Olympus M.Zuiko Digital 45mm f1.8 - Silver
$ 399.99
Olympus M.Zuiko Digital 45mm f1.8 - Silver
Olympus SKU: V311030SU000 | Helix SKU: OYV311030SU000
Overview
The 45mm f1.8 is an affordable fixed focal length prime lens that’s bright enough to excel in low-light interiors, fast enough for pro-quality action shots, and second to none when it comes to creating the lovely defocused background effects you want in your portraits.
BUILT FOR BEAUTIFUL BOKEH
Photographers who shoot a lot of portraits and still-lives are always seeking good bokeh. Lenses with relatively shallow depth of field – like the 45mm – are especially well suited to capture the combination of tack-sharp subject and beautifully soft, defocused background that exemplifies bokeh.
PRO-LEVEL PHOTO QUALITY
You’ve seen a lot of professional-level photos with sharply rendered subjects and artistic defocused backgrounds. This is the lens that will help you achieve the same kind of shots. It’s especially good for portraits, but also works well for stills, action and video. In short, it’s a great addition to your Olympus photographic system.
MOVIE & STILL COMPATIBLE MECHANISM
One of this lens’s most interesting features is the unique-to-Olympus Movie & Still Compatible mechanism, or MSC. This technology provides amazingly fast – and nearly silent – autofocus operation. You’ll really notice the benefit when you play back your HD video and the only thing you hear is the ambient background noise in the scene you were filming; what you won’t hear is the sound of the lens focusing. This lens is perfect for tracking action. With MSC and the super-bright f1.8 aperture, you can film a school play or indoor sporting event in low light and still get excellent results.
Specifications
| Focal Length | 45mm |
| 35mm Equivalent Focal Length | 90mm |
| Lens Construction | 9 Elements in 8 Groups |
| Dust & Drip Proof | No |
| Closest Focusing Distance | 0.5m |
| Maximum Aperture | f1.8 |
| Minimum Aperture | f22 |
| Angle of View | 27 Degree |
| Max. Image Magnification | 0.11x |
| 35mm Equivalent Max. Image Magnification | 0.22x |
| Minimum Field Size | 118 x 157 mm |
| Number of Blades | 7 (Circular Aperture Diaphragm) |
| Filter Size | Diameter 37mm |
| Weight | 116g |
| AF System | High-speed Imager AF (MSC) |
| Mount Standard | Micro Four Thirds System Standard |
Item Includes
Lens Cap (LC-37B)
Lens Rear Cap (LR-2)
Decoration Ring (DR-40)
Instruction Manual
Olympus Worldwide Warranty Card
Olympus M.Zuiko Digital ED 12-40mm F2.8 PRO II
$ 999.99 - Sold Out
Olympus M.Zuiko Digital ED 12-40mm F2.8 PRO II
Olympus SKU: V335030BW000 | Helix SKU: OYV335030BW000
Overview
Overview
This high-resolution, large-aperture zoom offers incredible versatility from wide angle to mid-range telephoto shots. It’s even great for macro photography. Put it in your gear bag and you’ll find yourself reaching for it over and over again. Even with all that imaging power, it’s still lightweight and compact enough to comfortably fit in your hand. The IP53-rating means its highly weather-sealed so you can shoot without worry in the most adverse conditions. One of the most versatile lenses you’ll ever own.
Specifications
Specifications
| Lens Mount | Micro 4/3rds |
| Focal Length | 12-40mm |
| 35mm Equivalent | 24-80mm |
| Maximum Aperture | f/2.8 |
| Minimum Aperture | f/22 |
| Minimum Focusing Distance | 0.2m |
| Lens Construction | 14 elements in 9 groups (1 EDA lens, 2 aspherical lens, 1 DSA lens, 2 ED lens, 1 HD lens, 2 HR lens) |
| Weather Proofing | IEC Standard publication 60529 IP53 (applies when the lens is used with OM SYSTEM (Olympus) splash-proof body) / Dustproof construction |
Item Includes
Item Includes:
Lens Hood, Lens Cap, Lens Rear Cap, Lens Wrapping Cloth, Instruction Manual, Warranty Card
Olympus M.Zuiko Digital ED 12-45mm F4.0 PRO
$ 699.99 - Sold Out
Olympus M.Zuiko Digital ED 12-45mm F4.0 PRO
Overview
The new M.Zuiko Digital ED 12-45mm F4.0 PRO is the world’s smallest, lightest medium range zoom lens with a fixed aperture value*. It fits right in with our OM-D line — known as the world’s most portable camera system. Like OM-D cameras, the lens is weathersealed so you can work in adverse conditions without protective gear. Achieve high-resolution edge-to-edge sharpness at all focal lengths and high-speed focusing that works with our blazing-fast autofocus system. It goes anywhere and shoots a little of everything from landscapes and cityscapes to portrait shots.
Features:
- World's smallest and most lightweight model
- Delivers high-resolution images at all focal lengths from 24mm to 90mm (35mm equivalent)
- 12 Elements in 9 Groups for Outstanding Resolution
- Compact, Lightweight Dust and Splashproof Construction
- ZERO (Advanced Zuiko Extra-Low Reflection Optical) Coating
- High-Speed Focusing
- Maximum shooting magnification of 0.5x across the entire zoom range (35mm equivalent)
- Focus stacking when paired with a comperable camera
- 58mm Filter
- Ships with Lens Hood (LH-61G), Lens Cap (LC-58F), Rear Lens Cap (LR-2), Wrapping Cloth (CS-53), Manual and Warranty.
Weight Dimension Other
Individual Product 0.6 lbs.
(254 grams) 2.5 Diameter x 2.8 Long (inches)
63.4 Diameter x 70.0 Long (mm)
Olympus M.Zuiko Digital ED 12mm f2.0 - Black
$ 799.99
Olympus M.Zuiko Digital ED 12mm f2.0 - Black
Olympus SKU: V311020BU001 | Helix SKU: OYV311020BU001
Overview
This high-speed, single-focal-length, wide-angle lens is ideal for shooting high-quality, dramatic landscapes and street scenes in low-light conditions. It has a beautiful full-metal body and a snap ring that enables photographers to pan focus with a distance indicator.
FLEXIBLE FOCUSING SYSTEM
One of the most interesting features of this lens is the flexibility of its focusing system. While this is a so-called “focus-by-wire” lens – which means movement of the lenses focusing elements are controlled by an electric autofocus motor instead of a mechanical linkage – it offers two distinct manual focusing options. Choosing is as easy as moving the snap focus ring that activates the lens’s Manual Focus Clutch mechanism.
MOVIE & STILL COMPATIBLE MECHANISM
One of this lens’s most interesting features is the unique-to-Olympus Movie & Still Compatible mechanism, or MSC. This technology provides amazingly fast – and nearly silent – autofocus operation. You’ll really notice the benefit when you play back your HD video and the only thing you hear is the ambient background noise in the scene you were filming; what you won’t hear is the sound of the lens moving as it changes focus. This lens is perfect for tracking action.
THIS IS A LENS TO GROW WITH
The 12mm wide-angle is a great choice for shooting portraits, low-light landscapes and interior architecture. It’s also a lens you can grow with; as your skills improve you can use the manual focus options to take control and set up your shots just the way you want them.
ACCESSORIZE WITH LENS HOOD
You can accessorize with a special lens cap and lens hood, great for avoiding lens flares that can ruin an otherwise perfect picture.
Specifications
| Focal Length | 12mm |
| 35mm Equivalent Focal Length | 24mm |
| Lens Construction | 11 Elements in 8 Groups |
| Dust & Drip Proof | No |
| Closest Focusing Distance | 0.2m |
| Maximum Aperture | f2.0 |
| Minimum Aperture | f22 |
| Angle of View | 84 Degree |
| Max. Image Magnification | 0.08x |
| 35mm Equivalent Max. Image Magnification | 0.16x |
| Minimum Field Size | 162 x 216mm |
| Number of Blades | 7 (Circular Aperture Diaphragm) |
| Filter Size | Diameter 46mm |
| Weight | 130g |
| AF System | High-speed Imager AF (MSC) |
| Mount Standard | Micro Four Thirds System Standard |
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MTF 12mm F2.0 Chart
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Lens Element Diagram
Item Includes
Lens Cap (LC-46)
Lens Rear Cap (LR-2)
Instruction Manual
Olympus Worldwide Warranty Card
Olympus M.Zuiko Digital ED 12mm f2.0 - Silver
$ 799.99
Olympus M.Zuiko Digital ED 12mm f2.0 - Silver
Olympus SKU: V311020SU000 | Helix SKU: OYV311020SU000
Overview
This high-speed, single-focal-length, wide-angle lens is ideal for shooting high-quality, dramatic landscapes and street scenes in low-light conditions. It has a beautiful full-metal body and a snap ring that enables photographers to pan focus with a distance indicator.
FLEXIBLE FOCUSING SYSTEM
One of the most interesting features of this lens is the flexibility of its focusing system. While this is a so-called “focus-by-wire” lens – which means movement of the lenses focusing elements are controlled by an electric autofocus motor instead of a mechanical linkage – it offers two distinct manual focusing options. Choosing is as easy as moving the snap focus ring that activates the lens’s Manual Focus Clutch mechanism.
MOVIE & STILL COMPATIBLE MECHANISM
One of this lens’s most interesting features is the unique-to-Olympus Movie & Still Compatible mechanism, or MSC. This technology provides amazingly fast – and nearly silent – autofocus operation. You’ll really notice the benefit when you play back your HD video and the only thing you hear is the ambient background noise in the scene you were filming; what you won’t hear is the sound of the lens moving as it changes focus. This lens is perfect for tracking action.
THIS IS A LENS TO GROW WITH
The 12mm wide-angle is a great choice for shooting portraits, low-light landscapes and interior architecture. It’s also a lens you can grow with; as your skills improve you can use the manual focus options to take control and set up your shots just the way you want them.
ACCESSORIZE WITH LENS HOOD
You can accessorize with a special lens cap and lens hood, great for avoiding lens flares that can ruin an otherwise perfect picture.
Specifications
| Focal Length | 12mm |
| 35mm Equivalent Focal Length | 24mm |
| Lens Construction | 11 Elements in 8 Groups |
| Dust & Drip Proof | No |
| Closest Focusing Distance | 0.2m |
| Maximum Aperture | f2.0 |
| Minimum Aperture | f22 |
| Angle of View | 84 Degree |
| Max. Image Magnification | 0.08x |
| 35mm Equivalent Max. Image Magnification | 0.16x |
| Minimum Field Size | 162 x 216mm |
| Number of Blades | 7 (Circular Aperture Diaphragm) |
| Filter Size | Diameter 46mm |
| Weight | 130g |
| AF System | High-speed Imager AF (MSC) |
| Mount Standard | Micro Four Thirds System Standard |
-
MTF 12mm F2.0 Chart
-
Lens Element Diagram
Item Includes
Lens Cap (LC-46)
Lens Rear Cap (LR-2)
Instruction Manual
Olympus Worldwide Warranty Card
Olympus M.Zuiko Digital ED 150-400mm f/4.5 TC1.25X IS PRO
$ 7,499.99 - Sold Out
Olympus M.Zuiko Digital ED 150-400mm f/4.5 TC1.25X IS PRO
Olympus SKU: V315060BU000 | Helix SKU: OYV315060BU000
*Special Order
Overview:
Announcing breakthrough technology that changes the way you shoot. The M.Zuiko 150-400mm IS PRO delivers unrivaled portability, imaging power, and all-weather performance. At only 4.1 pounds and 12.4 inches in length, you can easily hold the 35mm-equivalent 1000mm reach for unprecedented mobility. Powerful image stabilization enables sharp telephoto images, all handheld. Break free from your tripod. The ultra-zoom revolution has begun.
Features:
- Micro Four Thirds System
- 300-800mm (35mm Equivalent)
- Aperture Range: f/4.5 to f/22
- Built-In 1.25x Teleconverter
- Four Super ED Elements, Two ED Elements
- EDA Element, Two HR Elements, HD Element
- Z Coating Nano
- MSC Autofocus System
- Optical Image Stabilization
- Weather-Sealed Construction
Specifications:
-
Focal Length150-400mm (with built-in teleconverter: 187.5-500mm)
-
35mm Equivalent Focal Length300-800mm (with built-in teleconverter: 375-1000mm)
-
Lens Construction28 elements in 18 groups (built-in teleconverter: 7 elements in 4 groups)
-
Dust & Drip ProofIEC Standard publication 60529 IPX1 (applies when the lens is used with Olympus splashproof Body) / Dustproof construction
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Closest Focusing Distance1.3m (at all focal lengths)
-
Maximum ApertureF4.5 (with built-in teleconverter: F5.6)
-
Minimum ApertureF22 (with built-in teleconverter: F29)
Olympus M.Zuiko Digital ED 17mm f1.2 PRO
$ 1,399.99
Olympus M.Zuiko Digital ED 17mm f1.2 PRO
Olympus SKU: V311100BU000 | Helix SKU: OYV311100BU000
Overview
We understand how capturing the very best landscape, street, and documentary photography presents unique challenges. Like fleeting split-second moments, poor lighting conditions, and all day treks. That’s why we’ve created the M.Zuiko 17mm F1.2 PRO (34mm 35mm equivalent) for you. Shoot wide open at f1.2 and easily capture sharp subjects, smooth feathered bokeh, and natural three dimensional effects for incredible depth. The advanced ED-DSA element is truly unique, reducing the lens’ size while improving performance, and the lightweight focusing mechanism is quiet, fast, and accurate. With splashproof dustproof metal construction and superior low-light performance, this versatile pro prime will be one of your go-to lenses for every assignment and adventure.
SHARP AT F1.2
At Olympus, we bring the very best optics to life. Tools designed to work better so your photography is better. This advanced F1.2 PRO lens combines ultra shallow depth of field and ultra high resolution at the maximum f1.2 aperture setting. Unlike other fast prime lenses, we’ve removed the need to stop down for improved performance, so you capture brighter more beautiful photographs. The advanced ED-DSA element eliminates aberrations, distortion, and color bleeding while reducing the lens’ overall size, and our very best Z Coating Nano suppresses flares from in-frame light sources. All to ensure that every shot is sharp, clear, and exactly as you envisioned.
FEATHERED BOKEH
Beautiful background bokeh makes all the difference in a professionally shot image. To give you complete creative control, the 17mm F1.2 PRO provides two types of bokeh effects. Shoot wide open at f1.2 to produce feathered bokeh that transitions smoothly from sharp to defocused areas. The softer background appearance enhances your subject. Or, produce traditional solid bokeh by stopping down the aperture, enhancing shapes in the background. Combined with the razor sharp subject, you’ll create a natural three dimensional effect. And because the 17mm F1.2 PRO doesn’t use filters in its optics, light transmission is maximized for sharp details and stunning bokeh effects in both bright and low light.
FAST & ACCURATE AF
Outstanding spur of the moment street and portrait photography requires sharp focus. Some fast primes compromise AF speed by using large focusing mechanisms with multiple elements. Fortunately, the 17mm F1.2 PRO is specially designed to be compromise-free. It uses a lightweight inner focusing mechanism to provide fast and sharp AF performance, even at the lens’ widest f1.2 aperture. Excellent close-up shooting capabilities help you to capture larger, more dramatic bokeh areas. And the Movie and Still Compatible mechanism provides quiet, smooth focusing – ideal for shooting video.
LEAVE THE RAIN GEAR BEHIND
Easily capture shots in challenging conditions without worrying about your gear. The 17mm F1.2 PRO’s premium metal construction is hermetically sealed to be splashproof, dustproof, and freezeproof (all the way down to 14°F / -10°C). Its optics are efficiently designed so that overall size and weight are significantly less than what you’ll find with other fast prime lenses. It’s the perfect complement to a compact weatherproof OM-D camera, a combination that’s ideal for all day handheld shooting in any environment.
PRO CONVENIENCE & CONTROL
We’ve designed the 17mm F1.2 PRO to give you efficient and convenient control of your gear. The customizable Lens Function Button (L-Fn) lets you control your choice of camera functions right from the lens barrel. Programmable functions include Focus Peaking, AF Stop, and Magnify. The Manual Focus Clutch on the lens’ focus ring lets you instantly shift between auto and manual focus. You can preset a focus position using the easy-to-read distance meter, and by pulling the ring toward you, instantly return to that position from AF mode.
F1.2 PRO SERIES
We’ve designed the F1.2 PRO series with you in mind. No matter which focal length you choose – the 17mm for landscape and street photography, the normal 25mm, or the 45mm for portraiture – you’ll find a compact weathersealed design engineered to exacting standards. Each lens produces sharp resolution and smooth feathered bokeh at the maximum f1.2 aperture setting. And with the highest AF speed and accuracy, you’ll enjoy consistent beautiful results over and over again.
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MTF 17mm F1.2 Chart
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Lens Element Diagram
Specifications
| Focal Length | 17mm |
| 35mm Equivalent Focal Length | 34mm |
| Lens Construction | 5 Elements in 11 Groups |
| Dust & Drip Proof | Yes |
| Closest Focusing Distance | 0.2 Meters |
| Maximum Aperture | f1.2 |
| Minimum Aperture | f16 |
| Angle of View | 65 degrees |
| Max. Image Magnification | 0.15x |
| 35mm Equivalent Max. Image Magnification | 0.3x |
| Minimum Field Size | 115.3 × 86.7mm |
| Number of Blades | 9 (Circular Aperture Diaphragm) |
| Filter Size | Diameter 62mm |
| Weight | 390g |
| Dimensions | φ68.2 × 87 mm |
| AF System | High-speed Imager AF (MSC) |
Item Includes
- Lens Hood (LH-66C)
- Lens Cap (LC-62F)
- Lens Rear Cap (LR-2)
- Lens Case (LSC-0811)
- Instruction Manual
- Olympus Local Warranty Card
Olympus M.Zuiko Digital ED 25mm f1.2 PRO
$ 1,399.99
Olympus M.Zuiko Digital ED 25mm f1.2 PRO
Olympus SKU: V311080BU000 | Helix SKU: OYV311080BU000
Overview
The M.Zuiko Digital ED 25mm f1.2 PRO (50mm 35mm equivalent) is one of the most versatile high-performing prime lenses ever manufactured. With its superior optical design, you’ll take stunning portraits, richly-detailed landscape shots, and high-quality everyday photography. It’s an ideal lens for creating images with beautifully defocused backgrounds and bokeh. You’ll also find professional features like Olympus’ most advanced lens coating, lightning fast high-precision AF, and convenient controls to ensure every shot is an amazing shot.
EXCEPTIONAL SHARPNESS
It’s all about the glass. Our 25mm f1.2 PRO achieves spectacular edge-to-edge sharpness – even at the maximum f1.2 aperture – thanks to its incredible collection of glass. We’ve assembled 19 lens elements into 14 groups to create the most complex Micro Four Thirds lens ever made, including Super ED, ED, E-HR, HR, and aspherical elements. Spherical and chromatic aberrations that often occur in fast, prime lenses are eliminated. Color fringing is thoroughly suppressed. All that’s left are clear, crisp images you can’t wait to show off.
THE MOST BEAUTIFUL BOKEH
If you love shooting with shallow depth of field, the 25mm f1.2 PRO does it beautifully. Its high optical performance eliminates aberrations, distortion, and fringing in both focused and defocused areas, even with a wide open f1.2 stop. Paired with the ultra-high resolution of the focused areas, the defocused background creates a natural looking three-dimensional effect. Shoot stunning portraits with sharp details and beautiful bokeh that emphasizes your subject in both bright and low light.
EXHILIRATINGLY-FAST AUTOFOCUS
Many autofocus lenses have a trade-off: they use multiple moving elements to reduce aberration, but their focusing speed slows down as a result. Fortunately, there are no sacrifices with the 25mm f1.2 PRO. At the heart of its design is a lightweight inner focusing mechanism that uses a single lens element. It provides ultra-fast ultra-sharp autofocus performance, even at the lens’ widest f1.2 aperture. The Movie and Still Compatible mechanism provides quiet, smooth focusing – a must have for videographers.
TECHNOLOGY CREATES VERSATILITY
The 25mm f1.2 PRO uses a tandem of coatings for ultimate shooting versatility. Zuiko Extra-Low Reflection Optical (ZERO) lens coating is adapted from multi-layer film disposition technology in Olympus’ industry-leading microscopes. Z Coating Nano, our most advanced coating yet, adds nanoparticle technology for increased effectiveness. Ghosting and flares caused by in-frame light sources are virtually eliminated. Whether shooting directly into the sun or other backlit environments, your images stay rich in detail with superior resolution.
WEATHERPROOFED TO NEVER MISS A SHOT
Shoot in adverse conditions without worrying about your lens. The premium metal construction of the 25mm f1.2 PRO is hermetically sealed to keep out moisture and dust for splashproof, dustproof, and freezeproof performance (all the way down to 14°F / -10°C). This professional lens is the perfect complement to a weatherproof OM-D body, a combination that’s ideal for taking advantage of every photo opportunity.
PRO CONTROL
Pros need effortless control of their gear. The 25mm f1.2 PRO lens delivers. The customizable Lens Function Button (L-Fn) lets you control your choice of camera functions right from the lens barrel, including Focus Peaking, AF Stop, and Magnify. The conveniently-located Manual Focus Clutch on the lens’ focus ring lets you instantly shift between auto and manual focus. You can even preset a focus position using the easy-to-read distance meter, and by pulling the ring toward you, instantly return to that position from AF mode.
Specifications
| Focal Length | 25mm |
| 35mm Equivalent Focal Length | 50mm |
| Lens Construction | 19 Elements in 14 Groups |
| Dust & Drip Proof | Yes |
| Closest Focusing Distance | 0.3m |
| Maximum Aperture | f1.2 |
| Minimum Aperture | f16 |
| Angle of View | 47 degrees |
| Max. Image Magnification | 0.11x |
| 35mm Equivalent Max. Image Magnification | 0.22x |
| Minimum Field Size | 157 x 118mm |
| Number of Blades | 9 (Circular Aperture Diaphragm) |
| Filter Size | Diameter 62mm |
| Weight | 410g |
| Focusing System | High-speed Imager AF (MSC) |
MTF 25m F1.2 Chart
Lens Element Diagram
Item Includes
Lens Hood (LH-66B)
Lens Cap (LC-62F)
Lens Rear Cap (LR-2)
Lens Case (LSC-0811)
Instruction Manual
Olympus Local Warranty Card
Olympus M.Zuiko Digital ED 300mm f4.0 IS PRO
$ 2,999.99
Olympus M.Zuiko Digital ED 300mm f4.0 IS PRO
Olympus SKU: V311070BU000 | Helix SKU: OYV311070BU000
Overview
At one-third the size and weight of typical 600mm DSLR lenses, the M.Zuiko 300mm f4.0 IS PRO (600mm 35mm equivalent) is nimble enough for hand-held shooting and compact enough to carry on even the most arduous expeditions at 2.8 lbs. Industry-first 5-Axis Sync IS technology employs in-body and in-lens stabilization to harmoniously deliver six shutter speed steps of compensation* and incredibly crisp, detailed photographs.
SYNCHRONIZED IMAGE STABILIZATION
The in-lens stabilization on the M.Zuiko 300mm f4.0 IS PRO lens works in complete harmony with the 5-Axis Image Stabilization in OM-D cameras* to deliver an astounding 6 shutter speed steps of compensation, ensuring crisp, clear telephoto images, even off tripod. Explore unique angles like low-to-the-ground macros and overhead nature shots. Sync IS also enables the fastest, most precise AF in its class, which includes 600mm equivalent DSLR lenses. *Sync IS is available on the E-M1, E-M5 Mark II and PEN-F.
