your special moments and preserve them in perfect pictures.
The best of two worlds. Just like a 50 mm lens in 35 mm photography, the ZEISS Touit® 1.8/32 offers the same angle of view as the human eye. However, optimised for use with APS-C format sensors, it is simultaneously a lens that is so light and compact that it can be taken along simply anywhere and everywhere you go. Whether you are shooting portraits, landscapes or spontaneous snapshots, you will never cease to be amazed by what a ZEISS Touit 1.8/32 can tease out of your camera. It is quite simply the ideal companion for capturing perspectives and colour- and lighting moods in perfect pictures.
$ 999.00 $ 899.00
ZEISS SKU: 2030-526 | Helix SKU: ZS2030526
Thanks to the combination of one of the widest fields of view in APS-C format photography with fantastic imaging performance and light weight, this lens makes wide-angle photography even more fascinating.
With an angle of view of 99 degrees, the ZEISS Touit® 2.8/12 wide-angle lens will soon become a firm favourite, particularly for landscapes and architectural photography. Its unique ZEISS T*® multicoating guarantees maximum transmission and outstanding absorption of extraneous light. The result: breathtaking image quality from edge to edge and corner to corner of the entire image field. What’s more, all moving parts of the ZEISS Touit 2.8/12, conceived specifically for APS-C cameras of the Sony Alpha series with E-Mount and Fujifilm X Series, are engineered for extreme precision and a long service life. And finally, its strong and rigid metal bayonet mount makes it an absolutely dependable companion for many years to come.
$ 999.00 $ 899.00
ZEISS SKU: 2030-680 | Helix SKU: ZS2030680
With its exceptional image performance up to a scale of 1:1, this macro lens is the ideal choice for extreme close ups. But it also comes into its own when shooting portraits or panoramas as a light tele-lens.
The delicate structure of a petal, the tiny hairs on a cat’s fur or the seductive lines at the corner of the eyes – whenever a shot is all about the minute details, the ZEISS Touit® 2.8/50M will delight and inspire. It not only allows you to portray objects in their original size, but also provides for beautiful contrast between the pin sharp focus of the image and the softly sketched background thanks to its aperture of 2.8.
The design of the autofocus system demands an extremely precise movement of certain lens elements. As the mass of the elements or groups to be moved within the optical system differs, various motor types may be installed. The focusing system of the Touit lenses is designed to guarantee robust and smooth autofocusing without any need for compromises or limitations in their optical design.
Information: To achieve maximum compatibility on APS-C cameras of the Sony Alpha series with E-Mount (AF in video mode) we highly recommend using the latest Sony firmware.
The ZEISS Touit 2.8/50M lets you capture the smallest things and the tiniest details at their actual size. At its closest focusing distance, subjects sized 15x23 mm fill the frame with an impressive maximum reproduction ratio of 1:1. The imaging performance of the ZEISS Touit 2.8/50M is just as exceptional at such short distances as it is at medium and long distances. Minimum distortion, outstanding correction of chromatic aberrations, minimal image field curvature and excellent correction of coma and astigmatism allow true-to-life reproduction of any subject, particularly in combination with the high resolving power of modern sensors.
The ZEISS Touit lenses are designed and constructed specifically for use on APS-C cameras of the Sony Alpha series with E-Mount and Fujifilm X series. The lenses are therefore fully compatible and support all camera functions, including autofocus.
Richly saturated and vivid colours are a must in the creation of lasting impressions. However, stray light within an optical system leads to a lightening of the image that is particularly noticeable in the shadows. This reduces image contrast, with the result that exposures lack contrast and appear faded. To avoid this, ZEISS combines various specially developed technologies to reduce the undesirable effects of stray light.
Today’s camera technologies and high-resolution sensors demand continuous improvement of lens performance. Thanks to the use of the latest floating element design principles, optical aberration effects in ZEISS lenses are reduced to a minimum throughout their entire focusing range. This is achieved by variation of the axial distance between individual lens elements or groups. This adjustment of the lens-to-lens distance is coupled to the distance setting to ensure correct compensation at all times. The mechanical construction of these lenses is extremely complex and they must be assembled with utmost precision – both of which are key competencies of ZEISS.
Performance | Focal length | 50 mm |
Aperture range | f/2.8 – f/22 | |
Camera mount | Sony E-Mount* | Fujifilm X-Mount* | |
Format compatibility | APS-C | |
Focusing range | 0,15 m (6.02") – ∞ | |
Free working distance | 0,05 m (1.97 ″) – ∞ | |
Angular field** (diag. | horiz. | vert.) | 31° / 26° / 18° | |
Diameter of image field | 28 mm (1.11") | |
Coverage at close range (MOD)** | 24 x 16 mm (0.93 x 0.61") | |
Image ratio at minimum object distance | 1 : 1 | |
Lens elements | groups | 14 / 11 | |
Flange focal distance | E: 18 mm (0.71") | X: 18 mm (0.70") | |
Entrance pupil position (front of image plane) | 67 mm (2.67") | |
Features | Autofocus | + |
Image Stabilization | – | |
Physical | Filter thread | M52 x 0.75 |
Rotation angle of focusing ring | 720° | |
Diameter max. | E: 75 mm (2.95") | X: 75 mm (2.95") | |
Diameter of focusing ring | E: 65 mm (2.56") | X: 65 mm (2.56") | |
Length (with lens caps) | E: 104 mm (4.09") | X: 108 mm (4.25") | |
Length (without lens caps) | E: 91 mm (3.58") | X: 91 mm (3.58") | |
Weight | E: 290 g (0.64 lbs) | X: 290 g (0.64 lbs) |