OPTIMAL OPTICS
The M.Zuiko 300mm f4.0 IS PRO's lavish design features 3 Super ED lenses, 3 HR lenses and 1 E-HR lens to dramatically reduce the occurrence of color bleeding and chromatic aberrations that tend to occur with super-telephoto lenses. The addition of a new coating technology, Z Coating Nano, significantly reduces ghosts and flares and provides sharp, clear image quality.
READY FOR THE LONG HAUL
The M.Zuiko 300mm f4.0 IS PRO lens is right at home in harsh environments like dust and rain thanks to hermetic sealing in 17 locations. Combined with weather sealed OM-D* camera bodies, you'll never have to worry about weather or environmental conditions wherever your photographic pursuits take you. And because this lens is so compact, you can easily fit it in your carry-on luggage to ensure your gear arrives when you do and not tire out if you're using it all day long!
BIG SHOTS OF SMALL SUBJECTS
With a minimum focusing distance of just 4.5 feet (1.4m) and a maximum magnification of 0.48x (35mm equivalent), this super telephoto lens is equally adept in close quarters, delivering stunning, high magnification macros shots. With the addition of the MC-14 1.4x Teleconverter, the maximum magnification jumps to 0.67x, while maintaining the same minimum focus distance.
SHHHHH, AMAZING PHOTOGRAPHY IN PROGRESS
The inclusion of the Movie & Still Compatible (MSC) mechanism makes AF operations completely silent. In combination with the OM-D's Silent Mode (electronic shutter), you can photograph skiddish nature subjects as well as indoor events that require complete silence like musical performances. The size and weight of the OM-D system and these silent features open up a whole new world of shooting possibilities!
MAXIMUM CONTROL OPTIONS
The M.Zuiko 300mm f4.0 IS PRO is equipped with a Manual Focus Clutch mechanism which makes switching from auto to manual focus extremely quick. The side of the lens barrel also features a Focus Limit switch (4m to infinity, full range, and 1.4 to 4m) as well as an IS On/Off switch and L-Fn button which can be programmed to perform one of 27 different functions. A built-in, retractable lens hood offers additional protection from stray light and the removable tripod base plate features a quick shoe compatible rail.
Specifications
| Focal Length | 300mm |
| 35mm Equivalent Focal Length | 600mm |
| Lens Construction | 17 Elements in 10 Groups |
| Dust & Drip Proof | Yes |
| Closest Focusing Distance | 1.4m |
| Maximum Aperture | f4.0 |
| Minimum Aperture | f22 |
| Angle of View | 4.1 Degree |
| Max. Image Magnification | 0.24x |
| 35mm Equivalent Max. Image Magnification | 0.48x |
| Minimum Field Size | 72.1 × 54.2 mm |
| Number of Blades | 9 (Circular Aperture Diaphragm) |
| Filter Size | Diameter 77mm |
| Weight | 3.25 lbs. (1475g) with Tripod Collar |
| Focusing System | High-speed Imager AF (MSC) |
Item Includes
Lens Cap (LC-77B)
Lens Rear Cap (LR-2)
Decoration Ring (DR-79)
Lens Case (LSC-1127)
Instruction Manual
Olympus Local Warranty Card
Olympus M.Zuiko Digital ED 30mm f3.5 Macro
$ 349.99
Olympus M.Zuiko Digital ED 30mm f3.5 Macro
Olympus SKU: V312040BU000 | Helix SKU: OYV312040BU000
Overview
Start shooting from a new perspective. With the M. Zuiko Digital ED 30mm f3.5 Macro lens, you’ll have the imaging power to capture exquisite detail with exceptional clarity. Thanks to the best-in-class maximum magnification of 2.5x (35mm equivalent) both novice and pro photographers can easily capture the details of a delicate flower or the ornate metalwork on a piece of jewelry — anything that’s small— and create distinctive, impactful images. It’s compact to fit in your pocket and lightweight so you can travel anywhere. Best of all, the M.Zuiko 30mm Macro gives you the versatility to shoot portraits or even everyday snapshots. It’s the one lens that belongs in everyone’s camera bag.
EXQUISITE DETAILS
Macro photography is an art form in itself. It reveals a world that often goes unnoticed and creates images with power and grace. The M.Zuiko 30mm Macro features a close focusing capability and strong magnification, making it ideal for shooting close-ups of a water drop hitting a puddle, a colorful leaf, or the details on a piece of old machinery. If you’re shooting a shiny object, a blacked out front minimizes reflection helping to reduce time-consuming post work.
SUPERIOR OPTICS
The M.Zuiko 30mm Macro is made to precise standards to produce images that are clear, crisp and rich in detail. This superb macro lens features 7 lens elements in 6 groups including aspherical extra low dispersion and dual super ashperical elements to give you unmatched optical performance. The 2.5x maximum magnification (35mm equivalent) and close 14mm working distance get you closer to your subject than ever before. The lens is perfect for capturing images with artistic out-of-focus backgrounds. The circular aperture helps create beautiful bokeh for stunning defocused effects.
FAST AF
The M.Zuiko 30mm Macro features a single lightweight focusing element for lighting fast AF performance. This allows for 20 to 30% faster focusing than any other lens in its class.* With all that speed on your side, you’ll never worry about missing a shot again. Plus, the MSC (movie and still compatible) mechanism provides for silent autofocus and aperture operation.
BIG PERFORMANCE
It’s compact enough to fit in your pocket or purse. It weighs a scant 4.5 ounces and perfectly complements the slim, sleek profile of Olympus OM-D and PEN interchangeable lens cameras. The M.Zuiko 30mm Macro travels well and goes everywhere with ease. It’s also versatile. Besides taking superior macro shots, it’s an ideal portrait lens and even works well for everyday snapshots.
THE BEST SYSTEM
The M.Zuiko 30mm Macro is part of a large, expanding system of cameras and lenses that work together to produce exceptional images. This lens is fully compatible with focus bracketing modes on select Olympus OM-D and PEN cameras allowing you to create artistic macro photographs with large depths of field. Plus, use the M.Zuiko 30mm Macro underwater with accessories and housings that let you shoot with the OM-D E-M5 Mark II, OM-D E-M1, OM-D E-M5, and the PEN E-PL5.
Specifications
| Focal Length | 30mm |
| 35mm Equivalent Focal Length | 60mm |
| Lens Construction | 7 Elements in 6 Groups |
| Dust & Drip Proof | No |
| Closest Focusing Distance | 0.095m |
| Maximum Aperture | f3.5 |
| Minimum Aperture | f22 |
| Angle of View | 40 Degree |
| Max. Image Magnification | 1.25x |
| 35mm Equivalent Max. Image Magnification | 2.5x |
| Minimum Field Size | 13.9×10.4mm |
| Number of Blades | 7 (Circular Aperture Diaphragm) |
| Filter Size | Diameter 46mm |
| Weight | 128g |
| Focusing System | High-speed Imager AF (MSC) |
Item Includes
Lens Cap (LC-46)
Lens Rear Cap (LR-2)
Instruction Manual
Olympus Local Warranty Card
Olympus M.Zuiko Digital ED 40-150mm f2.8 PRO
$ 1,499.99
Olympus M.Zuiko Digital ED 40-150mm f2.8 PRO
Olympus SKU: V315050BU000 | Helix SKU: OYV315050BU000
Overview
The M.ZUIKO 40-150mm f2.8 PRO (80 - 300mm 35mm equivalent) is a compact, full-featured zoom that sports premium metal construction and professional-quality lens elements. It’s light in weight (1.67 lb) and fully sealed for weather protection, delivers super-sharp edge-to-edge image quality, and boasts the world’s first Dual VCM autofocus mechanism. An excellent complement to your fast primes and the 12-40mm f2.8 PRO.
TWO IS BETTER THAN ONE
Smooth, rapid autofocus is a crucial factor in image quality. The 40-150mm f2.8 PRO’s innovative, industry-first Dual VCM (voice coil motor) AF delivers. Separating the focusing mechanism into two lens groups controlled by individual linear drive motors makes AF performance extremely fast and, with no gears involved, nearly friction-free and incredibly quiet.
PROFESSIONAL BUILD QUALITY
We know that serious shooters need the highest quality equipment, so we built the 40-150mm f2.8 PRO zoom accordingly. The premium metal lens body incorporates 16 elements in 10 groups, including Olympus ZERO-coated HD, ED, EDA and – for the first time in an M.ZUIKO lens – Super EDA glass for significantly reduced chromatic aberration, ghosting and flares. And its fixed f2.8 aperture is bright enough to capture sharp images across the entire zoom range.
SPLASHPROOF, DUSTPROOF, FREEZEPROOF.
Sometimes the harshest conditions produce the most dramatic photo opportunities. With 11 separate seals to keep out moisture and dust, the 40-150mm f2.8 PRO is ready to take on the elements. You don’t have to baby this baby!
POWERFULLY PORTABLE
At less than two pounds and a constant 6.2-inch length (lens movement is internal), the 40-150mm f2.8 PRO combines with OM-D or PEN camera bodies to create a very stable shooting platform.
The 40-150mm f2.8 PRO also makes it simple to shoot your way. Adjust settings on the fly with the programmable L-Fn function button - located right on the lens barrel for easy access. Or switch instantly between auto and manual focus with the Manual Focus Clutch mechanism.
ENHANCE YOUR ZOOM
A 1.4x teleconverter is available for the 40-150mm f2.8 PRO that extends its focal length to a whopping 210mm (35mm equivalent of 420mm) for those really long shots. You can also get a ZUIKO protective filter that features Olympus' renowned ZERO coating technology.
NO DETAIL SPARED
The bundled lens hood has been marvelously designed to collapse back onto the lens for easy storage. When extended, the locking mechanism will fully support the weight of the lens and camera body. And to keep your investment safe, the bundled lens pouch will help protect against dings and scratches.
Specifications
| Focal Length | 40-150mm |
| 35mm Equivalent Focal Length | 80-300mm |
| Lens Construction | 16 Elements in 10 Groups |
| Dust & Drip Proof | Yes |
| Closest Focusing Distance | 0.7m |
| Maximum Aperture | f2.8 |
| Minimum Aperture | f22 |
|
Angle of View
|
30 - 8.2 Degree |
| Max. Image Magnification | 0.21x |
| 35mm Equivalent Max. Image Magnification | 0.42x |
| Minimum Field Size | 82 x 62 mm |
| Number of Blades | 9 (Circular Aperture Diaphragm) |
| Filter Size | Diameter 72mm |
| Weight | 1.67 lbs. w/o Tripod Collar |
| Focusing System | High-speed Imager AF (MSC) - Linear Motor Drive System |
-
MTF 40mm F2.8 Chart
-
MTF 150mm F2.8 Chart
-
Lens Element Diagram
Item Includes
Lens Cap (LC-72D)
Lens Rear Cap (LR-2)
Lens Hood (LH-76)
Lens Case (LSC-1120)
Instruction Manual
Olympus M.Zuiko Digital ED 40-150mm f4.0 PRO
$ 899.99 - Sold Out
Olympus M.Zuiko Digital ED 40-150mm f4.0 PRO
OM Systems SKU: V335040BW000 | Helix SKU: OYV335040BW000
Overview
Overview
It’s the world’s most compact, lightweight telephoto zoom lens among those with a fixed aperture and 300mm equivalent. This ultra-portable lens gives you world-class image quality plus all the imaging power to shoot landscapes, nature, birds and more. Think of how much more freedom you’ll have without being weighed down by big, bulky lenses. Plus, it’s fully weather-sealed with an impressive IP53 rating so you can shoot without worry in harsh conditions. You can even take stunning macro shots. It might be compact and lightweight but you’ll find everything to take your images to exciting new places.
Specifications
Specifications
| Lens Mount | Micro 4/3rds |
| Focal Length | 40-150mm |
| 35mm Equivalent | 80-300mm |
| Maximum Aperture | f/4.0 |
| Minimum Aperture | f/22 |
| Minimum Focusing Distance | 0.7m |
Item Includes
Item Includes:
Lens Hood, Lens Cap, Lens Rear Cap, Lens Rapping Cloth, Instruction Manual, Warranty Card
Olympus M.Zuiko Digital ED 45mm f1.2 PRO
$ 1,399.99 $ 1,199.99
Olympus M.Zuiko Digital ED 45mm f1.2 PRO
Olympus SKU: V311090BU000 | Helix SKU: OYV311090BU000
Overview
We’ve designed the M.Zuiko 45mm F1.2 PRO (90mm 35mm equivalent) with one goal in mind: to make your sharpest, most beautiful portraits effortless. You’ll shoot wide open at f1.2 and capture tack sharp subjects and smooth feathered bokeh with a depictive three dimensional result. We’ve included autofocus that’s fast and accurate, even at f1.2. Our most advanced lens coating virtually eliminates flares. And with splash-proof and dustproof metal construction, a compact lightweight design, and our brightest aperture for superior low-light performance, this ultimate portrait prime will be one of your go-to lenses in every shooting environment.
SHARP AT F1.2
At Olympus, we bring the very best optics to life. Tools designed to work better so your photography is better. This advanced F1.2 PRO lens combines ultra shallow depth of field and ultra high resolution at the maximum f1.2 aperture setting. Unlike other fast prime lenses, we’ve removed the need to stop down for improved performance, so you capture more beautiful photographs. 14 lens elements in 10 groups eliminate spherical and chromatic aberrations and suppress color fringing, and our very best Z Coating Nano suppresses flares from in-frame light sources. All to ensure that every portrait is sharp, clear, and exactly as you envisioned.
FEATHERED BOKEH
Beautiful background bokeh is a must for perfect portraits. To give you complete creative control, the 45mm F1.2 PRO provides two types of bokeh effects. Shoot wide open at f1.2 to produce feathered bokeh that transitions smoothly from sharp to defocused areas. The softer background appearance enhances your subject. Or, produce traditional solid bokeh by stopping down the aperture, enhancing shapes in the background. Combined with the razor sharp subject, you’ll create a natural three dimensional effect. And because the 45mm F1.2 PRO doesn’t use filters in its optics, light transmission is maximized for sharp details and stunning bokeh effects in both bright and low light.
FAST & ACCURATE AF
One of the keys to beautiful sharp portraits is focus. Some fast prime lenses compromise AF speed by using a large focusing mechanism with multiple elements. Fortunately, the 45mm F1.2 PRO is specially designed to be compromise-free. It uses a lightweight inner focusing mechanism with a single lens element to provide fast and sharp AF performance, even at the lens’ widest f1.2 aperture. Excellent close-up shooting capabilities help you to capture larger, more dramatic bokeh areas. And the Movie and Still Compatible mechanism provides quiet, smooth focusing – ideal for shooting video.
LEAVE THE RAIN GEAR BEHIND
Easily capture shots in challenging conditions without worrying about your gear. The 45mm F1.2 PRO’s premium metal construction is hermetically sealed to be splashproof, dustproof, and freezeproof (all the way down to 14°F / -10°C). Its optics are efficiently designed so that overall size and weight are significantly less than what you’ll find with other fast prime lenses. It’s the perfect complement to a compact weatherproof OM-D camera, a combination that’s ideal for all day handheld shooting in any environment.
PRO CONVENIENCE & CONTROL
We’ve designed the 45mm F1.2 PRO to give you efficient and convenient control of your gear. The customizable Lens Function Button (L-Fn) lets you control your choice of camera functions right from the lens barrel. Programmable functions include Focus Peaking, AF Stop, and Magnify. The Manual Focus Clutch on the lens’ focus ring lets you instantly shift between auto and manual focus. You can preset a focus position using the easy-to-read distance meter, and by pulling the ring toward you, instantly return to that position from AF mode.
F1.2 PRO SERIES
We’ve designed the F1.2 PRO series with you in mind. No matter which focal length you choose – the 17mm for landscape and street photography, the normal 25mm, or the 45mm for portraiture – you’ll find a compact weathersealed design engineered to exacting standards. Each lens produces sharp resolution and smooth feathered bokeh at the maximum f1.2 aperture setting. And with the highest AF speed and accuracy, you’ll enjoy consistent beautiful results over and over again.
Specifications
| Focal Length | 45mm |
| 35mm Equivalent Focal Length | 90mm |
| Lens Construction | 14 Elements in 10 Groups |
| Dust & Drip Proof | Yes |
| Closest Focusing Distance | 0.5m |
| Maximum Aperture | f1.2 |
| Minimum Aperture | f16 |
| Angle of View | 27 degrees |
| Max. Image Magnification | 0.1x |
| 35mm Equivalent Max. Image Magnification | 0.2x |
| Minimum Field Size | 173 × 130mm |
| Number of Blades | 9 (Circular Aperture Diaphragm) |
| Filter Size | Diameter 62mm |
| Weight | 410g |
| Dimensions | φ70 × 84.9 mm |
| AF System | High-speed Imager AF (MSC) |
-
MTF 45mm F1.2 Chart
-
Lens Element Diagram
Item Includes
Lens Hood (LH-66B), Lens Cap (LC-62F)
Lens Rear Cap (LR-2)
Lens Case (LSC-0811)
Instruction Manual
Olympus Local Warranty Card
Olympus M.Zuiko Digital ED 7-14mm f2.8 PRO
$ 1,399.99
Olympus M.Zuiko Digital ED 7-14mm f2.8 PRO
Olympus SKU: V313020BU000 | Helix SKU: OYV313020BU000
Overview
Heavyweight performance, lightweight portability. Though it is amazingly light and compact at 1.18 lbs., the M.Zuiko Digital ED 7-14mm PRO lens (14 - 28mm 35mm equivalent) is a heavy hitter in the field. This lens is portable and weatherproof so you can take it anywhere. And with an ultra-wide angle of view and a bright f2.8 maximum aperture, you’ll capture more of every scene, from sprawling daytime panoramas to electric, super-sharp night scenes.
PRO-LEVEL PRECISION
There’s a lot of very sophisticated technology tucked inside the M.Zuiko 7-14mm PRO lens. 14 individual lens elements in 11 groups featuring 3 Super ED lenses, 1 ED lens and 2 EDA lenses work in complete harmony to reduce chromatic aberration for pinpoint-sharp starscapes. And Olympus’ proprietary Z.E.R.O. (Zuiko Extra-Low Reflecting Optical) coating practically eliminates ghosting and flaring in back-lit scenes.
A LENS FOR ALL SEASONS
Weatherproof seals in 11 separate locations on the lens body make the M.Zuiko 7-14mm PRO lens virtually impervious to dust and moisture. Capture stunning images of nature in the raw without worrying about ocean spray, waterfalls or torrential downpours!
MACRO SCOPE
The M.Zuiko PRO 7-14mm’s working distance of just under 2.9 inches (7.5cm) from the front of the lens – allows you to move in tight on macro subjects, while the lens’s ultra-wide field of view captures more of the background for added drama. Maximum image magnification is 0.12x (0.24x 35mm equivalent).
THE SILENCE OF THE LENS
Videographers and street shooters will really appreciate the M.Zuiko 7-14mm PRO’s unique MSC (Movie-Still Compatible) mechanism, which provides swift, nearly silent autofocus operation. Capture candid shots without startling your subjects, and enjoy the full spectrum of sound in filmed scenes without the distracting “whirr” of the lens element moving back and forth as the focus shifts.
SHOOT IT YOUR WAY
If you like adjusting camera settings on the fly, the M.Zuiko 7-14mm PRO makes it as easy as pushing a button – the L-Fn button. Assign any of 27 functions to the button, which is positioned right on the lens barrel for easy access. Another cool feature is the Manual Focus Clutch mechanism; switch instantly between auto and manual focus by simply pulling the focus ring toward you.
Specifications
| Focal Length | 7-14mm |
| 35mm Equivalent Focal Length | 14-28mm |
| Lens Construction | 14 Elements in 11 Groups |
| Dust & Drip Proof | Yes |
| Closest Focusing Distance | 0.2m |
| Maximum Aperture | f2.8 |
| Minimum Aperture | f22 |
| Angle of View | 114 - 75 Degree |
| Max. Image Magnification | 0.11x |
| 35mm Equivalent Max. Image Magnification | 0.22x |
| Minimum Field Size | 157 x 118 mm |
| Number of Blades | 7 (Circular Aperture Diaphragm) |
| Weight | 1.18 lbs (534g) |
| Focusing System | High-speed Imager AF (MSC) |
| Filter Diameter | N/A |
-
MTF 7mm F2.8 Chart
-
MTF 14mm F2.8 Chart
-
Lens Element Diagram
Item Includes
Lens Cap (LC-79)
Lens Rear Cap (LR-2)
Lens Case (LSC-0914)
Instruction Manual
Olympus Local Warranty Card
Olympus M.Zuiko Digital ED 75-300mm f4.8-6.7 II
$ 549.99 - Sold Out
Olympus M.Zuiko Digital ED 75-300mm f4.8-6.7 II
Olympus SKU: V315040BU000 | Helix SKU: OYV315040BU000
Overview
The M.ZUIKO DIGITAL ED 75-300mm II f4.8-6.7 with a 35 mm equivalent of 150-600mm is an affordable super-telephoto lens that delivers excellent portability and outstanding image quality when paired with an award-winning OM-D or Olympus PEN camera. This lens features the advanced ZERO (Zuiko Extra-low Reflection Optical) lens coating, ensuring high imaging performance even under unfavorable conditions such as backlit shooting.
LIGHTWEIGHT SUPER-TELEPHOTO ZOOM
If you’ve ever lugged a super telephoto zoom lens around, you know how heavy and bulky it can be. That’s the beauty of the this lens – it’s just over 4 and a half inches long collapsed and weighs only 15 ounces. Compare that to a typical SLR camera lens with a comparable 600mm equivalent lens, which weighs more than twice as much as an Olympus OM-D E-M10 and 75-300 together!
ZERO OPTICAL COATING
Strongly lit scenes where you are practically shooting into the sun are always a challenge, but this lens has a secret weapon that ensures excellent results, even under such unfavorable conditions: Olympus’s advanced ZERO lens coating. ZERO, which stands for Zuiko Extra-low Reflection Optical coating, enables the lens to deliver tack-sharp image quality while reducing ghosting and lens flare when shooting against bright light, and provides increased durability, lessening the chances of damage to the lens surface.
MOVIE & STILL COMPATIBLE MECHANISM
One of this lens’s most interesting features is the unique-to-Olympus Movie & Still Compatible mechanism, or MSC. This technology provides amazingly fast, and nearly silent autofocus operation. You’ll really notice the benefit when you play back your HD video and the only thing you hear is the ambient background noise in the scene you were filming; what you won’t hear is the sound of the lens moving as it focuses or changes aperture. This lens is perfect for tracking action.
Specifications
| Focal Length | 75-300mm |
| 35mm Equivalent Focal Length | 150-600mm |
| Lens Construction | 18 Elements in 13 Groups |
| Dust & Drip Proof | No |
| Closest Focusing Distance | 0.9m |
| Maximum Aperture | f4.8 |
| Minimum Aperture | f22 |
| Angle of View | 16 - 4.1 Degree |
| Max. Image Magnification | 0.18x |
| 35mm Equivalent Max. Image Magnification | 0.36x |
| Minimum Field Size | 97 x 73mm |
| Number of Blades | 7 (Circular Aperture Diaphragm) |
| Filter Size | Diameter 58mm |
| Weight | 423g (14.9 ounces) |
| AF System | High-speed Imager AF (MSC) |
| Mount Standard | Micro Four Thirds System Standard |
-
MTF 75mm F4.8 Chart
-
MTF 300mm F6.7 Chart
-
Lens Element Diagram
Item Includes
Lens Cap (LC-58E)
Lens Rear Cap (LR-2)
Instruction Manual
Olympus Worldwide Warranty Card
Olympus M.Zuiko Digital ED 75mm f1.8 - Black
$ 899.99
Olympus M.Zuiko Digital ED 75mm f1.8 - Black
Olympus SKU: V311040BU000 | Helix SKU: OYV311040BU000
Overview
The 75mm f1.8 is a high-grade, fast aperture portrait lens featuring metallic construction and a light weight of just 10.7 oz. With a 35mm equivalent focal length of 150mm, it is ideally suited for studio portraits, theatre stage, and indoor sports photography. A large, bright 50mm front lens element compliments a sophisticated optical design of 10 individual lens elements in 9 groups, including a total of 3 ED lenses and 2 HR lenses. Its large f1.8 maximum aperture captures clear, sharp images when the lights are low, while its MSC (Movie and Still Compatible) AF drive assures fast and nearly silent focusing.
CAPTURE PERFECT PORTRAITS & MORE
Want exquisite detail and smooth background defocusing in your images? A large front element and sophisticated optical design coupled with a bright aperture of f1.8 make the 75mm f1.8 lens a superb choice for studio portraits and indoor sports.
BUILT FOR BEAUTIFUL BOKEH
Photographers who shoot a lot of portraits and still-lives are always seeking excellent bokeh. Thanks to its large f1.8 aperture and 9 bladecircular aperture, the 75mm f1.8 is especially well suited to capture the combination of a tack-sharp subject and beautifully soft, defocused background that exemplifies bokeh.
SHHHHH, AMAZING PHOTOGRAPHY IN PROGRESS
The inclusion of the Movie & Still Compatible (MSC) mechanism provides amazingly fast – and nearly silent – autofocus operation. You’ll really notice the benefit when you play back your HD video and the only thing you hear is the ambient background noise in the scene you were filming; what you won’t hear is the sound of the lens moving as it changes focus. With MSC and the super-bright f1.8 aperture, you can film a school play or indoor sporting event in low light and still get excellent results.
ENGINEERED FOR EXQUISITE QUALITY
With ten individual lens elements in nine groups, metallic construction and a light weight of just 10.7 oz, this lens is a really advanced piece of engineering. Among these elements you’ll find three ED, or extra-low dispersion, lenses that correct for chromatic aberration, and two HR, or high refractivity, lenses, which correct for spherical aberration. All lens elements feature Olympus’s ZERO coating technology for virtual elimination of ghosts and flares.
Specifications
| Focal Length | 75mm |
| 35mm Equivalent Focal Length | 150mm |
| Lens Construction | 10 elements in 9 Groups |
| Dust & Drip Proof | No |
| Closest Focusing Distance | 0.84m |
| Maximum Aperture | f1.8 |
| Minimum Aperture | f22 |
| Angle of View | 16 Degree |
| Max. Image Magnification | 0.10x |
| 35mm Equivalent Max. Image Magnification | 0.20x |
| Minimum Field Size | 130 x 173mm |
| Number of Blades | 9 (Circular Aperture Diaphragm) |
| Filter Size | Diameter 58mm |
| Weight | 305g |
| AF System | High-speed Imager AF (MSC) |
-
MTF 75mm F1.8 Chart
-
Lens Element Diagram
Item Includes
Lens Cap (LC-58E)
Lens Rear Cap (LR-2)
Instruction Manual
Olympus Worldwide Warranty Card
Olympus M.Zuiko Digital ED 75mm f1.8 - Silver
$ 899.99
Olympus M.Zuiko Digital ED 75mm f1.8 - Silver
Olympus SKU: V311040SU000 | Helix SKU: OYV311040SU000
Overview
The 75mm f1.8 is a high-grade, fast aperture portrait lens featuring metallic construction and a light weight of just 10.7 oz. With a 35mm equivalent focal length of 150mm, it is ideally suited for studio portraits, theatre stage, and indoor sports photography. A large, bright 50mm front lens element compliments a sophisticated optical design of 10 individual lens elements in 9 groups, including a total of 3 ED lenses and 2 HR lenses. Its large f1.8 maximum aperture captures clear, sharp images when the lights are low, while its MSC (Movie and Still Compatible) AF drive assures fast and nearly silent focusing.
CAPTURE PERFECT PORTRAITS & MORE
Want exquisite detail and smooth background defocusing in your images? A large front element and sophisticated optical design coupled with a bright aperture of f1.8 make the 75mm f1.8 lens a superb choice for studio portraits and indoor sports.
BUILT FOR BEAUTIFUL BOKEH
Photographers who shoot a lot of portraits and still-lives are always seeking excellent bokeh. Thanks to its large f1.8 aperture and 9 bladecircular aperture, the 75mm f1.8 is especially well suited to capture the combination of a tack-sharp subject and beautifully soft, defocused background that exemplifies bokeh.
SHHHHH, AMAZING PHOTOGRAPHY IN PROGRESS
The inclusion of the Movie & Still Compatible (MSC) mechanism provides amazingly fast – and nearly silent – autofocus operation. You’ll really notice the benefit when you play back your HD video and the only thing you hear is the ambient background noise in the scene you were filming; what you won’t hear is the sound of the lens moving as it changes focus. With MSC and the super-bright f1.8 aperture, you can film a school play or indoor sporting event in low light and still get excellent results.
ENGINEERED FOR EXQUISITE QUALITY
With ten individual lens elements in nine groups, metallic construction and a light weight of just 10.7 oz, this lens is a really advanced piece of engineering. Among these elements you’ll find three ED, or extra-low dispersion, lenses that correct for chromatic aberration, and two HR, or high refractivity, lenses, which correct for spherical aberration. All lens elements feature Olympus’s ZERO coating technology for virtual elimination of ghosts and flares.
Specifications
| Focal Length | 75mm |
| 35mm Equivalent Focal Length | 150mm |
| Lens Construction | 10 elements in 9 Groups |
| Dust & Drip Proof | No |
| Closest Focusing Distance | 0.84m |
| Maximum Aperture | f1.8 |
| Minimum Aperture | f22 |
| Angle of View | 16 Degree |
| Max. Image Magnification | 0.10x |
| 35mm Equivalent Max. Image Magnification | 0.20x |
| Minimum Field Size | 130 x 173mm |
| Number of Blades | 9 (Circular Aperture Diaphragm) |
| Filter Size | Diameter 58mm |
| Weight | 305g |
| AF System | High-speed Imager AF (MSC) |
-
MTF 75mm F1.8 Chart
-
Lens Element Diagram
Item Includes
Lens Cap (LC-58E)
Lens Rear Cap (LR-2)
Instruction Manual
Olympus Worldwide Warranty Card
Olympus M.Zuiko Digital MC-20 2X Teleconverter
$ 429.99
Olympus M.Zuiko Digital MC-20 2X Teleconverter
Olympus SKU: V321240BU000 | Helix SKU: OYV321240BU000
Overview
Double the focal length of the M.Zuiko Digital ED 40-150mm F2.8 PRO or M.Zuiko Digital ED 300mm F4.0 IS PRO with the 2x teleconverter MC-20. Maintain outstanding image quality, High speed AF, and Image Stabilization performance while carrying a minimal amount of additional gear.
The MC-20 doesn’t sacrifice quality when it comes to optical performance. 9 elements in 4 groups, including a HR lens, suppresses chromatic aberration, while ghosts and flare are kept to a minimum with Olympus’ highly regarded ZERO Coating.*
*Aperture value reduced by 2 EV steps.
Enjoy the same lightning-quick AF performance you’ve come to expect from your OM-D body and M.Zuiko PRO lenses. The MC-20 maintains the AF speed and accuracy your body and lens are capable of, allowing you to capture ultra-sharp images at twice the focal length.*
*Aperture value reduced by 2 EV steps.
Experience up to an incredible 5 shutter speed stops of IS per for mance enabling you to shoot hand-held at astounding 1200mm focal length equivalent. * **
* When using the OM-D E-M1X and M.Zuiko Digital ED 300mm F4.0 IS PRO Lens
** 5-Axis Sync IS
If you’re used to shooting in treacherous weather your M.Zuiko Digital ED 40-150mm F2.8 PRO and M.Zuiko Digital ED 300mm F4.0 IS PRO lenses, the MC-20 has you covered. Enjoy the same level of dustproof, splashproof, and freezeproof performance standard on all M.Zuiko PRO lenses.
Get close to smaller forms of wildlife and insects while maintaining enough distance to not startle your subject. The MC-20 + M.Zuiko Digital ED 300mm F4.0 IS PRO lens allows you to focus as close as 1.43m (4’ 8”), enabling you to take incredibly detailed images of smaller subjects at a magnification of 0.96x
Specifications
| Lens | Maximum Focal Length (35mm equivalent) |
Maximum Image Magnification (35mm equivalent) |
| M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO + MC-20 | 600mm (1200mm) |
0.48x (0.96x) |
| M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO + MC-20 | 300mm (600mm) |
0.43x (0.86x) |
Olympus O-RING UW FRONT PFL-01 FL-20
$ 11.95
Replacement front O-ring for the PT Underwater Protective Case PFL-01 for FL-20 Flash . Creates watertight seal.Underwater photographic equipment cannot be watertight unless the O-rings that seal it are flawless. Always carry spare O-rings in your camera case.O-rings are the most important components of your underwater camera system. If the O-ring is lubricated, it will be elastic enough to shape itself uniformly around the channel. If it is dry, there will be too much friction to allow it to reshape itself uniformly. It will not safeguard against flooding.Every time you open the camera to change film, examine the O-ring and service if necessary.Always clean and lubricate after every diving day.When in doubt about the sealing capability of an O-ring, always discard and replace.Never use a sharp or pointed object to remove an O-ring! Use the O-ring remover tool.Don't overgrease! Too much grease attracts debris that will disrupt the seal and cause flooding. Silicone grease is not a sealant; it only protects the O-ring from abrasion. A perfectly greased O-ring looks moist and shiny.
Olympus O-RING UW PPO-02 C-5060
$ 11.07
Underwater photographic equipment cannot be watertight unless the O-rings that seal it are flawless. Always carry spare O-rings in your camera case.O-rings are the most important components of your underwater camera system. If the O-ring is lubricated, it will be elastic enough to shape itself uniformly around the channel. If it is dry, there will be too much friction to allow it to reshape itself uniformly. It will not safeguard against flooding.Every time you open the camera to change film, examine the O-ring and service if necessary.Always clean and lubricate after every diving day.When in doubt about the sealing capability of an O-ring, always discard and replace.Never use a sharp or pointed object to remove an O-ring! Use the O-ring remover tool.Don't overgrease! Too much grease attracts debris that will disrupt the seal and cause flooding. Silicone grease is not a sealant; it only protects the O-ring from abrasion. A perfectly greased O-ring looks moist and shiny.
Olympus O-RING UW REAR PPO-02 C-5060
$ 10.84
UNDERWATER HOUSING,0-RING FOR PPO-02
Olympus OM-D E-M10 Mark IV Mirrorless Camera Body - Silver
$ 699.99 $ 599.99 - Sold Out
Olympus OM-D E-M10 Mark IV Mirrorless Camera Body - Silver
Olympus SKU: V207130SU000 | Helix SKU: OYV207130SU000
Overview
Features:
- 20.3MP Live MOS Micro Four Thirds Sensor
- TruePic VIII Image Processor
- UHD 4K30p Video Recording
- 2.36m-Dot 0.67x-Magnification OLED EVF
- 3.0" 1.04m-Dot 180° Tilt Touchscreen
- 5-Axis Sensor-Shift Image Stabilization
- 121-Point Contrast-Detection AF
- 8.7 fps Shooting, ISO 200-25600
- Wi-Fi and Bluetooth Connectivity
COMPACT
This compact mirrorless camera is light, easy to carry, and frees you to do your best shooting all while capturing bright, sharp stills and video.
5-AXIS IS
Instantly elevate your photography with foolproof technology that eliminates image blur to always capture bright, sharp images even in dark locations.
NEVER MISS A SHOT
Capture fast moving action and split-second scenes with sequential shooting that reels off an incredible 15 frames per second.
28 SCENE MODES
Choose from more than two-dozen Scene Modes that aide in capturing the most challenging of shots.
16 ART FILTERS
Here’s where creativity meets photography. Choose from over a dozen Art Filters to give your images a unique, stylized look.
4K VIDEO
Shoot smooth ultra-high definition 4K video that delivers stunning detail and breathtaking color.
WI-FI SYNC
The E-M10 Mark IV’s built-in Wi-Fi quickly connects to your smart device for wireless transfer of photos and videos.
BLUETOOTH®
Built-in Bluetooth facilitates easy image transfer from the E-M10 Mark IV to your smart device.
OI.SHARE
The free Olympus Image Share app is the gateway between your smart device and the E-M10 Mark IV.
Specifications:
-
Sensor Effective Resolution / Type20.3 Megapixel Live MOS
-
ProcessorTruePic™ VIII
-
Focusing SystemContrast Detection with 121 Focus Points
-
Image Stabilization System5-Axis In Body Image Stabilization with 4.5 EV Compensation
-
Viewfinder2.36M dot OLED Electronic Viewfinder
-
Rear Monitor3.0" 180º Tilting Touch Monitor with Selfie Mode
-
Creative Features4K Video, Nighttime Live Composite, 16 Art Filters with new Instant Film filter
-
Sequential Shooting SpeedMechanical Shutter: 8.7fps H Mode, 5.0fps L Mode
-
FlashBuilt-in Pop Up Flash
-
Special FeaturesIntuituve Touch Interface, Advanced Photo Mode, Shortcut Button, and Built-in Wi-Fi & Bluetooth
Olympus OM-D E-M10 Mark IV Mirrorless Camera Body only - Black
$ 699.99 $ 599.99
Olympus OM-D E-M10 Mark IV Mirrorless Camera Body Only - Black
Olympus SKU: V207130BU000 | Helix SKU: OYV207130BU000
Overview
Features:
- 20.3MP Live MOS Micro Four Thirds Sensor
- TruePic VIII Image Processor
- UHD 4K30p Video Recording
- 2.36m-Dot 0.67x-Magnification OLED EVF
- 3.0" 1.04m-Dot 180° Tilt Touchscreen
- 5-Axis Sensor-Shift Image Stabilization
- 121-Point Contrast-Detection AF
- 8.7 fps Shooting, ISO 200-25600
- Wi-Fi and Bluetooth Connectivity
Specifications
-
Sensor Effective Resolution / Type20.3 Megapixel Live MOS
-
ProcessorTruePic™ VIII
-
Focusing SystemContrast Detection with 121 Focus Points
-
Image Stabilization System5-Axis In Body Image Stabilization with 4.5 EV Compensation
-
Viewfinder2.36M dot OLED Electronic Viewfinder
-
Rear Monitor3.0" 180º Tilting Touch Monitor with Selfie Mode
-
Creative Features4K Video, Nighttime Live Composite, 16 Art Filters with new Instant Film filter
-
Sequential Shooting SpeedMechanical Shutter: 8.7fps H Mode, 5.0fps L Mode
-
FlashBuilt-in Pop Up Flash
-
Special FeaturesIntuituve Touch Interface, Advanced Photo Mode, Shortcut Button, and Built-in Wi-Fi & Bluetooth
Olympus POL-105A Silicone O-Ring for PPO-05 WA Port - New
$ 9.95
Olympus POL-105A Silicone O-Ring for PPO-05 WA Port - New
Olympus PORT UW PER-E02
$ 229.00
The Olympus Evolt Underwater Lens Port Extension Ring PER-E02 is designed for use with the 7-14mm zoom lens, PPO-E04 Wide Lens Port and EVOLT E-300. It requires PPO-E04 and Body Housing.
Olympus PPO-01 Standard Lens Port for PT-020 - #200941 - New
$ 49.00
Olympus PPO-01 Standard Lens Port for PT-020 - #200941 - New
Olympus SUR4346 Step Up Ring 43-46mm
$ 9.95
The filter has a different diameter and you still want to use it to achieve the effect you've been waiting for so long? With Olympus accessories it is not a problem at all. This 43mm to 46mm step-up ring allows you to use a wide variety of lenses, effects, and filters. allows you to use your 46mm Filter on a 43mm filter size lens
Olympus TCON-SA2 3X Extension B Holder Support Arm for E-10
$ 99.00
Olympus TCON SA-2 3x Extension B Holder Support Arm for the E-10 & E20N DigCams Olympus offers this Extension B Holder Support Arm for E-10 Olympus camera and TCON-300S Teleconverter. It comes with elegant leather carrying case for both camera and converter. The TCON SA2 supports both the Camera and 3X extension Lens when they are attached together. The E-10 and the lens are positioned and held in alignment by two registration pins. It is especially useful when using the Li-Po Battery Grip.
Olympus Varimagni Finder for OM System
$ 59.95
The Varimagni Finder slides into grooves on each side of the viewfinder of Olympus OM cameras, and can be useful when the camera is near the ground, and when the camera is mounted on a copying stand or a microscope and is pointing downwards.
OM System OM-1 Mirrorless Camera Body Only
$ 2,199.99
OM System OM-1 Mirrorless Camera Body Only
Olympus SKU: V210010BU000 | Helix SKU: OYV210010BU000
Overview
OM SYSTEM OM-1
As the flagship of the mirrorless OM SYSTEM, the OM-1 is equipped with the industry’s latest technology to realize your most creative ideas. Pick it up and be amazed at its compact size, how it fits naturally in your hand and how little effort it takes to lift it. Break free from heavy, bulky cameras and tripods with the world’s best image stabilization system for shooting sharp handheld shots, even in low light. Weather-sealing lets you work without worry in adverse conditions. You’ll have the speed and precision to capture the impossible and take your photos and video to new, exciting places.
STACKED BSI LIVE MOS SENSOR
Get 20MP of exceptional sharpness. Our redesigned Live MOS Sensor delivers a level of image quality that surpasses most full frame cameras.
LOW LIGHT PHOTOGRAPHY
Shoot bright, crisp images indoors and in low light environments with an ISO range that can be ramped up to an astounding 102,400.
EVEN BETTER IBIS
Leave the tripod behind and let the most advanced in-body image stabilization system in the world help you take sharp handheld, telephoto and macro shots.
LIVE ND
Take beautiful dreamy landscape shots using our Live ND Mode that emulates slow shutter speed effects.
HANDHELD HIGH-RES
Need a quick high resolution shot? We’ve moved this feature to dedicated button for taking a 50MP shot with incredible detail and clarity.
LIVE COMP
Capture long exposures of moving subjects like fireworks or light painting without a tripod.
FAST 120FPS EVF
The high-speed Electronic Viewfinder operates at 120fps and helps you clearly see subjects, even in the dark.
1,053 POINT ALL CROSS PIXEL AF
With an astounding 1,053 all cross-type focus points, you’ll track, focus and capture the fastest, most challenging subjects with unparalleled precision.
120FPS BURST RAW, 50FPS AF/AE TRACKING
Talk about blazing speed. Shoot a continuous 120fps of 20MP in RAW and ensure you’ll never miss a critical moment.
IP53 – DUSTPROOF AND SPLASHPROOF
Adverse conditions are a fact of life. The OM-1 is splash-proof, dustproof and comes with an impressive IP53 rating.
SAY NO TO DUST
Change lenses outdoors without worrying about getting the sensor dusty. Our Supersonic Wave Filter shakes dust and dirt away for pristine images.
SHUTTERBUG
The ultimate in durability. Rigorous testing proves that the OM-1’s shutter has a reliable lifespan of more than 400,000 actuations.
4K/60P 10BIT 4:2:0
Shoot in smooth, spectacular ultra-high resolution 4K/60p or capture high-speed, full high definition video at 240p.
ULTIMATE SLOW MOTION
If 120fps at FHD wasn’t enough, how about 240FPS?
OM-LOG LUT
Shoot in OM-Log to capture the maximum amount of dynamic range in challenging conditions and use the LUT to easily grade your color.
Specifications
Specifications
Sensor & Dust Reduction
| Sensor Type | 4/3 Stacked BSI Live MOS Sensor |
| Effective Pixels | 20.4 million |
| Total Pixels | 22.9 million |
| Aspect Ratio & Area | 4:3 / 17.4 x 13.0mm |
| Dust Reduction | Super Sonic Wave Filter |
Processor
| Processor Type | TruePic™ X |
Focusing System
| AF System Type | High-speed imager AF: Imager phase detection AF and imager contrast AF used in combination |
| AF Working Range | EV -5.5~19 (ISO approx.100, with a f/2.8 lens) |
| Focusing Points / Focusing Points Selection Mode | Cross-type phase detection AF (1,053 points), Contrast AF (1,053 points) / All target, Single target (1 point), Small target (9 points), Cross target (39 points), Middle target (63 points), Large target (165 points), Custom target* (AF area and its increment steps selectable) *Number of saved custom target settings: 4 |
| Focus Modes | Single AF (S-AF) Single AF (S-AF+MF) Continuous AF (C-AF) Continuous AF (C-AF+MF) Manual Focus (MF) AF tracking (C-AF + TR) AF tracking (C-AF + TR+MF) Preset MF Starry sky AF (S-AF) Starry sky AF (S-AF+MF) |
| C-AF Tracking Sensitivity Settings | 5 steps |
| C-AF Center Priority | Available |
| C-AF Center Start | Available |
| AF Limiter | Available *Up to 3 distance settings can be saved |
| Magnified Frame | 3x , 5x , 7x , 10x , 14x |
| Face Detection AF / Eye Detection | Available |
| AI detection AF | Formula cars, rally cars, motorcycles / Aircrafts, helicopters / Bullet trains, standard trains, steam locomotives / Birds / Dogs, cats |
| AF Targeting Pad | Available |
| Magnify MF | Available |
| Peaking Function | Available |
| AF Focus Adj. | Available |
| AF Illuminator | Available |
| Focus Indicator | Available |
Image Stabilization
| System Type | Built-in 5-axis sensor-shift image stabilization |
| Modes | 4 modes (S-IS AUTO, S-IS1, S-IS2, S-IS3), OFF |
| Focal Length Setting | 11 settings: 10 programmable settings (10 lenses) *Lenses without communication function can be registered |
| 5-Axis Sync IS | Available* *When using M.Zuiko Digital lenses equipped with image stabilization |
| Stabilization Performance | Compensation steps (Body only): 7.0 *When using the M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO Focal length: 40mm (35mm equivalent: 80mm） Compensation steps (Sync IS): 8.0 *When using the M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO Focal length: 150mm (35mm equivalent: 300mm), halfway release image stabilization Off, Frame rate: High |
Shutter/Sequential Shooting
| Shutter Type |
Focal-plane shutter (mechanical shutter) 1/8000 - 60 sec, Live Bulb, LiveTime, Live Composite Electronic first curtain shutter 1/320 - 60 sec *Shutter speed faster than 1/320 sec will be automatically switched to mechanical shutter. Electronic shutter (Silent mode) 1/32000 - 60 sec *Settings for sound, AF illuminator, and flash can be set to ON/OFF separately, default setting is Off for all three Flicker Scan Video recording 1/30 - 1/250.0 Still 1/50.0 - 1/7634 *Video recording S/M mode, Still S/M silent mode only |
| Sequential Shooting Maximum Speed *When using the M.ZUIKO DIGITAL ED 12-40mm f/2.8 PRO |
[Sequential shooting] approx 10 fps with selectable 1-10 fps [Anti-shock sequential shooting] approx 10 fps with selectable 1-10 fps [Silent sequential shooting] approx 20 fps with selectable 5, 10, 15, 20 fps without blackout [Silent sequential shooting SH1] approx 120 fps with selectable 60, 100, 120 fps without blackout *Slower shutter speeds and flash can not be used. [Silent sequential shooting SH2] approx 50 fps with selectable 25, 50, fps without blackout *Slower shutter speeds and flash can not be used. *Compatible lenses are limited. [Pro Capture] approx 20 fps with selectable 5, 10, 15, 20 fps *When in Pro Capture mode, slower shutter speeds and flash can not be used [Pro Capture SH1] approx 120 fps with selectable 60, 100, 120 fps *When in Pro Capture mode, slower shutter speeds and flash can not be used [Pro Capture SH2] approx 50 fps with selectable 25, 50 fps *Slower shutter speeds and flash can not be used. *Compatible lenses are limited. |
| Max. Recordable Pictures in Sequential Shooting | Sequential shooting 10 fps [RAW]: Approx. 139 Sequential shooting 10 fps [JPEG LF]: Approx. 169 Silent sequential shooting 20 fps [RAW]: Approx. 108 Silent sequential shooting 20 fps [JPEG LF]: Approx. 116 Silent sequential shooting SH1 120 fps [RAW]: Approx. 92 Silent sequential shooting SH1 120 fps [JPEG LF]: Approx. 92 Silent sequential shooting SH2 50 fps [RAW]: Approx. 96 Silent sequential shooting SH2 50 fps [JPEG LF]: Approx. 97 |
| Self Timer | Operation time: 12 sec., 2 sec., custom (Wait time: 1-30sec., Shot interval: 0.5/1/2/3sec., Number of shots: 1-10, Every time AF: ON/OFF) |
Viewfinder/Monitor
| Finder Type | Eye-level OLED electronic viewfinder, approx. 5.76M dots |
| Field of View / Viewfinder Magnification | Approx. 100% / Approx. 1.48x[*1] - 1.65x[*2] (-1m-1, 50mm lens, Infinity) *1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3) |
| Eye Point / Diopter Adjustment Range | Approx. 21mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1 |
| Display Grid | Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid *grid color is selectable |
| Level Gauge | 2-axis (horizontal / vertical) level gauge |
| Finder Style | 3 styles |
| Brightness / Color Temp Control | Adaptive brightness technology (EVF Auto Luminance) / ±7 level manual brightness control /±7 level manual color temperature control both GM and BA |
| S-OVF (Simulated OVF) | Available |
| Optional Eyecup | Available (EP-18, bundled) |
| Rear Monitor Size | 3.0-inch vari-angle monitor* *Approx 1.62M dots (3:2), electrostatic capacitance touch panel |
| Touch Control | Shutter release Touch AF (AF area selection, AF area size adjustment) Face selection by touch operation AF targeting pad Frame forward/backward Magnified playback Super Control Panel Wi-Fi connection Movie controls |
| Tilting Capability | Swivel type |
| Brightness / Color Temp Control (Rear Monitor) | ±7 levels / GM ±7 levels, BA ±7 levels |
Exposure Control & Flash
| Metering System |
Digital ESP metering (324-area multi pattern metering), center-weighted average metering, spot metering*, spot metering with highlight control, spot metering with shadow control *Also available AF target spot metering |
| Metering Range | Lowest luminance (-2 EV) / Highest luminance (20 EV) *ISO approx. 100, with F2.8 lens |
| ISO Sensitivity | AUTO ISO (default) : LOW (approx.80) ~ 102400 * Upper default ISO 25600 Manual ISO : LOW (approx.80, approx.100), 200 ~ 102400 |
| Exposure Compensation | ±5 EV (adjustable by 1/3, 1/2 or 1 EV steps) *Live View only reflects up to ±3 EV steps |
| AE Lock | Locks with a half-press of the shutter button (can be set to other buttons) |
| Anti-Flicker Shooting | Available |
| Flash Intensity Control Mode | TTL Auto, Manual, Auto, Super FP (FP-TTL AUTO, FP-MANUAL) *Auto and Super FP are available on the external flash |
| Flash Mode | Fill-in, Flash Off, Slow sync., Manual* (1/1 (FULL) ~ 1/64) * manual is available only with FL-LM3 |
| Synchronization Speed | 1/250 sec. *When using Super FP: 1/125-1/8000 sec. *When using electronic shutter: 1/100 sec. up to ISO12800, 1/50 sec. for ISO 16000 and higher, and 1/50 sec. for ISO bracketing |
| Flash Intensity Control | ±3 EV (1/3, 1/2, 1 EV steps selectable) |
| Compatible External Flash | FL-LM3, FL-600R, FL-900R, STF-8, FL-700WR |
| Wireless Flash Control Method | Triggered and controlled by OM SYSTEM (Olympus) Wireless RC Flash system compatible flashes: FL-600R, FL-900R, FL-700WR |
| External Flash Intensity Type | TTL Auto, Manual, Auto, FP-TTL AUTO, FP-MANUAL |
| Channel No. | 4 channels |
| Group No. | 3 groups (External flash 2 groups + commander flash) |
| Radio Wireless Control | Available |
Memory & Image Recording (File Format)
| Compatible Memory |
Slot 1: SD, SDHC (UHS-I / II), SDXC(UHS-I / II) Slot 2: SD, SDHC (UHS-I / II), SDXC(UHS-I / II) |
| Recording Format | DCF2.0, Exif2.31 |
| File Format | RAW (12-bit lossless compression), JPEG, RAW+JPEG |
| Recording Image Size | [RAW] 5184 x 3888 pixels [JPEG] 5184 x 3888 pixels - 1024 x 768 pixels |
|
Dual Card Slot Settings
|
Standard, Auto Switch, Dual Independent, Dual Same |
| Folder Creation and Selection | Available |
White Balance/Color Mode
| White Balance Mode | Auto WB, 7 WB presets, 4 Capture WB, Custom WB (Kelvin setting) |
| White Balance Compensation* | ±7 steps along A-B / G-M axis * Including Custom WB |
| Color Mode | sRGB, Adobe RGB |
Bracketing & HDR
| Exposure Bracketing | 2, 3 or 5 frames in 0.3/0.7/1.0EV steps selectable, 7 frames in 0.3/0.7EV steps selectable |
| ISO Bracketing | 3 frames in 0.3/0.7/1.0EV steps selectable |
| White Balance Bracketing | 3 frames (A-B/G-M axis*) *Selectable in 2, 4, 6 steps each |
| Flash Bracketing | 3 frames in 0.3/0.7/1.0EV step selectable |
| Art Filter Bracketing | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator, Underwater selectable |
| Focus Bracketing | 3 to 999 frames (step 1 to 10 selectable) Flash charge time (0, 0.1, 0.2, 0.5, 1. 2, 4, 8, 15, 30 sec. selectable) |
| Focus Stacking Mode | Available * Compatible with : M.ZUIKO DIGITAL ED 7-14mm F2.8 PRO M.ZUIKO DIGITAL ED 8-25mm F4.0 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO II M.ZUIKO DIGITAL ED 12-45mm F4 PRO M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO M.ZUIKO DIGITAL ED 40-150mm F4.0 PRO M.ZUIKO DIGITAL ED 100-400mm F5.0-6.3 IS M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO M.ZUIKO DIGITAL ED 8mm F1.8 Fisheye PRO M.ZUIKO DIGITAL ED 30mm F3.5 Macro M.ZUIKO DIGITAL ED 60mm F2.8 Macro M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO M.ZUIKO DIGITAL 1.4x Teleconverter MC-14 M.ZUIKO DIGITAL 2x Teleconverter MC-20 |
| HDR (Auto Composite) | HDR1, HDR2 (painting-like) *ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. |
| Bracketing for HDR post-process | 3 or 5 frames (2.0 or 3.0 EV steps), 7 frames (2.0 EV steps) |
Creative Features
| Picture Mode | i-Finish, Vivid, Natural, Flat, Portrait, Monotone, Custom, Underwater, Color Creator, Art Filters |
| Gradation | 4 types (Auto, Normal, High Key, Low Key) *Except when using Underwater, Art Filters, Color Creator |
| Highlight and Shadow Control | Available |
| Color Matrix | sRGB, Adobe RGB |
| Art Filter (Variation / Art Effect) |
Pop Art Soft Focus Pale & Light Color Light Tone Grainy Film Pin Hole Diorama Cross Process Gentle Sepia Dramatic Tone Key Line Water Color Vintage Partial Color (18 color selectable) Bleach Bypass Instant Film |
| Live Bulb / Live Time | Update Interval Time - 0.5 sec – 60 sec |
| Live Composite | Update Interval Time - 0.5 sec – 60 sec |
| Interval Mode | *Creating Time-lapse movie is possible with interval shooting up to 999 frames. *Time priority, Frame priority selectable *Exposure smoothing is available Available on making Time-lapse movie automatically |
| Multiple Exposure (number of pictures / function) | 2 frames |
| Fisheye Compensation | 3 styles (can be confirmed in Live View) *Enabled when M.Zuiko Digital ED 8mm F1.8 Fisheye PRO is used. |
| Live ND (Neutral Density) | Available *Shutter Priority and Manual mode only, flash can not be used, ISO up to 800, the maximum shutter speed is 1/60 (when ND2 is set) and the speed drops if the number of ND steps is raised. |
| Tripod High Res Shot | JPEG (80M) 10368 x 7776 JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 10368 x 7776 |
| Handheld High Res Shot | JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 8160 x 6120 |
| Keystone Compensation | Available |
Video & Audio Recording
| Video Recording Format / Frame Rate / Compression Method |
MOV(MPEG-4AVC/H.264) 4096 × 2160 (C4K) / 30p, 25p, 24p / LongGOP (Approx. 102Mbps) 60p, 50p / LongGOP(Approx. 202Mbps) 3840 × 2160 (4K) / 30p, 25p, 24p / LongGOP (Approx. 102Mbps) 60p, 50p / LongGOP(Approx. 202Mbps) 1920 x 1080 (FHD) / 30p, 25p, 24p / ALL-I (Approx. 202Mbps), LongGOP (Approx. 27Mbps) 60p, 50p / LongGOP (Approx. 52Mbps) MOV (HEVC/H.265) 4096 × 2160 (C4K) / 30p, 25p, 24p / LongGOP (Approx. 77Mbps) 60p, 50p / LongGOP (Approx. 152Mbps) 3840 × 2160 (4K) / 30p, 25p, 24p / LongGOP (Approx. 77Mbps) 60p, 50p / LongGOP (Approx. 152Mbps) 1920 x 1080 (FHD) / 30p, 25p, 24p / ALL-I (Approx. 82Mbps), LongGOP (Approx. 22Mbps) 60p, 50p / ALL-I (Approx. 162Mbps), LongGOP (Approx. 42Mbps) |
| Art Filter Movie | Available (Frame rates may drop when certain Art Filters are used) |
| One-push Movie Digital Converter | Approx. 1.4x |
| Time-lapse Movie | 3840 x 2160 (4K) / 5fps, 10fps, 15fps, 30fps 1920 x 1080 (FHD) / 5fps, 10fps, 15fps, 30fps 1280 x 720 (HD) / 5fps, 10fps, 15fps, 30fps |
| Quick Movie / Slow Movie | Available |
| High speed movie | 240, 200, 120, 100fps (1920×1080 / MPEG-4 AVC/H.264) 200, 120, 100fps (1920 x 1080 / HEVC/H.265) |
| IS for Movie | M-IS1 (multi motion IS by Image sensor shift and electronic image stabiliser), M-IS2 (Multi motion IS by Image sensor shift), OFF *Field of view varies when using M-IS1. Using lens which is equipped with image stabilization can be given top priority. *While using M-IS1, field of view may be affected. |
| AE Lock | Available |
| Video Exposure Control | Program AE, aperture priority AE, shutter priority AE, manual |
| Grid Lines / Focus Peaking | 4 types of grid lines / 4 colors for focus peaking |
| Zebra Pattern | Available * 2 levels selectable to set |
| Time Code | Rec run/free run, drop frame/non-drop frame |
| Live View Output via HDMI | Monitor mode / Record mode / RAW mode *In monitor mode, the image can not be enlarged on the camera when a movie is being recorded. *In record mode, movie quality can be set to YCbCr 4:2:2 (8 bit). *When recording simultaneously on the camera in 4K/C4K/FHD HS, 4:2:0 is upsampled to 4:2:2. *In RAW mode, output video quality is 4K/C4K 12bit RAW data, frame rate follows movie setting, and sound will be recorded. |
| Movie Picture Mode | Flat, OM-Log400, HLG |
|
Audio Recording Format
|
Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz) |
|
High-Resolution Audio recording
|
Stereo linear PCM/24-bit, Sampling frequency 96kHz |
|
Microphone / Speaker
|
Built-in stereo microphone / built-in mono speaker *External stereo microphone can be attached |
|
Microphone Function
|
Wind noise reduction, recording volume, microphone volume limiter *Audio dubbing possible for still pictures (up to 30 sec.) |
Operability
| GPS Info Function | Available (Via GPS smartphone) |
| Wireless Shooting | Live View via smartphone, Remote shutter via smartphone, Remote shutter by Remote controller RM-WR1 |
| Image Share | Available *Marking function for image share is available. Image transfer by operation on OI. Share |
| Easy Connection | Connect using a QR code Connect using Bluetooth (View, Transfer only) |
| Tethered Shooting | USB connection *Camera can be operated by PC or camera controls Wi-Fi connection (2.4GHz/5GHz) *Transfer of recorded images to PC via access point |
| Playback Mode | Single-frame, Information display, Index display (4/9/25/100 frames), Calendar, Enlargement (2x ~ 14x), Movie (with sound, FF/REW/Pause), Picture rotation (auto) |
| Information Display | Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF |
| Menu Languages (18 selectable) | English, French, German, Spanish, Italian, Japanese, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Polish, Portuguese, Swedish, Norwegian, Finnish, Slovak, Thai |
Image Editing
| Movie Editing Function | Trimming (beginning / end) / In-movie image extraction (4K only) |
| Editing function | RAW data edit, Gradation auto, Monochrome, Sepia, Red-eye fix, Saturation, Resize (1280x960, 640x480, 320x240), Trimming, Image Overlay, Post recording |
| RAW data edit | RAW data edit based on settings of the camera (including Color Creator, Art Filter, ART-BKT) |
| Rating | Available |
Connectivity & Power Requirements
| USB Connector | USB Type-C (USB 3.0 SuperSpeed) |
| Remote Connector | ⌀2.5Pin Jack (Optional remote cable RM-CB2, remote controller RM-WR1 can be used) |
| HDMI Connector | Micro HDMI (type D) |
| Flash Attachment | Hot shoe, sync terminal |
| Wireless LAN | Built-in (IEEE 802.11b/g/n/ac) |
| Bluetooth | Built-in (Bluetooth Ver.4.2 Bluetooth Low Energy) |
| MIC Input Jack | ⌀3.5 stereo mini jack (plug-in power on/off) |
| Headphone Jack | ⌀3.5 stereo mini jack |
| Battery | BLX-1 Li-ion battery |
| Battery Status Display | Remaining power (10 steps, %, or by-minute display), Shot count, Degradation |
| AC Adapter | Optional F-7AC adapter *Via power battery holder (HLD-10) |
| USB Bus Power | A USB PD bus power can be used *PD compliant Camera: Rev 3.0 Ver 1.0a |
| USB Charging | Built-in battery can be charged with USB * When the camera power is off * Performance varies depending on different USB devices |
| Sleep Mode | Available (1/3/5 min, off) |
| Number of Recordable Pictures *With Toshiba SDXU-D032G, IS ON, with no flashes attached, based on CIPA test standards |
Standard mode: 520 Quick sleep mode: 1100 |
| Battery Life for Movie Recording *When repeatedly recording at the maximum time of 29 minutes |
Under standard JEITA testing: 90 When zoom and other operational functions are not used: 160 |
Weights, Dimensions, & Operating
| Weight |
Based on CIPA standards, with 1x BLX-1 battery and 1 memory card, without eyecup): 599g Approx. 511g (body only) |
| Dimensions | Approx. 134.8mm(W) x 91.6mm(H) x 72.7mm(D) *Based on CIPA standards: excludes protrusions |
| Weatherproof Construction | Splashproof Type / Dustproof: IEC Standard publication 60529 IP53 (applies when the body is used with our splashproof Lens. When used an IP53 lens, performance is IP53, When used with an IPX1 lens, performance becomes IPX1.) Freezeproof: -10℃ |
| Operating Temperature Range | -10℃ ~ +40℃ (when in operation), -20 ~ +60℃ (when stored) |
| Operating Humidity Range | 30 - 90% (when in operation) / 10 - 90% (when stored) |
*Prices and specifications are subject to change without notice.
Item Includes
Box Contents:
Body
CB-USB13 USB cable
CC-1 Cable clip
CP-2 Cable protector
Shoulder strap
Instruction manual
Warranty card
BLX-1 Li-ion battery
F-7AC AC adapter
FL-LM3 Flash
OM System OM-1 Mirrorless Camera with 12-40mm f2.8 II
$ 2,799.99
OM System OM-1 Mirrorless Camera with 12-40mm f2.8 II
OM System SKU: V210011BU000 | Helix SKU: OYV210011BU000
Overview
OM SYSTEM OM-1
As the flagship of the mirrorless OM SYSTEM, the OM-1 is equipped with the industry’s latest technology to realize your most creative ideas. Pick it up and be amazed at its compact size, how it fits naturally in your hand and how little effort it takes to lift it. Break free from heavy, bulky cameras and tripods with the world’s best image stabilization system for shooting sharp handheld shots, even in low light. Weather-sealing lets you work without worry in adverse conditions. You’ll have the speed and precision to capture the impossible and take your photos and video to new, exciting places.
STACKED BSI LIVE MOS SENSOR
Get 20MP of exceptional sharpness. Our redesigned Live MOS Sensor delivers a level of image quality that surpasses most full frame cameras.
LOW LIGHT PHOTOGRAPHY
Shoot bright, crisp images indoors and in low light environments with an ISO range that can be ramped up to an astounding 102,400.
EVEN BETTER IBIS
Leave the tripod behind and let the most advanced in-body image stabilization system in the world help you take sharp handheld, telephoto and macro shots.
LIVE ND
Take beautiful dreamy landscape shots using our Live ND Mode that emulates slow shutter speed effects.
HANDHELD HIGH-RES
Need a quick high resolution shot? We’ve moved this feature to dedicated button for taking a 50MP shot with incredible detail and clarity.
LIVE COMP
Capture long exposures of moving subjects like fireworks or light painting without a tripod.
FAST 120FPS EVF
The high-speed Electronic Viewfinder operates at 120fps and helps you clearly see subjects, even in the dark.
1,053 POINT ALL CROSS PIXEL AF
With an astounding 1,053 all cross-type focus points, you’ll track, focus and capture the fastest, most challenging subjects with unparalleled precision.
120FPS BURST RAW, 50FPS AF/AE TRACKING
Talk about blazing speed. Shoot a continuous 120fps of 20MP in RAW and ensure you’ll never miss a critical moment.
IP53 – DUSTPROOF AND SPLASHPROOF
Adverse conditions are a fact of life. The OM-1 is splash-proof, dustproof and comes with an impressive IP53 rating.
SAY NO TO DUST
Change lenses outdoors without worrying about getting the sensor dusty. Our Supersonic Wave Filter shakes dust and dirt away for pristine images.
SHUTTERBUG
The ultimate in durability. Rigorous testing proves that the OM-1’s shutter has a reliable lifespan of more than 400,000 actuations.
4K/60P 10BIT 4:2:0
Shoot in smooth, spectacular ultra-high resolution 4K/60p or capture high-speed, full high definition video at 240p.
ULTIMATE SLOW MOTION
If 120fps at FHD wasn’t enough, how about 240FPS?
OM-LOG LUT
Shoot in OM-Log to capture the maximum amount of dynamic range in challenging conditions and use the LUT to easily grade your color.
Specifications
Specifications
Sensor & Dust Reduction
| Sensor Type | 4/3 Stacked BSI Live MOS Sensor |
| Effective Pixels | 20.4 million |
| Total Pixels | 22.9 million |
| Aspect Ratio & Area | 4:3 / 17.4 x 13.0mm |
| Dust Reduction | Super Sonic Wave Filter |
Processor
| Processor Type | TruePic™ X |
Focusing System
| AF System Type | High-speed imager AF: Imager phase detection AF and imager contrast AF used in combination |
| AF Working Range | EV -5.5~19 (ISO approx.100, with a f/2.8 lens) |
| Focusing Points / Focusing Points Selection Mode | Cross-type phase detection AF (1,053 points), Contrast AF (1,053 points) / All target, Single target (1 point), Small target (9 points), Cross target (39 points), Middle target (63 points), Large target (165 points), Custom target* (AF area and its increment steps selectable) *Number of saved custom target settings: 4 |
| Focus Modes | Single AF (S-AF) Single AF (S-AF+MF) Continuous AF (C-AF) Continuous AF (C-AF+MF) Manual Focus (MF) AF tracking (C-AF + TR) AF tracking (C-AF + TR+MF) Preset MF Starry sky AF (S-AF) Starry sky AF (S-AF+MF) |
| C-AF Tracking Sensitivity Settings | 5 steps |
| C-AF Center Priority | Available |
| C-AF Center Start | Available |
| AF Limiter | Available *Up to 3 distance settings can be saved |
| Magnified Frame | 3x , 5x , 7x , 10x , 14x |
| Face Detection AF / Eye Detection | Available |
| AI detection AF | Formula cars, rally cars, motorcycles / Aircrafts, helicopters / Bullet trains, standard trains, steam locomotives / Birds / Dogs, cats |
| AF Targeting Pad | Available |
| Magnify MF | Available |
| Peaking Function | Available |
| AF Focus Adj. | Available |
| AF Illuminator | Available |
| Focus Indicator | Available |
Image Stabilization
| System Type | Built-in 5-axis sensor-shift image stabilization |
| Modes | 4 modes (S-IS AUTO, S-IS1, S-IS2, S-IS3), OFF |
| Focal Length Setting | 11 settings: 10 programmable settings (10 lenses) *Lenses without communication function can be registered |
| 5-Axis Sync IS | Available* *When using M.Zuiko Digital lenses equipped with image stabilization |
| Stabilization Performance | Compensation steps (Body only): 7.0 *When using the M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO Focal length: 40mm (35mm equivalent: 80mm） Compensation steps (Sync IS): 8.0 *When using the M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO Focal length: 150mm (35mm equivalent: 300mm), halfway release image stabilization Off, Frame rate: High |
Shutter/Sequential Shooting
| Shutter Type |
Focal-plane shutter (mechanical shutter) 1/8000 - 60 sec, Live Bulb, LiveTime, Live Composite Electronic first curtain shutter 1/320 - 60 sec *Shutter speed faster than 1/320 sec will be automatically switched to mechanical shutter. Electronic shutter (Silent mode) 1/32000 - 60 sec *Settings for sound, AF illuminator, and flash can be set to ON/OFF separately, default setting is Off for all three Flicker Scan Video recording 1/30 - 1/250.0 Still 1/50.0 - 1/7634 *Video recording S/M mode, Still S/M silent mode only |
| Sequential Shooting Maximum Speed *When using the M.ZUIKO DIGITAL ED 12-40mm f/2.8 PRO |
[Sequential shooting] approx 10 fps with selectable 1-10 fps [Anti-shock sequential shooting] approx 10 fps with selectable 1-10 fps [Silent sequential shooting] approx 20 fps with selectable 5, 10, 15, 20 fps without blackout [Silent sequential shooting SH1] approx 120 fps with selectable 60, 100, 120 fps without blackout *Slower shutter speeds and flash can not be used. [Silent sequential shooting SH2] approx 50 fps with selectable 25, 50, fps without blackout *Slower shutter speeds and flash can not be used. *Compatible lenses are limited. [Pro Capture] approx 20 fps with selectable 5, 10, 15, 20 fps *When in Pro Capture mode, slower shutter speeds and flash can not be used [Pro Capture SH1] approx 120 fps with selectable 60, 100, 120 fps *When in Pro Capture mode, slower shutter speeds and flash can not be used [Pro Capture SH2] approx 50 fps with selectable 25, 50 fps *Slower shutter speeds and flash can not be used. *Compatible lenses are limited. |
| Max. Recordable Pictures in Sequential Shooting | Sequential shooting 10 fps [RAW]: Approx. 139 Sequential shooting 10 fps [JPEG LF]: Approx. 169 Silent sequential shooting 20 fps [RAW]: Approx. 108 Silent sequential shooting 20 fps [JPEG LF]: Approx. 116 Silent sequential shooting SH1 120 fps [RAW]: Approx. 92 Silent sequential shooting SH1 120 fps [JPEG LF]: Approx. 92 Silent sequential shooting SH2 50 fps [RAW]: Approx. 96 Silent sequential shooting SH2 50 fps [JPEG LF]: Approx. 97 |
| Self Timer | Operation time: 12 sec., 2 sec., custom (Wait time: 1-30sec., Shot interval: 0.5/1/2/3sec., Number of shots: 1-10, Every time AF: ON/OFF) |
Viewfinder/Monitor
| Finder Type | Eye-level OLED electronic viewfinder, approx. 5.76M dots |
| Field of View / Viewfinder Magnification | Approx. 100% / Approx. 1.48x[*1] - 1.65x[*2] (-1m-1, 50mm lens, Infinity) *1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3) |
| Eye Point / Diopter Adjustment Range | Approx. 21mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1 |
| Display Grid | Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid *grid color is selectable |
| Level Gauge | 2-axis (horizontal / vertical) level gauge |
| Finder Style | 3 styles |
| Brightness / Color Temp Control | Adaptive brightness technology (EVF Auto Luminance) / ±7 level manual brightness control /±7 level manual color temperature control both GM and BA |
| S-OVF (Simulated OVF) | Available |
| Optional Eyecup | Available (EP-18, bundled) |
| Rear Monitor Size | 3.0-inch vari-angle monitor* *Approx 1.62M dots (3:2), electrostatic capacitance touch panel |
| Touch Control | Shutter release Touch AF (AF area selection, AF area size adjustment) Face selection by touch operation AF targeting pad Frame forward/backward Magnified playback Super Control Panel Wi-Fi connection Movie controls |
| Tilting Capability | Swivel type |
| Brightness / Color Temp Control (Rear Monitor) | ±7 levels / GM ±7 levels, BA ±7 levels |
Exposure Control & Flash
| Metering System |
Digital ESP metering (324-area multi pattern metering), center-weighted average metering, spot metering*, spot metering with highlight control, spot metering with shadow control *Also available AF target spot metering |
| Metering Range | Lowest luminance (-2 EV) / Highest luminance (20 EV) *ISO approx. 100, with F2.8 lens |
| ISO Sensitivity | AUTO ISO (default) : LOW (approx.80) ~ 102400 * Upper default ISO 25600 Manual ISO : LOW (approx.80, approx.100), 200 ~ 102400 |
| Exposure Compensation | ±5 EV (adjustable by 1/3, 1/2 or 1 EV steps) *Live View only reflects up to ±3 EV steps |
| AE Lock | Locks with a half-press of the shutter button (can be set to other buttons) |
| Anti-Flicker Shooting | Available |
| Flash Intensity Control Mode | TTL Auto, Manual, Auto, Super FP (FP-TTL AUTO, FP-MANUAL) *Auto and Super FP are available on the external flash |
| Flash Mode | Fill-in, Flash Off, Slow sync., Manual* (1/1 (FULL) ~ 1/64) * manual is available only with FL-LM3 |
| Synchronization Speed | 1/250 sec. *When using Super FP: 1/125-1/8000 sec. *When using electronic shutter: 1/100 sec. up to ISO12800, 1/50 sec. for ISO 16000 and higher, and 1/50 sec. for ISO bracketing |
| Flash Intensity Control | ±3 EV (1/3, 1/2, 1 EV steps selectable) |
| Compatible External Flash | FL-LM3, FL-600R, FL-900R, STF-8, FL-700WR |
| Wireless Flash Control Method | Triggered and controlled by OM SYSTEM (Olympus) Wireless RC Flash system compatible flashes: FL-600R, FL-900R, FL-700WR |
| External Flash Intensity Type | TTL Auto, Manual, Auto, FP-TTL AUTO, FP-MANUAL |
| Channel No. | 4 channels |
| Group No. | 3 groups (External flash 2 groups + commander flash) |
| Radio Wireless Control | Available |
Memory & Image Recording (File Format)
| Compatible Memory |
Slot 1: SD, SDHC (UHS-I / II), SDXC(UHS-I / II) Slot 2: SD, SDHC (UHS-I / II), SDXC(UHS-I / II) |
| Recording Format | DCF2.0, Exif2.31 |
| File Format | RAW (12-bit lossless compression), JPEG, RAW+JPEG |
| Recording Image Size | [RAW] 5184 x 3888 pixels [JPEG] 5184 x 3888 pixels - 1024 x 768 pixels |
|
Dual Card Slot Settings
|
Standard, Auto Switch, Dual Independent, Dual Same |
| Folder Creation and Selection | Available |
White Balance/Color Mode
| White Balance Mode | Auto WB, 7 WB presets, 4 Capture WB, Custom WB (Kelvin setting) |
| White Balance Compensation* | ±7 steps along A-B / G-M axis * Including Custom WB |
| Color Mode | sRGB, Adobe RGB |
Bracketing & HDR
| Exposure Bracketing | 2, 3 or 5 frames in 0.3/0.7/1.0EV steps selectable, 7 frames in 0.3/0.7EV steps selectable |
| ISO Bracketing | 3 frames in 0.3/0.7/1.0EV steps selectable |
| White Balance Bracketing | 3 frames (A-B/G-M axis*) *Selectable in 2, 4, 6 steps each |
| Flash Bracketing | 3 frames in 0.3/0.7/1.0EV step selectable |
| Art Filter Bracketing | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator, Underwater selectable |
| Focus Bracketing | 3 to 999 frames (step 1 to 10 selectable) Flash charge time (0, 0.1, 0.2, 0.5, 1. 2, 4, 8, 15, 30 sec. selectable) |
| Focus Stacking Mode | Available * Compatible with : M.ZUIKO DIGITAL ED 7-14mm F2.8 PRO M.ZUIKO DIGITAL ED 8-25mm F4.0 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO II M.ZUIKO DIGITAL ED 12-45mm F4 PRO M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO M.ZUIKO DIGITAL ED 40-150mm F4.0 PRO M.ZUIKO DIGITAL ED 100-400mm F5.0-6.3 IS M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO M.ZUIKO DIGITAL ED 8mm F1.8 Fisheye PRO M.ZUIKO DIGITAL ED 30mm F3.5 Macro M.ZUIKO DIGITAL ED 60mm F2.8 Macro M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO M.ZUIKO DIGITAL 1.4x Teleconverter MC-14 M.ZUIKO DIGITAL 2x Teleconverter MC-20 |
| HDR (Auto Composite) | HDR1, HDR2 (painting-like) *ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. |
| Bracketing for HDR post-process | 3 or 5 frames (2.0 or 3.0 EV steps), 7 frames (2.0 EV steps) |
Creative Features
| Picture Mode | i-Finish, Vivid, Natural, Flat, Portrait, Monotone, Custom, Underwater, Color Creator, Art Filters |
| Gradation | 4 types (Auto, Normal, High Key, Low Key) *Except when using Underwater, Art Filters, Color Creator |
| Highlight and Shadow Control | Available |
| Color Matrix | sRGB, Adobe RGB |
| Art Filter (Variation / Art Effect) |
Pop Art Soft Focus Pale & Light Color Light Tone Grainy Film Pin Hole Diorama Cross Process Gentle Sepia Dramatic Tone Key Line Water Color Vintage Partial Color (18 color selectable) Bleach Bypass Instant Film |
| Live Bulb / Live Time | Update Interval Time - 0.5 sec – 60 sec |
| Live Composite | Update Interval Time - 0.5 sec – 60 sec |
| Interval Mode | *Creating Time-lapse movie is possible with interval shooting up to 999 frames. *Time priority, Frame priority selectable *Exposure smoothing is available Available on making Time-lapse movie automatically |
| Multiple Exposure (number of pictures / function) | 2 frames |
| Fisheye Compensation | 3 styles (can be confirmed in Live View) *Enabled when M.Zuiko Digital ED 8mm F1.8 Fisheye PRO is used. |
| Live ND (Neutral Density) | Available *Shutter Priority and Manual mode only, flash can not be used, ISO up to 800, the maximum shutter speed is 1/60 (when ND2 is set) and the speed drops if the number of ND steps is raised. |
| Tripod High Res Shot | JPEG (80M) 10368 x 7776 JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 10368 x 7776 |
| Handheld High Res Shot | JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 8160 x 6120 |
| Keystone Compensation | Available |
Video & Audio Recording
| Video Recording Format / Frame Rate / Compression Method |
MOV(MPEG-4AVC/H.264) 4096 × 2160 (C4K) / 30p, 25p, 24p / LongGOP (Approx. 102Mbps) 60p, 50p / LongGOP(Approx. 202Mbps) 3840 × 2160 (4K) / 30p, 25p, 24p / LongGOP (Approx. 102Mbps) 60p, 50p / LongGOP(Approx. 202Mbps) 1920 x 1080 (FHD) / 30p, 25p, 24p / ALL-I (Approx. 202Mbps), LongGOP (Approx. 27Mbps) 60p, 50p / LongGOP (Approx. 52Mbps) MOV (HEVC/H.265) 4096 × 2160 (C4K) / 30p, 25p, 24p / LongGOP (Approx. 77Mbps) 60p, 50p / LongGOP (Approx. 152Mbps) 3840 × 2160 (4K) / 30p, 25p, 24p / LongGOP (Approx. 77Mbps) 60p, 50p / LongGOP (Approx. 152Mbps) 1920 x 1080 (FHD) / 30p, 25p, 24p / ALL-I (Approx. 82Mbps), LongGOP (Approx. 22Mbps) 60p, 50p / ALL-I (Approx. 162Mbps), LongGOP (Approx. 42Mbps) |
| Art Filter Movie | Available (Frame rates may drop when certain Art Filters are used) |
| One-push Movie Digital Converter | Approx. 1.4x |
| Time-lapse Movie | 3840 x 2160 (4K) / 5fps, 10fps, 15fps, 30fps 1920 x 1080 (FHD) / 5fps, 10fps, 15fps, 30fps 1280 x 720 (HD) / 5fps, 10fps, 15fps, 30fps |
| Quick Movie / Slow Movie | Available |
| High speed movie | 240, 200, 120, 100fps (1920×1080 / MPEG-4 AVC/H.264) 200, 120, 100fps (1920 x 1080 / HEVC/H.265) |
| IS for Movie | M-IS1 (multi motion IS by Image sensor shift and electronic image stabiliser), M-IS2 (Multi motion IS by Image sensor shift), OFF *Field of view varies when using M-IS1. Using lens which is equipped with image stabilization can be given top priority. *While using M-IS1, field of view may be affected. |
| AE Lock | Available |
| Video Exposure Control | Program AE, aperture priority AE, shutter priority AE, manual |
| Grid Lines / Focus Peaking | 4 types of grid lines / 4 colors for focus peaking |
| Zebra Pattern | Available * 2 levels selectable to set |
| Time Code | Rec run/free run, drop frame/non-drop frame |
| Live View Output via HDMI | Monitor mode / Record mode / RAW mode *In monitor mode, the image can not be enlarged on the camera when a movie is being recorded. *In record mode, movie quality can be set to YCbCr 4:2:2 (8 bit). *When recording simultaneously on the camera in 4K/C4K/FHD HS, 4:2:0 is upsampled to 4:2:2. *In RAW mode, output video quality is 4K/C4K 12bit RAW data, frame rate follows movie setting, and sound will be recorded. |
| Movie Picture Mode | Flat, OM-Log400, HLG |
|
Audio Recording Format
|
Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz) |
|
High-Resolution Audio recording
|
Stereo linear PCM/24-bit, Sampling frequency 96kHz |
|
Microphone / Speaker
|
Built-in stereo microphone / built-in mono speaker *External stereo microphone can be attached |
|
Microphone Function
|
Wind noise reduction, recording volume, microphone volume limiter *Audio dubbing possible for still pictures (up to 30 sec.) |
Operability
| GPS Info Function | Available (Via GPS smartphone) |
| Wireless Shooting | Live View via smartphone, Remote shutter via smartphone, Remote shutter by Remote controller RM-WR1 |
| Image Share | Available *Marking function for image share is available. Image transfer by operation on OI. Share |
| Easy Connection | Connect using a QR code Connect using Bluetooth (View, Transfer only) |
| Tethered Shooting | USB connection *Camera can be operated by PC or camera controls Wi-Fi connection (2.4GHz/5GHz) *Transfer of recorded images to PC via access point |
| Playback Mode | Single-frame, Information display, Index display (4/9/25/100 frames), Calendar, Enlargement (2x ~ 14x), Movie (with sound, FF/REW/Pause), Picture rotation (auto) |
| Information Display | Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF |
| Menu Languages (18 selectable) | English, French, German, Spanish, Italian, Japanese, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Polish, Portuguese, Swedish, Norwegian, Finnish, Slovak, Thai |
Image Editing
| Movie Editing Function | Trimming (beginning / end) / In-movie image extraction (4K only) |
| Editing function | RAW data edit, Gradation auto, Monochrome, Sepia, Red-eye fix, Saturation, Resize (1280x960, 640x480, 320x240), Trimming, Image Overlay, Post recording |
| RAW data edit | RAW data edit based on settings of the camera (including Color Creator, Art Filter, ART-BKT) |
| Rating | Available |
Connectivity & Power Requirements
| USB Connector | USB Type-C (USB 3.0 SuperSpeed) |
| Remote Connector | ⌀2.5Pin Jack (Optional remote cable RM-CB2, remote controller RM-WR1 can be used) |
| HDMI Connector | Micro HDMI (type D) |
| Flash Attachment | Hot shoe, sync terminal |
| Wireless LAN | Built-in (IEEE 802.11b/g/n/ac) |
| Bluetooth | Built-in (Bluetooth Ver.4.2 Bluetooth Low Energy) |
| MIC Input Jack | ⌀3.5 stereo mini jack (plug-in power on/off) |
| Headphone Jack | ⌀3.5 stereo mini jack |
| Battery | BLX-1 Li-ion battery |
| Battery Status Display | Remaining power (10 steps, %, or by-minute display), Shot count, Degradation |
| AC Adapter | Optional F-7AC adapter *Via power battery holder (HLD-10) |
| USB Bus Power | A USB PD bus power can be used *PD compliant Camera: Rev 3.0 Ver 1.0a |
| USB Charging | Built-in battery can be charged with USB * When the camera power is off * Performance varies depending on different USB devices |
| Sleep Mode | Available (1/3/5 min, off) |
| Number of Recordable Pictures *With Toshiba SDXU-D032G, IS ON, with no flashes attached, based on CIPA test standards |
Standard mode: 520 Quick sleep mode: 1100 |
| Battery Life for Movie Recording *When repeatedly recording at the maximum time of 29 minutes |
Under standard JEITA testing: 90 When zoom and other operational functions are not used: 160 |
Weights, Dimensions, & Operating
| Weight |
Based on CIPA standards, with 1x BLX-1 battery and 1 memory card, without eyecup): 599g Approx. 511g (body only) |
| Dimensions | Approx. 134.8mm(W) x 91.6mm(H) x 72.7mm(D) *Based on CIPA standards: excludes protrusions |
| Weatherproof Construction | Splashproof Type / Dustproof: IEC Standard publication 60529 IP53 (applies when the body is used with our splashproof Lens. When used an IP53 lens, performance is IP53, When used with an IPX1 lens, performance becomes IPX1.) Freezeproof: -10℃ |
| Operating Temperature Range | -10℃ ~ +40℃ (when in operation), -20 ~ +60℃ (when stored) |
| Operating Humidity Range | 30 - 90% (when in operation) / 10 - 90% (when stored) |
*Prices and specifications are subject to change without notice.
Item Includes
Box Contents:
Body
CB-USB13 USB cable
CC-1 Cable clip
CP-2 Cable protector
Shoulder strap
Instruction manual
Warranty card
BLX-1 Li-ion battery
F-7AC AC adapter
FL-LM3 Flash
OM System OM-5 Mirrorless Camera Body (Black)
$ 1,199.00
OM System OM-5 Mirrorless Camera Body (Black)
OM System SKU: V210020BU000 | Helix SKU: OYV210020BU000
Overview
Like Your Favorite Pair of Boots
The OM-5 is not here to be flashy, steal the show, be in the way of your experience or even try to be the sole reason for your adventure. It is rather like your favorite pair of boots that lead you onto trails unknown; that bag that always has what you need or that friend that helps you see the world in a beautifully different way.
Invisible
So compact you barely notice it. A streamlined classic design that disappears in your bag but feels just right to hold.
Durable
Noticeably tough. The OM-5 will tackle anything your adventure can throw at it. There’s no bad weather for storytelling.
Discover
See nature in a new way through computational photography—an ever-expanding photographic journey of discovery.
Stories
When even pictures cannot do a story justice, turn it into a spectacular movie worthy of the journey you made.
A Device of Discovery
Technology is only useful if we use it. The OM-5 has everything you need and nothing you don’t.
While the technology within the camera is impressive, the really exciting part is when it comes together through computational photography and other features. Here are the highlights.
Touch the Sky
With the powers of Starry Sky AF and Live Composite combined, no celestial object is out of reach on your nighttime adventures.
Creative Flow
Class leading image stabilization and computational photography features such as Live ND will open up a new flow of creativity with movement.
Color Your Story
Capture every shade and color your story the way you experienced it with features like HDR, Color Creator, and Art Filters.
Venture Deeper
No camera can tell the story for you but the right bit of kit in the right situation can make all the difference in getting the shot or coming home empty-handed. But remember — sometimes missing the shot is just the thing you need to be able to make the most of the moment. The choice is yours.
4K30
Capture stunning views with a 4K 30p video codec that is easy on the memory card but does not compromise on quality and detail.
Vertical Video
Capture your stories the way you want to show them. Vertical videos means easy editing and easy sharing on mobile platforms.
OM-LOG400
Capture the full range of nature’s beauty with a filmmaking-specific color-grading friendly picture profile.
Specifications
Specifications
Sensor/Dust Reduction
| Sensor Type | 4/3 Live MOS Sensor |
| Effective Pixels | 20.4 million |
| Total Pixels | 21.8 million |
| Aspect Ratio | 4:3 |
| Dust Reduction | Supersonic Wave Filter (image sensor dust reduction system) |
Processor
| Processor Type | TruePic™ IX Image Processor |
Focusing System
| AF System Type |
High-speed imager AF *Imager phase detection AF and imager contrast AF used in combination |
| Focusing Points / Focusing Points Selection Mode | Cross-type phase detection AF (121 points), Contrast AF (121 points) / All target, Single target (Normal), Single target (Small), Group target (5 area), Group target (9 area), Group target (25 area), Custom target* (AF area and its increment steps selectable) *Number of saved custom target settings: 4 |
| Focus Modes | Single AF (S-AF), Single AF+MF (S-AF+MF), Continuous AF (C-AF), Continuous AF+MF (C-AF+MF), Manual Focus (MF), AF tracking (C-AF + TR), AF tracking+MF (C-AF + TR+MF), Preset MF, Starry sky AF (S-AF), Starry sky AF+MF (S-AF+MF) |
| AF Limiter | Available *Up to 3 distance settings can be saved |
| Magnified Frame | 3x, 5x, 7x, 10x, 14x |
| Super Spot AF | Available |
| Face Detection AF / Eye Detection | Available |
| AF Targeting Pad | Available |
| Peaking Function | Available |
| AF Focus Adjust | Available |
| AF Illuminator | Available |
Image Stabilization
| System Type | Built-in 5-axis sensor-shift image stabilization |
| Modes | S-IS AUTO, S-IS1, S-IS2, S-IS3, OFF |
| Focal Length Setting | 11 settings: 10 programmable settings (10 lenses), 1 open setting *Lenses without communication function can be registered |
| 5-Axis Sync IS |
Available *When using the M.Zuiko Digital lenses equipped with image stabilization |
| Stabilization Performance | Compensation steps (Body only): 6.5 *When using the M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO Focal length: 40mm (35mm equivalent: 80mm) Compensation steps (Sync IS): 7.5 *When using the M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO Focal length: 100mm (35mm equivalent: 200mm), halfway release image stabilization Off, Frame rate: High |
Shutter/Sequential Shooting
| Sequential Shooting Maximum Speed |
[Sequential shooting H] approx. 10 fps with selectable 5 -10 fps [Sequential shooting L] approx. 6fps with selectable 1-6 fps [Anti-shock sequential shooting L] approx. 5.5 fps with selectable 1-6 fps [Silent sequential shooting H] approx. 30 fps with selectable 15, 20, 30 fps [Silent sequential shooting L] approx. 10 fps with selectable 1-10fps [Pro Capture H] approx. 30 fps with selectable 15, 20, 30fps * Slower shutter speeds and flash can not be used [Pro Capture L] approx. 10 fps *Slower shutter speeds and flash can not be used. *Compatible lenses are limited. *The minimum aperture is f/8. |
| Max Recordable Pictures in Sequential Shooting | Sequential shooting H 10 fps [RAW]: Approx. 149 [JPEG LF]: Until card is full Sequential shooting L 6 fps [RAW]: Until card is full [JPEG LF]: Until card is full Silent sequential shooting H 30 fps [RAW]: Approx. 18 [JPEG LF]: Approx. 20 Silent sequential shooting L 10 fps [RAW]: Approx. 138 [JPEG LF]: Until card is full |
Viewfinder/Monitor
| Finder Type | Eye-level OLED electronic viewfinder, approx. 2.36M dots |
| Field of View / Viewfinder Magnification | Approx. 100% / Approx. 1.23x[*1] ~ 1.37x[*2] (-1m-1, 50mm lens, Infinity) *1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3) |
| Eye Point / Diopter Adjustment Range | Approx. 27mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1 |
| Display Grid | Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid *grid color is selectable |
| Level Gauge | 2-axis (horizontal/vertical) level gauge |
| Finder Style | 3 styles |
| Brightness / Color Temp Control | Adaptive brightness technology (EVF Auto Luminance) / ±2 level manual brightness control /±3 level manual color temperature control |
| Rear Monitor Size | 3.0-inch vari-angle monitor (electrostatic capacitance touch panel), Approx.1.04M dots (3:2) |
| Touch Control | Shutter release, Touch AF (AF area selection, AF area size adjustment), Face selection by touch operation, AF targeting pad, Frame forward/backward, Magnified playback, Live Guide, Super Control Panel, Wi-Fi connection |
| Tilting Capability | Swivel type |
| Brightness / Color Temp Control (Rear Monitor) | ±7 levels / ±7 levels |
Exposure Control/Flash
| Metering System |
Digital ESP metering (324-area multi pattern metering), Center-weighted average metering, Spot metering*, Spot metering with highlight/shadow control* *Also available AF target spot metering |
| Metering Range | Lowest luminance (-2 EV) / Highest luminance (20 EV) *ISO approx. 100, with F2.8 lens |
| Exposure Mode / Shooting Mode | AUTO (Live Guide can be used) Program AE (Program shift can be performed) Aperture priority AE Shutter priority AE Manual Bulb (Live Bulb, Live Time and Live Composite are available) Custom Scene select AE Art Filter |
| ISO Sensitivity | AUTO ISO (default): LOW (approx.64) ‐ 6400 with customizable default and upper limit (200 - 6400) Manual ISO: LOW (approx.64, approx.100), 200 ~ 25600 |
| Exposure Compensation | ±5 EV (adjustable by 1/3, 1/2 or 1 EV steps) *Live View only reflects up to ±3 EV steps |
| AE Lock | Available *Locks with a half-press of the shutter button (can be set to other buttons) |
| Anti-Flicker Shooting | Available |
| Flash Intensity Control Mode | TTL Auto, Manual, Auto, Super FP (FP-TTL AUTO, FP-MANUAL) *Auto and Super FP are available on the external flash |
| Flash Mode | Redeye, Fill-in, Flash Off, Red-eye Slow sync. (1st curtain), Slow sync. (1st curtain), Slow sync. (2nd curtain), Manual (1/1 (FULL) ~ 1/64) |
| Synchronization Speed | 1/250 sec. When using Super FP: 1/125-1/8000 sec. When using electronic shutter: 1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing |
| Flash Intensity Control | ±3 EV (1/3, 1/2, 1 EV steps selectable) |
| Compatible External Flash | FL-LM3, FL-600R, FL-900R, STF-8, FL-700WR |
| Wireless Flash Control Method | OM SYSTEM (Olympus) Wireless RC Flash system (Triggered and controlled by flash) Compatible external flash FL-600R, FL-900R, FL-700WR |
| External Flash Intensity Type | TTL Auto, Manual, Auto, FP-TTL AUTO, FP-MANUAL |
| Channel No. | 4 channels |
| Group No. | 4 groups (External flash 3 groups + commander flash) |
| Radio Wireless Control | Available |
Memory/Image Recording (File Format)
| Compatible Memory | Slot 1: SD, SDHC (UHS-I / II), SDXC(UHS-I / II) |
| Recording Format | DCF2.0, Exif2.31 |
| File Format | JPEG, RAW(12-bit lossless compression), JPEG+RAW |
| Recording Image Size | RAW: 5184 x 3888 JPEG: 5184 x 3888 ~ 1024 x 768 |
White Balance/Color Mode
| White Balance Mode | Auto WB, 7 WB presets, 4 Capture WB, Custom WB (Kelvin setting) |
| White Balance Compensation* |
±7 steps along A-B / G-M axis * Including Custom WB |
| Color Mode | sRGB, Adobe RGB |
Bracketing/HDR
| Exposure Bracketing | 2, 3 or 5 frames (0.3/0.7/1.0EV steps selectable), 7 frames (0.3/0.7EV steps selectable) |
| ISO Bracketing | 3 frames (0.3/0.7/1.0EV steps selectable) |
| White Balance Bracketing | 3 frames (A-B/G-M axis*) *Selectable in 2, 4, 6 steps each |
| Flash Bracketing | 3 frames (0.3/0.7/1.0EV steps selectable) |
| Art Filter Bracketing | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator, Underwater selectable |
| Focus Bracketing | 3 to 999 frames (step 1 to 10 selectable) Flash charge time (0, 0.1, 0.2, 0.5, 1, 2, 4, 8, 15, 30 sec. selectable) |
| Focus Stacking | Available M.ZUIKO DIGITAL ED 7-14mm F2.8 PRO M.ZUIKO DIGITAL ED 8-25mm F4.0 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO II M.ZUIKO DIGITAL ED 12-45mm F4 PRO M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO M.ZUIKO DIGITAL ED 40-150mm F4.0 PRO M.ZUIKO DIGITAL ED 100-400mm F5.0-6.3 IS M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO M.ZUIKO DIGITAL ED 8mm F1.8 Fisheye PRO M.ZUIKO DIGITAL ED 30mm F3.5 Macro M.ZUIKO DIGITAL ED 60mm F2.8 Macro M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO M.ZUIKO DIGITAL 1.4x Teleconverter MC-14 M.ZUIKO DIGITAL 2x Teleconverter MC-20 |
| HDR (Auto Composite) | HDR1, HDR2 (painting-like) *ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. |
| Bracketing for HDR post-process | 3 or 5 frames (2.0 or 3.0 EV steps), 7 frames (2.0 EV steps) |
Creative Features
| Picture Mode | i-Finish, Vivid, Natural, Flat, Portrait, Monotone, Custom, e-Portrait, Underwater, Color Creator, Art Filters |
| Gradation | 4 types (Auto, Normal, High Key, Low Key) *Except when using e-Portrait, Underwater, Art Filters, Color Creator |
| Highlight and Shadow Control | ±7 steps each for highlight, shadow, mid-tone |
| Art Filter (Variation / Art Effect) |
Pop Art, Soft Focus, Pale & Light Color, Light Tone, Grainy Film, Pin Hole, Diorama, Cross Process, Gentle Sepia, Dramatic Tone, Key Line, Water Color, Vintage, Partial Color (18 color selectable), Bleach Bypass, Instant Film |
| Live Bulb / Live Time | Available *Update interval time 0.5 sec. ~ 60 sec. |
| Live Composite | Available *Update interval time 0.5 sec. ~ 60 sec. |
| Interval Shooting | Available *Creating Time-lapse movie is possible with interval shooting up to 999 frames. *Time priority, Frame priority selectable *Exposure smoothing is available |
| Multiple Exposure | 2 frames / auto gain adjustment, exposure on recorded picture (RAW) |
| Fisheye Compensation | 3 Styles *Enabled when M.Zuiko Digital ED 8mm F1.8 Fisheye PRO is used. |
| High Res Shot | Handheld High Res Shot: JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 8160 x 6120 Tripod High Res Shot JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 10368 x 7776 |
| Keystone Compensation | Available |
Video/Audio Recording
| Video Recording Format | MOV(MPEG-4AVC/H.264) |
| Movie Mode / Frame Rate / Compression Method | 4096 x 2160 (C4K) 24p / IPB（Approx.237Mbps) 3840 x 2160 (4K) 30p、25p、24p / IPB（Approx. 102Mbps） 1920 x 1080 (FHD) 30p、25p、24p / ALL-I（Approx. 202Mbps）, IPB（Approx. 52Mbps、Approx. 30Mbps、Approx. 18Mbps） 60p、50p / IPB（Approx. 52Mbps、Approx. 30Mbps、Approx. 18Mbps） 1280×720（HD） 60p、50p、30p、25p、24p / ALL-I（Approx. 102Mbps）, IPB（Approx. 26Mbps、Approx. 14Mbps、Approx. 10Mbps） |
| Maximum Video Recording Time | - |
| Art Filter Movie | Available *Frame rates may drop when certain Art Filters are used. |
| Time-lapse Movie | 3840 x 2160 (4K) / 5fps, 10fps, 15fps, 30fps 1920 x 1080 (FHD) / 5fps, 10fps, 15fps, 30fps 1280 x 720 (HD) / 5fps, 10fps, 15fps, 30fps |
| Quick Movie / Slow Movie | Available |
| High speed movie | 120fps（1920×1080 / MOV） |
| Image Stabilization for Movie | M-IS1 (multi motion IS by Image sensor shift and electronic image stabilizer), M-IS2 (Multi motion IS by Image sensor shift), OFF *Field of view varies when using M-IS1. Using lens which is equipped with image stabilization can be given top priority. |
| AE Lock | Available |
| Time Code | Rec run / free run, drop frame / non-drop frame |
| Live View Output via HDMI | Monitor mode / Record mode *In monitor mode, the image can not be enlarged on the camera when a movie is being recorded. *In record mode, 4K / C4K can not be set. *In record mode, movie quality can be set to YCbCr 4:2:2 (8 bit). |
| Movie Picture Mode | Flat, OM-Log400 |
| Audio Recording Format | Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz) High-Resolution Audio recording Stereo linear PCM/24-bit, Sampling frequency 96kHz |
| Microphone / Speaker | Built-in stereo microphone / built-in mono speaker *External stereo microphone can be attached |
| Microphone Function | Wind noise reduction, recording volume, microphone volume limiter *Audio dubbing possible for still pictures (up to 30 sec.) |
Operability
| Wireless Shooting | Live View, Rec View, Wireless Touch AF shutter, Self Timer (w/ Countdown guidance, Sequential shooting, movie recording capability), Wireless Release, Movie Recording, Power Off |
| Image Share | Available *Marking function for image share is available. |
| Easy Connection | Connect using a QR code Connect using Bluetooth (View, Transfer only) |
| Playback Mode | Single-frame, Information display, Index display (4/9/25/100 frames), Calendar, Enlargement (2x ~ 14x), Movie (with sound, FF/REW/Pause), Picture rotation (auto) |
| Information Display | Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF |
Custom
| Mode dial my set | 1 type (Modes C can be accessed by mode dial) |
| Menu custom set | C2, C3 and C4 |
| Lever customization | Select assignment from 3 different modes, power switch, or off (no function assignment) |
| Button Customization | Buttons can be customized (select from 35 functions) Buttons on lenses can also be customized from the camera Some buttons may have restrictions to what functions can be assigned |
| Menu Languages (18 selectable) | English, French, German, Spanish, Italian, Japanese, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Polish, Portuguese, Swedish, Norwegian, Finnish, Turkish, Thai |
Connectivity/Power Requirements
| USB Connector | USB Micro-B (USB2.0 Hi-Speed) |
| Remote Connector | ⌀2.5Pin Jack (Optional remote cable RM-CB2, remote controller RM-WR1 can be used) |
| HDMI Connector | Micro HDMI (type D) |
| Flash Attachment | Hot shoe |
| Wireless LAN | Built-in (IEEE 802.11b/g/n) |
| Bluetooth | Built-in (Bluetooth Ver.4.2 Bluetooth Low Energy) |
| MIC Input Jack | ⌀3.5 stereo mini jack (plug-in power on/off) |
| PC Interface | USB Micro-B (USB2.0 Hi-Speed) |
| Battery | BLS-50 Li-ion battery |
| Battery Status Display | Remaining power (4 steps) |
| USB Charging | Built-in battery can be charged with USB * When the camera power is off * Performance varies depending on different USB devices |
| Sleep Mode | 1/3/5 min., Off |
| Number of Recordable Pictures | Standard mode: 310 shots / Quick sleep mode: 660 shots *With KIOXIA KSDXU-A064G, IS ON, with no flashes attached, based on CIPA test standards |
| Battery Life for Movie Recording | Under standard JEITA testing: 60 minutes When zoom and other operational functions are not used: 110 minutes |
Weights & Dimensions
| Weight |
Based on CIPA standards, with 1x BLX-1 battery and 1 memory card, without eyecup): 414g Body only: 366g |
| Dimensions | Approx. 125.3mm(W) x 85.2mm(H) x 49.7mm(D) *Based on CIPA standards: excludes protrusions |
| Environmentally Sealed | Dust, Splash, Freezeproof |
| Operating Temperature Range | -10℃ ~ +40℃ (when in operation), -20 ~ +60℃ (when stored) |
| Operating Humidity Range | 30 ~ 90% (when in operation), 10 ~ 90% (when stored) |
*Prices and Specifications are subject to change without notice.
Item Includes
Box Contents:
Body, USB cable, Shoulder strap, Instruction manual, Warranty card, BLS-50 Li-ion battery, F-5AC AC adapter
OM System OM-5 Mirrorless Camera Body (Silver)
$ 1,199.00
OM System OM-5 Mirrorless Camera Body (Silver)
OM System SKU: V210020SU000 | Helix SKU: OYV210020SU000
Overview
Like Your Favorite Pair of Boots
The OM-5 is not here to be flashy, steal the show, be in the way of your experience or even try to be the sole reason for your adventure. It is rather like your favorite pair of boots that lead you onto trails unknown; that bag that always has what you need or that friend that helps you see the world in a beautifully different way.
Invisible
So compact you barely notice it. A streamlined classic design that disappears in your bag but feels just right to hold.
Durable
Noticeably tough. The OM-5 will tackle anything your adventure can throw at it. There’s no bad weather for storytelling.
Discover
See nature in a new way through computational photography—an ever-expanding photographic journey of discovery.
Stories
When even pictures cannot do a story justice, turn it into a spectacular movie worthy of the journey you made.
A Device of Discovery
Technology is only useful if we use it. The OM-5 has everything you need and nothing you don’t.
While the technology within the camera is impressive, the really exciting part is when it comes together through computational photography and other features. Here are the highlights.
Touch the Sky
With the powers of Starry Sky AF and Live Composite combined, no celestial object is out of reach on your nighttime adventures.
Creative Flow
Class leading image stabilization and computational photography features such as Live ND will open up a new flow of creativity with movement.
Color Your Story
Capture every shade and color your story the way you experienced it with features like HDR, Color Creator, and Art Filters.
Venture Deeper
No camera can tell the story for you but the right bit of kit in the right situation can make all the difference in getting the shot or coming home empty-handed. But remember — sometimes missing the shot is just the thing you need to be able to make the most of the moment. The choice is yours.
4K30
Capture stunning views with a 4K 30p video codec that is easy on the memory card but does not compromise on quality and detail.
Vertical Video
Capture your stories the way you want to show them. Vertical videos means easy editing and easy sharing on mobile platforms.
OM-LOG400
Capture the full range of nature’s beauty with a filmmaking-specific color-grading friendly picture profile.
Specifications
Specifications
Sensor/Dust Reduction
| Sensor Type | 4/3 Live MOS Sensor |
| Effective Pixels | 20.4 million |
| Total Pixels | 21.8 million |
| Aspect Ratio | 4:3 |
| Dust Reduction | Supersonic Wave Filter (image sensor dust reduction system) |
Processor
| Processor Type | TruePic™ IX Image Processor |
Focusing System
| AF System Type |
High-speed imager AF *Imager phase detection AF and imager contrast AF used in combination |
| Focusing Points / Focusing Points Selection Mode | Cross-type phase detection AF (121 points), Contrast AF (121 points) / All target, Single target (Normal), Single target (Small), Group target (5 area), Group target (9 area), Group target (25 area), Custom target* (AF area and its increment steps selectable) *Number of saved custom target settings: 4 |
| Focus Modes | Single AF (S-AF), Single AF+MF (S-AF+MF), Continuous AF (C-AF), Continuous AF+MF (C-AF+MF), Manual Focus (MF), AF tracking (C-AF + TR), AF tracking+MF (C-AF + TR+MF), Preset MF, Starry sky AF (S-AF), Starry sky AF+MF (S-AF+MF) |
| AF Limiter | Available *Up to 3 distance settings can be saved |
| Magnified Frame | 3x, 5x, 7x, 10x, 14x |
| Super Spot AF | Available |
| Face Detection AF / Eye Detection | Available |
| AF Targeting Pad | Available |
| Peaking Function | Available |
| AF Focus Adjust | Available |
| AF Illuminator | Available |
Image Stabilization
| System Type | Built-in 5-axis sensor-shift image stabilization |
| Modes | S-IS AUTO, S-IS1, S-IS2, S-IS3, OFF |
| Focal Length Setting | 11 settings: 10 programmable settings (10 lenses), 1 open setting *Lenses without communication function can be registered |
| 5-Axis Sync IS |
Available *When using the M.Zuiko Digital lenses equipped with image stabilization |
| Stabilization Performance | Compensation steps (Body only): 6.5 *When using the M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO Focal length: 40mm (35mm equivalent: 80mm) Compensation steps (Sync IS): 7.5 *When using the M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO Focal length: 100mm (35mm equivalent: 200mm), halfway release image stabilization Off, Frame rate: High |
Shutter/Sequential Shooting
| Sequential Shooting Maximum Speed |
[Sequential shooting H] approx. 10 fps with selectable 5 -10 fps [Sequential shooting L] approx. 6fps with selectable 1-6 fps [Anti-shock sequential shooting L] approx. 5.5 fps with selectable 1-6 fps [Silent sequential shooting H] approx. 30 fps with selectable 15, 20, 30 fps [Silent sequential shooting L] approx. 10 fps with selectable 1-10fps [Pro Capture H] approx. 30 fps with selectable 15, 20, 30fps * Slower shutter speeds and flash can not be used [Pro Capture L] approx. 10 fps *Slower shutter speeds and flash can not be used. *Compatible lenses are limited. *The minimum aperture is f/8. |
| Max Recordable Pictures in Sequential Shooting | Sequential shooting H 10 fps [RAW]: Approx. 149 [JPEG LF]: Until card is full Sequential shooting L 6 fps [RAW]: Until card is full [JPEG LF]: Until card is full Silent sequential shooting H 30 fps [RAW]: Approx. 18 [JPEG LF]: Approx. 20 Silent sequential shooting L 10 fps [RAW]: Approx. 138 [JPEG LF]: Until card is full |
Viewfinder/Monitor
| Finder Type | Eye-level OLED electronic viewfinder, approx. 2.36M dots |
| Field of View / Viewfinder Magnification | Approx. 100% / Approx. 1.23x[*1] ~ 1.37x[*2] (-1m-1, 50mm lens, Infinity) *1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3) |
| Eye Point / Diopter Adjustment Range | Approx. 27mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1 |
| Display Grid | Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid *grid color is selectable |
| Level Gauge | 2-axis (horizontal/vertical) level gauge |
| Finder Style | 3 styles |
| Brightness / Color Temp Control | Adaptive brightness technology (EVF Auto Luminance) / ±2 level manual brightness control /±3 level manual color temperature control |
| Rear Monitor Size | 3.0-inch vari-angle monitor (electrostatic capacitance touch panel), Approx.1.04M dots (3:2) |
| Touch Control | Shutter release, Touch AF (AF area selection, AF area size adjustment), Face selection by touch operation, AF targeting pad, Frame forward/backward, Magnified playback, Live Guide, Super Control Panel, Wi-Fi connection |
| Tilting Capability | Swivel type |
| Brightness / Color Temp Control (Rear Monitor) | ±7 levels / ±7 levels |
Exposure Control/Flash
| Metering System |
Digital ESP metering (324-area multi pattern metering), Center-weighted average metering, Spot metering*, Spot metering with highlight/shadow control* *Also available AF target spot metering |
| Metering Range | Lowest luminance (-2 EV) / Highest luminance (20 EV) *ISO approx. 100, with F2.8 lens |
| Exposure Mode / Shooting Mode | AUTO (Live Guide can be used) Program AE (Program shift can be performed) Aperture priority AE Shutter priority AE Manual Bulb (Live Bulb, Live Time and Live Composite are available) Custom Scene select AE Art Filter |
| ISO Sensitivity | AUTO ISO (default): LOW (approx.64) ‐ 6400 with customizable default and upper limit (200 - 6400) Manual ISO: LOW (approx.64, approx.100), 200 ~ 25600 |
| Exposure Compensation | ±5 EV (adjustable by 1/3, 1/2 or 1 EV steps) *Live View only reflects up to ±3 EV steps |
| AE Lock | Available *Locks with a half-press of the shutter button (can be set to other buttons) |
| Anti-Flicker Shooting | Available |
| Flash Intensity Control Mode | TTL Auto, Manual, Auto, Super FP (FP-TTL AUTO, FP-MANUAL) *Auto and Super FP are available on the external flash |
| Flash Mode | Redeye, Fill-in, Flash Off, Red-eye Slow sync. (1st curtain), Slow sync. (1st curtain), Slow sync. (2nd curtain), Manual (1/1 (FULL) ~ 1/64) |
| Synchronization Speed | 1/250 sec. When using Super FP: 1/125-1/8000 sec. When using electronic shutter: 1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing |
| Flash Intensity Control | ±3 EV (1/3, 1/2, 1 EV steps selectable) |
| Compatible External Flash | FL-LM3, FL-600R, FL-900R, STF-8, FL-700WR |
| Wireless Flash Control Method | OM SYSTEM (Olympus) Wireless RC Flash system (Triggered and controlled by flash) Compatible external flash FL-600R, FL-900R, FL-700WR |
| External Flash Intensity Type | TTL Auto, Manual, Auto, FP-TTL AUTO, FP-MANUAL |
| Channel No. | 4 channels |
| Group No. | 4 groups (External flash 3 groups + commander flash) |
| Radio Wireless Control | Available |
Memory/Image Recording (File Format)
| Compatible Memory | Slot 1: SD, SDHC (UHS-I / II), SDXC(UHS-I / II) |
| Recording Format | DCF2.0, Exif2.31 |
| File Format | JPEG, RAW(12-bit lossless compression), JPEG+RAW |
| Recording Image Size | RAW: 5184 x 3888 JPEG: 5184 x 3888 ~ 1024 x 768 |
White Balance/Color Mode
| White Balance Mode | Auto WB, 7 WB presets, 4 Capture WB, Custom WB (Kelvin setting) |
| White Balance Compensation* |
±7 steps along A-B / G-M axis * Including Custom WB |
| Color Mode | sRGB, Adobe RGB |
Bracketing/HDR
| Exposure Bracketing | 2, 3 or 5 frames (0.3/0.7/1.0EV steps selectable), 7 frames (0.3/0.7EV steps selectable) |
| ISO Bracketing | 3 frames (0.3/0.7/1.0EV steps selectable) |
| White Balance Bracketing | 3 frames (A-B/G-M axis*) *Selectable in 2, 4, 6 steps each |
| Flash Bracketing | 3 frames (0.3/0.7/1.0EV steps selectable) |
| Art Filter Bracketing | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator, Underwater selectable |
| Focus Bracketing | 3 to 999 frames (step 1 to 10 selectable) Flash charge time (0, 0.1, 0.2, 0.5, 1, 2, 4, 8, 15, 30 sec. selectable) |
| Focus Stacking | Available M.ZUIKO DIGITAL ED 7-14mm F2.8 PRO M.ZUIKO DIGITAL ED 8-25mm F4.0 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO II M.ZUIKO DIGITAL ED 12-45mm F4 PRO M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO M.ZUIKO DIGITAL ED 40-150mm F4.0 PRO M.ZUIKO DIGITAL ED 100-400mm F5.0-6.3 IS M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO M.ZUIKO DIGITAL ED 8mm F1.8 Fisheye PRO M.ZUIKO DIGITAL ED 30mm F3.5 Macro M.ZUIKO DIGITAL ED 60mm F2.8 Macro M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO M.ZUIKO DIGITAL 1.4x Teleconverter MC-14 M.ZUIKO DIGITAL 2x Teleconverter MC-20 |
| HDR (Auto Composite) | HDR1, HDR2 (painting-like) *ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. |
| Bracketing for HDR post-process | 3 or 5 frames (2.0 or 3.0 EV steps), 7 frames (2.0 EV steps) |
Creative Features
| Picture Mode | i-Finish, Vivid, Natural, Flat, Portrait, Monotone, Custom, e-Portrait, Underwater, Color Creator, Art Filters |
| Gradation | 4 types (Auto, Normal, High Key, Low Key) *Except when using e-Portrait, Underwater, Art Filters, Color Creator |
| Highlight and Shadow Control | ±7 steps each for highlight, shadow, mid-tone |
| Art Filter (Variation / Art Effect) |
Pop Art, Soft Focus, Pale & Light Color, Light Tone, Grainy Film, Pin Hole, Diorama, Cross Process, Gentle Sepia, Dramatic Tone, Key Line, Water Color, Vintage, Partial Color (18 color selectable), Bleach Bypass, Instant Film |
| Live Bulb / Live Time | Available *Update interval time 0.5 sec. ~ 60 sec. |
| Live Composite | Available *Update interval time 0.5 sec. ~ 60 sec. |
| Interval Shooting | Available *Creating Time-lapse movie is possible with interval shooting up to 999 frames. *Time priority, Frame priority selectable *Exposure smoothing is available |
| Multiple Exposure | 2 frames / auto gain adjustment, exposure on recorded picture (RAW) |
| Fisheye Compensation | 3 Styles *Enabled when M.Zuiko Digital ED 8mm F1.8 Fisheye PRO is used. |
| High Res Shot | Handheld High Res Shot: JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 8160 x 6120 Tripod High Res Shot JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 10368 x 7776 |
| Keystone Compensation | Available |
Video/Audio Recording
| Video Recording Format | MOV(MPEG-4AVC/H.264) |
| Movie Mode / Frame Rate / Compression Method | 4096 x 2160 (C4K) 24p / IPB（Approx.237Mbps) 3840 x 2160 (4K) 30p、25p、24p / IPB（Approx. 102Mbps） 1920 x 1080 (FHD) 30p、25p、24p / ALL-I（Approx. 202Mbps）, IPB（Approx. 52Mbps、Approx. 30Mbps、Approx. 18Mbps） 60p、50p / IPB（Approx. 52Mbps、Approx. 30Mbps、Approx. 18Mbps） 1280×720（HD） 60p、50p、30p、25p、24p / ALL-I（Approx. 102Mbps）, IPB（Approx. 26Mbps、Approx. 14Mbps、Approx. 10Mbps） |
| Maximum Video Recording Time | - |
| Art Filter Movie | Available *Frame rates may drop when certain Art Filters are used. |
| Time-lapse Movie | 3840 x 2160 (4K) / 5fps, 10fps, 15fps, 30fps 1920 x 1080 (FHD) / 5fps, 10fps, 15fps, 30fps 1280 x 720 (HD) / 5fps, 10fps, 15fps, 30fps |
| Quick Movie / Slow Movie | Available |
| High speed movie | 120fps（1920×1080 / MOV） |
| Image Stabilization for Movie | M-IS1 (multi motion IS by Image sensor shift and electronic image stabilizer), M-IS2 (Multi motion IS by Image sensor shift), OFF *Field of view varies when using M-IS1. Using lens which is equipped with image stabilization can be given top priority. |
| AE Lock | Available |
| Time Code | Rec run / free run, drop frame / non-drop frame |
| Live View Output via HDMI | Monitor mode / Record mode *In monitor mode, the image can not be enlarged on the camera when a movie is being recorded. *In record mode, 4K / C4K can not be set. *In record mode, movie quality can be set to YCbCr 4:2:2 (8 bit). |
| Movie Picture Mode | Flat, OM-Log400 |
| Audio Recording Format | Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz) High-Resolution Audio recording Stereo linear PCM/24-bit, Sampling frequency 96kHz |
| Microphone / Speaker | Built-in stereo microphone / built-in mono speaker *External stereo microphone can be attached |
| Microphone Function | Wind noise reduction, recording volume, microphone volume limiter *Audio dubbing possible for still pictures (up to 30 sec.) |
Operability
| Wireless Shooting | Live View, Rec View, Wireless Touch AF shutter, Self Timer (w/ Countdown guidance, Sequential shooting, movie recording capability), Wireless Release, Movie Recording, Power Off |
| Image Share | Available *Marking function for image share is available. |
| Easy Connection | Connect using a QR code Connect using Bluetooth (View, Transfer only) |
| Playback Mode | Single-frame, Information display, Index display (4/9/25/100 frames), Calendar, Enlargement (2x ~ 14x), Movie (with sound, FF/REW/Pause), Picture rotation (auto) |
| Information Display | Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF |
Custom
| Mode dial my set | 1 type (Modes C can be accessed by mode dial) |
| Menu custom set | C2, C3 and C4 |
| Lever customization | Select assignment from 3 different modes, power switch, or off (no function assignment) |
| Button Customization | Buttons can be customized (select from 35 functions) Buttons on lenses can also be customized from the camera Some buttons may have restrictions to what functions can be assigned |
| Menu Languages (18 selectable) | English, French, German, Spanish, Italian, Japanese, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Polish, Portuguese, Swedish, Norwegian, Finnish, Turkish, Thai |
Connectivity/Power Requirements
| USB Connector | USB Micro-B (USB2.0 Hi-Speed) |
| Remote Connector | ⌀2.5Pin Jack (Optional remote cable RM-CB2, remote controller RM-WR1 can be used) |
| HDMI Connector | Micro HDMI (type D) |
| Flash Attachment | Hot shoe |
| Wireless LAN | Built-in (IEEE 802.11b/g/n) |
| Bluetooth | Built-in (Bluetooth Ver.4.2 Bluetooth Low Energy) |
| MIC Input Jack | ⌀3.5 stereo mini jack (plug-in power on/off) |
| PC Interface | USB Micro-B (USB2.0 Hi-Speed) |
| Battery | BLS-50 Li-ion battery |
| Battery Status Display | Remaining power (4 steps) |
| USB Charging | Built-in battery can be charged with USB * When the camera power is off * Performance varies depending on different USB devices |
| Sleep Mode | 1/3/5 min., Off |
| Number of Recordable Pictures | Standard mode: 310 shots / Quick sleep mode: 660 shots *With KIOXIA KSDXU-A064G, IS ON, with no flashes attached, based on CIPA test standards |
| Battery Life for Movie Recording | Under standard JEITA testing: 60 minutes When zoom and other operational functions are not used: 110 minutes |
Weights & Dimensions
| Weight |
Based on CIPA standards, with 1x BLX-1 battery and 1 memory card, without eyecup): 414g Body only: 366g |
| Dimensions | Approx. 125.3mm(W) x 85.2mm(H) x 49.7mm(D) *Based on CIPA standards: excludes protrusions |
| Environmentally Sealed | Dust, Splash, Freezeproof |
| Operating Temperature Range | -10℃ ~ +40℃ (when in operation), -20 ~ +60℃ (when stored) |
| Operating Humidity Range | 30 ~ 90% (when in operation), 10 ~ 90% (when stored) |
*Prices and Specifications are subject to change without notice.
Item Includes
Box Contents:
Body, USB cable, Shoulder strap, Instruction manual, Warranty card, BLS-50 Li-ion battery, F-5AC AC adapter
OM System OM-5 Mirrorless Camera with 12-45mm f/4.0 (Black)
$ 1,599.99 $ 1,399.99
OM System OM-5 Mirrorless Camera with 12-45mm f/4.0 (Black)
OM System SKU: V210022BU000 | Helix SKU: OYV210022BU000
Overview
Like Your Favorite Pair of Boots
The OM-5 is not here to be flashy, steal the show, be in the way of your experience or even try to be the sole reason for your adventure. It is rather like your favorite pair of boots that lead you onto trails unknown; that bag that always has what you need or that friend that helps you see the world in a beautifully different way.
Invisible
So compact you barely notice it. A streamlined classic design that disappears in your bag but feels just right to hold.
Durable
Noticeably tough. The OM-5 will tackle anything your adventure can throw at it. There’s no bad weather for storytelling.
Discover
See nature in a new way through computational photography—an ever-expanding photographic journey of discovery.
Stories
When even pictures cannot do a story justice, turn it into a spectacular movie worthy of the journey you made.
A Device of Discovery
Technology is only useful if we use it. The OM-5 has everything you need and nothing you don’t.
While the technology within the camera is impressive, the really exciting part is when it comes together through computational photography and other features. Here are the highlights.
Touch the Sky
With the powers of Starry Sky AF and Live Composite combined, no celestial object is out of reach on your nighttime adventures.
Creative Flow
Class leading image stabilization and computational photography features such as Live ND will open up a new flow of creativity with movement.
Color Your Story
Capture every shade and color your story the way you experienced it with features like HDR, Color Creator, and Art Filters.
Venture Deeper
No camera can tell the story for you but the right bit of kit in the right situation can make all the difference in getting the shot or coming home empty-handed. But remember — sometimes missing the shot is just the thing you need to be able to make the most of the moment. The choice is yours.
4K30
Capture stunning views with a 4K 30p video codec that is easy on the memory card but does not compromise on quality and detail.
Vertical Video
Capture your stories the way you want to show them. Vertical videos means easy editing and easy sharing on mobile platforms.
OM-LOG400
Capture the full range of nature’s beauty with a filmmaking-specific color-grading friendly picture profile.
Specifications
Specifications
Sensor/Dust Reduction
| Sensor Type | 4/3 Live MOS Sensor |
| Effective Pixels | 20.4 million |
| Total Pixels | 21.8 million |
| Aspect Ratio | 4:3 |
| Dust Reduction | Supersonic Wave Filter (image sensor dust reduction system) |
Processor
| Processor Type | TruePic™ IX Image Processor |
Focusing System
| AF System Type |
High-speed imager AF *Imager phase detection AF and imager contrast AF used in combination |
| Focusing Points / Focusing Points Selection Mode | Cross-type phase detection AF (121 points), Contrast AF (121 points) / All target, Single target (Normal), Single target (Small), Group target (5 area), Group target (9 area), Group target (25 area), Custom target* (AF area and its increment steps selectable) *Number of saved custom target settings: 4 |
| Focus Modes | Single AF (S-AF), Single AF+MF (S-AF+MF), Continuous AF (C-AF), Continuous AF+MF (C-AF+MF), Manual Focus (MF), AF tracking (C-AF + TR), AF tracking+MF (C-AF + TR+MF), Preset MF, Starry sky AF (S-AF), Starry sky AF+MF (S-AF+MF) |
| AF Limiter | Available *Up to 3 distance settings can be saved |
| Magnified Frame | 3x, 5x, 7x, 10x, 14x |
| Super Spot AF | Available |
| Face Detection AF / Eye Detection | Available |
| AF Targeting Pad | Available |
| Peaking Function | Available |
| AF Focus Adjust | Available |
| AF Illuminator | Available |
Image Stabilization
| System Type | Built-in 5-axis sensor-shift image stabilization |
| Modes | S-IS AUTO, S-IS1, S-IS2, S-IS3, OFF |
| Focal Length Setting | 11 settings: 10 programmable settings (10 lenses), 1 open setting *Lenses without communication function can be registered |
| 5-Axis Sync IS |
Available *When using the M.Zuiko Digital lenses equipped with image stabilization |
| Stabilization Performance | Compensation steps (Body only): 6.5 *When using the M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO Focal length: 40mm (35mm equivalent: 80mm) Compensation steps (Sync IS): 7.5 *When using the M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO Focal length: 100mm (35mm equivalent: 200mm), halfway release image stabilization Off, Frame rate: High |
Shutter/Sequential Shooting
| Sequential Shooting Maximum Speed |
[Sequential shooting H] approx. 10 fps with selectable 5 -10 fps [Sequential shooting L] approx. 6fps with selectable 1-6 fps [Anti-shock sequential shooting L] approx. 5.5 fps with selectable 1-6 fps [Silent sequential shooting H] approx. 30 fps with selectable 15, 20, 30 fps [Silent sequential shooting L] approx. 10 fps with selectable 1-10fps [Pro Capture H] approx. 30 fps with selectable 15, 20, 30fps * Slower shutter speeds and flash can not be used [Pro Capture L] approx. 10 fps *Slower shutter speeds and flash can not be used. *Compatible lenses are limited. *The minimum aperture is f/8. |
| Max Recordable Pictures in Sequential Shooting | Sequential shooting H 10 fps [RAW]: Approx. 149 [JPEG LF]: Until card is full Sequential shooting L 6 fps [RAW]: Until card is full [JPEG LF]: Until card is full Silent sequential shooting H 30 fps [RAW]: Approx. 18 [JPEG LF]: Approx. 20 Silent sequential shooting L 10 fps [RAW]: Approx. 138 [JPEG LF]: Until card is full |
Viewfinder/Monitor
| Finder Type | Eye-level OLED electronic viewfinder, approx. 2.36M dots |
| Field of View / Viewfinder Magnification | Approx. 100% / Approx. 1.23x[*1] ~ 1.37x[*2] (-1m-1, 50mm lens, Infinity) *1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3) |
| Eye Point / Diopter Adjustment Range | Approx. 27mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1 |
| Display Grid | Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid *grid color is selectable |
| Level Gauge | 2-axis (horizontal/vertical) level gauge |
| Finder Style | 3 styles |
| Brightness / Color Temp Control | Adaptive brightness technology (EVF Auto Luminance) / ±2 level manual brightness control /±3 level manual color temperature control |
| Rear Monitor Size | 3.0-inch vari-angle monitor (electrostatic capacitance touch panel), Approx.1.04M dots (3:2) |
| Touch Control | Shutter release, Touch AF (AF area selection, AF area size adjustment), Face selection by touch operation, AF targeting pad, Frame forward/backward, Magnified playback, Live Guide, Super Control Panel, Wi-Fi connection |
| Tilting Capability | Swivel type |
| Brightness / Color Temp Control (Rear Monitor) | ±7 levels / ±7 levels |
Exposure Control/Flash
| Metering System |
Digital ESP metering (324-area multi pattern metering), Center-weighted average metering, Spot metering*, Spot metering with highlight/shadow control* *Also available AF target spot metering |
| Metering Range | Lowest luminance (-2 EV) / Highest luminance (20 EV) *ISO approx. 100, with F2.8 lens |
| Exposure Mode / Shooting Mode | AUTO (Live Guide can be used) Program AE (Program shift can be performed) Aperture priority AE Shutter priority AE Manual Bulb (Live Bulb, Live Time and Live Composite are available) Custom Scene select AE Art Filter |
| ISO Sensitivity | AUTO ISO (default): LOW (approx.64) ‐ 6400 with customizable default and upper limit (200 - 6400) Manual ISO: LOW (approx.64, approx.100), 200 ~ 25600 |
| Exposure Compensation | ±5 EV (adjustable by 1/3, 1/2 or 1 EV steps) *Live View only reflects up to ±3 EV steps |
| AE Lock | Available *Locks with a half-press of the shutter button (can be set to other buttons) |
| Anti-Flicker Shooting | Available |
| Flash Intensity Control Mode | TTL Auto, Manual, Auto, Super FP (FP-TTL AUTO, FP-MANUAL) *Auto and Super FP are available on the external flash |
| Flash Mode | Redeye, Fill-in, Flash Off, Red-eye Slow sync. (1st curtain), Slow sync. (1st curtain), Slow sync. (2nd curtain), Manual (1/1 (FULL) ~ 1/64) |
| Synchronization Speed | 1/250 sec. When using Super FP: 1/125-1/8000 sec. When using electronic shutter: 1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing |
| Flash Intensity Control | ±3 EV (1/3, 1/2, 1 EV steps selectable) |
| Compatible External Flash | FL-LM3, FL-600R, FL-900R, STF-8, FL-700WR |
| Wireless Flash Control Method | OM SYSTEM (Olympus) Wireless RC Flash system (Triggered and controlled by flash) Compatible external flash FL-600R, FL-900R, FL-700WR |
| External Flash Intensity Type | TTL Auto, Manual, Auto, FP-TTL AUTO, FP-MANUAL |
| Channel No. | 4 channels |
| Group No. | 4 groups (External flash 3 groups + commander flash) |
| Radio Wireless Control | Available |
Memory/Image Recording (File Format)
| Compatible Memory | Slot 1: SD, SDHC (UHS-I / II), SDXC(UHS-I / II) |
| Recording Format | DCF2.0, Exif2.31 |
| File Format | JPEG, RAW(12-bit lossless compression), JPEG+RAW |
| Recording Image Size | RAW: 5184 x 3888 JPEG: 5184 x 3888 ~ 1024 x 768 |
White Balance/Color Mode
| White Balance Mode | Auto WB, 7 WB presets, 4 Capture WB, Custom WB (Kelvin setting) |
| White Balance Compensation* |
±7 steps along A-B / G-M axis * Including Custom WB |
| Color Mode | sRGB, Adobe RGB |
Bracketing/HDR
| Exposure Bracketing | 2, 3 or 5 frames (0.3/0.7/1.0EV steps selectable), 7 frames (0.3/0.7EV steps selectable) |
| ISO Bracketing | 3 frames (0.3/0.7/1.0EV steps selectable) |
| White Balance Bracketing | 3 frames (A-B/G-M axis*) *Selectable in 2, 4, 6 steps each |
| Flash Bracketing | 3 frames (0.3/0.7/1.0EV steps selectable) |
| Art Filter Bracketing | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator, Underwater selectable |
| Focus Bracketing | 3 to 999 frames (step 1 to 10 selectable) Flash charge time (0, 0.1, 0.2, 0.5, 1, 2, 4, 8, 15, 30 sec. selectable) |
| Focus Stacking | Available M.ZUIKO DIGITAL ED 7-14mm F2.8 PRO M.ZUIKO DIGITAL ED 8-25mm F4.0 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO II M.ZUIKO DIGITAL ED 12-45mm F4 PRO M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO M.ZUIKO DIGITAL ED 40-150mm F4.0 PRO M.ZUIKO DIGITAL ED 100-400mm F5.0-6.3 IS M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO M.ZUIKO DIGITAL ED 8mm F1.8 Fisheye PRO M.ZUIKO DIGITAL ED 30mm F3.5 Macro M.ZUIKO DIGITAL ED 60mm F2.8 Macro M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO M.ZUIKO DIGITAL 1.4x Teleconverter MC-14 M.ZUIKO DIGITAL 2x Teleconverter MC-20 |
| HDR (Auto Composite) | HDR1, HDR2 (painting-like) *ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. |
| Bracketing for HDR post-process | 3 or 5 frames (2.0 or 3.0 EV steps), 7 frames (2.0 EV steps) |
Creative Features
| Picture Mode | i-Finish, Vivid, Natural, Flat, Portrait, Monotone, Custom, e-Portrait, Underwater, Color Creator, Art Filters |
| Gradation | 4 types (Auto, Normal, High Key, Low Key) *Except when using e-Portrait, Underwater, Art Filters, Color Creator |
| Highlight and Shadow Control | ±7 steps each for highlight, shadow, mid-tone |
| Art Filter (Variation / Art Effect) |
Pop Art, Soft Focus, Pale & Light Color, Light Tone, Grainy Film, Pin Hole, Diorama, Cross Process, Gentle Sepia, Dramatic Tone, Key Line, Water Color, Vintage, Partial Color (18 color selectable), Bleach Bypass, Instant Film |
| Live Bulb / Live Time | Available *Update interval time 0.5 sec. ~ 60 sec. |
| Live Composite | Available *Update interval time 0.5 sec. ~ 60 sec. |
| Interval Shooting | Available *Creating Time-lapse movie is possible with interval shooting up to 999 frames. *Time priority, Frame priority selectable *Exposure smoothing is available |
| Multiple Exposure | 2 frames / auto gain adjustment, exposure on recorded picture (RAW) |
| Fisheye Compensation | 3 Styles *Enabled when M.Zuiko Digital ED 8mm F1.8 Fisheye PRO is used. |
| High Res Shot | Handheld High Res Shot: JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 8160 x 6120 Tripod High Res Shot JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 10368 x 7776 |
| Keystone Compensation | Available |
Video/Audio Recording
| Video Recording Format | MOV(MPEG-4AVC/H.264) |
| Movie Mode / Frame Rate / Compression Method | 4096 x 2160 (C4K) 24p / IPB（Approx.237Mbps) 3840 x 2160 (4K) 30p、25p、24p / IPB（Approx. 102Mbps） 1920 x 1080 (FHD) 30p、25p、24p / ALL-I（Approx. 202Mbps）, IPB（Approx. 52Mbps、Approx. 30Mbps、Approx. 18Mbps） 60p、50p / IPB（Approx. 52Mbps、Approx. 30Mbps、Approx. 18Mbps） 1280×720（HD） 60p、50p、30p、25p、24p / ALL-I（Approx. 102Mbps）, IPB（Approx. 26Mbps、Approx. 14Mbps、Approx. 10Mbps） |
| Maximum Video Recording Time | - |
| Art Filter Movie | Available *Frame rates may drop when certain Art Filters are used. |
| Time-lapse Movie | 3840 x 2160 (4K) / 5fps, 10fps, 15fps, 30fps 1920 x 1080 (FHD) / 5fps, 10fps, 15fps, 30fps 1280 x 720 (HD) / 5fps, 10fps, 15fps, 30fps |
| Quick Movie / Slow Movie | Available |
| High speed movie | 120fps（1920×1080 / MOV） |
| Image Stabilization for Movie | M-IS1 (multi motion IS by Image sensor shift and electronic image stabilizer), M-IS2 (Multi motion IS by Image sensor shift), OFF *Field of view varies when using M-IS1. Using lens which is equipped with image stabilization can be given top priority. |
| AE Lock | Available |
| Time Code | Rec run / free run, drop frame / non-drop frame |
| Live View Output via HDMI | Monitor mode / Record mode *In monitor mode, the image can not be enlarged on the camera when a movie is being recorded. *In record mode, 4K / C4K can not be set. *In record mode, movie quality can be set to YCbCr 4:2:2 (8 bit). |
| Movie Picture Mode | Flat, OM-Log400 |
| Audio Recording Format | Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz) High-Resolution Audio recording Stereo linear PCM/24-bit, Sampling frequency 96kHz |
| Microphone / Speaker | Built-in stereo microphone / built-in mono speaker *External stereo microphone can be attached |
| Microphone Function | Wind noise reduction, recording volume, microphone volume limiter *Audio dubbing possible for still pictures (up to 30 sec.) |
Operability
| Wireless Shooting | Live View, Rec View, Wireless Touch AF shutter, Self Timer (w/ Countdown guidance, Sequential shooting, movie recording capability), Wireless Release, Movie Recording, Power Off |
| Image Share | Available *Marking function for image share is available. |
| Easy Connection | Connect using a QR code Connect using Bluetooth (View, Transfer only) |
| Playback Mode | Single-frame, Information display, Index display (4/9/25/100 frames), Calendar, Enlargement (2x ~ 14x), Movie (with sound, FF/REW/Pause), Picture rotation (auto) |
| Information Display | Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF |
Custom
| Mode dial my set | 1 type (Modes C can be accessed by mode dial) |
| Menu custom set | C2, C3 and C4 |
| Lever customization | Select assignment from 3 different modes, power switch, or off (no function assignment) |
| Button Customization | Buttons can be customized (select from 35 functions) Buttons on lenses can also be customized from the camera Some buttons may have restrictions to what functions can be assigned |
| Menu Languages (18 selectable) | English, French, German, Spanish, Italian, Japanese, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Polish, Portuguese, Swedish, Norwegian, Finnish, Turkish, Thai |
Connectivity/Power Requirements
| USB Connector | USB Micro-B (USB2.0 Hi-Speed) |
| Remote Connector | ⌀2.5Pin Jack (Optional remote cable RM-CB2, remote controller RM-WR1 can be used) |
| HDMI Connector | Micro HDMI (type D) |
| Flash Attachment | Hot shoe |
| Wireless LAN | Built-in (IEEE 802.11b/g/n) |
| Bluetooth | Built-in (Bluetooth Ver.4.2 Bluetooth Low Energy) |
| MIC Input Jack | ⌀3.5 stereo mini jack (plug-in power on/off) |
| PC Interface | USB Micro-B (USB2.0 Hi-Speed) |
| Battery | BLS-50 Li-ion battery |
| Battery Status Display | Remaining power (4 steps) |
| USB Charging | Built-in battery can be charged with USB * When the camera power is off * Performance varies depending on different USB devices |
| Sleep Mode | 1/3/5 min., Off |
| Number of Recordable Pictures | Standard mode: 310 shots / Quick sleep mode: 660 shots *With KIOXIA KSDXU-A064G, IS ON, with no flashes attached, based on CIPA test standards |
| Battery Life for Movie Recording | Under standard JEITA testing: 60 minutes When zoom and other operational functions are not used: 110 minutes |
Weights & Dimensions
| Weight |
Based on CIPA standards, with 1x BLX-1 battery and 1 memory card, without eyecup): 414g Body only: 366g |
| Dimensions | Approx. 125.3mm(W) x 85.2mm(H) x 49.7mm(D) *Based on CIPA standards: excludes protrusions |
| Environmentally Sealed | Dust, Splash, Freezeproof |
| Operating Temperature Range | -10℃ ~ +40℃ (when in operation), -20 ~ +60℃ (when stored) |
| Operating Humidity Range | 30 ~ 90% (when in operation), 10 ~ 90% (when stored) |
*Prices and Specifications are subject to change without notice.
Item Includes
Box Contents:
Body, USB cable, Shoulder strap, Instruction manual, Warranty card, BLS-50 Li-ion battery, F-5AC AC adapter
OM System OM-5 Mirrorless Camera with 12-45mm f/4.0 (Silver)
$ 1,599.99
OM System OM-5 Mirrorless Camera with 12-45mm f/4.0 (Silver)
OM System SKU: V210022SU000 | Helix SKU: OYV210022SU000
Overview
Like Your Favorite Pair of Boots
The OM-5 is not here to be flashy, steal the show, be in the way of your experience or even try to be the sole reason for your adventure. It is rather like your favorite pair of boots that lead you onto trails unknown; that bag that always has what you need or that friend that helps you see the world in a beautifully different way.
Invisible
So compact you barely notice it. A streamlined classic design that disappears in your bag but feels just right to hold.
Durable
Noticeably tough. The OM-5 will tackle anything your adventure can throw at it. There’s no bad weather for storytelling.
Discover
See nature in a new way through computational photography—an ever-expanding photographic journey of discovery.
Stories
When even pictures cannot do a story justice, turn it into a spectacular movie worthy of the journey you made.
A Device of Discovery
Technology is only useful if we use it. The OM-5 has everything you need and nothing you don’t.
While the technology within the camera is impressive, the really exciting part is when it comes together through computational photography and other features. Here are the highlights.
Touch the Sky
With the powers of Starry Sky AF and Live Composite combined, no celestial object is out of reach on your nighttime adventures.
Creative Flow
Class leading image stabilization and computational photography features such as Live ND will open up a new flow of creativity with movement.
Color Your Story
Capture every shade and color your story the way you experienced it with features like HDR, Color Creator, and Art Filters.
Venture Deeper
No camera can tell the story for you but the right bit of kit in the right situation can make all the difference in getting the shot or coming home empty-handed. But remember — sometimes missing the shot is just the thing you need to be able to make the most of the moment. The choice is yours.
4K30
Capture stunning views with a 4K 30p video codec that is easy on the memory card but does not compromise on quality and detail.
Vertical Video
Capture your stories the way you want to show them. Vertical videos means easy editing and easy sharing on mobile platforms.
OM-LOG400
Capture the full range of nature’s beauty with a filmmaking-specific color-grading friendly picture profile.
Specifications
Specifications
Sensor/Dust Reduction
| Sensor Type | 4/3 Live MOS Sensor |
| Effective Pixels | 20.4 million |
| Total Pixels | 21.8 million |
| Aspect Ratio | 4:3 |
| Dust Reduction | Supersonic Wave Filter (image sensor dust reduction system) |
Processor
| Processor Type | TruePic™ IX Image Processor |
Focusing System
| AF System Type |
High-speed imager AF *Imager phase detection AF and imager contrast AF used in combination |
| Focusing Points / Focusing Points Selection Mode | Cross-type phase detection AF (121 points), Contrast AF (121 points) / All target, Single target (Normal), Single target (Small), Group target (5 area), Group target (9 area), Group target (25 area), Custom target* (AF area and its increment steps selectable) *Number of saved custom target settings: 4 |
| Focus Modes | Single AF (S-AF), Single AF+MF (S-AF+MF), Continuous AF (C-AF), Continuous AF+MF (C-AF+MF), Manual Focus (MF), AF tracking (C-AF + TR), AF tracking+MF (C-AF + TR+MF), Preset MF, Starry sky AF (S-AF), Starry sky AF+MF (S-AF+MF) |
| AF Limiter | Available *Up to 3 distance settings can be saved |
| Magnified Frame | 3x, 5x, 7x, 10x, 14x |
| Super Spot AF | Available |
| Face Detection AF / Eye Detection | Available |
| AF Targeting Pad | Available |
| Peaking Function | Available |
| AF Focus Adjust | Available |
| AF Illuminator | Available |
Image Stabilization
| System Type | Built-in 5-axis sensor-shift image stabilization |
| Modes | S-IS AUTO, S-IS1, S-IS2, S-IS3, OFF |
| Focal Length Setting | 11 settings: 10 programmable settings (10 lenses), 1 open setting *Lenses without communication function can be registered |
| 5-Axis Sync IS |
Available *When using the M.Zuiko Digital lenses equipped with image stabilization |
| Stabilization Performance | Compensation steps (Body only): 6.5 *When using the M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO Focal length: 40mm (35mm equivalent: 80mm) Compensation steps (Sync IS): 7.5 *When using the M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO Focal length: 100mm (35mm equivalent: 200mm), halfway release image stabilization Off, Frame rate: High |
Shutter/Sequential Shooting
| Sequential Shooting Maximum Speed |
[Sequential shooting H] approx. 10 fps with selectable 5 -10 fps [Sequential shooting L] approx. 6fps with selectable 1-6 fps [Anti-shock sequential shooting L] approx. 5.5 fps with selectable 1-6 fps [Silent sequential shooting H] approx. 30 fps with selectable 15, 20, 30 fps [Silent sequential shooting L] approx. 10 fps with selectable 1-10fps [Pro Capture H] approx. 30 fps with selectable 15, 20, 30fps * Slower shutter speeds and flash can not be used [Pro Capture L] approx. 10 fps *Slower shutter speeds and flash can not be used. *Compatible lenses are limited. *The minimum aperture is f/8. |
| Max Recordable Pictures in Sequential Shooting | Sequential shooting H 10 fps [RAW]: Approx. 149 [JPEG LF]: Until card is full Sequential shooting L 6 fps [RAW]: Until card is full [JPEG LF]: Until card is full Silent sequential shooting H 30 fps [RAW]: Approx. 18 [JPEG LF]: Approx. 20 Silent sequential shooting L 10 fps [RAW]: Approx. 138 [JPEG LF]: Until card is full |
Viewfinder/Monitor
| Finder Type | Eye-level OLED electronic viewfinder, approx. 2.36M dots |
| Field of View / Viewfinder Magnification | Approx. 100% / Approx. 1.23x[*1] ~ 1.37x[*2] (-1m-1, 50mm lens, Infinity) *1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3) |
| Eye Point / Diopter Adjustment Range | Approx. 27mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1 |
| Display Grid | Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid *grid color is selectable |
| Level Gauge | 2-axis (horizontal/vertical) level gauge |
| Finder Style | 3 styles |
| Brightness / Color Temp Control | Adaptive brightness technology (EVF Auto Luminance) / ±2 level manual brightness control /±3 level manual color temperature control |
| Rear Monitor Size | 3.0-inch vari-angle monitor (electrostatic capacitance touch panel), Approx.1.04M dots (3:2) |
| Touch Control | Shutter release, Touch AF (AF area selection, AF area size adjustment), Face selection by touch operation, AF targeting pad, Frame forward/backward, Magnified playback, Live Guide, Super Control Panel, Wi-Fi connection |
| Tilting Capability | Swivel type |
| Brightness / Color Temp Control (Rear Monitor) | ±7 levels / ±7 levels |
Exposure Control/Flash
| Metering System |
Digital ESP metering (324-area multi pattern metering), Center-weighted average metering, Spot metering*, Spot metering with highlight/shadow control* *Also available AF target spot metering |
| Metering Range | Lowest luminance (-2 EV) / Highest luminance (20 EV) *ISO approx. 100, with F2.8 lens |
| Exposure Mode / Shooting Mode | AUTO (Live Guide can be used) Program AE (Program shift can be performed) Aperture priority AE Shutter priority AE Manual Bulb (Live Bulb, Live Time and Live Composite are available) Custom Scene select AE Art Filter |
| ISO Sensitivity | AUTO ISO (default): LOW (approx.64) ‐ 6400 with customizable default and upper limit (200 - 6400) Manual ISO: LOW (approx.64, approx.100), 200 ~ 25600 |
| Exposure Compensation | ±5 EV (adjustable by 1/3, 1/2 or 1 EV steps) *Live View only reflects up to ±3 EV steps |
| AE Lock | Available *Locks with a half-press of the shutter button (can be set to other buttons) |
| Anti-Flicker Shooting | Available |
| Flash Intensity Control Mode | TTL Auto, Manual, Auto, Super FP (FP-TTL AUTO, FP-MANUAL) *Auto and Super FP are available on the external flash |
| Flash Mode | Redeye, Fill-in, Flash Off, Red-eye Slow sync. (1st curtain), Slow sync. (1st curtain), Slow sync. (2nd curtain), Manual (1/1 (FULL) ~ 1/64) |
| Synchronization Speed | 1/250 sec. When using Super FP: 1/125-1/8000 sec. When using electronic shutter: 1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing |
| Flash Intensity Control | ±3 EV (1/3, 1/2, 1 EV steps selectable) |
| Compatible External Flash | FL-LM3, FL-600R, FL-900R, STF-8, FL-700WR |
| Wireless Flash Control Method | OM SYSTEM (Olympus) Wireless RC Flash system (Triggered and controlled by flash) Compatible external flash FL-600R, FL-900R, FL-700WR |
| External Flash Intensity Type | TTL Auto, Manual, Auto, FP-TTL AUTO, FP-MANUAL |
| Channel No. | 4 channels |
| Group No. | 4 groups (External flash 3 groups + commander flash) |
| Radio Wireless Control | Available |
Memory/Image Recording (File Format)
| Compatible Memory | Slot 1: SD, SDHC (UHS-I / II), SDXC(UHS-I / II) |
| Recording Format | DCF2.0, Exif2.31 |
| File Format | JPEG, RAW(12-bit lossless compression), JPEG+RAW |
| Recording Image Size | RAW: 5184 x 3888 JPEG: 5184 x 3888 ~ 1024 x 768 |
White Balance/Color Mode
| White Balance Mode | Auto WB, 7 WB presets, 4 Capture WB, Custom WB (Kelvin setting) |
| White Balance Compensation* |
±7 steps along A-B / G-M axis * Including Custom WB |
| Color Mode | sRGB, Adobe RGB |
Bracketing/HDR
| Exposure Bracketing | 2, 3 or 5 frames (0.3/0.7/1.0EV steps selectable), 7 frames (0.3/0.7EV steps selectable) |
| ISO Bracketing | 3 frames (0.3/0.7/1.0EV steps selectable) |
| White Balance Bracketing | 3 frames (A-B/G-M axis*) *Selectable in 2, 4, 6 steps each |
| Flash Bracketing | 3 frames (0.3/0.7/1.0EV steps selectable) |
| Art Filter Bracketing | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator, Underwater selectable |
| Focus Bracketing | 3 to 999 frames (step 1 to 10 selectable) Flash charge time (0, 0.1, 0.2, 0.5, 1, 2, 4, 8, 15, 30 sec. selectable) |
| Focus Stacking | Available M.ZUIKO DIGITAL ED 7-14mm F2.8 PRO M.ZUIKO DIGITAL ED 8-25mm F4.0 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO II M.ZUIKO DIGITAL ED 12-45mm F4 PRO M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO M.ZUIKO DIGITAL ED 40-150mm F4.0 PRO M.ZUIKO DIGITAL ED 100-400mm F5.0-6.3 IS M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO M.ZUIKO DIGITAL ED 8mm F1.8 Fisheye PRO M.ZUIKO DIGITAL ED 30mm F3.5 Macro M.ZUIKO DIGITAL ED 60mm F2.8 Macro M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO M.ZUIKO DIGITAL 1.4x Teleconverter MC-14 M.ZUIKO DIGITAL 2x Teleconverter MC-20 |
| HDR (Auto Composite) | HDR1, HDR2 (painting-like) *ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. |
| Bracketing for HDR post-process | 3 or 5 frames (2.0 or 3.0 EV steps), 7 frames (2.0 EV steps) |
Creative Features
| Picture Mode | i-Finish, Vivid, Natural, Flat, Portrait, Monotone, Custom, e-Portrait, Underwater, Color Creator, Art Filters |
| Gradation | 4 types (Auto, Normal, High Key, Low Key) *Except when using e-Portrait, Underwater, Art Filters, Color Creator |
| Highlight and Shadow Control | ±7 steps each for highlight, shadow, mid-tone |
| Art Filter (Variation / Art Effect) |
Pop Art, Soft Focus, Pale & Light Color, Light Tone, Grainy Film, Pin Hole, Diorama, Cross Process, Gentle Sepia, Dramatic Tone, Key Line, Water Color, Vintage, Partial Color (18 color selectable), Bleach Bypass, Instant Film |
| Live Bulb / Live Time | Available *Update interval time 0.5 sec. ~ 60 sec. |
| Live Composite | Available *Update interval time 0.5 sec. ~ 60 sec. |
| Interval Shooting | Available *Creating Time-lapse movie is possible with interval shooting up to 999 frames. *Time priority, Frame priority selectable *Exposure smoothing is available |
| Multiple Exposure | 2 frames / auto gain adjustment, exposure on recorded picture (RAW) |
| Fisheye Compensation | 3 Styles *Enabled when M.Zuiko Digital ED 8mm F1.8 Fisheye PRO is used. |
| High Res Shot | Handheld High Res Shot: JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 8160 x 6120 Tripod High Res Shot JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 10368 x 7776 |
| Keystone Compensation | Available |
Video/Audio Recording
| Video Recording Format | MOV(MPEG-4AVC/H.264) |
| Movie Mode / Frame Rate / Compression Method | 4096 x 2160 (C4K) 24p / IPB（Approx.237Mbps) 3840 x 2160 (4K) 30p、25p、24p / IPB（Approx. 102Mbps） 1920 x 1080 (FHD) 30p、25p、24p / ALL-I（Approx. 202Mbps）, IPB（Approx. 52Mbps、Approx. 30Mbps、Approx. 18Mbps） 60p、50p / IPB（Approx. 52Mbps、Approx. 30Mbps、Approx. 18Mbps） 1280×720（HD） 60p、50p、30p、25p、24p / ALL-I（Approx. 102Mbps）, IPB（Approx. 26Mbps、Approx. 14Mbps、Approx. 10Mbps） |
| Maximum Video Recording Time | - |
| Art Filter Movie | Available *Frame rates may drop when certain Art Filters are used. |
| Time-lapse Movie | 3840 x 2160 (4K) / 5fps, 10fps, 15fps, 30fps 1920 x 1080 (FHD) / 5fps, 10fps, 15fps, 30fps 1280 x 720 (HD) / 5fps, 10fps, 15fps, 30fps |
| Quick Movie / Slow Movie | Available |
| High speed movie | 120fps（1920×1080 / MOV） |
| Image Stabilization for Movie | M-IS1 (multi motion IS by Image sensor shift and electronic image stabilizer), M-IS2 (Multi motion IS by Image sensor shift), OFF *Field of view varies when using M-IS1. Using lens which is equipped with image stabilization can be given top priority. |
| AE Lock | Available |
| Time Code | Rec run / free run, drop frame / non-drop frame |
| Live View Output via HDMI | Monitor mode / Record mode *In monitor mode, the image can not be enlarged on the camera when a movie is being recorded. *In record mode, 4K / C4K can not be set. *In record mode, movie quality can be set to YCbCr 4:2:2 (8 bit). |
| Movie Picture Mode | Flat, OM-Log400 |
| Audio Recording Format | Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz) High-Resolution Audio recording Stereo linear PCM/24-bit, Sampling frequency 96kHz |
| Microphone / Speaker | Built-in stereo microphone / built-in mono speaker *External stereo microphone can be attached |
| Microphone Function | Wind noise reduction, recording volume, microphone volume limiter *Audio dubbing possible for still pictures (up to 30 sec.) |
Operability
| Wireless Shooting | Live View, Rec View, Wireless Touch AF shutter, Self Timer (w/ Countdown guidance, Sequential shooting, movie recording capability), Wireless Release, Movie Recording, Power Off |
| Image Share | Available *Marking function for image share is available. |
| Easy Connection | Connect using a QR code Connect using Bluetooth (View, Transfer only) |
| Playback Mode | Single-frame, Information display, Index display (4/9/25/100 frames), Calendar, Enlargement (2x ~ 14x), Movie (with sound, FF/REW/Pause), Picture rotation (auto) |
| Information Display | Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF |
Custom
| Mode dial my set | 1 type (Modes C can be accessed by mode dial) |
| Menu custom set | C2, C3 and C4 |
| Lever customization | Select assignment from 3 different modes, power switch, or off (no function assignment) |
| Button Customization | Buttons can be customized (select from 35 functions) Buttons on lenses can also be customized from the camera Some buttons may have restrictions to what functions can be assigned |
| Menu Languages (18 selectable) | English, French, German, Spanish, Italian, Japanese, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Polish, Portuguese, Swedish, Norwegian, Finnish, Turkish, Thai |
Connectivity/Power Requirements
| USB Connector | USB Micro-B (USB2.0 Hi-Speed) |
| Remote Connector | ⌀2.5Pin Jack (Optional remote cable RM-CB2, remote controller RM-WR1 can be used) |
| HDMI Connector | Micro HDMI (type D) |
| Flash Attachment | Hot shoe |
| Wireless LAN | Built-in (IEEE 802.11b/g/n) |
| Bluetooth | Built-in (Bluetooth Ver.4.2 Bluetooth Low Energy) |
| MIC Input Jack | ⌀3.5 stereo mini jack (plug-in power on/off) |
| PC Interface | USB Micro-B (USB2.0 Hi-Speed) |
| Battery | BLS-50 Li-ion battery |
| Battery Status Display | Remaining power (4 steps) |
| USB Charging | Built-in battery can be charged with USB * When the camera power is off * Performance varies depending on different USB devices |
| Sleep Mode | 1/3/5 min., Off |
| Number of Recordable Pictures | Standard mode: 310 shots / Quick sleep mode: 660 shots *With KIOXIA KSDXU-A064G, IS ON, with no flashes attached, based on CIPA test standards |
| Battery Life for Movie Recording | Under standard JEITA testing: 60 minutes When zoom and other operational functions are not used: 110 minutes |
Weights & Dimensions
| Weight |
Based on CIPA standards, with 1x BLX-1 battery and 1 memory card, without eyecup): 414g Body only: 366g |
| Dimensions | Approx. 125.3mm(W) x 85.2mm(H) x 49.7mm(D) *Based on CIPA standards: excludes protrusions |
| Environmentally Sealed | Dust, Splash, Freezeproof |
| Operating Temperature Range | -10℃ ~ +40℃ (when in operation), -20 ~ +60℃ (when stored) |
| Operating Humidity Range | 30 ~ 90% (when in operation), 10 ~ 90% (when stored) |
*Prices and Specifications are subject to change without notice.
Item Includes
Box Contents:
Body, USB cable, Shoulder strap, Instruction manual, Warranty card, BLS-50 Li-ion battery, F-5AC AC adapter
Op/Tech USA Accessory Pack-11" Black HC 4901012
$ 27.95 - Sold Out
Op/Tech USA Accessory Pack-11" Black HC 4901012
Op/Tech USA Body Cover AF-Pro Black 8201054
$ 24.95
Op/Tech USA Body Cover AF-Pro Black 8201054
Op/Tech USA Classic Strap Black HC 1001252
$ 17.95
Op/Tech USA Classic Strap Black HC 1001252
Op/Tech USA Pro Strap 3/8" - Black
$ 24.95
Op/Tech USA Pro Strap 3/8" - Black
Op/Tech SKU: 1501012 | Helix SKU: OP1501012
Overview
Pro Strap™ - 3/8"
The Pro Strap™ is rapidly becoming the choice of professional photographers and people who use large cameras with long heavy lenses. It's also ideal for use on portable power packs. The patented weight reduction system makes equipment feel 50% lighter and 100% more comfortable. The weight is evenly dispersed while the strap functions as a shock absorber to eliminate neck and shoulder fatigue. The Non Slip Grip™ adds the finishing touch which enables camera gear to be safely carried slung over the shoulder. You'll definitely feel the difference! The 3/8" Webbing Connectors give added adjustability and versatility so a camera can be easily worn across the chest if desired.
Specifications
Op/Tech USA Rain Sleeve 2-Pack - 18"
$ 9.95 - Sold Out
Op/Tech USA Rain Sleeve 2-Pack - 18"
MFR SKU: 9001132 | Helix SKU: OP9001132
Overview
The OP/TECH USA 18" Rainsleeve is a polyethylene sleeve made to protect an SLR camera with a lens up 7.0" in diameter and 18" in length. The sleeve protects the gear from dust and inclement weather. It is designed for handheld use or tripod application. It has a unique eyepiece opening adapts to most viewfinders for viewing through the lens. Camera & lens controls are easily visible and operable through the sleeve. Drawstring lens opening offers easy access and a snug fit. There are two Rainsleeves included.
- Polyethylene case made to protects your gear from dust and inclement weather.
- Designed for handheld use or tripod application
- Unique eyepiece opening adapts to most viewfinders for viewing through the lens
- Camera and lens controls are easily visible and operable through the RainSleeve.
- Drawstring lens opening offers easy access and a snug fit
- Fits lenses measuring up to 7.0" (17.8 cm) in diameter and up to 18" (45.7cm) in length
Op/Tech USA Rain Sleeve 2-Pack - 8"
$ 9.95 - Sold Out
Op/Tech USA Rain Sleeve 2-Pack - 8"
MFR SKU: 9001022 | Helix SKU: OP9001022
Overview
- Fits Camera and Lens
- Protects Against Rain, Dust, and Mud
- Completely See-Through
- Full Access to Camera Controls & Finder
This see-through plastic rain sleeve is designed to protect your camera and lens up to 8" in length and 4.5" in diameter. Fully-featured, the sleeve protects your gear from dust and inclement weather and may be used handheld or with a tripod. For added protection, the rain sleeve may be used with a lens hood, and has a drawstring closure. Photographers will appreciate that the rain sleeve is customizable to the camera's eyepiece. This package contains two rain sleeves.
- Compact design which fits easily in a bag or pocket
- Four great styles to protect your gear
- Designed for handheld use or tripod application
- Unique eyepiece opening adapts to most viewfinders for viewing through the lens & not through plastic
- Camera and lens controls are easily visible and operable
- Drawstring lens opening offers easy access and a snug fit
- Includes two rain sleeves
Op/Tech USA Rainsleeve Mega 25" (63 5cm) 9001252
$ 8.95
Op/Tech USA Rainsleeve Mega 25" (63 5cm) 9001252
Op/Tech USA Rainsleeve-Flash 14" (46cm) 9001142
$ 8.25
Op/Tech USA Rainsleeve-Flash 14" (46cm) 9001142
Op/Tech USA Stabilizer Strap Black HC 5301002
$ 15.95
Op/Tech USA Stabilizer Strap Black HC 5301002
Op/Tech USA System Connectors Mini QD Loops 1mm (contains 4) 1301112
$ 5.95
Op/Tech USA System Connectors Mini QD Loops 1mm (contains 4) 1301112
Op/Tech USA System Connectors Secure-Its 1301042
$ 5.95
Op/Tech USA System Connectors Secure-Its 1301042
